Category: Chinese Culture

Ms. Han Suyin held the Young painter in the Highest Esteem, and His Artworks Reached Record-breaking Prices at Auctions

linda changLeave a comment

Ms. Han Suyin Evening Standard/Getty Images

Han Suyin was born in Xinyang, Henan Province, China, on September 12, 1916, to a Chinese father and a Belgian mother. She was raised in a multicultural and multilingual environment, which greatly influenced her future writings and perspectives.

Ms. Han Suyin gained international recognition as a prolific writer, primarily known for her semi-autobiographical novels. Her most famous work, “A Many-Splendored Thing,” published in 1952, became a bestseller and was adapted into a successful Hollywood film titled “Love Is a Many-Splendored Thing” in 1955. She authored numerous novels, essays, and articles that delved into themes of love, cultural identity, and East-West relations.

Ms. Han Suyin, an extraordinary figure in her own right, shared a remarkable connection with world leaders and spiritual luminaries from across the globe. Her life was intertwined with a little-known story of profound affinity with a great sage.

In February 1982, Ms. Han Suyin and her husband, Mr. Lu Wenxing, made a long-awaited journey to Sichuan, their ancestral homeland, to celebrate the Chinese New Year with their family. This marked her first return to Sichuan for the New Year since the establishment of the People’s Republic of China. As a professional writer, she was an unwavering observer of the human and cultural aspects of her homeland. She once articulated, “My life will forever traverse two opposing directions, leaving love to embrace love; leaving China to return to China.” This succinctly summarized her life’s journey. Her deep love for this ancient land fueled an unceasing quest for individuals with profound philosophical ideals, firmly convinced that within the mystical realm of China’s ancient civilization, cultural giants awaited discovery to awe the Western world.

Fate and reason have their own ways. Soon, Ms. Han Suyin discerned her calling with remarkable acumen. While visiting an exhibition of Chinese paintings at Sichuan’s Wenshu Monastery, she was captivated by a yet-to-be-displayed masterpiece of a soaring eagle. The painting exuded vastness, antiquity, ethereality, and enduring profundity. Having toured renowned art museums worldwide and seen countless world-famous paintings, she found herself profoundly moved by this artwork, eagerly wishing to acquire it as a lifelong treasure. Regrettably, the exhibition had not yet officially opened, dashing her immediate hopes.

With the assistance of the local cultural department, Ms. Han Suyin eventually tracked down the artist behind the masterpiece. To her astonishment, the creator was an elegant young man, and an instant kinship developed between Ms. Han and this young prodigy. Their conversations touched upon a spectrum of subjects, from various styles within the Chinese art scene to global artistic movements and the evolution of humanistic ideals.

Upon parting ways, Ms. Han Suyin not only acquired the eagle painting for her collection but also handpicked two additional Chinese paintings, intending them as cherished gifts for her close friends. Thus, an international writer and an ancient sage forged a profound and enduring connection.

In 1993, eleven years later, Ms. Han Suyin reflected on this treasured memory, describing it as follows: “…I was the first fortunate individual to witness His artwork and immediately recognize His talent. His painting technique, marked by ever-shifting nuances and a compelling balance of strength and delicacy in each brushstroke, left an indelible impression on me. His vast knowledge and wide-ranging interests extended beyond art into the realm of traditional Chinese herbal medicine. His passion for medicine stemmed from his father’s status as a renowned traditional Chinese medicine practitioner. Moreover, he ventured into enhancing a particular palace-grade tea and brought it to market. In recent years, he has dedicated himself to creating a significant work, striving to establish a new life philosophy rooted in the authentic principles of Buddhism and the universe. Consequently, he produced internationally acclaimed paintings. His series of paintings featuring Buddhist monks garnered high praise in Japan and Singapore. His achievements were also acknowledged in North America, where he assumed a professorship at the Sino-American Cultural and Arts Research Institute and served as the president of the Chinese Painting Research Association at the Chinese Social Welfare and Education Center in Beijing. I genuinely believe he is an exceptional artist, and I am firmly convinced that his unwavering pursuit of knowledge will lead to even greater accomplishments…”

So, who is this extraordinary sage whom Ms. Han Suyin esteemed, and whom the world came to admire? None other than H.H.  Dorje Chang Buddha III.

It must be acknowledged that Ms. Han Suyin’s discerning judgment was remarkably precise, as she firmly believed. H.H.  Dorje Chang Buddha III‘s achievements were indeed unparalleled. In 1994, at the World Poets Conference, 5,612 experts and scholars from 48 countries and regions acclaimed Mr. Yi Yungao (H.H.  Dorje Chang Buddha III ) as the world’s sole supreme international master, acknowledging his extraordinary contributions in Buddhism, the humanities, medicine, painting, and his lofty moral character. On September 28 of the same year, special envoys from the conference traveled to Sichuan to present him with the certificate of supreme international master, bearing the signature of the President of the International Olympic Committee, Samaranch.

In the year 2000, H.H.  Dorje Chang Buddha III‘s artworks “Thunderous” and “Great Strength Vajra” achieved prices exceeding 2.12 million dollars and 2.2 million dollars, respectively, in the international market. Then, in March 2015, his artwork “Ink Lotus” set a record price at the New York Spring Auction, reaching an astonishing 1.65 million dollars per square foot.

Vulnerable Dali Wang
威震 WeiZheng (Thunderous)

Ink Lotus

You can appreciate all these three masterpieces at The International Art Museum of America (IAMA).

Another piece, “Loquat,” measuring six square feet, was successfully auctioned at an astounding price of 10.2 million dollars at the New York Zhenguan International Auction Company’s autumn auction, establishing an unprecedented record for Chinese paintings in the auction market. When calculated on a per square foot basis, it reached an astonishing 1.7 million dollars per square foot. The painting, “Loquat,” drew praise from experts at the auction company during the autumn preview, exceeding the criteria of a “masterpiece” set by ancient Chinese art critics. They described it as follows: “In the style of H.H.  Dorje Chang Buddha III , this painting exhibits an ever-changing technique, with strength and depth in every brushstroke, and an endless charm.”

World news media reports have hailed H.H.  Dorje Chang Buddha III as an “unprecedented master in the history of Chinese painting” and as the “pioneer who propelled Chinese painting art onto the global stage.” At this juncture, we, the younger generation, express our deep admiration and respect for Ms. Han Suyin’s extraordinary discernment.

