A Hidden Buddhist Wonderland in China: Discover the 1,600-Year-Old Grand Buddha Temple of Xinchang

Sometimes, the most unforgettable travel experiences begin with the simplest reasons.

I first became interested in visiting the Grand Buddha Temple in Xinchang (新昌大佛寺), Zhejiang Province, after watching several popular Chinese costume dramas, including Ninefold Purple (《九重紫》), Chasing Jade (《逐玉》), One and Only (《周生如故》), and Mysterious Lotus Casebook (《莲花楼》).

I was curious to see the beautiful locations where these dramas were filmed. But when I finally arrived, I was completely blown away!

I had expected to see some beautiful ancient buildings and filming locations. Instead, I discovered an extraordinary world of ancient Buddhist sculptures, mysterious caves, magnificent rock formations, waterfalls, peaceful gardens, and towering pagodas.

This was not simply an ancient temple. It felt like stepping into another world.

A Temple With More Than 1,600 Years of History

Located in Xinchang County, Shaoxing, Zhejiang Province, the Grand Buddha Temple dates back to the Eastern Jin Dynasty, around 345 AD. With a history spanning more than sixteen centuries, it is one of the important centers of Buddhist culture in the Jiangnan region of southeastern China.

According to historical accounts, an eminent monk named Tanguang (昙光) came to this beautiful mountainous area in the fourth century and established a small monastery. Over the centuries, the temple developed into an important center for Buddhist practice and scholarship.

The surrounding landscape is particularly beautiful. Ancient trees, green hills, rocky cliffs, winding pathways, and quiet valleys create an atmosphere that feels both peaceful and mysterious.

The temple is also famous for its extraordinary rock-carved Buddhist sculptures, earning it the nickname “The Dunhuang of Yue.” This comparison reflects the remarkable artistic and historical value of its Buddhist carvings.

Four Highlights You Should Not Miss

1. The Grand Buddha of Jiangnan – A Masterpiece Carved Into the Mountain

The most famous treasure of the temple is its magnificent stone Maitreya Buddha.

Carved directly into a natural rock cliff during the Southern Qi and Liang dynasties, between approximately 486 and 516 AD, this enormous statue stands about 16.3 meters tall.

The remarkable project took three generations of Buddhist monks and approximately thirty years to complete.

What makes this sculpture so extraordinary is not simply its size. Its serene expression, elegant proportions, and gentle smile convey a remarkable sense of compassion and wisdom.

Standing before this ancient Buddha, one cannot help but feel a sense of reverence. It is amazing to realize that this masterpiece was created more than 1,500 years ago, long before modern construction equipment and technology existed.

2. The Reclining Buddha – A Majestic Image of Nirvana

Another breathtaking attraction is the Reclining Buddha inside the Twin Pines Grottoes (双林石窟).

At approximately 37 meters long and 9 meters high, it is described as Asia’s largest indoor reclining Buddha.

Unlike the ancient rock-carved Maitreya Buddha, this impressive sculpture was created in modern times, using the natural cave environment as its setting.

The Buddha rests peacefully in the traditional reclining posture, representing the Buddha’s entry into Parinirvana.

The surrounding rock formations, stone carvings, pools, and waterfalls create an atmosphere that feels almost otherworldly.

It is easy to understand why filmmakers are attracted to this location. The combination of natural rock architecture, Buddhist imagery, and dramatic lighting makes the entire space feel like a scene from a fantasy world.

3. Buddha Heart Square and the Beautiful Jiangnan Corridor

Buddha Heart Square (佛心广场) is another popular destination.

Here, visitors can see a magnificent large Chinese character “佛” (Buddha), created by the renowned monk and artist Master Hongyi.

Photo by: Steven Hsu 北極熊羽球

The nearby corridor, with its traditional yellow walls, dark tiled roofs, and beautiful “福” (fortune and blessings) character, is especially photogenic.

Walking through this corridor feels like stepping into an ancient Chinese painting.

It is also a wonderful place to photograph traditional Chinese clothing, especially Hanfu. The combination of yellow walls, traditional architecture, and surrounding greenery creates an elegant and timeless atmosphere.

4. The Ten Thousand Buddhas Pagoda – A Landmark in the Sky

The Ten Thousand Buddhas Pagoda (万佛宝塔), standing approximately 73 meters tall, is another spectacular landmark.

Its nine stories, traditional Chinese rooflines, and impressive height make it one of the most recognizable structures in the scenic area.

The pagoda has also appeared in several popular costume dramas, including Mysterious Lotus Casebook and Ninefold Purple.

Looking up at this magnificent structure, surrounded by mountains and traditional buildings, I could understand why filmmakers love this location.

If climbing the pagoda is permitted during your visit, it is worth checking whether you can enjoy the views from above.

5. Prajna Valley – A Mysterious Underground Buddhist World

One of the most surprising attractions is Prajna Valley (般若谷).

Unlike the traditional temple halls, this area was developed from an old Ming Dynasty quarry. Its dramatic rock walls, caves, waterfalls, and elaborate Buddhist sculptures create a fascinating underground-like landscape.

There are colorful relief sculptures depicting Buddhist history and important figures, as well as an impressive Guanyin statue.

Walking through the valley, surrounded by towering rock walls and flowing water, feels like entering a hidden Buddhist kingdom.

This is also one of the filming locations associated with Ninefold Purple. For fans of Chinese historical dramas, recognizing familiar scenes here makes the visit even more exciting.

Travel Tips: How to Make the Most of Your Visit

The scenic area is quite large, so I recommend allowing at least three to four hours. If you enjoy photography, exploring Buddhist art, or simply taking your time, you may want to spend half a day here.

A suggested sightseeing route is:

Buddha Heart Square → Release Pond (放生池) → Grand Buddha of Jiangnan → Thousand Buddha Zen Temple → Twin Pines Reclining Buddha → Prajna Valley.

You can also explore the Ten Thousand Buddhas Pagoda and other scenic spots along the way. Since the attractions cover a large area, wear comfortable walking shoes and be prepared for stairs and uphill paths.

Best Time to Visit

Spring and autumn are particularly pleasant seasons, when the weather is generally comfortable for walking and exploring.

Early morning is a wonderful time to arrive. There are usually fewer visitors, and the soft natural light makes the ancient buildings and mountain scenery especially beautiful.

If you enjoy photography, allow extra time to explore the corridors, gardens, and mountain pathways.

Getting There

The temple is located in Xinchang County, Shaoxing City, Zhejiang Province.

Visitors can travel by high-speed train to Shengzhou-Xinchang Railway Station (嵊州新昌站), then take a taxi or local public transportation to the temple.

If traveling from Hangzhou or Shaoxing, you can also consider a private car or a local tour.

Tickets and Opening Hours

Admission has been listed at approximately RMB 80 per adult, although prices and promotional policies may change.

The scenic area generally opens around 6:00 a.m. and closes between 5:00 and 5:30 p.m., depending on the season. Check the official scenic area’s latest announcements before visiting, especially if you plan to climb the pagoda.

What to Eat

You can enjoy vegetarian noodles inside the temple. When I visited, a bowl cost RMB 28. It was a simple, light, and refreshing meal.

Afterward, consider exploring Wozhou Street and trying some of Xinchang’s local specialties:

  • Xinchang fried rice cakes – a delicious local specialty.
  • Taro dumplings (芋饺) – chewy dumplings made with taro and filled with savory ingredients.
  • Guolatou (锅拉头) – a traditional local snack made with glutinous rice dough.

These local foods are a wonderful way to experience the culinary culture of the region.

More Than a Filming Location

What impressed me most about the Grand Buddha Temple was that its beauty went far beyond the scenes I had watched on television.

Popular dramas may bring people here, but the real treasures are the centuries of history, the extraordinary Buddhist sculptures, and the peaceful atmosphere that has been preserved through generations.

The ancient Maitreya Buddha, carved patiently into the mountain more than 1,500 years ago, reminds us of the devotion, determination, and artistic talent of those who came before us.

