Tag: Travel

Yellow Crane Tower: A Timeless Tale of Magic, Kindness, and Cultural Splendor in Wuhan

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Bell courtyard in Yellow Crane Tower Park

Yellow Crane Tower

Perched majestically atop Snake Mountain, Yellow Crane Tower stands as a beacon of cultural significance in Wuhan, Hubei Province, rivaling the fame of Yueyang Tower in Hunan Province and Tengwang Pavilion in Jiangxi Province. With origins tracing back to the Three Kingdoms period in 223 A.D., this architectural marvel is more than just a sightseeing spot; it’s a testament to China’s rich history and enduring legacy.

Rising 51.4 meters into the sky, Yellow Crane Tower’s five floors house a treasure trove of murals, couplets, and cultural relics, each floor a testament to centuries of artistry and inspiration. The tower is not an isolated structure; it is surrounded by auxiliary buildings, including pagodas, memorial arches, and pavilions, which add to its grandeur and mystique.

Throughout history, Yellow Crane Tower has attracted luminaries from all walks of life, drawn by its ethereal beauty and historical resonance. Poets and writers, including the esteemed Cui Hao, have penned timeless works inspired by the tower’s allure. Cui Hao’s masterpiece, “Yellow Crane Tower,” resonates across generations, immortalizing the tower’s mystique in poetic verse.

Legend intertwines with reality in the tale of Yellow Crane Tower’s origins, where an act of kindness transforms a humble innkeeper’s life forever. The story unfolds in the ancient city of Wuhan, where a benevolent innkeeper named Old Xin encountered a shabbily dressed customer. Unperturbed by the visitor’s destitution, Mr. Xin welcomed him daily, offering him a glass of wine without expecting payment.

For six months, the mysterious customer continued to frequent the inn, accumulating a debt that Old Xin graciously overlooked. One day, the indebted visitor revealed his true identity as a magical being. He presented a drawing of a yellow crane, which came to life as he played a flute and sang. The enchanted crane danced along with the music, captivating the onlookers and turning the inn into a spectacle.

This magical partnership continued for ten years, bringing wealth and prosperity to Mr. Xin. When the mysterious customer returned one day, Old Xin, overwhelmed with gratitude, offered to support him in any way possible. However, the magical visitor had no material desires. Instead, he played a few tunes on his flute, and white clouds descended from the sky, carrying the drawing of the crane. With a graceful ascent, the customer mounted the crane and soared into the sky, leaving behind a tale imbued with traditional Chinese wisdom—kindness is a virtue that will always be repaid.

To express his gratitude and immortalize this magical encounter, Mr. Xin erected a tower on the spot and named it the “Yellow Crane Tower.”

Despite enduring centuries of upheaval and destruction, Yellow Crane Tower stands resolute, a symbol of resilience and cultural continuity. From its inception during the Three Kingdoms to its reconstruction in modern times, the tower has weathered the storms of history, emerging stronger with each passing era.

The tower’s architectural splendor is matched only by its cultural significance. Each floor tells a story, from legends of ancient cranes to the poetry of Tang Dynasty luminaries. Visitors are treated to panoramic views of the Yangtze River and Wuhan cityscape, offering a glimpse into China’s past and present.

It stands 51.4 meters (about 168 feet) high and has five floors

Around the main tower there are many other buildings, including the Sheng Xiang Pagoda and the temple gate. Each storey is decorated with traditional upturned eaves, but each one has a different style. The ground floor is a tall, wide hall. The midmost caisson ceiling stands over 10 meters high. On the front wall is a huge ceramic mural painting of a white cloud and a yellow crane. A pair of 7-meter-long inscribed tablets hang on the posts on both sides. The front wall of the second floor holds a marble inscription of Tang Dynasty poet Yan Baojin’s ‘Note on the Yellow Crane Tower’. On each side of it are mural paintings. One is ‘The Town that Sun Quan Built’. It describes the history of the Yellow Crane Tower and Wuchang town. The other is ‘Zhou Yu Made a Feast’, which tells the story of the Three Kingdoms celebrity’s visit to the tower.

With yellow upturned eaves, each floor seems to have been designed to resemble a yellow crane spreading its wings to fly.

As visitors explore Yellow Crane Tower, they encounter a journey through time and culture. Each floor is a testament to China’s literary and artistic heritage, inviting travelers to immerse themselves in centuries of tradition and innovation.

Outside the tower, bronze cranes stand sentinel, silent witnesses to the ebb and flow of history. Memorial gateways and pavilions beckon travelers to explore further, inviting them to partake in the tower’s timeless legacy.

Yellow Crane Tower is more than just a scenic spot; it’s a living testament to China’s cultural resilience and artistic ingenuity. As visitors stand atop its lofty heights, they are reminded of the enduring power of human creativity and the timeless allure of the written word.

In the heart of Wuhan, Yellow Crane Tower stands as a testament to the enduring spirit of China’s cultural heritage. Its towering presence serves as a beacon of inspiration for generations to come, inviting travelers from near and far to embark on a journey through time, tradition, and a touch of enchantment.

Charming night scene of the Yellow Crane Tower


Link:https://peacelilysite.com/2024/03/08/yellow-crane-tower-a-timeless-tale-of-magic-kindness-and-cultural-splendor-in-wuhan/

#TravelChina #YellowCraneTower

Source: https://www.chinadaily.com.cn/m/hubei/travel/2012-01/06/content_14103874.htm https://en.wikipedia.org/wiki/Yellow_Crane_Tower

Dharma Master Tonghui —- Great Achievers

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Dharma Master Tonghui —- Great Achievers-图片2

Dharma master Tonghui

Venerable Dharma Teacher Tonghui (1922-2013) served as the Abbot of Longju Temple, renowned for Jiangxi Mazu. A devoted disciple of H.H. Dorje Chang Buddha III, he immersed himself in the teachings and practices of dharma. Also known as Elder Monk Tonghui, he transcended the ordinary, attaining the revered status of a holy monk.