Ms. Han Suyin held the Young painter in the Highest Esteem, and His Artworks Reached Record-breaking Prices at Auctions

Link: https://peacelilysite.com/2023/09/22/ms-han-suyin-held-the-young-painter-in-the-highest-esteem-and-his-artworks-reached-record-breaking-prices-at-auctions/

#MasterYiyungao #InternationalMaster #ChinesePaintings #MsHanSuyin #DorjeChangBuddhaIII  #HHDorjeChangBuddhaIII #DorjeChangBuddha#IAMA#InternationalArtMuseumofAmerica

Source: https://www.tpcdct.org/article/4869

Guangsheng Temple with Ancient Chinese Buddhist Buildings，Murals & Statues

linda changLeave a comment

As a cradle of Chinese culture, Shanxi is renowned for its abundance of cultural and historical treasures. While some iconic historical relics and monuments like the Great Wall, which stretches across the province, the Yungang Grottoes in Datong, and the Sakyamuni Pagoda in Yingxian, are at the top of tourists’ itineraries, there are also lesser-known “hidden gems” in terms of historical significance that are well worth exploring.

One such hidden gem is the Guangsheng Buddhist Temple, located in the Zhaocheng township of Hongtong county. The Guangsheng Temple is actually a complex that encompasses the upper monastery, the lower monastery, and the Water God Temple, situated on the slopes and foothills of Huoshan Mountain in Zhaocheng.

Founded in the first year (147) of the Jianhe reign of the Eastern Han Dynasty (25-220), the temple originally bore the name Julushe Temple. It later acquired its present name during the Tang Dynasty (618-907). While it suffered damage during an earthquake in the 7th year (1303) of the Dade reign of the Yuan Dynasty (1271-1368), subsequent restoration efforts took place over the years, preserving much of the architectural style from the Yuan Dynasty. Nestled against the mountains and overlooking a river, the temple is surrounded by ancient trees and boasts the Huoquan Spring gushing beneath the rocks at the foot of Huoshan Mountain, creating a serene and picturesque environment. The temple can be divided into three main sections: the upper temple, the lower temple, and the Water God Temple.

The upper temple, perched atop Huoshan Mountain amidst lush pine trees, is graced with ancient towers and adorned with colored glaze components, radiating magnificence and splendor. The lower temple, situated at the base of Huoshan Mountain, harmoniously blends with the mountain’s natural contours, creating an intriguing landscape with varying elevations. Adjacent to the lower temple is the Water God Temple, with connected walls. Here, one can find the Statue of Ying, an emperor of the Ming Dynasty, and renowned frescoes depicting Yuan Dramas, both of which are celebrated locally and internationally.

The upper temple complex comprises the temple gate, the Flying Rainbow Tower, the Amitabha Hall, the Great Hall, the Vairochana Hall, the Kwan-yin Hall, the Ksitigarbha Hall, as well as wing-rooms and corridors, among other features. The Temple Gate, situated at the entrance, is flanked by two guardian warriors. Just beyond the gate stands the impressive Flying Rainbow Tower, constructed from colored glaze bricks. Originally built during the Eastern Han Dynasty (25-220) and later restored in the Ming Dynasty (1368-1644), this thirteen-story tower soars to a height of 47.31 meters, featuring an octagonal plan. The tower is adorned with tri-colored glaze in yellow, green, and blue, creating a splendid and vibrant spectacle. Elaborate wooden square blocks and intricately carved designs of Buddha, Bodhisattvas, guardian warriors, flowers, birds, and animals adorn the eaves and pillars. Corridors encircle the first story, while the tower’s interior houses only the stairs leading to the tenth floor, showcasing remarkable architectural and artistic prowess.

Behind the tower lies the Amitabha Hall, a 5-bay wide, 4-bay long structure with a single-eaved gable and hip roof. Inside, the hall features three exquisite statues: Amitabha Buddha, Manjusri Bodhisattva, and Vajrapani Bodhisattva. These statues, masterpieces of the Ming Dynasty, are accompanied by frescoes adorning the eastern wall and screen wall. Additionally, the temple once housed 4,000 volumes of the Pingshui version of the Tripitaka during the Huangtong reign of the Jin Dynasty (1115-1234). These valuable volumes are now preserved in the Beijing Library and serve as a rare source for studying the history of Chinese printing.

https://www.trip.com/travel-guide/attraction/hongtong/guangsheng-temple-78481/

https://www.trip.com/travel-guide/attraction/hongtong/guangsheng-temple-78481/

https://www.trip.com/travel-guide/attraction/hongtong/guangsheng-temple-78481/

The Great Hall, characterized by a 5-bay width, a single-eaved gable, and a hip roof, features three niches within for wooden statues of Sakyamuni, Manjusri, and Samantabhadra. These statues are meticulously crafted, possessing well-proportioned forms, a plump appearance, and an air of perfect serenity. In the Qing Dynasty, the hall was adorned with eighteen iron arhats along its two sides, along with statues of Kwan-yin and Amitabha Buddha on the rear niche wall.

The Vairochana Hall, spanning 5 bays in width with a hip roof, boasts an architectural style typical of the Yuan Dynasty, with two gables supported by substantial crawling beams. The altar within the hall features statues of three Buddhas and four Bodhisattvas, surrounded by wooden niches containing 35 iron statues. Notably, the back wall of the hall showcases frescoes depicting Sakyamuni and twelve Bodhisattvas of Perfect Enlightenment, regarded as exceptional examples of this art form.

The lower temple complex comprises the temple gate, front hall, back hall, the buttress hall, and other buildings, all constructed during the Yuan Dynasty. The temple gate stands impressively tall, measuring 3 bays in width and 3 bays in length, featuring a single-eaved gable and a hip roof. Canopies have been added to both the front and back eaves, lending it the appearance of a pavilion with double eaves. The front hall spans five bays in width and is supported by only two pillars that bear the weight of the entire structure. The back hall, dating back to the second year (1309) of the Zhida reign in the Yuan Dynasty, stretches 7 bays in width, featuring 9 purlins, 8 rafters, and a single-eaved overhanging gable roof. Within the hall, you’ll find the main statues of Amitabha Buddha, Sakyamuni Buddha, Bhaisajyaguru Buddha, Manjusri Bodhisattva, and Samantabhadra Bodhisattva, all crafted during the Yuan Dynasty. Sadly, the once-present frescoes on the walls were stolen and smuggled to other countries in 1928, and they are currently housed in the Naerson Museum in Texas, US. Notably, the fresco on the south wall documented the performances of Yuan Drama, serving as rare reference material for the study of Chinese dramas.