In our modern world, where everything moves so quickly, places like this invite us to slow down, look more carefully, and appreciate the beauty of history, art, nature, and spiritual culture.

I came here because of a television drama, but I left with something much more meaningful: a deeper appreciation of China’s remarkable Buddhist heritage.

Sometimes, a journey that begins with curiosity leads us to discover something truly extraordinary.

If you ever travel to Zhejiang, don’t miss the Grand Buddha Temple of Xinchang. It may surprise you, just as it surprised me.

Link:https://peacelilysite.com/2026/10/30/a-hidden-buddhist-wonderland-in-china-discover-the-1600-year-old-grand-buddha-temple-of-xinchang/

A Hidden Treasure in China: The Dazu Rock Carvings and a 31-Meter Reclining Buddha

Beyond Chongqing’s dazzling skyline lies an extraordinary world of ancient Buddhist art, spiritual wisdom, and forgotten stories carved into stone.

When people visit Chongqing, China, they often come for its spectacular mountain cityscape, glowing skyscrapers, and famous spicy hot pot. But about a journey away in Dazu lies a treasure that deserves far more international attention: the Dazu Rock Carvings, one of China’s most remarkable collections of ancient religious art.

Here, along the cliffs of Baodingshan, thousands of figures tell stories of the Buddha, compassion, karma, filial devotion, and the consequences of our actions. Created mainly during the Song Dynasty, these remarkable sculptures have survived for centuries, preserving not only religious teachings but also glimpses of everyday Chinese life.

The Dazu Rock Carvings were inscribed on the UNESCO World Heritage List in 1999. Their artistic beauty lies not only in their scale and craftsmanship, but also in the way Buddhist, Taoist, and Confucian ideas come together in a uniquely Chinese expression of spiritual life.

The Dazu Rock Carvings are not a single cave or monument. They comprise more than 70 protected sites, with five principal groups: Baodingshan, Beishan, Nanshan, Shizhuanshan, and Shimenshan.

The carvings date mainly from the late ninth through the thirteenth century. Baodingshan, the focus of this visit, reached its artistic height during the Southern Song Dynasty, particularly under the direction of the Buddhist monk Zhao Zhifeng.

Walking along the great cliff at Baodingshan, visitors encounter an astonishing procession of sculpted figures. Buddhas sit in meditation, bodhisattvas offer protection, and heavenly beings fill elaborate niches. Some figures are monumental, while others are small details that reward a closer look.

Unlike a collection of isolated statues, the carvings form a connected visual narrative. Each scene has a purpose, inviting visitors to contemplate the Buddha’s teachings through images rather than words alone.

For people who love Buddhist history, this is a place where ancient stone seems to speak.

The Giant Reclining Buddha: A Vision of Peace

One of Baodingshan’s most extraordinary masterpieces is the monumental image of Shakyamuni Buddha entering parinirvana, the final passing of a fully enlightened Buddha beyond the cycle of rebirth.

The reclining Buddha measures approximately 31 meters in length. Yet one of the most ingenious features of the sculpture is that much of the figure remains concealed within the cliff. Only part of the Buddha’s body is visible, suggesting a vastness that extends beyond what the eye can see.

This is more than an impressive feat of ancient engineering. The image carries a profound spiritual meaning.

The Buddha lies peacefully on his side, his expression calm and composed. Around him, figures gather in response to his final passing. The scene invites us to reflect on impermanence: everything that comes into being will eventually change.

In Buddhist teaching, death is not simply an ending to be feared. It is a reminder to understand the nature of existence and to use the precious time we have wisely.

Standing before this enormous figure, we may find ourselves thinking less about how long we will live and more about how we choose to live.

Can we be kinder while we have the opportunity? Can we let go of unnecessary resentment? Can we bring more peace to the people around us?

Perhaps the Buddha’s quiet presence offers a lesson that no words could express more clearly.

The Thousand-Hand Guanyin: A Thousand Ways to Help

Another masterpiece at Baodingshan is the magnificent Thousand-Hand, Thousand-Eye Guanyin, the bodhisattva of compassion.

In Buddhist tradition, Guanyin (Avalokiteshvara) represents compassionate awareness of the suffering of sentient beings. The many hands symbolize the ability to reach out in countless ways, while the eyes represent the wisdom to recognize where help is needed.

The Baodingshan sculpture is especially remarkable. Its carved composition covers approximately 88 square meters and includes 1,007 hands and eyes. The gilded image, with its intricate details and radiant appearance, demonstrates the extraordinary skill of the artisans who created it.

Imagine the patience required to shape and decorate so many delicate details into a cliff face centuries ago, without modern machinery.

The work has also required care across generations. Because of its delicate condition, the sculpture underwent a major restoration completed in 2015, helping preserve this irreplaceable treasure for future visitors.

But its deepest beauty lies in its message.

Compassion is not merely feeling sorry for someone. It is recognizing suffering and responding when we can. Sometimes help means giving money; sometimes it means offering food, listening without judgment, or protecting a vulnerable being.

We may not possess a thousand hands, but we can each find small ways to make life easier for others.

Ancient Stone Tells Stories About How We Should Live

What makes Baodingshan especially fascinating is that its sculptures do not focus exclusively on Buddhas and heavenly beings. They also portray ordinary human experiences, making the teachings relevant to everyday life.

Some panels illustrate filial devotion and the sacrifices parents make for their children. Others portray farmers, herders, animals, and scenes from ordinary life.

The famous scenes associated with the Sutra on Parental Love remind viewers of the immense care and sacrifice involved in raising a child. These images invite reflection on gratitude toward our parents and the responsibilities we have toward those who have cared for us.

Other carvings illustrate Buddhist teachings about karma and the Wheel of Life. They show how actions have consequences and how ignorance, attachment, and harmful behavior can perpetuate suffering.

In traditional Buddhist depictions of the realms of suffering, the consequences of harmful actions are portrayed vividly. Such images were not simply intended to frighten people. They offered moral instruction to communities in which many people could learn through visual storytelling.

The cliffs function almost like an ancient illustrated book. Each carving presents a lesson about cause and effect, compassion, family responsibility, and the choices that shape our lives.

There is something remarkable about this approach to teaching. The artists transformed abstract philosophy into images that people could see, contemplate, and remember.

Ox herding story (scene 1–2), Niche 30, Dafowan, Mt. Baoding, Dazu. Southern Song Dynasty (photos: G41rn8, CC BY-SA 4.0)

Centuries later, the questions remain relevant. How do our actions affect others? How should we treat our parents, our neighbors, and animals? What kind of world are we helping to create through our daily choices?

A Quiet Encounter with History

One of the pleasures of visiting Baodingshan is the opportunity to experience the carvings at a slower pace.

Although the site can attract tour groups, it may feel quieter than China’s most famous grotto destinations, particularly outside peak travel periods. The path follows the sculpted cliff, allowing visitors to examine the works in sequence.

Instead of rushing from one photo opportunity to another, take time to notice the expressions on the statues’ faces, the folds of their robes, and the relationships between the figures in each scene.

Look for the small details. A single gesture may communicate reverence, compassion, fear, or devotion. A group of ordinary people carved into stone can reveal as much about the society that created the monument as a grand Buddha does.

Photography rules and access restrictions may vary around individual carvings, so follow the site’s instructions and avoid touching the sculptures.

For visitors interested in Buddhism, art, or Chinese history, Baodingshan offers a rare chance to experience these subjects together.

What to Eat in Dazu: A Taste of Local Chongqing

A visit to Dazu would not be complete without exploring the region’s food culture. Chongqing is famous for bold flavors, chili peppers, and the numbing fragrance of Sichuan peppercorns, but Dazu also has specialties of its own.

Dazu winter-preserved vegetables (Dazu dongcai)

If you try only one local specialty, consider Dazu dongcai. Made from local mustard greens and traditionally fermented for years, these preserved vegetables have a distinctive savory fragrance and deep flavor. They appear in dishes such as fried rice, noodles, steamed buns, and braised pork.

