It is precisely due to his extraordinary talent, exceptional wisdom, sublime morality, and extensive vision that H.H. Dorje Chang Buddha III is able to make one after another world-shocking achievement in art. Here, H.H. Dorje Chang Buddha III employs his supernatural abstract colors to introduce us once more to a new world of art that is beautiful, mysterious, and soul-inspiring. This truly is not just some fancy talk, for as soon as you set your eyes on these oil and acrylic paintings, you will find the bright and dazzling colors leaping and dancing, vigorous like billows sluicing over thousands of miles, yet stored up into wonders at the fine tip of a brush. Gentle yet resolute, they freely transcend worldliness. Various colors are mixed ingeniously and beautifully, distilling beauty from their mutual nourishment. One could say they present a state of superb craftsmanship excelling in nature, and of form becoming flexible and elusive. Words cannot describe such harmonious, refined, and soothing artistic enjoyment.
Supernatural abstract color is a perfect world composed of colors. It does not have any concrete worldly form but uses only colors to form shapes and express feelings. Color is its shape and theme, and it blends into touching charm. These colors, under H.H. Dorje Chang Buddha III’s hand, suddenly converge into unparalleled, marvelous, and bright magic, expressing the vivid spirit of a flowery scene or the vigor of the roaring sea. Yet, they can be ever so exact when their meaning is revealed through the tip of a brush. The fine details are often revealed among rough strokes, and their charm is naturally displayed. These works of art are fused with the essence of the universe, Nature, and the earth.
The art of H.H. Dorje Chang Buddha III has already cast off the bondage of the common world. Its form and meaning are both like a golden dragon breaking away from the earth’s crust and soaring in the azure sky above the blue sea, free at will, unbridled and unrestrained, all worldly dust whisked away, ever-changing, and beautiful beyond compare! In front of these soul-inspiring rare treasures of art, we admire the exceptional artistry that flows from the boundless heart of the Buddha. We absorb the beauty that transcends all confinements of reality, the beauty created from His use of ever-changing colors for the appreciation of mankind.
It is no surprise that these amazingly beautiful pieces are the creations of H.H. Dorje Chang Buddha III. The supernatural abstract color is just the crystallization of His various astonishing talents and the outflow of His limitless artistic wisdom. He truly deserves to be called a master artist the likes of which have never been seen in history.
This painting’s arrangement is classically simple and straightforward. The brushwork conveys both simplicity and adeptness. Each lotus stem was painted with just one stroke from top to bottom. The important fact is that the artist dared to adopt an extremely plain and uncreative artistic conception, yet remarkably powerful, seasoned painting skills casually applied are reflected deep within this painting. This work also reveals the artist’s inner power based on her broadmindedness. Even more wonderful is the fact that no touchups whatsoever were added to the lotus stems to enhance their charm. Painting skills alone were relied upon to capture both the spirit and form of the stems,resulting in a very enuine-looking image. The seedpod, flower, and leaves are in complete concert with one another. The style is vivacious, elegant, free of conventionality, and wonderfully spellbinding.
Someone who does not believe in the difficulty of painting a lotus stem with just one stroke should try it himself. He will then know how very difficult it is. A work of this quality can only be successfully created by an artist who has reached great heights in painting and whose artistry is devoid of any trace of vulgarity. This is a precious painting in which the extraordinary can be seen within the seemingly ordinary. It is no wonder that Yu Hua Shouzhi Wang was praised by experts as “the unmatched master of lotus flower paintings from ancient times to now” when her artwork was exhibited in the United States Capitol.
Dr. Yuhua Shouzhi Wang is the Lifetime Honorary Chairwoman of the International Art Museum of America. The museum has a dedicated gallery exhibiting her artworks. Her paintings encompass a broad range of styles and subject matters, including landscapes, animals, flowers, birds, and so forth, all of which have reached the summit of world class artistic excellence. Her artistic achievement has reached perfection at the summit of the “ten ultimate artistries.”
Professor Wang’s works have been exhibited and widely acclaimed in the United States, China, Asia, and Europe. In 2008, the United States Congress held an exhibition of the professor’s works, calling her art a “treasure of the world.” The U.S. Congressional Record chronicled the recognition that “her lotus flower paintings are unsurpassed and are extremely valuable.” Professor Yuhua Shouzhi Wang has also been critically acclaimed by news media that “she fuses vivacity, power, color, scholarly essence, quintessence of stone and bronze inscriptions, spirituality, erudition, and morality into oneness in her art. She is the foremost artist in the world.”