Venerable Master Tong Hui, born Tang Zhenbang on March 5, 1922, in Penglai town, Suining City, Sichuan Province, belonged to the Han ethnicity. Renowned for his intelligence from a young age, he adhered to a vegetarian diet and practiced abstinence, following his parents’ guidance. In 1931, he entered monkhood under Master Pu Jing at Jinwen Temple in Pengxi. Full ordination followed in 1940, under Venerable Master Miaoneng at Baoguang Temple, and further studies in Chengdu’s Jingci Temple under Master Nenghai in 1941. Residing at Longju Temple with Master Miaoneng in 1942, he served during the transmission of the Great Precepts by Master Nenghai. Master Nenghai was one of the most eminent monks in last century.

Post-liberation, Longju Temple faced dispersion, confiscation of properties, and occupation during the Cultural Revolution. As the warehouse keeper, Venerable Master Tong Hui personally bore the repercussions of stolen food, enduring imprisonment to spare innocent people. False accusations regarding the team’s beekeeping further led to additional years in prison. His unwavering compassion and selflessness epitomized the Buddhist spirit.

Reopened by the government on December 16, 1986, Longju Temple underwent extensive renovations under the venerable master’s guidance. The Arhat Hall, Main Hall, Scripture Hall, and Accommodation Building were constructed, while the main gate, Ksitigarbha Hall, Hall of Heavenly Kings, and Bell Tower were restored. The restoration of large Buddha and Bodhisattva statues, as well as Arhat statues, showcased the venerable master’s dedication. Numerous instances of his awe-inspiring virtue were evident, such as his ability to attract dharma-protecting deities and revive a withered ginkgo tree with Bodhi Holy Water.

Front Entrance of Longju Temple

Grand Hall in Longju Temple

Moreover, Venerable Master Tong Hui made significant contributions to Buddhism by bringing back Buddha and Bodhisattva statues made of Burmese jade from temples in Dayi County and Daying County.

A legendary story recounts Master Tonghui’s visit to Burma in 1992. Venerable Dharma Teacher Tonghui went to Burma to respectfully receive and take back with him a Jade Statue of the Buddha. The night before the Dharma teacher arrived, many people in Burma suddenly dreamed that he was a golden Arhat and would soon come to Burma. The next day when he arrived in Burma, hoards of people made offerings to him. In Hinayana Buddhism, Arhats are praised in the same way that Bodhisattvas who attained the marvelous fruit of enlightenment are praised. It is clear that Venerable Dharma Teacher Tonghui was an amazing and great sage.

Venerable Dharma Teacher Tonghui peacefully passed away on February 26, 2013, at the age of 92. His preserved body, following ancient Buddhist rituals, was respectfully opened three years later on June 12, 2016, revealing a full and jade-colored flesh body in the urn. This sacred event reaffirmed the authenticity and practicality of true Buddha Dharma.

The flesh body of Venerable Dharma Teacher Tonghui is now enshrined in Longju Temple for people to respectfully admire.

Dharma master Tonghui — Great Archivers

Link:https://peacelilysite.com/2024/02/16/dharma-master-tonghui-great-achievers/

#Buddhist #BuddhaDharma #LonjuSiTemple #MasterTonghui #DorjeChangBuddhaIII  #HHDorjeChangBuddhaIII

Discovering the Hidden Gem of Tibet: Mêdog – Where Nature Unveils Its Mysteries

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Nestled in the southeastern part of the Tibet Autonomous Region lies Mêdog, a town whose name translates to “hidden lotus” in Tibetan. Situated in the Nyingchi area, Mêdog finds its home in the lower reaches of the Yarlung Tsangpo River, nestled at the southern foothills of the eastern Himalayas. This picturesque town boasts breathtaking landscapes, abundant rainfall, and pristine ecology, making it a true hidden gem waiting to be explored.

Mêdog’s allure lies not only in its natural beauty but also in its remote location, which has preserved its untouched landscapes from excessive development and damage. With a relatively sparse population, Mêdog offers visitors a rare opportunity to experience unspoiled natural beauty and unravel the mysteries of nature.

One of the most striking features of Mêdog is the majestic Yarlung Tsangpo River, which winds its way around the towering Namcha Barwa Peak, standing at an impressive 7,782 meters. As the river meanders through the territory of Mêdog, it carves a deep gorge akin to a sharp sword, creating a mesmerizing sight that resembles the Milky Way cascading towards the sea.

Big Bend

The Yarlung Tsangpo Grand Canyon stretches from Dado Kar village in Milin County at an elevation of 2880 meters in the north to Baxika village in Motuo County at an elevation of 115 meters in the south. The canyon spans a length of 504.6 kilometers, with an average depth of 2268 meters and a maximum depth reaching 6009 meters. With an average elevation of over 3000 meters, it holds the distinction of being the world’s largest canyon.

The entire canyon region is characterized by a harsh environment, where glaciers, cliffs, steep slopes, mudslides, and the turbulent Yarlung Tsangpo River converge. Many areas remain untouched by human activity, making it one of the few remaining “last frontiers” on Earth and a relatively unexplored geological blank spot.