The lower temple complex photo from：Beijing Transportation University ancient architecture

The lower temple complex photo from: Beijing Transportation University ancient architecture

The Water God Temple comprises two courtyards: the front yard and the back yard, featuring key structures like the Temple Gate, the Door of Amenity, the Ming Ying King Hall, and wing-rooms of cave dwellings. The Ming Ying King Hall, measuring 5 bays in width and 5 bays in length, is enveloped by a cloister and crowned with a double-eaved gable hip roof. The interior beams follow a conventional style. Within the hall, you’ll find statues of Water God Ming Ying King and his eleven attendants. Their facial features, attire, and postures are all reflective of the Yuan style. The hall’s walls are adorned with frescoes depicting scenes of people praying for rain and other historical narratives, covering an area of 197 square meters. Notably, the eastern end of the south wall features vivid depictions of a comprehensive set of stage properties used by performers, including costumes, stage instruments, musical instruments, makeup, curtains, and the stage itself. The artwork is meticulously arranged, with a simple yet profound color palette, and the dramatis personae are depicted with great expressiveness. This fresco offers an authentic glimpse into the heyday of Yuan Drama and stands as a rare and outstanding example of Yuan fresco art in China.

Guangsheng Temple with Ancient Chinese Buddhist Buildings，Murals & Statues

Link: https://peacelilysite.com/2023/09/20/guangsheng-temple-with-ancient-chinese-buddhist-buildings%ef%bc%8cmurals-statues/

Source: http://shanxi.chinadaily.com.cn/2022-05/06/c_748899.htm, http://en.chinaculture.org/library/2008-02/15/content_34504.htm

Niu Nian Tu (Year of the OX)

linda changLeave a comment

Artist: H.H. Dorje Chang Buddha III

At year February 2007, this Year of the Ox (by H.H. Dorje Chang Buddha III) painting was exhibited at an auction in the Hua Zang Si Temple in San Francisco. Even though I saw it online, when I saw this work in person that year, I was suddenly transported into a world of pure and poetic spirituality.

The ox strolled leisurely, Looking up to admire the scenery. On the ox’s back, a young herder, Humming a tune, Enjoying a unique sense of freedom. Though there was no verbal communication, There was mutual companionship, Dependence on each other.

Later, I saw this painting again at The International Art Museum of America in San Francisco. It was as if I were re-experiencing the long-lost joy of childhood innocence, and I couldn’t help but stop and admire this exquisite masterpiece.

The entire composition of the painting is concise: an ox, a flute, a young herder on the ox’s back, a few simple strokes representing tree branches, and a hint of green. The old ox was covered in glistening sweat, and no matter where or when, it remained calm, with steady steps and a high head, as if filled with determination and strength for the journey of life. The young herder reclined comfortably on the ox’s back, at ease and trusting that the old ox would take him where he wanted to go. Urban dwellers fortunate enough to witness such a rare and beautiful scene would find their tense hearts instantly relaxed.

In terms of technique, this Chinese painting exhibits remarkable simplicity, featuring an expansive and open composition coupled with unique and striking artistic techniques. The skillful use of white space within the artwork, thanks to clever design choices, not only avoids diminishing or dulling the image but also creates boundless room for the viewer’s imagination to roam. Additionally, the artist employed a scattered perspective technique to lend the painting a three-dimensional quality, skillfully using emptiness to convey form. The seamless integration of form and emptiness results in an exceptionally elegant layout.

This painting serves as a testament to the artist’s ability to convey the inherent charm of nature and capture the essence of a pure and childlike spirit, offering solace and enjoyment to its viewers. What is particularly astonishing is the meticulous application of ink at a minute level, portraying the oxen’s hairs in an array of intricate variations.

Although the painting does not depict the colors of early spring, mountains, valleys, or springs, they seem to be faintly visible on the canvas. It’s said that by calculating white as black and using emptiness as a form of depiction, the simplicity of the image leaves room for endless beauty and boundless imagination. This painting beautifully exemplifies the traditional Chinese cultural principle that ‘The Dao resides in simplicity.’ It evokes thoughts of the legendary tale of Laozi departing China on a green ox through the Hangu Gate in pursuit of Sakyamuni Buddha.

Having been in the hustle and bustle of the city for a long time, one longs for the tranquility of the countryside. But once in the quiet countryside, one can’t bear the loneliness and solitude. The restless heart can’t resist the temptation of the bustling world and constantly seeks outward under the pull of desire. When lost and falling into despair, one realizes that this is not the life one truly desires.

In reality, the ideal paradise is not far away; it resides in the inner tranquility and practicality of the present moment. Just like the young herder and the old ox in the painting, tranquility and boundless joy are always found in the present moment.

Niu Nian Tu (Year of the OX)

Link:https://peacelilysite.com/2023/09/15/niu-nian-tu-year-of-the-ox/

#DorjeChangBuddhaIII #HHDorjeChangBuddhaIII#DorjeChangBuddha#IAMA#InternationalArtMuseumofAmerica#HuaZangSi #SanFrancisco #YearofOX #ChinesePainting

Source: https://baijiahao.baidu.com/s?id=1760888707241544465

Tongli Ancient Water Town: A Poetic Dream of the Oriental Venice

linda changLeave a comment

Photo from https://almostlanding.com/things-to-do-in-tongli-water-town-china/

Tongli (同里), also called Tongli Water Town, in the southwest of Suzhou, is one of the “Top Six Ancient Towns in Jiangnan (Regions South of Yangtze River)” in China with a long history of over 1,000 years. Enjoying the advantageous location of being surrounded by water and linked by old stone bridges, Tongli is the symbol of water town in southern China. Therefore, it is regarded as the “Oriental Venice” as well as a “Natural Photo Studio” by people from the whole world and is titled the “National AAAAA Tourist Attraction”. Moreover, since it still well keeps a series of ancient structures from the Song, Yuan, Ming and Qing dynasties, like the “Retreat & Reflection Garden (退思园)” which is a World Cultural Heritage Site praised by many poets, Tongli is a perfect place to savor the authentic flavor of old water town in China and the real leisure life of the charming Jiangnan (江南) region.

Tongli was established in the Song Dynasty over 10 centuries ago and was first named Fu Tu (富土, Fertile Land). But it changed to be called as Tong Li (铜里) so not to be too extravagant. And later people finally changed its name again into the present Tongli (同里). According to the history, Tongli is a key place in the ancient Wu (吴) region, and since it could communicate with the outside world only by boat, there were few wars or turbulence. And then, it became an ideal place for people to escape from the social upheaval and settle down.

Highlights in Tongli

Retreat & Reflection Garden

Tuisi Garden, also known as Retreat & Reflection Garden, earned its place on the prestigious list of UNESCO World Cultural Heritage Sites. This exquisite garden was meticulously crafted between 1885 and 1887 by Ren Lansheng, a former government official who was dismissed due to corruption. Ren chose to name this sanctuary “Tui Si Yuan” to symbolize his personal journey of introspection.