Professor Wang is a person of humility and noble morality. She is modest, unassuming, beneficent and genial. The characteristics of an artist’s paintings essentially reflect the character of the painter.
Established in October 2011, The International Art Museum of America(IAMA) is a charming and vibrant gallery, full of both exotic and familiar paintings, portraits, and sculptures. Its diverse collection of artwork and education programs promotes art appreciation, culture exchange, and communication between artists and guests. With these qualities, the IAMA hopes to nurture an important spiritual goal: that all people may have a deeper understanding of each other.
Tendergold Gallery was first introduced by IAMA in early 2018. The name pays homage to our ever-so-funky neighboring Tenderloin District. While it could undeniably be seen as dark and gritty, it also hosted some of San Francisco’s most exciting underground art scenes and nightlife. At Tendergold celebrated this by bringing art to the light of day from emerging artists, both internationally and from the Bay Area. Once at this room, a young Syria refugee artist, who live in Greece refugee camp, displayed her paintings, and the income from auction of the drawing was donated to Syria refugee camp. Tendergold Gallery was closed in early 2022 and replaced by Sip Art.
Besides collecting timeless and world-class art treasures, the International Art Museum of America is also mindful of contemporary art creations of all forms. The museum created a special exhibit dedicated to the modern art of our era. The quarterly rotating exhibit called Lightspace was conceived thereafter beginning in September of 2018. We select outstanding artworks to be on exhibit in the Lightspace Gallery, from photography to mixed media, sculpting, and installation art.
Culture and Entertaining Events
For ten years, the IAMA has brought the artwork and traditions of many cultures to the residents of San Francisco. It has embraced a mission of bringing happiness and cultural understanding through its various activities and artistic programs. We hope that our work will help bring people all over the world to a greater understanding and harmony.
Professor Yuhua Shouzhi Wang is a world-renowned painter. Throughout Asia, she is the only artist to whom the New York Academy of Art conferred the title of international preeminent artist of first class standing.
The art world has classified the quality of ink painting into four different levels: Class of Proficiency, Class of Wonderment, Class of Divinity, and Class of Ease. Artwork of the Class of Proficiency has the ability to present a resemblance of objective reality, achieving likeness in form. This is the first stage of artistic creation. The art world calls it the stage of sketching. This is a stage that an artist cannot skip, yet they also cannot remain at this status quo, because this is an elementary stage. The next level is the Class of Wonderment. Artworks of this Class demonstrates highly skilled techniques. The artist is able to paint anything at will without revealing any trace of effort. However, one also cannot remain stagnant at this stage.
The next level after the Class of Wonderment is the Class of Divinity where the art carries likeness of ‘form’ and likeness of ‘spirit.’ In ink painting, the highest state of accomplishment is the Class of Ease where the artist attains natural ease by using simple brushstrokes to fully capture the form. With the most succinct brushwork and the most superb technique, the artist depicts objective reality and attains a state of miraculousness where both form and spirit are fully captured. This is the kind of art that viewers never get tired of appreciating; it leaves a wonderful aftertaste. There are only about a dozen people in the history of art who have attained such a class.
In 2008, the United States Congress exhibited her sculptures and paintings in the Gold Room in the Rayburn Congressional Building which received rave reviews. Professor Stephen Farthing of the University of the Arts in London, United Kingdom, determined that “Professor Wang’s paintings reach across cultures to celebrate the space that exists intellectually and emotionally between representation and abstraction, between a fact and an idea…Dr. Wang’s paintings may draw heavily on the traditions of Eastern art, but they present themselves as extraordinarily Western ideas and images.”
in 2013, out of the works of all painters, the World Federation of UNESCO Clubs, Centers and Associations (WFUCA) awarded the title “WFUCA2013” to the artworks of Professor Yuhua Shouzhi Wang. In 2020, the United States National Commission for UNESCO Clubs, Centers, and Associations conferred on her the “International First-Class Artist” title along with the issuance of a certificate and badge.
In 2019, When Professor Wang’s solo exhibition was held at the Shanghai Exhibition Center that used to be the Sino-Soviet Friendship Building, a record-breaking number of people visited the show. The Museum Director Wu Shufang stated that the museum had never experienced such an overwhelming number of visitors since its official opening, and for this exhibition, they had to post notices to limit admission. Same year, she held a solo exhibition, titled One Flower, Two Worlds at the Louvre in Paris in 2019 and created a sensation in French art circles. This exhibition showcases 27 of Professor Wang’s extraordinary artworks each of which has reached the height of the Class of Ease.