Some of the primary waterfalls within the canyon have drop heights ranging from 30 to 50 meters. The canyon features nine vertical natural zones, ranging from high mountain snow zones to low river valley tropical rainforests. This diversity creates a habitat for a variety of biological resources, including two-thirds of known higher plant species on the Qinghai-Tibet Plateau, half of known mammal species, four-fifths of known insect species, and three-fifths of known large fungi species in China.

The convergence of warm and humid oceanic air currents with the snowy plateau gives rise to a unique climatic phenomenon in Mêdog. With annual rainfall reaching around 2000 millimeters and an average temperature of 16°C, Mêdog boasts rare South Asian climatic characteristics at its latitude. Despite its Tibetan location, Mêdog is home to the northernmost tropical rainforest in China, thriving with lush vegetation and vibrant landscapes reminiscent of Jiangnan’s greenery.

Exploring Mêdog offers visitors a chance to witness the breathtaking scenery of the Yarlung Tsangpo Grand Canyon, hailed as one of China’s ten most beautiful canyons by “National Geographic.” Here, travelers can marvel at the grandeur of nature while appreciating the unique rattan bridges that adorn the landscape, crafted without a single nail or pier.

As one traverses the mountains of Mêdog, they are greeted with mist-shrouded landscapes that change hues with the seasons, each unveiling its unique beauty. From the dense foliage to the meandering streams, Mêdog presents a captivating panorama that unfolds like a charming scroll, inviting visitors to immerse themselves in its vibrant colors and tranquil ambiance.

In the age of dinosaurs, a plant often referred to as a “living fossil” – the tree fern, also known as the “cycad,” is a nationally protected plant at the second level. It is the only woody fern species.
Wild Banana
Tea Tree Farm

For those seeking respite from the hustle and bustle of city life, Mêdog offers a sanctuary of serenity and natural beauty. Whether it’s witnessing the grandeur of the Yarlung Tsangpo River or wandering through the lush rainforests, Mêdog promises an unforgettable journey filled with awe-inspiring moments and cherished memories.

In Mêdog, every step reveals a new wonder, every corner a hidden treasure. As visitors embark on this journey of exploration, they are reminded to approach nature with humility and appreciation, embracing its beauty with a calm heart and open mind. In Mêdog, the beauty of life reveals itself in every mist-covered peak and verdant valley, leaving an indelible mark on the soul of all who venture there.

Discovering the Hidden Gem of Tibet: Mêdog – Where Nature Unveils Its Mysteries

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#Travel #China #Mêdog #Tibet #YarlungTsangpoGrandCanyon

Source: https://m.voc.com.cn/xhn/news/202202/16733558.html

Journey to Tranquility: Exploring the Wonders of Usnisa Palace at Niushoushan

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The Usnisa Palace, also known as Foding Palace, is situated in the Niushoushan Cultural Tourism Zone, Jiangning District, Nanjing City. This architectural marvel, characterized by its deep pit structure, serves as the long-term sanctuary for the Foding relic bone. Spanning 220 meters in length, 160 meters in width, and towering at an overall height of 89.3 meters, with a total building area of approximately 136,000 square meters, the palace is a testament to grandeur. The external space is subdivided into three components: the large dome, small dome, and Foding cliff. Internally, it comprises nine layers – three above ground and six underground – housing the Zen Grand View, Relic Hall, and Relic Treasury. Foding Palace not only serves as the primary repository for the Buddha’s crown relic bones and a place of worship for believers but also functions as a cultural exhibition space showcasing relic culture and global Buddhist culture through various artistic mediums.

Niushoushan stands as one of China’s renowned Buddhist mountains and is the birthplace of Niutou Zen Buddhism, a significant sect of Chinese Zen Buddhism. It houses the world’s only Buddha’s Parietal Relic – the skull of Shakyamuni. This complete skull, with a circumference of 35 cm and a diameter of 10 cm, is adorned with yellow-and-black hues and features clear hair holes distributed throughout.

The Buddha’s Parietal Relic was unearthed in the Ashoka Pagoda within the underground palace of Bao’en Temple in Qinhuai District, Nanjing. It stands as the sole surviving true parietal relic of the Buddha globally.

The external space is ingeniously divided into three sections: the large dome, small dome, and Buddha Grottoes. The large dome, shaped like a Buddha’s cassock and stretching 120 meters in length, covers the small dome palace, symbolizing the boundless blessings of the Buddha. The small dome, resembling the Buddha’s hair bun, is composed of thousands of small units, representing the offerings made by thousands of believers. The base of the small dome takes the form of a lotus throne, featuring 56 flying Bodhi gates symbolizing Buddha’s infinite wisdom and 56 cloud gate wishful pillars symbolizing good luck and fortune.

Usnisa Palace : Large Dome and Small Dome

Within Foding Palace, the design deviates from a singular dome to an atrium-style space connecting upper and lower levels directly. The central reclining statue of the Buddha in Nirvana is a captivating focal point, visible from various angles. Using the four sights of birth, old age, sickness, and death, the Buddha imparts guidance and enlightenment to sentient beings. In Buddhism, “Nirvana” signifies a state of eternal and serene tranquility without birth or death. As the Buddha speaks, heavenly beings scatter flowers. Tradition holds that in the Buddha’s pure land, day and night witness the auspicious occurrence of raining flowers. During the Buddha’s Nirvana, offerings such as incense, flowers, and precious banners are made.

Upon entering Foding Palace, visitors traverse a long corridor adorned with paintings depicting sacred scenes. Four small palaces within the passage illustrate wonders of the four natural elements: earth, fire, water, and wind. The journey provides an opportunity to contemplate the painted stories of the Buddha’s eightfold path to enlightenment, featuring extraordinary phenomena related to earth and fire, such as thousands of small Buddha niches and a thousand heart lamps.