The traditional preparation is a recognized part of Dazu’s food heritage. It is a wonderful example of how local ingredients and preservation techniques can become part of a region’s identity.

Chongqing noodles

For a quick, satisfying meal, try xiaomian, Chongqing-style noodles commonly served with chili oil, garlic, scallions, and other seasonings. They are especially popular for breakfast, though they can be enjoyed at any time of day.

If you prefer less spice, ask for a mild version. The chili oil and Sichuan peppercorns can be surprisingly intense for first-time visitors.

Youting crucian carp

For travelers who enjoy fish, Youting crucian carp is another regional specialty, often prepared with pickled ginger, chili, and fermented black beans. Its flavor combines freshness, spice, and the characteristic numbing sensation of Sichuan-style cooking. Hot pot and local street food

If you are continuing to Chongqing, save time for the city’s famous hot pot. Diners cook ingredients in a bubbling broth at the table, often choosing between a fiery spicy broth and a milder one.

One practical tip: many local dishes contain meat, fish, animal broth, or lard, even when vegetables are prominent. Vegetarian travelers should ask clearly about ingredients and request a vegetable-based broth when available.

Food is another way to understand a place. The ingredients, flavors, and cooking methods of Dazu tell a story of local agriculture, tradition, and the creativity of generations of cooks.

Shengshou Temple & Dazu Rock Carvings Museum

Travel Tips: Planning Your Visit

How much time should you allow?

Allow at least half a day for Baodingshan, including time to appreciate the major carvings without rushing. If you are particularly interested in Buddhist art, consider spending a full day in Dazu or adding another major carving site, such as Beishan.

How do you get there?

Dazu is part of Chongqing Municipality, but it lies outside the central urban area. From downtown Chongqing, the journey commonly takes around 1.5–2 hours by road, depending on traffic and your starting point.

You can travel by intercity bus or arrange a private car. High-speed rail services to the Dazu area may also be useful, but check the station and onward transportation carefully: a train station serving the district is not necessarily close to the rock-carving entrance. A taxi or prearranged transfer may be needed.

When is the best time to visit?

Spring and autumn are generally comfortable seasons for walking and sightseeing. Summer can be hot and humid, so bring water, sun protection, and comfortable shoes.

Arriving early can help you enjoy the main carvings before the busiest hours, although visitor numbers vary by day and season. Check the official opening hours and ticket arrangements before traveling.

Can you combine Dazu with Chongqing?

Absolutely. A two-day itinerary is a practical option:

  • Day 1: Explore Chongqing’s mountain-city streets, river views, Hongyadong, and local food.
  • Day 2: Travel to Dazu and spend the day discovering Baodingshan’s cliff carvings. If time permits, consider visiting Beishan as well.

If you have a deeper interest in Chinese Buddhist art, an overnight stay near Dazu can make the experience more relaxed.

A Treasure Worth Discovering

The Dazu Rock Carvings remind us that great works of art can be much more than beautiful objects. They can preserve a civilization’s beliefs, record the lives of ordinary people, and communicate moral lessons across centuries.

The 31-meter reclining Buddha invites us to contemplate impermanence. The Thousand-Hand Guanyin reminds us that compassion must find expression in action. The scenes of family life and everyday labor encourage us to consider gratitude, responsibility, and the consequences of our choices.

These teachings remain meaningful regardless of where we come from or what faith we follow.

If your travels take you to Chongqing, consider setting aside time for Dazu. Beyond the city’s dazzling skyline lies a quieter world where stone preserves the wisdom, artistry, and aspirations of generations long gone.

Some treasures are not discovered by looking up at the tallest buildings. They are found by slowing down, looking closely, and listening to the stories history has left behind.

Link:https://peacelilysite.com/2026/10/22/a-hidden-treasure-in-china-the-dazu-rock-carvings-and-a-31-meter-reclining-buddha/

Atisha: The Buddhist Master Who Followed Tara’s Guidance to Tibet

His remarkable journey, the devotion of Tibetan kings, and the legendary guidance of Tara

More than nine hundred years ago, an Indian Buddhist master undertook a difficult journey to Tibet that would profoundly influence the future of Tibetan Buddhism. His name was Atisha Dipankara Shrijnana (982–1054), a renowned scholar, meditation master, and spiritual teacher whose life was devoted to the liberation and well-being of sentient beings.

His story is not simply about the spread of a religion. It is about the power of compassion, the courage to leave behind worldly comfort, and the willingness to sacrifice personal interests for the benefit of others.

A Prince Who Chose the Spiritual Path

According to traditional biographies, Atisha was born into a royal family in eastern India. His birth name was Chandragarbha, and he grew up surrounded by the wealth and privileges of palace life.

Yet he was not satisfied with worldly success. Even as a young man, he felt drawn toward spiritual practice and the search for a deeper understanding of life.

Traditional accounts relate that Tara, the female Buddha associated with enlightened compassion and swift assistance, appeared to him in a vision when he was young. This encounter strengthened his determination to follow the spiritual path rather than pursue the life expected of a prince.

Atisha eventually renounced his royal future and became a monk. He studied with many distinguished Buddhist masters and developed an extraordinary command of Buddhist philosophy, meditation, ethics, and tantric teachings.

But one of the most important influences on his life came from a journey far beyond India.

Atisha traveled by sea to Suvarnadvipa, traditionally identified with present-day Sumatra, where he studied for twelve years under the great master Dharmakirti, also known as Serlingpa in Tibetan tradition.

There, Atisha received profound teachings on bodhichitta—the aspiration to attain enlightenment for the benefit of all sentient beings.

He later regarded these teachings as among the most precious gifts he had received. His life reminds us that genuine wisdom requires more than accumulating knowledge. It requires cultivating a heart that sincerely wishes to benefit others.

By the eleventh century, Buddhism in Tibet was undergoing a period of revival after earlier political upheavals and the disruption of Buddhist institutions.

The rulers of western Tibet wished to restore the teachings and strengthen the understanding and practice of the Dharma. They were particularly concerned about confusion surrounding Buddhist doctrine and the relationship between different forms of practice.

King Yeshe Ö became deeply committed to finding a qualified Indian Buddhist master who could help Tibetans recover a clear and systematic understanding of the teachings.

According to traditional Tibetan accounts, he sent young Tibetans to India to study Sanskrit and search for an appropriate teacher. Their journeys were dangerous, and many did not return.

Eventually, the name of Atisha emerged as that of a master whose learning, discipline, and compassion made him especially suitable for the mission.

The king’s efforts to invite him became one of the most moving stories in Tibetan Buddhist history.

Traditional biographies recount that Yeshe Ö was captured during his efforts to gather resources for the mission. When his nephew Jangchub Ö was unable to meet the captor’s demands for his release, Yeshe Ö urged him not to spend the remaining gold on rescuing him. Instead, he asked his nephew to use it to invite Atisha to Tibet.

In this traditional account, the king placed the future of the Dharma above his own life.

Whether every detail of this story can be historically verified or not, its spiritual message is unmistakable: the king believed that preserving the Dharma for future generations was more important than his personal safety.

After Yeshe Ö’s death, his nephew Jangchub Ö continued the mission. He sent the translator Nagtso to India with an earnest request for Atisha to come and help the people of Tibet.

Tara’s Guidance: A Decision That Changed History

Atisha did not immediately agree to leave India.

He was already an established teacher at Vikramashila, one of the great Buddhist monastic universities of the time. Leaving would mean abandoning familiar surroundings, colleagues, and responsibilities for a long and uncertain journey into a distant land.

Goddess in blue robe sitting on a lotus flower surrounded by lotus pond and traditional Asian pagodas at dusk

Traditional biographies tell us that Atisha sought guidance from Tara, his revered spiritual protector.

According to these accounts, Tara appeared to him in a vision and explained that traveling to Tibet would bring great benefit to the Dharma, although it would shorten his life.