More than 200 distinguished members of society, artists, collectors, entrepreneurs, and art lovers attended the exhibition opening; including representatives from French museums, professors from French art institutes, French nobilities, renowned artists, celebrities, representatives from auction houses, art critics and journalists from major news media. They all marveled at the artworks and expressed their praises. They considered this an unprecedented experience for French people.
Simply put, the artistry of Professor Yuhua Shouzhi Wang has attained the highest level of artistry in ink painting which is the Class of Ease. One of Professor Yuhua Shouzhi Wang’s paintings Pomegranates in a Basket realized a top auction price of US$1.27 million at the Gianguan Auction House in New York on March 13 of 2019. It clearly shows that the art of Professor Yuhua Shouzhi Wang is recognized by art collectors and people of foresight alike.
Dr. Yuhua Shouzhi Wang is the Lifetime Honorary Chairwoman of the International Art Museum of America. The museum has a dedicated gallery exhibiting her artworks. Her paintings encompass a broad range of styles and subject matters, including landscapes, animals, flowers, birds, and so forth, all of which have reached the summit of world class artistic excellence. Based on her lotus and water lily paintings, artists have acclaimed that Professor Yuhua Shouzhi Wang is the foremost lotus painter of all times. No artist in the past would have been able to surpass her accomplishment, and her works will continue to inspire generations to come. Among all notable lotus painters, her skills are extremely profound, substantial, and masterful, and she is among the most distinguished artists in history. Her artistic achievement has reached perfection at the summit of the “ten ultimate artistries.”
The well-known saying, “Deeply hidden talent not easily revealed” aptly describes Dr. Yuhua Shouzhi Wang’s morality and inner refinement. The characteristics of an artist’s paintings essentially reflect the character of the painter. From the paintings below you can find humility, inner peace, harmony and noble morality of professor Wang.
The approach of Professor Yuhua Shouzhi Wang to draw flowers in gold and create leaves with splashed watery ink exhibits high elegance, great beauty, and lovely simplicity. The technique of Professor Yuhua Shouzhi Wang to paint lotus flowers in varying degrees of darkness and lightness enables her to represent fully a striking charm in both tone and form. Every stroke is lively, vigorous, graceful, and without the slightest air of affectation. Applying mature and seasoned artistry, she fully displays on paper her unfettered, natural, unattached state of mind. The brushwork was completed with ease and spontaneity, free of any inhibition. The atmosphere is strong but very elegant and pure. This entire painting provides much comfort to the eyes.
Some of professor Wang’s paintings have been published on stamps.
From ancient times to the present, the art of making frames has existed in the East, the West, regions of different nationalities, among the general population and within imperial palaces. There have been many kinds of frames for pictures, paintings, and other forms of art. There are truly unique, beautiful, and elegant art frames displayed in International Art Museum of America, located in San Francisco downtown, that I never seen at anywhere else before.
H.H. Dorje Chang Buddha III, the artist created sculpted art frames in the style of various natural elements. Examples of this include frames made in the style of ganoderma lucidum (a type of hard dark brown fungus supposed to possess supernatural powers), tropical plants that wind around trees, coral, ancient-looking unearthed cultural relics, white and green jade, and winding vines, faux withered vines, faux tree roots, faux white jade, faux old wood, faux spotted jade, faux ganoderma lucidum, faux red coral, etc. All frames there are artistic fascinating.
The ganoderma lucidum art frames are formed by putting together many of those hard mushroom-type fungi. Of course, such frames are not composed of real ganoderma lucidum. Rather, the ganoderma lucidum in such frames are created from carving and application of colors. The shapes of the Ganoderma lucidum are connected together on the wooden frame to form an exquisite, integrated shape. Those ganoderma lucidum have the same color, air, and shape of real ganoderma lucidum. Furthermore, rare thousand-year-old ganoderma lucidum, old hundred-year-old ganoderma lucidum, and new tender Ganoderma lucidum are interconnected to form an elegant and charming appearance. Many ganoderma lucidum mushroom caps and mushroom stems are interconnected in a beautifully rhythmic manner. The interchange between substance and emptiness, highness and lowness, largeness and smallness, and thickness and thinness creates a highly elegant appearance.