To approach Foding Palace, one ascends using a water elevator, marking the third wonder – the purification of the three realms through water. Depicting these natural phenomena through a meditative design, the top floor of Foding Palace awaits, featuring a towering space and exquisite dome. The celestial ambiance, with stars seemingly within reach, fosters a sense of unity between heaven and earth. This intentional design aims to allow individuals to grasp Buddhist stories and appreciate nature’s wonders before encountering the Buddha’s relic. This preparatory “journey” facilitates entry into Foding Palace with a tranquil and peaceful mindset, reminiscent of a meditative experience.

The internal space encompasses nine floors – three above ground and six underground – housing the Zen Grand View, Relic Hall, and Relic Palace.

Relic Hall

The Relic Hall comprises the Thousands Buddhas Hall and the Ten Thousands Buddha Corridor. The Thousand Buddhas Hall, adorned in red, yellow, and dark gold, features a vault-shaped layout corresponding to the Hua Zang Buddhist World. The central focus is the 21.8-meter-high Relic Pagoda, imitating the Ashoka Pagoda where the Buddha’s Parietal Relic was found. The Ten Thousands Buddha Corridor spans the 3rd, 4th, and 5th underground floors, showcasing Chinese Buddhism culture, seven-sided lacquer paintings depicting Indian Buddhist teachings, and Buddha’s relic and relic culture, including videos, porcelain paintings, ancient pagodas, and historical relics.

Thousand Buddha Hall
Ten Thousands Buddha Corridor

Relic Palace

Also known as the Buddha’s Treasure Palace, the Relic Palace exudes a solemn and mysterious atmosphere with its dark color scheme. It serves as a sacred space for housing the Buddha’s Parietal Relic and a place for Buddhist worship and meditation. At its center is the 7-meter-high Relic Treasure Pagoda adorned with exquisite golden decoration. Inside the pagoda is a hexagonal and intricate lotus stupa, housing the sealed glass box containing the Buddha’s Parietal Relic. The pagoda is equipped with fireproof and explosion-proof features, along with a constant temperature and humidity system to ensure the optimal environment for the relic. Surrounding the relic pagoda are eight unparalleled marble mosaics depicting the life of the Buddha.

Corridor of the Relic Palace
Relic Palace

Zen Grand View

The Zen Grand View spans 112 meters from north to south and 62 meters from east to west, with a total height of 46.5 meters. Its oval shape encompasses an area exceeding 6000 square meters, with a core focus on Zen culture. Comprising Buddha’s Birth, Buddha’s Enlightenment, and the Lotus Theater in the middle, the Zen Grand View narrates the life story of the Buddha.

Lotus Buddha Theatre – Not-to-miss Visual Feast

The Lotus Buddha Theatre hosts a daily “Song of the Lotus Buddha” Zen Buddhism culture ceremony and stage multimedia show from 10:00 to 11:30 in the morning and from 13:30 to 15:00 in the afternoon. This 30-minute visual feast combines ceremonial performance with burning lamps, praying, offering flowers to the Buddha, large-scale dancing, and more. During the performance, the Sleeping Buddha descends slowly from the air, accompanied by a rising stage, actors, and 16-meter-high lotus petals. The Sleeping Buddha, a copper statue of Sakyamuni, with a length of 7.5 meters and a surface made of white marble, can rotate 360 degrees, expressing the Buddha’s peaceful moment of Nirvana.

Lotus Buddha Theatre

Journey to Tranquility: Exploring the Wonders of Usnisa Palace at Niushoushan

Link:https://peacelilysite.com/2024/01/19/journey-to-tranquility-exploring-the-wonders-of-usnisa-palace-at-niushoushan/

#UsnisaPalace #Buddha #Travel #Nanjing #TravelChina #Lotus #BuddhaRelic #ZenBuddhism

Source: https://www.chinadiscovery.com/jiangsu/nanjing/niushoushan.html, https://baike.baidu.com/item/%E4%BD%9B%E9%A1%B6%E5%AE%AB/18723834

The Relaxation of Thoughts

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The Relaxation of Thoughts

Translated from the Pali by Thanissaro Bhikkhu

Once, the Blessed One resided in Savatthi, at Jeta’s Grove in Anathapindika’s monastery. Addressing the assembly of monks, he spoke, “Monks!”

Respectfully, the monks replied, “Yes, Lord.”

The Blessed One shared guidance on cultivating a focused mind, highlighting five essential themes for monks to consider at the appropriate times.

Firstly, if unwholesome thoughts arise during meditation, connected to desire, aversion, or delusion, the monk should shift attention to a different theme associated with what is skillful. By doing so, the disturbing thoughts subside, allowing the monk to steady, settle, unify, and concentrate the mind.

If, despite this shift, unskillful thoughts persist, the monk should examine the drawbacks: recognizing them as unskillful, blameworthy, and causing stress. Through this scrutiny, the undesirable thoughts fade away, and the monk attains mental steadiness.

In the rare case that unwholesome thoughts persist, the monk should practice indifference, paying no mind to them. By disregarding these thoughts, the monk frees the mind from their influence and achieves concentration.

Should the unskillful thoughts persist even with indifference, the monk is advised to focus on relaxing thought-fabrication concerning those thoughts. This practice enables the abandonment of the troublesome thoughts and promotes mental stability.

In the event that unwholesome thoughts persist during the relaxation of thought-fabrication, the monk is encouraged to employ a more forceful approach. With teeth clenched and tongue pressed against the roof of the mouth, the monk should beat down, constrain, and crush the unskillful thoughts with awareness. This resolute effort results in the abandonment of disturbing thoughts and the attainment of mental concentration.