Atisha faced a profound choice: remain in India, where he could continue his work in familiar surroundings, or travel to Tibet, where his help was urgently needed.

The traditional story says that he chose Tibet, accepting the personal cost because he believed the journey would benefit countless beings.

This is one of the most inspiring parts of his life.

Tara’s appearance belongs to the spiritual narratives preserved by the Buddhist tradition; it is not something that can be independently established as a historical event. For devotees, however, the story expresses an important understanding of spiritual guidance: wisdom is not merely about choosing what is comfortable or advantageous for oneself, but discerning where one’s efforts can bring the greatest benefit.

In 1042, Atisha arrived in western Tibet, in the kingdom of Guge.

His arrival was a moment of great significance. According to traditional accounts, monks, laypeople, and local leaders gathered to welcome him in a grand procession. People had traveled to meet the Indian master whose arrival they hoped would strengthen the Dharma in their homeland.

Imagine the scene: after years of hardship and repeated efforts to bring him to Tibet, the people finally welcomed the teacher for whom they had waited so long.

Tibetan people welcoming an Indian guru

Atisha was deeply moved by their enthusiasm. He was also impressed by the intelligence and dedication of the Tibetan practitioners he encountered.

Yet he recognized that many people needed a clearer understanding of how the various Buddhist teachings fit together and how they could be applied in everyday life.

King Jangchub Ö therefore asked him to teach in a way that ordinary people could understand and practice.

Rather than asking for teachings that sounded profound but were difficult to apply, the king wanted guidance on ethical conduct, karma, compassion, and the steps that lead toward enlightenment.

Atisha responded by composing one of his most influential works, A Lamp for the Path to Enlightenment (Bodhipathapradipa).

This concise text organized the Buddhist path into a clear framework, integrating ethical discipline, the cultivation of wisdom, and the development of bodhichitta. It became a foundational influence on later Tibetan Buddhist teachings about the stages of the path to enlightenment.

Atisha did not merely bring more books or philosophical ideas to Tibet. He helped present the Dharma as a coherent path that people could study, contemplate, and practice.

A Statue of Tara That Could Speak

Among the many fascinating stories associated with Atisha is the tradition that sacred images spoke to him.

This is the statue of Tara that Venerable Atisha is said to have kept with him at all times. According to tradition, the statue once spoke to him and communicated with him.
The statue is now enshrined at Tara Temple (Drolma Lhakhang) in Lhasa, Tibet.

According to his traditional biography, while circumambulating the great Buddhist stupa at Bodh Gaya in India, Atisha heard sacred statues speaking about the importance of bodhichitta. Their message was that the essential path to enlightenment lay in cultivating love, compassion, and the aspiration to benefit all beings.

The story is a reminder that, within Buddhist devotional traditions, sacred images are not always regarded as mere objects of art. They can serve as powerful reminders of the qualities that practitioners seek to develop.

Tara held a particularly important place in Atisha’s spiritual life. Traditional accounts describe her appearing in visions to guide him, including in his decision to travel to Tibet.

These narratives are cherished by many Buddhist practitioners as expressions of faith and spiritual inspiration. They are best understood as traditional religious accounts rather than independently verified historical events.

Whether one approaches them through faith, cultural history, or symbolic interpretation, their central message is meaningful: spiritual guidance should lead us toward greater compassion, wisdom, and responsibility for others.

What Can Atisha Teach Us Today?

Atisha lived in a very different world from ours, yet the questions he faced remain familiar.

We live in a time when information is abundant, opinions are everywhere, and people often disagree about what is true. It is easy to accumulate knowledge without allowing it to transform our behavior.

Atisha’s life points toward another way.

First, knowledge must be accompanied by practice. Learning about compassion is not the same as treating people compassionately. Understanding karma is not merely discussing cause and effect; it is taking responsibility for our intentions, words, and actions.

Second, true spiritual growth requires humility. Despite his extensive education, Atisha continued to learn from qualified teachers. His example reminds us that wisdom is not a reason to feel superior to others. It is an opportunity to understand ourselves more deeply and serve others more effectively.

Third, compassion sometimes asks us to step beyond our comfort zone. Atisha left a respected position in India to help people far away. We may never be called to undertake such a journey, but we can respond to the needs around us—in our families, communities, and wider world.

Sometimes compassion means giving our time. Sometimes it means listening patiently, helping someone in difficulty, or admitting that we were wrong. Small actions, when guided by sincere concern for others, can also make a meaningful difference.

Finally, Atisha’s story reminds us that the most valuable teachings are those that help us change our lives. The Dharma is not simply something to admire from a distance. It is a path to be walked.

The Light That Continues to Shine

Atisha passed away in Tibet in 1054, but his influence did not end with his life. His writings, his disciples, and the traditions that developed from his teachings helped shape the course of Tibetan Buddhism.

His journey was made possible by the devotion of Tibetan rulers, the dedication of translators and messengers, and the willingness of a great teacher to respond to a distant people’s spiritual needs.

The story of Atisha and Tara adds another dimension to this legacy: the belief that a life guided by wisdom and compassion can accomplish far more than a life devoted only to personal success.

We may not be able to travel across mountains to revive a Buddhist tradition, as Atisha did. But each of us has opportunities to bring a little more understanding into the world.

We can study sincerely, practice humbly, and treat others with compassion. We can use what we know not to elevate ourselves above others, but to lessen suffering wherever possible.

Perhaps this is one of the most enduring lessons of Atisha’s life: the true light of the Dharma shines not only through what a person teaches, but through the compassion that person is willing to put into action.

Link: https://peacelilysite.com/2026/10/21/atisha-the-buddhist-master-who-followed-taras-guidance-to-tibet/

Can a Cow Painted on a Wall Give Milk?

Indian monk milking a painted cow

Bodhisattva Candrakīrti: Milking a Cow in a Painting

Recently, I came across a video about Bodhisattva Candrakīrti, one of the great Buddhist masters of ancient India.

The video told a remarkable story: according to Buddhist tradition, Candrakīrti was able to obtain milk from a cow that existed only in a painting.

When I first heard this, I was amazed.

How could a cow painted on a wall or in a picture possibly give milk?

Curious, I looked into the story and discovered that it is more than a fascinating Buddhist legend. Behind it stands a great master in the history of Buddhism and, more importantly, a profound teaching about emptiness.

Candrakīrti lived in India around the sixth or seventh century. He was one of the most important masters of the Madhyamaka, or Middle Way, school of Buddhist philosophy, and an important commentator on the teachings of Nagarjuna.

His best-known work, Madhyamakāvatāra (Introduction to the Middle Way), became an important text for the study of Madhyamaka philosophy.

Candrakīrti deeply explored a central Buddhist teaching:

All things arise in dependence upon causes and conditions. Nothing exists with an independent, permanent, unchanging essence.

This is one of the meanings of emptiness.

According to a story preserved in Buddhist tradition, Candrakīrti once lived and practiced at a monastery. Because some people did not understand his way of practicing, they misunderstood him.

Later, he was given responsibility for providing milk for the monastery. It is said that Candrakīrti released the cows into the forest, allowing them to roam freely.

Yet somehow, milk continued to appear at the monastery.

People were puzzled.

If the cows were far away in the forest, where was the milk coming from?

Some people secretly followed Candrakīrti.

According to the traditional story, they saw him approach a painting of a cow—and somehow draw milk from the painted cow.

It is an extraordinary story.

But perhaps the most important question is not whether the event sounds miraculous.

It is what the story invites us to think about.

We normally think:

A real cow can give milk.

A painted cow cannot.

That seems obvious.

Yet the story of the painted cow quietly asks us:

What exactly do we mean when we say something is “real”?

This question goes to the heart of Candrakīrti’s teachings on emptiness.

Emptiness does not mean that nothing exists.

Rather, it means that things do not exist independently, permanently, or entirely on their own. Everything depends upon causes, conditions, relationships, and the way we designate and understand it.