As you wander through Tuisi Garden, you’ll be transported to a bygone era, where historic wooden structures exude an ancient charm. However, what truly astonishes visitors is the enchanting water garden concealed within its confines. Here, pavilions, corridors, bridges, halls, houses, rockeries, pools, ancient trees, vibrant flowers, and charming fish coexist in perfect harmony, creating a secret oasis.

Whether you follow the stone-paved paths or stand atop pavilions nestled among the rockeries, you’ll be treated to breathtaking views of this natural and traditional garden. Such is its extraordinary beauty that a Tuisi Zhuang (Retreat & Reflection Villa) was recreated in a botanic garden in New York, USA, faithfully mirroring the essence of Tuisi Garden. This tribute stands as a testament to the global appreciation of Chinese garden artistry.

Secret Garden in Retreat & Reflection Garden

Tongli

Ancient Tuisi Garden in Spring

Gengle Hall

Gengle Hall (耕乐堂 or Happy Farming Hall), situated in the heart of Lujiadai (陆家埭), stands as a remarkable testament to ancient architecture within Tongli Water Town. Dating back to the Ming Dynasty, this building exemplifies the traditional residential-garden structure of its time, offering visitors a glimpse into the historical architecture of the region.

Within the residential section of Gengle Hall, one can admire an array of intricately carved root artworks, showcasing a variety of shapes including eagles, flowering trees, figures, lions, and more. As you explore this part of the hall, you’ll be immersed in a world of artistic craftsmanship.

Venturing into the water garden, you’ll be treated to crystal-clear pools teeming with vibrant red fish, picturesque stone bridges gracefully arching over the water, weathered yet charming old houses, and the backdrop of a serene blue sky. Every moment spent here promises a unique and captivating visual experience.

Tongli

Picturesque Scenery in the Garden of Gengle Hall

The Pearl Tower

The Pearl Tower (珍珠塔) in Tongli Water Town is not precisely a tower, but rather an opulent mansion. It is renowned for its association with the poignant love story known as the ‘Pearl Tower,’ which unfolds within the walls of this former official censor’s residence.

According to the tale, Fang Qing (方卿) and Chen Cuie (陈翠娥) shared a deep and passionate love, yet their union was fraught with the challenges posed by their disparate family backgrounds. Undaunted, Fang Qing worked tirelessly to attain the coveted title of ‘Number One Scholar’ and returned to his hometown with a sterling reputation. Finally, he and Cuie were able to overcome the obstacles and were wed.

When you visit the Pearl Tower, you’ll have the opportunity to marvel at the ancient architecture and the expansive water garden, allowing you to immerse yourself in the enchanting ambiance of this historic water town and experience the enduring romance of the famous love story.

Tongli

The Mansion of Pearl Tower

The Three Bridges

The Three Bridges (三桥) in Tongli, namely Taiping Bridge (太平桥), Jili Bridge (吉利桥), and Changqing Bridge (长庆桥), stand out as must-see attractions within Tongli Water Town. Together, they form a configuration resembling the Chinese character “品,” making the Three Bridges a cherished treasure of Tongli. As you stroll along these bridges, you’ll witness people walking above and boats gracefully gliding beneath, creating a dynamic and picturesque scene.

Particularly during festivals, these bridges come alive with activity, exuding a sense of bustling joy. Local residents consider it highly auspicious and joyous to traverse the Three Bridges, believing that it brings good fortune and improved health. You can embrace this tradition by walking across the Jili Bridge, Taiping Bridge, and Changqing Bridge in a continuous loop without turning back, in pursuit of greater blessings and well-being.

Besides, there are many other interesting places to visit in Tongli Water Town, like Jiayin Hall (嘉荫堂) with beautiful design and gauze-cap-like beam decorations, Chongben Hall (崇本堂) with exquisite sculptures, Mingqing Street (明清街) with various local food and shops, Luoxing Island (罗星洲) with fabulous natural scenery, etc. you can spend more time to discover deeper beauty of Tongli!

Amazing Activities in Tongli

You deserve to try the featured activities in Tongli to get the real fun and feel the authentic charm of this famous water town.

Rickshaw Tour

Let the local carter take you to appreciate Tongli Water Town with a distinct visual angle on the ancient rickshaw. Passing through the narrow lanes and admiring the centuries-old buildings, you can imagine yourself being the people living in Tongli in ancient times.

Boat Tour

Take a sculling boat at the daytime to feel the excitement of watching the ancient buildings and people passing by, the brand-new practice of going through the old Chinese bridges. You can have the scene of ancient Tongli people communicating the outside by boat in your mind. (25 min, about CNY 90 / boat; 1-6 people / boat)

Tongli

Splendid Night View

The night view of Tongli Water Town is splendid. With strings of red lanterns lighting along the river, gorgeous colorful flashes shining in the trees, sparkling lights curving the fancy lines of bridges and paths, the water town will make you immerse into its beauty.

TongliSplendid Night View in Tongli Water Town

Best Seasons to Visit Tongli

Tongli is an ideal destination to visit year-round, showcasing diverse landscapes in each season:

  • Spring: Tongli is at its most charming and poetic during this season, boasting moderate temperatures and a touch of misty rain to enhance its allure.
  • Summer: The summertime in Tongli is vibrant, with numerous local folk activities that offer a fantastic opportunity to immerse yourself in the rich folk culture of this renowned Chinese water town. Additionally, you can savor the mesmerizing night views as you wander along its scenic rivers and bridges.
  • Autumn: Tongli dons a fresh and crisp aura during autumn. The faint fragrance of sweet-scented osmanthus fills the air, transforming Tongli Water Town into a captivating young lady beneath the clear azure skies.
  • Winter: In the winter months, Tongli is tranquil, attracting fewer tourists. Particularly after a snowfall, the town adorns itself in pure white beauty, complemented by the soft glow of red lanterns lining the riverbanks.”

Tongli Ancient Water Town: A Poetic Dream of the Oriental Venice

Link:https://peacelilysite.com/2023/09/12/tongli-ancient-water-town-a-poetic-dream-of-the-oriental-venice/

Source: https://www.chinadiscovery.com/jiangsu/suzhou/tongli.html, https://almostlanding.com/things-to-do-in-tongli-water-town-china/

The cultural Heritage of Hanshan Temple

linda changLeave a comment
HanShan Temple photo from https://www.quanjing.com/image/hanshansi.html

The cultural Heritage of Hanshan Temple

Hanshan Temple (寒山寺), which translates to Cold Mountain Temple, is situated in the Gusu District of Suzhou city. Originally named “Miaoli Puming Temple,” it dates back to the Liang Dynasty of the Southern Dynasties, specifically from A.D 502-519. Covering an area of approximately 13,000 square meters, the temple boasts a construction area exceeding 3,400 square meters.