A monk who successfully applies these methods is recognized as having mastery over thought sequences. Such a monk can choose to think or not think as desired, having severed craving and liberated themselves from the fetters. Through a deep understanding of conceit, they have reached the cessation of suffering and stress.

Upon hearing these teachings, the monks were gratified, finding delight in the Blessed One’s words.

The Relaxation of Thoughts

Link：https://peacelilysite.com/2024/01/14/the-relaxation-of-thoughts/

#Budhism #BuddhistTeaching #Relaxation#Meditation #Monk #MentalConcentration

Dazu Rock Carvings – The Last Monumental Works in the History of World Grotto Art

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Detail of reclining Buddha, Parinirvana of Shakyamuni attended by bodhisattvas, Mt. Baoding, Southern Song Dynasty, Dazu, China, 102′ long (photo: Mulligan Stu, CC BY 2.0)

With a history spanning over 1,300 years, the Dazu Rock Carvings represents the pinnacle of grotto art worldwide from the ninth to the thirteenth century. The exquisite and varied cliff-side sculptures at Dazu caves provide outstanding proof of the harmonious fusion of Buddhism, Taoism, and Confucianism in civil. In 1999, the Dazu Rock Carvings was inscribed on the World Heritage List by UNESCO.

Enjoying a comparable reputation with the top four grottoes in China (Mogao Grottoes, Yungang Grottoes, Longmen Grottoes, and Maijishan Grottoes) and being rated as one of the eight grottoes in the world, the Dazu Rock Carvings (“大足石刻” in Chinese), also known as Dazu Caves or Dazu Grottoes, located 167km from the city center of Chongqing. It is the one and only UNESCO World Cultural Heritage Site in Chongqing municipality. The Dazu Rock Carvings consists of 75 cave temple sites, including more than 50,000 statues, being protected for their historical, artistic, and scientific values at different levels, representing the pinnacle of Chinese cave temple art between the 9th and 13th centuries. Among them, rock carvings of Baodingshan (宝顶山), Beishan (北山), Nanshan (南山), Shimenshan (石门山), and Shizhuanshan (石篆山) are exquisitely sculpted with the most distinctive style.

The Dazu Rock Carvings started in the early Tang Dynasty, went through the late Tang Dynasty and the Five Dynasties, and then experienced its golden time in the Northern and Southern Song Dynasty. At the time when cave art in northern China fell into decay, the Dazu Rock Carvings undoubtedly created another peak in the history of Chinese cave art, extending the history of Chinese cave art for more than 400 years. Since then, there have been no such large-scale rock carving events in China or even in the world. Therefore, the Dazu Rock Carvings are also known as the last monument and swan song in the history of the world’s grotto art.

UNESCO Stele of the Dazu Rock Carvings

Differing from famous royal grottoes in the north, the religious cliff inscriptions in Dazu show distinctive features of nationalization, secularization, and everyday life, reflecting the remarkable development and changes in folk religious beliefs. Thus, the Dazu caves have the irreplaceable historical, artistic, scientific, and connoisseurship values of grottoes of the previous generations. Another highlight that has to be mentioned is that the statues there provide outstanding evidence of the harmonious synthesis of Tantric Buddhism, Taoism, and Confucianism. Visitors can see separate stone carvings as well as the unity caves reflecting the three religions’ confluence and ruling together. Moreover, thanks to the southern hinterland location of the Dazu Rock Carvings, this cultural heritage stays far away from man-made sabotage, retaining the integrity of the statues, the original characteristics and values of the period when the carvings were created.

Rock carvings in Dazu are mainly located across five mountains, each containing distinct sets of grottoes, among which the cliff-side sculptures on Baodingshan and Beishan are best known and considered to be the model of the late Chinese grottoes statue art. The pictures of the Dazu rock carvings that we commonly find online were mostly taken at the Baodingshan Scenic Area, which is also the must-visit site for a Dazu Rock Carvings tour.

Baodingshan Rock Carvings (Baodingshan Scenic Area)

Fifteen kilometers northeast from Dazu center, Baodingshan Rock Carvings was constructed by the famous monk Zhao Zhifeng in the Song Dynasty for more than 70 years. As one of the most famous Tantric Buddhist shrines in China, there is an old saying that goes like “Go North, climb the Emei Mountain; Go South, reach the Baoding Mountain.” The centerpiece of the Baodingshan rock carvings is the U-shaped Grant Buddha Bay, also known as Dafowan (“大佛湾” in Chinese). Nearly ten thousand statues are carved along the east, north, and south cliffs, which are approximately 500 meters in length and 8-25 meters high. Like a picture scroll with endless photographs, the content of Baodingshan rock carvings is mainly Buddhist scripture stories, each niche related to the other but not identical.

Dazu Rock Carvings – Buddhist Wheel of Life

Avalokitesvara with Thousand Hands

The Buddha statues at Baodingshan are novel in conception, skillful in carving, and rich in secular characters. Religious treasures come one after another, including the representative work – Niche of Sakyamuni Entering Nirvana, one of the wonders of Buddhist art in the world – Avalokitesvara with Thousand Hands, striking image of Buddhist Wheel of Life, scientific designs of Three Saints of Huayan School of Buddhism and Cave of Full Enlightment showed craftsmans’ ingenuity.

In addition, niche content and their expression approach are striving to visualize reality. For instance, Niche of Parental Love Sutra contains ten groups of carvings, including scenes like begging for a son, carrying a child, and going into labor, etc., depicting parental love in bringing up children with plots linking to each other as a picture-book. These carvings are vivid and impressive. They were the outcome after Buddhism had been localized in China.