For example, someone is called a “teacher” because there are students. Someone is called a “parent” because there is a child. These identities arise through relationships and conditions.

When we look more deeply, we begin to see that many things we regard as fixed and permanent are actually dependent upon countless conditions.

What I find most meaningful about this story is that it encourages us not to be too quick to conclude:

Person meditating with illustrated thoughts about present moment, past memories, future dreams, sensations, and emotions

“Things must always be this way.”

“That is absolutely impossible.”

“I already know the answer.”

Our understanding of the world is often shaped by our past experiences, habits, assumptions, and fixed ideas.

Buddhist practice encourages us to hold our views more lightly—to have less attachment, more observation; less prejudice, more humility.

When we loosen our attachment to the belief that “I must be right,” we may begin to see possibilities and truths that we could not see before.

So when I think about the story of Candrakīrti and the painted cow, I no longer see it simply as a miraculous tale.

To me, it feels more like a doorway.

A doorway inviting us to question our ideas about reality, to recognize our own attachments, and to explore the deeper wisdom of dependent origination and emptiness.

Perhaps the story was never meant simply to leave us amazed.

Perhaps it is inviting us to look more deeply.

Just when we think we have completely understood the world, there may still be much more for us to discover.

And perhaps that is one of the most beautiful lessons we can receive from the wisdom of Bodhisattva Candrakīrti.

Link: https://peacelilysite.com/2026/09/09/bodhisattva-candrakirti-milking-a-cow-in-a-painting/

Source: https://www.fjdh.cn/wumin/2009/04/06452346128.html?utm_source=chatgpt.com, https://tricycle.org/magazine/truth-about-truth/?utm_source=chatgpt.com, https://baike.baidu.com/item/%E6%9C%88%E7%A7%B0/9958686

The Yongle Bell: A 600-Year-Old Marvel of Chinese Civilization

At the Ancient Bell Museum in Beijing stands one of China’s most remarkable national treasures—the Yongle Bell(永乐大钟).

Commissioned by the Yongle Emperor, Zhu Di (永乐皇帝朱棣), the bell is believed to have been designed and supervised by Yao Guangxiao(姚广孝), a highly respected Buddhist monk whose Dharma name was Daoyan(道衍). Yao Guangxiao was much more than a religious figure. He was also a scholar, strategist, and trusted adviser to Emperor Zhu Di.

Their relationship began before Zhu Di became emperor, when he was still the Prince of Yan. Yao Guangxiao became one of his trusted advisers and continued to serve him after Zhu Di ascended the throne. He was closely involved in major projects of the Yongle era, including the construction of Beijing and the compilation of the monumental Yongle Encyclopedia(永乐大典).

It is remarkable that one of the most ambitious Buddhist bells in Chinese history was connected to a monk who stood so close to the emperor and played such an important role in the cultural and political life of the Ming Dynasty.

Cast during the Yongle era, around 1420, the Yongle Bell stands approximately 6.75 meters (22 feet) high and weighs about 46.5 metric tons (over 102,000 pounds).

More than six centuries later, it remains an extraordinary testament to the sophistication of ancient Chinese craftsmanship.

A Casting Technique That Seems Almost Impossible

How could ancient craftsmen have created such a gigantic bell more than 600 years ago?

The Yongle Bell was produced using a traditional Chinese technique known as the pit-mold ceramic casting method, or clay-mold method.

First, the craftsmen dug a massive casting pit several meters deep. Inside the pit, they constructed the bell’s inner mold using clay and other organic materials, while the outer ceramic mold was built up layer by layer.

One of the most fascinating features is the Pulao-shaped bell knob at the top.

In Chinese mythology, Pulao is one of the nine legendary sons of the dragon. It was believed to have a powerful voice, which is why its image became associated with bells.

The Pulao knob of the Yongle Bell was reportedly cast separately using the lost-wax casting technique. It was then carefully incorporated into the casting mold so that it became an integral part of the finished bell.

Then came the most critical moment.

Dozens of furnaces were fired simultaneously. Molten bronze, glowing like rivers of fire, flowed through specially prepared channels and surged into the enormous mold.

The operation demanded extraordinary coordination. Temperature, the flow of molten metal, pouring time, and the structure of the molds all had to be carefully controlled.

A single major error could have ruined the entire project.

The successful casting of the Yongle Bell was therefore an extraordinary engineering and organizational achievement.

The bell’s achievement lies not only in its enormous size.

Scientific analysis shows that its alloy contains copper, tin, and lead as its principal metals, along with smaller amounts of elements including gold, silver, and nickel.

The carefully formulated alloy contributed to the bell’s strength, toughness, ductility, and acoustic properties.

A bell of this size must support its own enormous weight while withstanding repeated powerful impacts. If the metal were too brittle, cracks could develop; if the alloy composition were unsuitable, the bell’s resonance could also be affected.

Yet after more than 600 years, the Yongle Bell remains remarkably well preserved.

Its condition offers an impressive glimpse into the advanced metallurgical knowledge possessed by ancient Chinese craftsmen.

A “Bell of Scriptures”

If the bell’s size is astonishing, its inscriptions are even more extraordinary.

The inner and outer surfaces, as well as areas around the rim, are densely covered with Buddhist scriptures, sacred texts, and mantras.

According to historical descriptions, the bell contains more than 230,000 Chinese characters and Buddhist inscriptions.

Even more remarkable, these inscriptions were not carved onto the finished bell. They were incorporated directly into the casting process.

This meant that hundreds of thousands of characters had to be accurately prepared in the molds before the molten bronze was poured.

According to tradition, the inscriptions were associated with the celebrated Ming Dynasty calligrapher Shen Du. The characters display the dignified and elegant style associated with guan’ge ti, the formal calligraphic style favored by the imperial court.

To transform such delicate calligraphy into cast inscriptions, craftsmen had to reproduce the writing in the mold, creating corresponding recessed characters. After the molds were prepared and fired, molten bronze was poured into them, producing the raised inscriptions on the finished bell.

Imagine doing this without computers, laser engraving, digital typesetting, or modern precision machinery.

More than 230,000 characters had to be arranged across the curved surfaces of a gigantic bronze bell.

Every character had to be carefully formed and every line precisely positioned.

On one side was the art of the calligrapher.

On the other was the skill of the craftsman.

In the end, calligraphy, Buddhist scripture, and bronze became one.

The Yongle Bell is therefore not simply a gigantic bronze artifact.

It is almost like a Buddhist scripture cast in metal.

The Deep and Resonant Voice of the Bell

Perhaps the most captivating feature of the Yongle Bell is not what we see, but what we hear.

When struck by a massive bell striker, the thick bronze produces a deep, powerful, and extraordinarily sustained resonance.

According to accounts of its acoustic properties, under appropriate striking conditions, the resonance can continue for nearly three minutes. In the relatively quiet environment of ancient Beijing, its sound was reportedly capable of traveling for many kilometers.

Imagine Beijing more than six centuries ago.

At dawn, the first powerful note of the Yongle Bell rises into the air. Its deep, solemn sound travels beyond walls, streets, and fields, gradually fading into the distance.

The bell’s voice was not simply a means of marking time. It also carried religious meaning and occupied an important place in the spiritual culture of the period.

One Bell, Many Arts

The Yongle Bell brings together an extraordinary range of human skills.

Metallurgy transformed tons of raw materials into a strong and resilient bronze structure.

Casting technology made it possible to create an enormous bell with remarkable precision.

Calligraphy turned more than 230,000 characters into an intricate work of art.

Buddhist culture gave the inscriptions their profound spiritual meaning.

And acoustical craftsmanship gave the massive bronze its deep, sustained voice.

More than six centuries later, the Yongle Bell remains a remarkable achievement—not simply because of its size, but because of the extraordinary combination of engineering, artistry, religious culture, and craftsmanship embodied in a single object.

The Yongle Bell brings together the vision of an emperor, the knowledge of a scholar and Buddhist monk, the artistry of calligraphers, and the extraordinary skill of generations of craftsmen.