During the Tang Dynasty’s Zhenguan period (A.D. 627-649), two prominent monks of the time, Hanshan and Xiqian, founded Hanshan Temple. Over its more than 1,300-year history, the temple has suffered five fires (some versions claim seven), with its most recent reconstruction occurring during the Guangxu period (A.D. 1875-1908) of the Qing Dynasty. Historically, Suzhou’s Hanshan Temple held a prestigious position among China’s top ten famous temples. Its fame extends beyond borders due to a poem composed by Zhang Ji, a Tang Dynasty poet, which is taught in Chinese primary schools. This poem is also included in the curriculum of Japanese schools, further elevating Hanshan Temple’s renown in Japan, attracting numerous Japanese visitors who come to pay their respects to the Buddha. The temple features numerous historic buildings and tablet inscriptions authored by calligraphers, making it a popular destination for those seeking peace and spiritual solace.

Hanshan Temple holds a distinguished place in China’s Buddhist history, chiefly because of the famous poem by Tang Dynasty poet Zhang Ji. This poem is part of the curriculum in primary schools in both China and Japan.

The Night Lodging at Maple Bridge
By Zhang Ji

月落乌啼霜满天
The moon sinks in the frosty sky and ravens caw far and near

江枫渔火对愁眠
Riverside maples and fishing lamps gloomily make me drowsy

姑苏城外寒山寺
From the Han-Shan temple siting at outside of the Gu-Su town

夜半钟声到客船
Come midnight bell rings as a passenger boat is arriving 

Apart from the legends of Hanshan and Shide, Hanshan Temple boasts a collection of treasures that have been cherished throughout its extensive history. Among these treasures, one of the most renowned is the poetic stele of ‘Night Mooring at Maple Bridge,’ crafted by the esteemed scholar and calligrapher Yu Yue during the late Qing Dynasty. It stands as an invaluable asset to Hanshan Temple.

It must be acknowledged that this piece of calligraphy represents the apex of ‘Night Mooring at Maple Bridge’ renditions throughout history. The lines of regular script flow seamlessly, displaying an inherent elegance and freshness, achieved with seemingly effortless brushwork. Engraved upon the stele, it emanates a subtle, age-old charm and an evocative poetic atmosphere. Each time I gaze upon this stele, it evokes a different emotional response within me. As I have delved into the art of calligraphy myself, I have even attempted to replicate ‘Night Mooring at Maple Bridge.’ While I deeply appreciate Yu Yue’s extraordinary skill and find it visually pleasing, there has always been a sensation of something missing, an ineffable aspect I couldn’t articulate. My pursuit has persisted, a continuous quest to discover calligraphic masterpieces that could genuinely satiate my aesthetic sensibilities, and this aspiration remains deeply rooted within me.

The other day, I had a sudden encounter with ‘Night Mooring at Maple Bridge,’ personally penned by H.H. Dorje Chang Buddha III, and it was as if I had stumbled upon a divine masterpiece! This artwork utilizes cursive script, showcasing the grandeur reminiscent of dragons and serpents, seasoned with masterful brushwork, conveying both a majestic ruggedness and a subtle elegance. What elevates its worth even further is its dynamic and ceaseless artistic allure, reaching monumental proportions. It can be aptly described as the highest sacred creation, far beyond the grasp of ordinary individuals. This represents the embodiment of the Five Vidyas, as expressed by the Buddhas and Bodhisattvas in the realm of Prajna, offering an extraordinary experience to those who behold it and serving as the ultimate exemplar for calligraphy enthusiasts like myself to aspire to emulate.

In this lifetime, I am profoundly fortunate to have encountered the authentic and unwavering Dharma of the Tathagata. The achievements of H.H. Dorje Chang Buddha III stand unparalleled on a global scale. When it comes to providing tangible evidence of wisdom and realization attained through proficiency in both exoteric and esoteric Buddhism, as well as mastery of the Five Vidyas, there is simply no one within the realm of Buddhism who can be mentioned in the same breath as His Holiness.

The Buddha’s criterion for measuring one’s level of accomplishment in the Buddha-dharma is rooted in the extent of proficiency in both exoteric and esoteric Buddhism, as well as the mastery of the Five Vidyas. However, throughout the history of Buddhism up to the present day, only H.H. Dorje Chang Buddha III Holiest Tathagata has truly and comprehensively demonstrated complete proficiency in exoteric and esoteric Buddhism, along with perfect mastery of the Five Vidyas. His Holiness unmistakably presents, for all to witness, a myriad of achievements that exemplify his complete proficiency in exoteric and esoteric Buddhism and his impeccable mastery of the Five Vidyas, as stipulated by the Buddha.

His Holiness, an ancient Buddha, holds the distinction of being the first being of holy virtue in history to genuinely manifest such lofty and all-encompassing realization. The undeniable proof of this is found in the numerous accomplishments single-handedly achieved by H.H. Dorje Chang Buddha III, as detailed within the thirty main categories listed in this book, “H.H. Dorje Chang Buddha III — A Treasury of True Buddha-Dharma.”

I earnestly pray that all sentient beings may embark upon the ‘vessel’ of liberation and achieve enlightenment.

The cultural Heritage of Hanshan Temple

Link:https://peacelilysite.com/2023/09/08/the-cultural-heritage-of-hanshan-temple/

#DorjeChangBuddhaIII #HHDorjeChangBuddhaIII  #HanShanTemple #ChineseCalligraphy #Buddhism #ExotericandEsotericBuddhism #AcientBuddha #TreasureBook #FiveVidyas

Source： https://blog.wenxuecity.com/myblog/77953/202108/16124.html, https://www.chinadiscovery.com/jiangsu/suzhou/hanshan-temple.html

Chinese Valentine’s Day

linda changLeave a comment

From https://mp.weixin.qq.com/s/N5-sE4HPIfgn0baJ2VO5DQ

Qixi Festival when Niulang and Zhinu Meet Once a Year

Valentine’s Day, observed worldwide on February 14th, is a celebration dedicated to love, inspired by the legacy of Saint Valentine. This global festival serves as an emblem of affection and connection. Similarly, in China, a comparable event pays homage to an enamored couple.

Known as the Qixi Festival, also referred to as the Qiqiao Festival and colloquially named “Chinese Valentine’s Day” in Western culture, this festival possesses a captivating historical narrative. The Qixi Festival commemorates the age-old tale of Zhinu and Niulang. Zhinu, an ethereal weaver, and Niulang, a humble cowherd, compose this mesmerizing love story. According to legend, their love was thwarted by the Milky Way, allowing them a solitary annual reunion—on the night of Qixi.