The ox herding story

Located at the eastern end of the Great Buddha Bend, the ox herding tableau, shows a herdsman taming a disobedient ox—a traditional metaphor for the path to self-enlightenment and a popular theme among Ch’an Buddhist monks and painters in the Song Dynasty. The tableau is made up of eleven vignettes arranged horizontally along a 27-meter cliff wall.

Ox herding story (scene 1–2), Niche 30, Dafowan, Mt. Baoding, Dazu. Southern Song Dynasty (photos: G41rn8, CC BY-SA 4.0)

The first three vignettes each depict a lively interaction between a herdsman and an ox in a landscape setting. The herdsman represents the Buddhist practitioner while the ox refers to the practitioner’s potential to become a Buddha. As the ox turns its body away, the stocky herdsman uses force, grass, and a stick to tame the ox. The verses accompanying the scenes further recount these struggles. 

Herdsmen embracing in the ox herding story (scene 5), Niche 30, Dafowan, Mt. Baoding, Dazu. Southern Song Dynasty (photos: G41rn8, CC BY-SA 4.0)

In the fourth and fifth vignettes, the ox is finally brought under control. The herdsman, featuring a wide, joyful smile, wraps his arms around his fellow herdsman while holding on to the ox with the rope in his hands.

In addition to the uncanny quality of grottoes’ masterpieces at Grant Buddha Bay (Dafowan), there are also many highlights you can’t miss while visiting Baodingshan Scenic Area:

  • Watch a 4K film with English subtitles to learn about the history and development of Dazu rock carvings, and enjoy an 8D view of spectacular grottos at the dome theater
  • Take a leisure stroll at Dazu Rock Carvings Museum (大足石刻博物馆) to gain insights into the whole thread of world cave temple art and the basic characteristics of Dazu Rock Carvings
  • Visit Shengshou Temple (圣寿寺) to admire the exquisite temple architecture, which was rebuilt at the Ming and Qing Dynasties.
Shengshou Temple & Dazu Rock Carvings Museum

Beishan Rock Carvings

1.5km north to Longgang Town of Dazu, with an altitude of 545.5m, Beishan is also called Longgang Mountain in the past. Beishan Rock Carvings is the initial of Dazu Rock Carvings. They were first created by Wei Junjing, prefect of Changzhou, in 892 A.D. of the late Tang Dynasty. Until 1162 A.D. of the Southern Song Dynasty, the existing scale of Beishan Rock Carvings was formed, and it centered around Fowan. The rock carvings are numbered and divided into two sections: No.1 ~ No.100 are in the south section, while No.101 ~ No. 290 are in the north section. There are over 5,000 statues on a 500m long cliff, with a height of 7 to 10 meters. The grottoes are very dense, just like a hive, and all of them are delicate and carved with high sculpture skills.

Avalokitesvara with a Rosary

The crowning jewels of Beishan rock carvings are the statues of Avalokitesvara. They are ornamental and artistic, with diverse looks and postures. The most emblematic ones are the Avalokitesvara with a Rosary, Avalokitesvara Watching the Moon Reflection in the Water, and Thousand-armed and Thousand-eyed Avalokitesvara, etc.

Beishan rock carvings can be visited both during the day and at night. An additional visual experience is provided by the scenic spot’s usage of colored light to illuminate the stone statues. Besides, if you have enough time and stamina, don’t forget to follow the downhill trail to visit the Duobao Pagoda (多宝塔) to see the giant cliff statues of Beishan, the Two Buddhas of the North Pagoda.

Dazu Rock Carvings – The Last Monumental Works in the History of World Grotto Art

Link:https://peacelilysite.com/2024/01/04/dazu-rock-carvings-the-last-monumental-works-in-the-history-of-world-grotto-art/

#AvalokitesvarawithThousandHands #Shakymunibuddha #DazuRockCarvings #History #WorldGrottoArt #Buddhism #BuddhistArt #BuddhaStatue#Cave#TravelChina #ChineseCulture

Source：https://www.chinadiscovery.com/chongqing/dazu-rock-carvings.html, https://smarthistory.org/mt-baoding-dazu-rock-carvings/

Eternal Smiles: Unveiling the Serenity of China’s Buddhist Sculptures

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DunHuang MoGao Caves

A Journey Along the Silk Road: Unraveling the Tapestry of Buddhism in China

When we think of iconic sculptures, the Discobolus, Michelangelo’s Moses, and the Laocoon and his Sons likely come to mind—captivating masterpieces that freeze moments in time with gripping intensity. However, the realm of Buddhist sculptures in ancient China offers a different narrative, one of profound serenity and peace that sets it apart from Western art.

CGTN’s latest film, Eternal Smiles, invites you to embark on a mesmerizing 60-minute exploration of China’s Buddhist sculptures. As you delve into the most renowned grottoes, you’ll witness a unique facet of statuary art that transcends time and space, offering a glimpse into a continuous eternity. The film provides a rare opportunity to experience the tranquility and harmony exuded by Buddhas and Bodhisattvas in these ancient works.

Guiding you along the Silk Road, Eternal Smiles unravels the fascinating journey of Buddhism to China. The film takes you to famous grottoes, temples, and historical sites, immersing you in a rich tapestry of stories that satisfy your curiosity about history, art, natural scenery, culture, and more.

Unlike the dramatic and intense narratives often found in Western sculptures, China’s Buddhist sculptures are a testament to serenity and peace. The film beautifully captures the essence of these timeless works of art, inviting viewers to appreciate the subtleties and spiritual depth embodied by Buddhas and Bodhisattvas.