The faux green jade art frames have an ancient-looking green jade color to them that is steady and elegant. This color is not stale or old-fashioned in the least. Rather, it is a natural combination of refined blackish green and sprightly verdant, although there is not much verdant hue. This color expresses the essence of old jade that has slowly matured over thousands of years, with a vigorous and spirited quality that is clearly seen. This refined green jade color will every now and again reveal a lustrous white, like the color of the feathers of immortal cranes. Such a mixture of hues truly transcends all traces of the mundane. The color green alone could be further divided into many different types based upon its various hues. There is aged green, light green, blackish green, glossy dark green, pastel green, verdant, fresh green, deep green, translucent green, etc. There actually are countless gradations of green in these art frames, all of which are natural looking. All of these various shades of green interconnect and interact so naturally there is not the slightest sign they were created by man. Therefore, it is difficult to fathom how the creator of these frames could harmonize these colors so masterfully, fittingly, flawlessly, and beautifully.
Each and every detail of the frames in the museum, expresses an extremely natural quality in both form and spirit. Some frames are devoid of the dark spots or broken parts that natural objects have after being exposed to wind, frost, rain, and snow. His Holiness has developed to a perfect degree the depiction of the fleeting beauty that natural treasures display during their growth process. Simply put, the worth and prestige of any painting mounted to those frames will increase tremendously.
The accomplishments and contributions of H.H. Dorje Chang Buddha IIIare extremely comprehensive. The book entitled H.H. Dorje Chang Buddha III published in 2008 shows some of the accomplishments of H.H. Dorje Chang Buddha III in thirty different main categories. Within the one category of painting and calligraphic artistry alone, H.H. Dorje Chang Buddha III has created Chinese paintings, oil paintings, different styles of calligraphy, etc. In addition to being able to paint in the styles of the currently existing schools of painting, such as the Realism School, the Abstract School, the Line School, the Impressionist School, and other schools, H.H. Dorje Chang Buddha III has independently originated sixteen unique schools of painting. They are called: 1) the Chaoshi School; 2) the Chouxiang Yunwei School; 3) the Wenfeng School; 4) the Fangfa School; 5) the Menglong School; 6) the Xiangtong School; 7) the Fanjuan School; 8) the Puomo Xiantiao Xiezhen School; 9) the Weiyin School; 10) the Fanpu School; 11) the Miaoxie School; 12) the Puomo Weiyun School; 13) the Kuangxi School; 14) the Yousi School; 15) the Banqi School; and 16) the Houdui Sekuai School (Thickly Piled Patches of Color School).
Many famous painters spent their entire lives focusing on one kind of artistic subject or theme in order to establish their own school of that one style. However, not only did H.H. Dorje Chang Buddha III found sixteen schools of painting, He also developed the style of each school to a state of perfect artistry. This has naturally resulted in the distinct school of painting called “The H.H. Dorje Chang Buddha III School of Multiple Styles,” which no painter in history can match!
At the fourth session of the World Poets and Culture Conference held in Hungary in 1994, more than 5,600 experts and scholars representing 48 countries and regions unanimously approved conferring upon H.H. Dorje Chang Buddha III the title “Distinguished International Master,” which has an honorific status comparable to a head of state. The certificate was signed by Sir Juan Antonio Samaranch, the then President of the International Olympic Committee.
On February 10, 2004 the Royal Academy of Arts of the United Kingdom conferred upon H.H. Dorje Chang Buddha III the title of “Fellow,” a title never before conferred in the history of that academy. The Royal Academy of Arts in the United Kingdom was founded in 1768 by the then King of Britain, George III. That academy has received the patronage and support of the royal family up to this day. Professor Phillip King, President of the Royal Academy, awarded the Certificate of Fellow to H.H. Dorje Chang Buddha III at the British Embassy in Washington, DC. The cultural counselor of the embassy attended the award ceremony in person. Professor Phillip King said, “This is the first artist to receive this title in the more than 200-year history of the Royal Academy of Arts in the United Kingdom.”
Since the year 2000, paintings by H.H. Dorje Chang Buddha III have repeatedly broken price records in art markets, selling for the highest prices for paintings by any living artist. The market price has now reached more than US$1,000,000 per square foot. Moreover, market prices recorded at international art auctions and evidence of sales prove that limited release copies of paintings by H.H. Dorje Chang Buddha III are sold at the world’s highest prices, reaching over US$380,000 each, thus surpassing copies of paintings by Picasso, Monet, Van Gogh, and other extremely famous painters in the world.
Many works of art by H.H. Dorje Chang Buddha III are exhibited at the International Art Museum of America, which is a non-profit public-benefit art museum located in downtown San Francisco in the United States. Furthermore, the International Art Museum of America is offering to buy paintings by H.H. Dorje Chang Buddha III in the style of the Thickly Piled Patches of Color School at a price of over US$1,000,000 per square foot. However, it is still very hard to find any such paintings offered for sale.