Standing before it today, one can see far more than a massive bronze bell.

One sees thousands of carefully formed characters, intricate craftsmanship, and the physical evidence of an ambitious undertaking carried out more than 600 years ago.

And then there is the sound.

A single strike can set this enormous bronze body into motion, allowing its resonance to linger long after the initial impact has disappeared.

The Yongle Bell is history cast in bronze, scripture transformed into art, and ancient craftsmanship given a voice.

It remains one of China’s extraordinary cultural treasures—and a remarkable achievement that deserves to be known and appreciated by people around the world.

Link:https://peacelilysite.com/2026/09/07/the-yongle-bell-a-600-year-old-marvel-of-chinese-civilization/

Source: https://zhuanlan.zhihu.com/p/547435529, https://wwj.beijing.gov.cn/bjww/wwjzzcslm/1737418/1738090/wwgs/325966413/index.html, https://news.cctv.com/program/tgkw/20040329/102069.shtml

From Invisibility Spell to Enlightened Master: The Wild Life of Nagarjuna

A Tibetan depiction of Nagarjuna; the snakes are depicted as protectors around Nagarjuna’s head and the nagas rising out of the water are offering Buddhist sutras

Throughout the two-thousand-year history of Buddhism, if one were to ask which master’s life was the most thrilling and dramatic, the answer would undeniably be Nagarjuna Bodhisattva.

He was not only the founder of the Madhyamaka (Middle Way) school and a foundational pillar of Mahayana Buddhism, but also an enlightened master whose incredible wisdom was matched only by his extraordinary life story. Revered by later generations as the “Ancestor of Eight Schools,” this legendary figure actually began his youth walking a path of extreme rebellion and reckless indulgence.

Nagarjuna was born into a noble Brahmin family in Southern India, displaying gifts from an early age that far exceeded ordinary human limits. As a child, he possessed a photographic memory—listening to the four sacred Vedas of Brahmanism just once before reciting them by heart with a complete grasp of their deepest meanings. By the time he reached his youth, he had transformed into a true polymath, mastering everything from astronomy and geography to divination, worldly arts, and various esoteric sciences.

Young scholar studying maps and arcane instruments in a candlelit library

However, genius without wisdom often becomes fuel for pride and unchecked desire. Believing he had already learned everything the worldly realm had to offer, the young Nagarjuna gathered with three like-minded friends to ponder a fateful question: “Life is short, and we have already mastered all human knowledge. What is left for us to pursue?” Their conclusion was as absurd as it was dangerous—to pursue ultimate pleasure and indulge in every sensory distraction.

Determined to indulge without restrictions, the four young men sought out a sorcerer and learned the art of invisibility. Armed with this miraculous power, they brazenly snuck into the royal palace, engaging in reckless escapades and chaotic antics for months while plunging the court into fear and suspicion. Realizing something unnatural was occurring, the King devised a clever trap by ordering fine sand scattered across the palace hallways and gates to track the invisible intruders’ footprints.

When the four entered the palace once more, soldiers surrounded their footprints and swung their swords wildly through the air. Nagarjuna’s three friends were unable to dodge the blades and were executed on the spot. Showing quick thinking under intense pressure, Nagarjuna saved his own life by pressing himself tightly against the King’s throne—knowing the soldiers would never dare swing their swords near the monarch’s seat.

Watching his closest companions cut down in a flash of blood and terror, Nagarjuna experienced a profound, shocking epiphany:

“Desire is the root of suffering, the source of all calamity. Misconduct and defilement know no greater depth than this!”

In that single, terrifying moment, he saw through the illusion and danger of worldly desires, resolving to abandon his past and walk the path of virtue.

Immediately after escaping the palace, Nagarjuna renounced the worldly life and took monastic vows. He fully mastered the entire Tripitaka—the Buddhist canon—in a mere nine months. Unsatisfied with basic mastery, he journeyed deep into the snow-capped mountains to seek out renowned masters and broaden his spiritual horizons.

According to tradition, sensing that the teachings available in the human realm were incomplete, Nagarjuna was guided by the Great Naga (Dragon) Bodhisattva to the underwater Dragon Palace. Inside its vast scriptural library, he discovered profound, high-level Mahayana sutras, including the Avatamsaka Sutra (Flower Garland Sutra), which he brought back to the human world to spread among spiritual seekers.

Upon his return, Nagarjuna authored countless seminal treatises that transformed Buddhist philosophy forever. He penned foundational texts such as the Mulamadhyamakakarika (Fundamental Verses on the Middle Way), the Twelve Door Treatise, and the Mahaprajnaparamita Upadesa (Commentary on the Great Perfection of Wisdom). Through these works, he formulated the profound doctrine of Dependent Origination and Emptiness (Pratītyasamutpāda and Śūnyatā), establishing the core philosophy of the Madhyamaka school while shattering the worldly attachments and misconceptions of his era.

Nagarjuna’s life is a remarkable journey from extreme pride and confusion to ultimate enlightenment. Through his own transformation, he proved to the world that delusion and awakening exist only a single thought apart. It was precisely that thrilling trial on the edge of life and death that forged his supreme wisdom to break all worldly attachments, ultimately creating one of the most revered spiritual grandmasters in human history.

Link:https://peacelilysite.com/2026/09/03/from-invisibility-spell-to-enlightened-master-the-wild-life-of-nagarjuna/

Why being “right” isn’t enough—and how true communication requires compassion, timing, and genuine benefit

Beyond the Truth: The Buddha’s Wisdom on Sacred Speech

In daily life, we frequently hear people defend sharp or hurtful remarks with a familiar defense: “I’m just speaking the truth.”

We often operate under the assumption that as long as our statements are factually accurate, we are justified in ignoring the timing, the setting, and the recipient’s emotional capacity. Yet in the Abhaya Sutta (Majjhima Nikaya 58) of the Pali Canon, the Buddha offers a radically different perspective on communication: the true value of speech extends far beyond mere factual accuracy.

The story begins with a trap. Nigantha Nataputta, leader of the Jains, sought to publicly corner the Buddha. He instructed Prince Abhaya to pose a carefully engineered dilemma:

“Would the Tathagata utter speech that is displeasing or disagreeable to others?”

It seemed like an inescapable box:

  • If the Buddha answered “Yes,” the prince would argue that he was no different from any ordinary person who hurls harsh words and causes distress.
  • If the Buddha answered “No,” the prince would counter by pointing to instances where the Buddha severely rebuked Devadatta—words that were undeniably painful for Devadatta to hear.

Confident in his trap, Nigantha Nataputta boasted that the question would stick in the Buddha’s throat like a barbed nut—impossible to swallow and impossible to spit out.

When Prince Abhaya hosted the Buddha for a meal the next day and posed the question, the Buddha quietly dismantled the binary trap: “There is no single, one-sided answer to this matter.”

The Buddha refused to play by a rigid, two-dimensional rule. Whether a Master speaks is never determined solely by whether the listener will find the words pleasant.

Having neutralized the debate tactic, the Buddha turned toward a young child sitting near the prince and offered a deeply human metaphor.

He asked the prince: “If this young child were to accidentally put a sharp piece of wood or a pebble into his mouth, what would you do?”

The prince replied without hesitation that he would immediately try to extract it. If necessary, he would hook his finger into the child’s mouth to drag it out—even if it meant causing pain or drawing blood—because the object had to come out.

When the Buddha asked why he would do such a thing, the prince’s answer was simple: “Because of compassion for the child.”

With this single image, the debate shifted entirely.

Some truths are uncomfortable to hear, much like removing a foreign object from a child’s mouth brings temporary pain. But the criterion for speaking is never immediate comfort; it is long-term welfare. A loving father reaches into his child’s mouth not to assert dominance, nor to punish, but because leaving the pebble inside causes far greater harm.