Eternal Smiles is not merely a documentary; it’s a cinematic symphony that seamlessly weaves together history, art, and culture. Through stunning visuals and insightful narratives, the film offers a holistic experience that transcends the screen, transporting viewers to the heart of China’s Buddhist legacy.

Whether you’re a history buff, an art enthusiast, or someone seeking a peaceful escape, Eternal Smiles promises to be a visual feast for the curious soul. Join us on this cinematic journey to discover the beauty, serenity, and eternal smiles hidden within China’s Buddhist sculptures.

Eternal Smiles: Unveiling the Serenity of China’s Buddhist Sculptures

Link:https://peacelilysite.com/2023/12/29/eternal-smiles-unveiling-the-serenity-of-chinas-buddhist-sculptures/

#Buddhist #BuddhistSculptures #SilkRoad #Caves #DunhuangMogaoCaves

Harbin Ice and Snow World – A Colorful Ice Disneyland

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Steve222_11 2019

The Harbin Ice and Snow World stands as one of the largest ice and snow theme parks globally, encompassing an expansive area of 600,000 square meters. It not only serves as an irreplaceable landmark for Harbin City but has also become a renowned international ice and snow tourism brand. Boasting over 2,000 ice sculptures, landscapes, ice castles, rides, and stage shows, this man-made winter wonderland is often referred to as the “Disneyland of Ice and Snow.”

Aligned with the International Ice and Snow Festival of Harbin, the Harbin Ice and Snow World recently celebrated its 20th consecutive year. Unlike traditional construction materials, the park is crafted entirely from ice each winter, featuring delicate and intricate ice and snow sculptures designed under different themes annually. The night view of the park, adorned with vibrant lights accentuating the sculptures, is a mesmerizing spectacle.

The winter experience in Harbin is not limited to visual delights; it encompasses various cultural activities and winter sports. For those seeking relief from summer heat, an indoor ice and snow paradise awaits exploration.

Entering the Ice and Snow World, visitors are greeted by awe-inspiring sculptures, some towering over three stories high, showcasing intricate designs. The park transforms into a magical realm at night, as multicolored lights embedded in the ground illuminate the ice structures, creating a surreal kaleidoscope of colors against the dark night sky.

The exhibition within the park is a display of international ice engraving competitions, ice and snow LED lighting competitions, photography shows, oil painting exhibitions, and other forms of art themed around ice and snow. Marvel at award-winning works and iconic structures, such as those depicting scenes from popular games like Arena of Valor.

A visit to Harbin Ice and Snow World offers not only a feast for the eyes with illuminated sculptures and performances but also a chance to partake in diverse cultural activities and winter sports. The recreation area, spanning over 200,000 square meters, provides more than 20 options, including ice sports like skating, curling, sleighing, ice biking, and the thrilling 320-meter long ice slide. Snow sports enthusiasts can engage in skiing, snow football, snow circling, and the classic snowman and snowball-making activities.

Families can enjoy quality time together in the Parent-kid Paradise, fostering close contact with nature. Furthermore, the dazzling shows presented by skilled actors, combining dancing, acrobatics, and various art forms themed around ice and snow, promise to leave a lasting impression. Don’t miss the opportunity to dance with the actors at the Dream Stage, adding an interactive element to your visit. The Harbin Ice and Snow World is not merely a destination; it’s an immersive experience that seamlessly blends artistic excellence and technological marvels for visitors of all ages.

Harbin Ice and Snow World – A Colorful Ice Disneyland

Link:https://peacelilysite.com/2023/12/22/harbin-ice-and-snow-world-a-colorful-ice-disneyland/

#SnowIceFestival #TravelChina#Harbin#IceDisneyland#ChinaDiscovery #WinterWonderland

Source: https://www.chinadiscovery.com/heilongjiang/harbin/harbin-ice-snow-world.html

Maijishan Grottoes – Buddhist Treasure Well-preserved on Maiji Mountain Cliff

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Maijishan Grottoes, also known as Maiji Mountain Grottoes or Maijishan Caves, is situated in Maiji District, Tianshui City, Gansu Province, in northwest China. Alongside the Longmen Grottoes, Yungang Grottoes, and Dunhuang Grottoes, it holds the esteemed title of being one of the “Four Greatest Grottoes in China.”

If the Mogao Caves are likened to a vast mural museum, the Maijishan Caves undoubtedly resemble an expansive sculpture museum. Boasting 10,632 clay sculptures, Maijishan is hailed as “the Oriental Sculpture Art Exhibition Hall.”

Much like the Parthenon temple in ancient Greece, the stone and clay carvings at Maijishan have been remarkably preserved since ancient times, earning it the moniker of “China’s Parthenon Temple.”

In contrast to the exotic sculptures found in the Mogao Caves, the sculptures in Maijishan are characterized by a more secular, human, and distinctly Chinese quality.

Unlike the exotic sculptures in Mogao Caves, the sculptures in Maijishan Caves are more secularized, human, and more Chinese

The name Maiji in Chinese translates to “piled sheaves of wheat,” reflecting the mountain’s appearance and the origin of its name. The Maijishan Grottoes were initially constructed in A.D. 384-417 and underwent subsequent expansions in dynasties such as Northern Zhou (A.D. 557-581) and Tang (A.D. 618-907). The site currently comprises 221 caves, 10,632 clay sculptures, and over 1300 square meters of murals, earning global acclaim for its exquisite clay sculpture art and recognition as the “Oriental Sculpture Art Exhibition Hall.”