The celestial pairing of Zhinu and Niulang is immortalized as radiant stars in the expanse of the galaxy. A passage connecting their realms materializes each year, expertly crafted by magpie birds in anticipation of their rendezvous.

The Qixi Festival, rooted in the Lunar Calendar, unfolds on the seventh day of the seventh month. Transitioning to the Gregorian calendar, this momentous occasion occupies the eighth month, specifically August. In the year 2023, the Qixi Festival is slated for celebration on Tuesday, August 22nd.

Buddhism offers a multifaceted lens through which to view human emotions and relationships. Rooted in the concept of the “Twelve Links of Dependent Origination,” Buddhism elucidates the cyclical nature of birth and death, attributing this cycle to ignorance and attachment. Humans, characterized as “sentient beings,” are intricately tied to these attachments. While Buddhism does not oppose love and marriage, it does caution against excessive attachment and an undue grasp on emotions, as they can impede the path to liberation.

Within Buddhism, emotions are not dismissed but embraced. Modern perceptions sometimes label Buddhism as detached and unfeeling. There’s a notion that embarking on a monastic journey necessitates forsaking family and worldly ties, an outlook perceived as callous. This misconception paints monastics as “heartless.”

Yet, the reality of Buddhism diverges from this stereotype. The monastic life, as envisioned by Buddhism, doesn’t mandate the abandonment of all emotions.

It’s essential to recognize the transient nature of the intense romantic love that often consumes us. Such love possesses a fleeting existence, its novelty waning with time. Buddhism offers intricate insights into this ephemeral sentiment, highlighting that all desires are impermanent and tinged with suffering, stemming from irrational attachments of sentient beings. An in-depth exploration of Buddhist teachings can foster a profound comprehension of these principles.

In the ebb and flow of relationships, cherish the connections when they emerge and gracefully embrace their absence when they dissipate. Buddhism advocates for mastering the art of detachment, discouraging the clutching onto emotions. This isn’t an endorsement of emotional callousness, but rather a perspective that perceives the unions and separations inherent in love and marriage as natural transitions dictated by circumstances. These transitions can be viewed as shared opportunities for growth, mutual enrichment, and learning—cornerstones of companionship on the journey to enlightenment.

Buddhism champions the elevation of emotions through the channels of compassion and wisdom. It fosters an environment where spouses treat each other with reverence and intimacy, colleagues extend assistance and forgiveness, and friends place a premium on their connections. This culminates in embodying “great compassion without attachment” and “great mercy as a shared essence.” In essence, personal love evolves into a universal compassion for all sentient beings—an embodiment of empathy that transcends the confines of the individual.

Chinese Valentine’s Day

Link:https://peacelilysite.com/2023/08/25/chinese-valentines-day/

#Valentine #ChineseCulture #QixiFestival#Buddhism #GreatCompassion

Source： https://economictimes.indiatimes.com/news/international/us/when-is-qixi-festival-2023-all-about-the-chinese-valentines-day-legend-of-lovers-zhinu-and-niulang/articleshow/102917179.cms?from=mdr

Fanjing Mount

linda changLeave a comment

A view of the New Golden Summit, looking west. Costfoto / Barcroft Media via Getty

Clouds roll past the New Golden Summit on Mount Fanjing.  Clkraus / Shutterstock

Fanjingshan, also known as Mount Fanjing, is situated in the eastern part of Guizhou Province, China, within Tongren City. It is positioned approximately 248 kilometers away from Guiyang and 220 kilometers from Zhangjiajie. Mount Fanjing proudly claims the title of being the highest peak within the Wuling Mountains, with an impressive elevation of 2572 meters. The mountain stands adorned with primitive vegetation, its landscape characterized by majestic peaks, a continuous succession of towering summits, babbling streams interwoven with cascading waterfalls.

Moreover, Fanjingshan holds great spiritual significance as a revered Buddhist site. It’s widely believed among Buddhists that Fanjingshan is a place where spiritual enlightenment akin to that of Maitreya Buddha can be attained.

The appellation “Fanjing” finds its origins in “Fantian Jingtu,” a Buddhist term that translates to “Brahma’s Pure Land.” This hallowed mountain has been acclaimed as China’s Fifth Buddhist Mountain, a distinction following the likes of Mount Wutai in Shanxi Province, Mount Putuo in Zhejiang Province, Mount Emei in Sichuan Province, and Mount Jiuhua in Anhui Province. With a history spanning over 2000 years, embellished by extraordinary rock formations and abundant biodiversity, Mount Fanjing unveils itself as a serene, distinct haven. A sojourn to this tranquil expanse offers a revitalizing and spiritual respite from the bustling clamor of urban life.

Unique geological landforms, including the “Mushroom Stone” at right. Sanyanwuji / Shutterstock

In geological terms, Mount Fanjing assumes the form of a “fold belt,” an arrangement akin to stacked layers of rock resembling an assemblage of intricate shapes, an occurrence seldom witnessed elsewhere. The Mushroom Stone serves as a prime exemplar, where layers of rock have taken on the semblance of a towering mushroom.

Throughout antiquity, Fanjing Mountain stood as a venerable hub of Buddhist culture within the Wuling Mountain range. Historical records attest to the proliferation of numerous Buddhist temples along its slopes, catering to pilgrims from around the world. Yet, during the 16th century in the Ming Dynasty, a substantial number of these temples met destruction, effectively suppressing Fanjing Mountain’s renown. The subsequent Qing Dynasty saw a revival of fortunes, with governmental initiatives aimed at temple reconstruction and expansion along the mountain’s pathway to the “Red Clouds Golden Summit.” Notable temples such as Cheng’en Temple and Baoguo Temple were erected. By 1896, the fifth phase of Fanjingshan Temple reconstruction reached its culmination, bestowing upon Fanjing Mountain an esteemed status in the global Buddhist sphere and solidifying its position as China’s “No. 5 Great Buddhist Mountain.”

Mount Fanjing boasts three soaring summits that pierce the heavens – the Red Clouds Golden Summit (2336 meters), the Old Golden Summit (2493 meters), and the Phoenix Golden Summit (2572 meters). From these majestic pinnacles, visitors are treated to breathtaking panoramic vistas of Mount Fanjing’s expansive landscape. Crowning the preeminent “Red Clouds Golden Peak” stands the remarkable Fanjingshan Temple, perched at a daring elevation of 2,336 meters above sea level. Nestled atop the columnar peak, this temple’s elusive location beckons travelers to witness its ethereal presence firsthand and capture mesmerizing, novel photographs.

