Are We Already Happier Than We Think? A Lesson in Contentment

“There is no greater calamity than not knowing what is enough. Therefore, knowing that enough is enough is always enough.”
— Laozi, Tao Te Ching, Chapter 46

How often do we overlook the blessings we already have because we are always wishing for something more?

The ancient wisdom of Laozi offers a simple but profound answer: knowing what is enough is itself a blessing.

Century calendar listing years 2001 to 2100 with months and days, surrounded by decorative fantasy elements

There is a beautiful story from the Ming Dynasty about a man named Hu Jiushao.

Hu was a farmer who also taught his son to read and study. His family lived simply, with enough to meet their basic needs. Every day, however, Hu would burn incense and offer prayers, thanking Heaven for blessing his family with another day of peace and contentment.

His wife found this amusing.

“We eat vegetable porridge for all three meals,” she said. “How can you call this a blessed life?”

Hu smiled and replied:

“First, we live in a time of peace. We do not have to suffer through war.

Second, our family has food to eat and clothes to wear. We are neither hungry nor cold.

Third, everyone in our family is healthy, and none of us has suffered the misfortune of imprisonment.

“Aren’t these blessings?”

His simple words carry a profound lesson.

Hu did not measure happiness by wealth, luxury, or abundance. He looked at what he had—and recognized how precious it was.

We often think happiness comes from having more—more money, a bigger house, greater success, better possessions, or fewer problems. Yet when we constantly focus on what we lack, we can easily overlook the blessings already present in our lives.

As Namo H.H. Dorje Chang Buddha III has taught:

“A person not appreciative of the good life he is living is one who has forgotten his past miseries. A person in good health is not aware of its blessings until he loses it.”

How true this can be.

When we are healthy, we may hardly think about what a precious gift good health is. We go about our daily lives without giving it much attention. But when illness comes, something as simple as getting out of bed, walking freely, enjoying a meal, or sleeping peacefully can suddenly become deeply precious.

The same is true of many other things.

When we have peace, we may take it for granted. When we have enough food, a safe home, family, friends, and the freedom to live our daily lives, these things can seem ordinary simply because they are always there.

But ordinary does not mean insignificant.

Sometimes, we only recognize a blessing after it is gone.

Perhaps true happiness does not always require us to acquire something new. Sometimes it begins by seeing what we already have with a grateful heart.

Peace. Health. Food. Shelter. Family. The ability to wake up each morning and live another day.

These may sound like simple things, but they are among life’s greatest treasures.

Hu Jiushao’s story reminds us to pause and ask ourselves:

What blessings am I enjoying today that I have stopped noticing?

Contentment does not mean giving up our dreams or never seeking a better life. It means learning to appreciate the life we have while continuing to grow.

When we learn to cherish what is already in our hands, we may discover that happiness was never as far away as we thought.

Perhaps the secret to a happier life is not always having more, but learning to recognize, appreciate, and cherish what we already have.

Laozi’s ancient words still speak beautifully to us today:

When we truly know what is enough, we may discover that we already have much more than we realized.

Link: https://peacelilysite.com/2026/10/02/are-we-already-happier-than-we-think-a-lesson-in-contentment/

Niu Nian Tu (Year of the OX)

Artist: H.H. Dorje Chang Buddha III

At year February 2007, this Year of the Ox (by H.H. Dorje Chang Buddha III) painting was exhibited at an auction in the Hua Zang Si Temple in San Francisco. Even though I saw it online, when I saw this work in person that year, I was suddenly transported into a world of pure and poetic spirituality.

The ox strolled leisurely, Looking up to admire the scenery. On the ox’s back, a young herder, Humming a tune, Enjoying a unique sense of freedom. Though there was no verbal communication, There was mutual companionship, Dependence on each other.

Later, I saw this painting again at The International Art Museum of America in San Francisco. It was as if I were re-experiencing the long-lost joy of childhood innocence, and I couldn’t help but stop and admire this exquisite masterpiece.

The entire composition of the painting is concise: an ox, a flute, a young herder on the ox’s back, a few simple strokes representing tree branches, and a hint of green. The old ox was covered in glistening sweat, and no matter where or when, it remained calm, with steady steps and a high head, as if filled with determination and strength for the journey of life. The young herder reclined comfortably on the ox’s back, at ease and trusting that the old ox would take him where he wanted to go. Urban dwellers fortunate enough to witness such a rare and beautiful scene would find their tense hearts instantly relaxed.

In terms of technique, this Chinese painting exhibits remarkable simplicity, featuring an expansive and open composition coupled with unique and striking artistic techniques. The skillful use of white space within the artwork, thanks to clever design choices, not only avoids diminishing or dulling the image but also creates boundless room for the viewer’s imagination to roam. Additionally, the artist employed a scattered perspective technique to lend the painting a three-dimensional quality, skillfully using emptiness to convey form. The seamless integration of form and emptiness results in an exceptionally elegant layout.

This painting serves as a testament to the artist’s ability to convey the inherent charm of nature and capture the essence of a pure and childlike spirit, offering solace and enjoyment to its viewers. What is particularly astonishing is the meticulous application of ink at a minute level, portraying the oxen’s hairs in an array of intricate variations.

Although the painting does not depict the colors of early spring, mountains, valleys, or springs, they seem to be faintly visible on the canvas. It’s said that by calculating white as black and using emptiness as a form of depiction, the simplicity of the image leaves room for endless beauty and boundless imagination. This painting beautifully exemplifies the traditional Chinese cultural principle that ‘The Dao resides in simplicity.’ It evokes thoughts of the legendary tale of Laozi departing China on a green ox through the Hangu Gate in pursuit of Sakyamuni Buddha.

Having been in the hustle and bustle of the city for a long time, one longs for the tranquility of the countryside. But once in the quiet countryside, one can’t bear the loneliness and solitude. The restless heart can’t resist the temptation of the bustling world and constantly seeks outward under the pull of desire. When lost and falling into despair, one realizes that this is not the life one truly desires.

In reality, the ideal paradise is not far away; it resides in the inner tranquility and practicality of the present moment. Just like the young herder and the old ox in the painting, tranquility and boundless joy are always found in the present moment.

Niu Nian Tu (Year of the OX)

Link:https://peacelilysite.com/2023/09/15/niu-nian-tu-year-of-the-ox/

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Source: https://baijiahao.baidu.com/s?id=1760888707241544465