Through this parable, the Buddha established three essential checkpoints that every word must pass before it is spoken:

  • Truthfulness: Is it grounded in fact? Words that are false are never spoken.
  • Benefit: Is it genuinely useful? Even if a statement is 100% true, if it brings no constructive benefit to the listener, it remains unsaid.
  • Timeliness: Is this the right moment? Only when a statement is both true and beneficial will a wise speaker choose the appropriate time to speak it.

In the Buddha’s framework, truth is merely the entrance requirement. If a statement is factually correct but unhelpful, ill-timed, or purely divisive, silence is the highest wisdom.

Looking Inward: Winning vs. Healing

The contrast between the two parties in this sutta highlights two very different motivations for speaking:

  • The Debate Strategy: Designed to corner, crush, and silence the other person—driven by the desire to win.
  • The Buddha’s Response: Designed like a parent rescuing a child from danger—driven by the desire to heal.

This distinction invites us to examine our own hearts before we speak “harsh truths” or offer sharp criticism:

Are we speaking because we genuinely want to help the other person suffer less, or are we simply trying to prove ourselves right and dominate the conversation?

True goodwill allows for necessary firmness, but it must always rest upon the foundation of truth, benefit, and proper timing. Practicing the wisdom of Right Speech is not just about holding our tongue—it is about refining our intent, ensuring that every word we release carries gentle yet steadfast compassion.

Link:https://peacelilysite.com/2026/09/02/why-being-right-isnt-enough-and-how-true-communication-requires-compassion-timing-and-genuine-benefit/

Floating High on Borrowed Wings: The Parable of the Monk and the Ghost

In a world driven by metrics, social validation, and external applause, it is easy to mistake the platform we stand on for our own height.

A striking story from the Miscellaneous Parables Sutra (雜譬喻經) serves as a timeless reminder of what happens when we rely on borrowed support—and how genuine self-correction and gratitude can transform our lives.

Meditating monk floating above a mountain village with swirling spirit energy

The sutra tells of a monk expelled from his monastic community after committing a serious infraction. Cast out into the cold, he did not spend his solitude reflecting on his actions or feeling genuine remorse. Instead, he was consumed by anxiety, lamenting his lost veneration, the vanished daily offerings, and his ruined reputation.

During his aimless wandering, he encountered a ghost who was similarly miserable, having been banished by Vaisravana, the Heavenly Guardian King. Recognizing a shared plight, the ghost proposed a clever scheme:

“I am invisible to human eyes. I will lift you up and carry you on my back through the sky, creating the illusion that you are an enlightened saint who can fly. When the villagers marvel at your supernatural powers and shower you with rich offerings, we will split the rewards.”

The monk eagerly agreed to the trick.

When the villagers looked up and saw the monk floating effortlessly above their heads, they were stunned. Outraged at what they assumed was a grave mistake, they openly criticized the monastic community for exiling a “holy, enlightened master.” The villagers welcomed the monk back with grand celebrations, lavishing him with honor, luxury, and prestige.

Everyone marveled at how high he could fly, but not a single soul saw the invisible ghost holding him up from underneath.

The grand deception came to a sudden, tragic end. One day, while gliding majestically through the clouds above an admiring crowd, the ghost caught sight of Vaisravana’s celestial guards patrolling the sky. Panic-stricken, the ghost fled instantly to save itself, dropping the monk mid-air.

Deprived of his hidden foundation, the monk plummeted straight to the earth and died on impact. In a single heartbeat, the awe-inspiring elevation vanished, leaving behind only the stark reality of his fall.

This ancient parable holds profound lessons for navigating our modern lives:

1. Change Yourself; Don’t Fool Yourself with Tricks

Calming cortisol storm into peaceful light

When we make mistakes or face setbacks, our default ego response is often self-preservation: making excuses, masking weaknesses, or using superficial fixes to maintain a successful image.

  • The Trap: Relying on pretense or shortcuts creates an inherently fragile foundation. You might fool the world—and even convince yourself—for a short time, but unaddressed flaws will eventually lead to a catastrophic downfall.
  • The Wisdom: True strength demands radical self-honesty and sincere repentance. Growth begins the moment you stop managing impressions, admit your shortcomings, and commit to the quiet work of genuine internal reform.

2. Cultivate Deep Gratitude for Everyday Support

While the monk’s ghost was a force of deception, the story reminds us that no individual ever ascends entirely on their own strength.

  • The Reality: Our everyday accomplishments, safety, and comfort are upheld by a vast, unseen network: the dedication of our families, the collaboration of colleagues, societal infrastructure, and nature itself.
  • The Wisdom: Approach life with profound humility and gratitude. Recognizing that you are constantly sustained by the effort of others keeps the ego in check and prevents you from mistaking collective support for personal superiority.

3. Cultivate True Inner Substance Through Buddhist Practice

In Buddhism, spiritual practice (xūxíng) is not a performance designed to win public admiration, gain influence, or secure material comfort. Its core purpose is twofold: self-liberation (zìlì) and the compassionate liberation of others (lìtā).

The Practical Lesson: External applause, reputation, and titles are merely temporary, borrowed conditions. When life strips away all external privileges, your true capability is measured by your internal substance: your moral integrity, emotional stability, and capacity for wisdom under pressure.

Self-Liberation (Enduring Peace): Authentic practice focuses on purifying the mind from the “Three Poisons”—greed, anger, and ignorance. It is about understanding the nature of impermanence so that you are no longer a slave to praise, wealth, or worldly status. By upholding ethical precepts (Sīla) and cultivating deep mental stability (Samādhi), you gain the true ability to transcend the cycles of anxiety and suffering (Samsāra).

The Bodhisattva Path (Wisdom & Compassion): True practice extends outward through Bodhicitta—the boundless vow to help all sentient beings break free from their own pain. When your actions are driven by genuine wisdom (Prajñā) and selfless compassion, you build an unshakeable spiritual center that remains calm, composed, and helpful to others regardless of external circumstances.

When external validation fades and all borrowed support is withdrawn, what remains is your actual inner substance: your ethics, emotional stability, and capacity for wisdom.

When the applause fades and external support steps back, what internal foundation are you left standing on?

Link:https://peacelilysite.com/2026/08/28/floating-high-on-borrowed-wings-the-parable-of-the-monk-and-the-ghost/

Beyond Logic: How Compassion Subdued Ancient India’s Sharpest Mind

Aśvaghoṣa (Japanese Kamakura period, 13th century – http://burkecollection.org/catalogue/10-memy%C5%8D-bosatsu)

In the brilliant expanse of Buddhist history, one name stands out with singular brilliance. He was not only the 12th Patriarch in the Zen lineage originating from ancient India, but also a literary genius who captured the hearts of a continent through the power of poetry and music: Aśvaghoṣa (known in Chinese tradition as Bodhisattva Horse-Nneigh).

This is the legendary story of how a once-arrogant Brahmin prodigy suffered a dramatic defeat in a battle of wits, entered the Buddhist monastic order, and ultimately became a towering master who galvanized the rise of Mahayana Buddhism.

Born into a noble Brahmin family in Eastern India, young Aśvaghoṣa possessed exceptional intelligence. He mastered classic texts, arts, and above all, the razor-sharp logic of public debate. In ancient India, intellectual debates were high-stakes events where the defeated party was expected to convert and become a disciple of the victor. Driven by youthful pride, Aśvaghoṣa swept through Central India, issuing a brazen challenge to the entire Buddhist community:

“If any monk can defeat me in debate, I will sever my own head in apology! But if no one dares face me, every monastery in this region must cease striking the ghanta—the traditional wooden blocks and bells used to assemble the sangha!”

Faced with his fierce logic and intimidating rhetoric, no local monk dared step forward. As a result, the once-vibrant monasteries fell silent. Morning gongs and evening bells ceased, and the public prestige of Buddhism plummeted.

Hearing of this crisis from Northern India, an venerable elder named Venerable Pārśva knew that if Aśvaghoṣa’s arrogance went unchecked, the true teachings of the Mahayana tradition would fail to flourish. Despite his advanced age, Pārśva traveled vast distances on foot to answer the challenge.