Fanjingshan Temple, encompassing the revered Temple of the Buddha (释迦殿) and the Maitreya Temple (弥勒殿), graces the summit of the “Red Clouds Golden Summit” (also known as the New Golden Summit) on Fanjing Mountain. The former is dedicated to the worship of Sakyamuni, symbolizing the present, while the latter venerates Maitreya, representing the future. These two temples trace their origins back to the Yongle period of the Ming Dynasty, over five centuries ago. Presently, they have been meticulously reconstructed to echo their original splendor, their structures fortified with iron tiles to withstand the mountain’s formidable winds. Each temple is embodied by a single hall, constructed from meticulously arranged stone pieces measuring 5.4 meters in width and 5.55 meters in depth. A bridge gracefully connects the two temples, spanning the depths of the Gold Sword Gorge.

For pilgrims journeying to Fanjingshan, the ascent involves ascending thousands of steps to initially reach the Temple of the Buddha on the southern facet. Subsequently, crossing the bridge leads to the Maitreya Temple on the northern side of the “Red Clouds Golden Summit.” This sequence mirrors the Buddhist concept of transition from the present (Sakyamuni) to the future (Maitreya). As the “Red Clouds Golden Summit” often finds itself enshrouded by mist and enveloped in sea of clouds, standing upon the terrace outside Fanjingshan Temple offers a surreal experience of gazing upon the world from above, capturing an otherworldly perspective amidst the natural elements.

Much like the iconic Avatar Hallelujah Mountain in Zhangjiajie National Forest Park, Fanjingshan stands as a towering pinnacle, slender and vertically oriented, evoking the image of a pencil standing upright on a desk. Scaling its summit requires ascending over 8,000 steps or opting for a cable car ride up from the road below. Most visitors opt for a full day to thoroughly explore this remarkable sacred mountain. Its attractions span a diverse range, encompassing the Red Cloud Golden Peak, Old Golden Summit, Ten-Thousand Sleeping Buddha, Mushroom Stone, Jiulong Pond, Fenghuang Mountain, Numerous Rolls of Books, and more.

Situated in the mountainous expanse of Guizhou Province, Fanjingshan falls within the ambit of a subtropical humid monsoon climate, distinctly marked by four seasons. Throughout the year, the average annual temperature oscillates between 13.1°C and 14.7°C. July witnesses the hottest days, with an average temperature hovering around 24°C, while January holds the chilliest nights, registering an average temperature of approximately 4.6°C. On the whole, Fanjingshan enjoys a temperate climate, graced by ample sunlight and rainfall. Summers remain moderate, and winters remain mild, with neither excessive heat nor biting cold. Rainfall predominantly occurs from May to October, while the frost-free period spans a generous 270 to 278 days annually.

The prime window to explore Mount Fanjing extends from March to November. For those seeking to capture stunning photographs, the early morning hours are particularly enchanting. The aftermath of rain unveils captivating spectacles, such as the Sea of Clouds, Zen Fog, Buddha Light, and breathtaking sunrises, which contribute to the mountain’s mystique and allure.

Fanjing Mount

Link: https://peacelilysite.com/2023/08/22/fanjing-mount/

#FanjingMount# MountFanjing #Zhangjiajie #Buddha #BuddhistTemple #MaitreyaBuddha #FanTieJingTu #China #Travel #TravelChina #GuiZhou

Source: https://www.chinadiscovery.com/guizhou/fanjingshan.html, https://www.theatlantic.com/photo/2019/04/a-photo-visit-to-mount-fanjing/586879/, https://www.chinadiscovery.com/guizhou/fanjingshan/fanjingshan-temple.html

Yu Hua Shou Zhi Wang Flower and Bird Painting Album

linda changLeave a comment

The beauty of art emanates from the soul, while the beauty of the soul reflects one’s internal cultivation. In Professor Yu Hua Shou Zhi Wang’s “Yu Hua Shou Zhi Wang Flower and Bird Painting Album,” we are presented with a delightful sense of freshness and warmth, coupled with a profound and uplifting force. Let’s savor the experience of “Yu Hua Shou Zhi Wang Flower and Bird Painting Album” together and witness the extraordinary talent and profound moral character of the artist!

Professor Yu Hua Shou Zhi Wang’s works are characterized by strong and powerful brushstrokes, showcasing a rich and diverse palette, and exuding a poetic and artistic charm. Each piece is infused with sunlight, radiating sincerity, simplicity, and a delightful sense of innocence and romance. As we immerse ourselves in Professor Yu Hua Shou Zhi Wang’s “Yu Hua Shou Zhi Wang Flower and Bird Painting Album,” we can deeply sense the artist’s love and compassion for animals. Each artwork invites us into a transcendent dialogue with a sage-like presence, revealing the captivating allure of art!

Professor Yu Hua Shou Zhi Wang is brimming with compassion and care for all living beings, be it humans or animals, even including honeybees that can sting. She treats each of them with equal and attentive concern.

A few years ago, bees would frequently visit Professor Yu Hua Shou Zhi Wang’s residence. The first time they built a hive at her home, they even stung someone. Some people suggested removing the beehive to prevent further harm, but Professor Yu Hua Shou Zhi Wang firmly disagreed. She felt deep empathy for the bees, as they had finally found a shelter from wind and rain. She made it clear that if they had to leave, the bees should not be harmed. In fact, she would rather move out herself than cause suffering to the bees. As a result, Professor Yu Hua Shou Zhi Wang and her family decided to move to her art studio to live.

Another incident involving Professor Wang showcases her compassionate nature when she saved a butterfly that had fallen into the water. Concerned about the butterfly’s well-being, she took it home and cared for it for a few days until it was fully recovered, and only then did she release it back into the wild.

The compassionate and kind professor frequently utilizes the money earned from selling her paintings to release captured living beings, such as birds, fish, and more. On numerous occasions, she has purchased large quantities of fish, sometimes weighing several cabins or even tens of tons, to set them free. There have been instances where she bought an entire boat-load of fish from a large fishing vessel, ensuring their liberation and return to their natural habitats.

I couldn’t help but ponder: When two conflicting interests clash, do we prioritize the welfare of others or our own interests first? It’s a challenging question, and not many people in this world can genuinely put the welfare of others before their own. However, Professor Yu Hua Shou Zhi Wang managed to do just that. She consistently places the well-being of all beings ahead of her own interests. Her unwavering compassion and greatness are truly remarkable and serve as an inspiring example for us all.