On the day of the grand debate, the arena was packed with the king, ministers, and tens of thousands of onlookers. Observing the frail, white-haired elder, the young prodigy felt immediate condescension. “Venerable monk,” Aśvaghoṣa asked arrogantly, “what shall be the stakes of our debate?” Pārśva calmly replied, “The loser shall become the disciple of the winner, shaving his head and following him for life.” Aśvaghoṣa readily agreed.

Aśvaghoṣa invited the elder to speak first. Pārśva uttered a single, deceptively simple statement of blessing:

“May the world enjoy peace, may the king live a long life, may the land be rich and joyful, and may all disasters cease.”

A hush fell over the crowd. Aśvaghoṣa froze.

By the rules of debate, Aśvaghoṣa was required to refute his opponent’s opening premise. Yet, Pārśva had stated a benevolent blessing for the country and its sovereign. If Aśvaghoṣa tried to refute it, he would violate public ethics, offend the reigning king present in the crowd, and bear the stigma of cursing his own land. But if he agreed with the statement, he could not break the argument, which meant instant defeat.

Aśvaghoṣa searched his mind, only to realize that his formidable logical framework was completely powerless against a statement rooted entirely in compassion, wisdom, and broad goodwill. Pale and humbled, he bowed deeply to the elder: “I have lost. Your wisdom is wrapped in profound compassion. I will honor my promise.” Pārśva had subdued Aśvaghoṣa’s pride not through heated argument, but through calm, unassailable composure. Aśvaghoṣa shaved his head on the spot and officially entered the Buddhist order.

Under the guidance of Pārśva and his successor Puṇyayaśas, Aśvaghoṣa displayed astonishing spiritual insight. He fully digested the Buddhist Canon (Tripitaka) and channeled his pre-existing artistic and literary talents into spreading the Dharma.

Monk reading a glowing scroll among four tearful horses in cathedral hall

The origin of his name—Aśvaghoṣa, literally meaning “Horse’s Neigh”—is tied to a celebrated event. When King Kaniṣka of the Kushan Empire conquered Central India, he demanded indemnity. Instead of vast fortunes of gold or silver, the King requested only two treasures: the sacred Alms Bowl of the Buddha, and Master Aśvaghoṣa.

To demonstrate the master’s sublime virtue to skeptical court officials, the King conducted a test. Seven warhorses were locked away and starved of food and water for six straight days. On the seventh day, a crowd gathered. Fresh, sweet grass was placed right in front of the starving horses, while Aśvaghoṣa took the high seat to chant and preach the Dharma.

An astonishing scene unfolded: despite their intense hunger, the seven horses did not even lower their heads to eat. Instead, they stood transfixed, listening intently to the serene, compassionate melody of Aśvaghoṣa’s voice, eventually shedding tears of emotion. Moved by how his sacred chants could touch even the animal realm, the world reverently honored him as Aśvaghoṣa Bodhisattva.

Following King Kaniṣka north, Aśvaghoṣa reached the peak of his creative energy. Understanding that rigid dogma rarely moves the hearts of ordinary people, he pioneered the use of literature and music as tools for spiritual education.

His greatest masterpiece, the Buddhacarita (Acts of the Buddha), is an epic narrative poem detailing the life of the Buddha from birth, renunciation, and enlightenment to his final Parinirvana. Characterized by elegant imagery and deep emotional resonance, it became a pinnacle of classical Sanskrit literature, introducing countless readers to the beauty of Buddhist philosophy. Furthermore, as the trusted spiritual mentor to King Kaniṣka, he played a central role in presiding over the Fourth Buddhist Council, solidifying the theoretical foundation of Mahayana Buddhism.

Aśvaghoṣa’s life is a timeless story of arrogance yielding to genuine wisdom. In his youth, he sought to conquer the world with sharp intellect, yet when confronted with true spiritual depth, he chose to surrender to compassion. By subduing his ego and dedicating his creative gifts to all living beings, he transformed from a defensive debater into a compassionate artist whose voice moved both human hearts and nature alike.

Reference Source: https://en.wikipedia.org/wiki/A%C5%9Bvagho%E1%B9%A3a

Link:https://peacelilysite.com/2026/08/25/beyond-logic-how-compassion-subdued-ancient-indias-sharpest-mind/

Before You Complain Today, Read This

Before You Complain Today, Read This

We often hear people complain that life is not going their way: their salary is not high enough, their house is not big enough, or their luck is not good enough. Their brows are furrowed as though the entire world were working against them. Yet, when we look carefully at their circumstances, their bodies are healthy, their families are safe, and they have food to eat and clothes to wear, we may wonder: Why are they filled with so much dissatisfaction?

Many people spend their lives taking their blessings for granted.

Human beings have a peculiar tendency: we quickly grow accustomed to what we possess yet remain constantly preoccupied with what we lack. When we are healthy, we rarely think of effortless breathing as a gift. Only when a cold leaves us congested do we understand how precious it is to breathe freely. When we are young, we seldom consider strong and agile legs a blessing. Only when our knees begin to ache do we miss the freedom of running.

Happiness is much the same. It quietly surrounds us and seems as natural as the air we breathe. Only after it is lost do we suddenly realize that it was there all along.

I once knew a friend who had just recovered from a serious illness. In the past, he often complained—about the demands of his job, his limited income, and the dullness of everyday life. Yet after leaving the hospital, he seemed like a different person. The morning sunlight moved him deeply. A simple bowl of plain rice porridge brought him contentment. The sound of his child’s laughter brought tears to his eyes.

He said:

“While I was lying in the hospital bed, I could think of nothing else. I only wanted to recover—to be able to walk normally and eat normally again. Now that I have regained these things, I finally understand that an ordinary life is the greatest blessing of all.”

This reminds me of a teaching given by Namo H.H. Dorje Chang Buddha III in Philosophical Sayings About Worldly Matters:

“A person not appreciative of the good life he is living is one who has forgotten his past miseries. A person in good health is not aware of its blessings until he loses it.”

This means that some people live amid blessings without recognizing them. Although their circumstances are good in many ways, they remain dissatisfied, finding fault with one thing after another. They are filled with complaints and self-pity.

The main reason is that they have become immersed in favorable conditions and have forgotten the existence of hardship. While enjoying happiness, they forget the difficulties they once endured. In the same way, strong and healthy people often fail to understand the suffering of illness. They neglect to protect their health and do not cherish their strong bodies. Only after falling ill—confined to bed, unable to move, and without an appetite—do they finally understand the joy and blessing of good health.

The Buddha has long revealed this truth to the world. Regrettably, not everyone has the good fortune to respectfully listen to the authentic Buddha Dharma personally taught by Namo H.H. Dorje Chang Buddha III. Many people pass through life in confusion and unawareness. Only when illness comes do they understand the value of health, and only after something is lost do they recognize the happiness they once possessed.

Those who fail to appreciate their blessings may not necessarily be ungrateful by nature. Perhaps they have simply forgotten that adversity exists. Having grown accustomed to favorable circumstances, they begin to regard them as something they are naturally entitled to. Having forgotten their former hardships, they become blind to the peace and stability before them.

It is like someone who has lived for so long in a room filled with orchids that they no longer notice the fragrance. In the same way, those who remain surrounded by happiness for too long may cease to recognize it.

In truth, happiness does not require luxurious clothing, fine food, fame, or worldly success. It is hidden within every ordinary day: waking in the morning without illness, having a home to return to at night, having food when hungry, clothing when cold, and someone to rely upon when weary.

May we all pause in our habit of complaining. Tonight, before going to sleep, take a moment to count what you possessed today: one easy breath, one warm meal, one word spoken and answered—and the opportunity to learn the authentic Buddha Dharma.

Then quietly remind yourself:

This, too, is a blessing.

Written by Yijie Xue

Learn more about H.H. Dorje Chang Buddha III

Link: https://hhdorjechangbuddhaiiidharma.com/2026/08/10/before-you-complain-today-read-this/

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