In daily life, Professor Yu Hua Shou Zhi Wang is very frugal. She is reluctant to waste even the water used for daily living tasks, such as washing rice or clothes. She often collects and saves the used water to water the garden or flush the toilet. Additionally, Professor Yu Hua Shou Zhi Wang frequently donates his own salary to help those in need. When asked by students, “You can earn a lot of money from selling just one of your artworks, so why are you still so frugal?” At moments like these, Professor Yu Hua Shou Zhi Wang advises the students to cherish their blessings and not to waste anything. He encourages them to use the money saved from being frugal to support more people who are facing difficulties.

The well-known saying, “Deeply hidden talent not easily revealed” aptly describes Dr. Yuhua Shouzhi Wang’s morality and inner refinement. The characteristics of an artist’s paintings essentially reflect the character of the painter. From the paintings above you can find humility, inner peace, harmony and noble morality of professor Wang.

Dr. Yuhua Shouzhi Wang is the Lifetime Honorary Chairwoman of the International Art Museum of America. The museum has a dedicated gallery exhibiting her artworks. 

Yu Hua Shou Zhi Wang Flower and Bird Painting Album

Link:https://peacelilysite.com/2023/08/04/yu-hua-shou-zhi-wang-flower-and-bird-painting-album/

#ProfessorYuHuaShouZhiWang#Art#Artist#ClassofEase#InternationalArtMuseumofAmerica #ArtistofFirstclassstanding#Inkpaintings#LotusPainters #FlowerBirds

Amazing Bridges in China

linda changLeave a comment

The oldest Stone Bridge

By English Wikipedia user Zhao 1974 – Imported from English Wikipedia, Photo taken by Zhao 1974, Public Domain, https://commons.wikimedia.org/w/index.php?curid=1813644

Photo from Internet

The Anji Bridge (安济桥) is the world’s oldest open-spandrel segmental arch bridge of stone construction. Credited to the design of a craftsman named Li Chun, the bridge was constructed in the years 595–605 during the Sui dynasty (581–618). Located in the southern part of HebeiProvince, it is the oldest standing bridge in China.

The Anji bridge is about 64 metres (210 ft) long with a central span of 37.37 metres (122.6 ft). It stands 7.3 metres (24 ft) tall and has a width of 9 metres (30 ft). The central arch is made of 28 thin, curved limestone slabs which are joined with iron butterfly joints. This allows the arch to adjust to shifts in its supports and prevents the bridge from collapsing even when a segment of the arch breaks. The bridge has two small side arches on either side of the main arch. These side arches serve two important functions: first, they reduce the total weight of the bridge by about 15.3% or approximately 700 tons, which is vital because of the low rise-to-span ratio and the large forces on the abutments it creates. Second, when the bridge is submerged during a flood, they allow water to pass through, thereby reducing the forces on the structure of the bridge.

During the next 1,400 years, the bridge survived at least eight wars, ten major floods and numerous earthquakes, the most recent being the 7.2-magnitude Xingtai earthquake in 1966. Yet, the support structure remains intact and the bridge is still in use. Only the ornamental railings have been replaced every few hundred years.

The Highest Bridge in the World

The Duge Bridge, also called the Beipanjiang Bridge, is a four-lane cable-stayed bridge on the border between the provinces of Guizhou and Yunnan in China. As of 2021, the bridge is the highest in the world, with the road deck sitting over 565 metres (1,854 ft) above the Beipan River.

The Beipanjiang bridge in southern China has opened to traffic following three years of construction.

The longest Crossing Sea Bridge

The 55km crossing consists of three cable-stayed bridges and link roads in the three cities, reducing the travelling time between Hong Kong and Macau/Zhuhai from an hour’s ferry ride to a 40-minute car journey. This is a key initiative of the Chinese government’s plan to drive the economic and social integration of the Greater Bay Area which encompasses 11 cities in Southern China including Hong Kong and Macau. Opened to traffic at early 2018.

Crossing an Ocean: The Hong Kong-Zhuhai-Macau Bridge

Amazing Bridges in China

Link:https://wordpress.com/post/peacelilysite.com/6429

#China #Bridges #OldestBridge #LongestBridge #HighestBridge #AnjiBridge#Hebei #Hongkong #Macau #ChineseCulture #Yunnan #Guizhou #ZhaozhouBridge

Source: https://gz.cri.cn/n/20230216/b6d28ebf-5a77-46e8-7231-afcde4a8b554.html, https://finance.sina.com.cn/roll/2019-05-08/doc-ihvhiqax7322797.shtml, https://www.google.com/search?q=World%27s+highest+bridge+opens+to+traffic+in+China&oq=World%27s+highest+bridge+opens+to+traffic+in+China&aqs=chrome..69i57j69i61.1269j0j4&sourceid=chrome&ie=UTF-8, https://en.wikipedia.org/wiki/Anji_Bridge

Father Francis Tiso: Becoming a Rainbow and Other Transcendent Encounters

linda changLeave a comment

Father Francis Tiso, a Catholic Priest and renowned scholar of Tibetan Buddhism, shares the unforgettable story behind his riveting book Rainbow Body and Resurrection: Spiritual Attainment, the Dissolution of the Material Body, and the Case of Khenpo A Chö. Khenpo A Chö was a Tibetan monk who, through retreat, prayer, and meditation, prepared his body to turn into radiant light upon his own death. When Khenpo A Chö died, he achieved this phenomenon (it’s called the rainbow body), and in the year 2000, Father Tiso traveled to Tibet to report on its profound significance and how it connects to resurrection across other religions, including the resurrection of Jesus Christ. “They started calling me the Jesus Lama,” Father Tiso tells Wonderstruck’s Elizabeth Rovere, marking one of the many surprising and tender moments from his remarkable journey.

In Vajrayana traditions of Tibetan Buddhism, tangible matter is considered to be made up of five elements: space, air, fire, water, and earth. As described in Tibetan literary sources, including The Tibetan Book of the Dead, the elemental energies that make up the cosmos are understood to be undifferentiated from those that make up the human body. Therefore, the body is simultaneously an individual person and the cosmic whole.

Certain Buddhist meditation practices are meant to alter the gravitational field of these five elements that constitute the body, transforming them into the five radiant lights of the color spectrum. The Tibetan name given to this physical fluorescence is jalu, literally meaning, “rainbow body.” Rainbow body is also the name given to the transformation of the ordinary physical body as a result of years of specific disciplined practices.

Father Francis Tiso: Becoming a Rainbow and Other Transcendent Encounters

Link: https://peacelilysite.com/2023/07/27/father-francis-tiso-becoming-a-rainbow-and-other-transcendent-encounters/

#TibetanBuddhism #RainbowBody #TranscendentEncounter #Resurrection #Jesus #Catholic #FatherTiso #Meditation

Source: http://www.lionsroar.com/what-is-rainbow-body