While Maijishan Grottoes may not be as renowned as the other three great grottoes, it stands out as the best-preserved among them. Carved into the steep cliff of the mountain, the caves were not easily accessible, thus escaping much of the destruction that plagued other sites throughout tumultuous periods in history. Today, visitors can marvel at Buddha sculptures and murals along a narrow path clinging to the cliff’s edge.

Marsman Rom, Wikimediia Commons

Shizao, Wikimedia Commons

Maijishan in a sea of fog. ©Maijishan Grotto Art Institute and Global Heritage Fund

Located just a few miles south of the main road connecting China and Central Asia, Maijishan emerged as a hub of cross-cultural exchange, drawing hundreds of thousands of itinerants and serving as a historical canvas reflecting the art of 12 distinct dynasties. Indians, Mongols, Huns, Sogdians, Tibetans, Chinese, and others traversed its halls, leaving enduring imprints of their cultures in the form of art.

The mountain’s 194 grottoes stand as tangible evidence of this diverse influence, showcasing seven architectural variations, housing over 7,000 statues, and adorned with more than 100 square meters of murals. Everything within reflects a dedication to Buddhism, from depictions of Siddhartha’s birth to bodhisattvas engaged in meditation and scenes of new devotees arriving. While Maijishan’s physical features initially garnered attention, it is the heritage inscribed, painted, and sculpted onto the soft golden stone that solidified its place in the globalized consciousness of Buddhism, akin to Mount Sumeru, the sacred Buddhist mountain often considered the “mythical axis of the universe.”

The history of Maijishan, like the tales along ancient trade routes, commences with a journey. One account tells of the priest Hsüan-kao meditating at Maijishan, later joined by the shaman T’an-Hung. Together, they founded the mountain’s first monastic community, growing to nearly 300 people before their departure, marking a departure filled with religious fervor, and in T’an-Hung’s case, a morbidly poetic self-immolation in Cochin.

This semi-mythical origin, whether entirely factual or not, undeniably solidified Maijishan as a significant religious site for Chinese rulers. In the Fang-yü sheng-lan, a Sung Dynasty-era book, it is noted that Yao Hsing transformed the mountains, carving 1,000 cliffs and 10,000 images, transforming the cliffs into halls. A stele from 1222 attests to the site’s prominence, with 10,000 people praying there, empires granting land for farming, and seven kingdoms continuously contributing to its maintenance. Subsequent imperial decrees bestowed various names, including “Ching-nien ssu,” “Ying-chien kan ssu,” and “Jui-ying ssu,” before settling on the name Maijishan.

Examples of how brilliantly these works of art were once colored. Shizao, Wikimedia Commons

Differences between Maijishan’s Grottoes and Mogao’s

The Maijishan Grottoes and the Mogao Grottoes, both situated in Gansu Province along the Silk Road, offer distinct experiences, prompting consideration for visitors on a Silk Road journey. Despite being grottoes, they differ significantly, making a visit to both a worthwhile endeavor.

  1. The Maijishan Grottoes are renowned for their clay sculptures, whereas the Mogao Grottoes impress with expansive and beautiful murals. The arid climate in Dunhuang aids mural preservation, while the Maiji Mountain area, with more rainfall and looser mountain rock (clay), is conducive to sculpture carving.
  2. Sculptures in the Maijishan Caves are primarily plain clay pieces, while in the Mogao Caves, they are predominantly painted sculptures integrated with murals. Buddha statues in Maijishan exhibit a more secularized and daily-life-oriented character.
  3. The surrounding natural landscapes vary. Maijishan Caves, located in the Maiji Mountain Reserve area, offer a summer retreat with lush trees and springs, providing opportunities to explore diverse wildlife. In contrast, the Mogao Grottoes are situated in the Gobi Desert, surrounded by wild desert scenery.
  4. The Maiji Grottoes were carved into a steep 100-meter-high cliff face, requiring travelers to ascend the “floating plank road” for a more adventurous experience. In comparison, the Mogao Grottoes were carved into a 30-meter-high sandstone outcrop distributed over four floors.

The breathtaking Maiji Caves, carved into the steep cliffs of Maiji Mountain, stand about 100 meters (330 feet) above the ground, divided into East and West Cliffs. These caves, resembling honeycombs in hives, are interconnected by plank walkways suspended in the air from the cliff face.

Have you ever pondered how this feat was accomplished over a thousand years ago without modern machinery?

Legend has it that the Maijishan Grottoes were excavated at the expense of clearing all the woods near Maiji Mountain. Ancient people built wooden scaffolds from the mountain’s foot to the top, serving as precursors to the later generations’ “plank roads.”

During the Tang Dynasty (618–907), an earthquake divided Maiji Mountain into two cliffs, east and west. Over subsequent dynasties — Song, Yuan, Ming, and Qing — the Maijishan Grottoes underwent development, evolving into the cohesive complex seen today.

The Maijishan Caves stand as a testament to human wisdom and art along the Silk Road, embodying profound respect for Buddhism and an unending yearning for a better life.

Part of the Maiji Mountain Scenic Reserve area (including Xianren (‘Fairy’) Cliff, Shimen, Quxi, and Jieting Hot Spring), the Maijishan Grottoes boast diverse forests and a rich array of plants and animals.

While the Maijishan Grottoes can be visited year-round, the best time to explore the Maiji Mountain Scenic Reserve area is from July to October when the mountain, adorned with dense foliage, provides an ideal summer getaway.

Maijishan Grottoes – Buddhist Treasure Well-preserved on Maiji Mountain Cliff

Link:https://peacelilysite.com/2023/12/15/maijishan-grottoes-buddhist-treasure-well-preserved-on-maiji-mountain-cliff/

#MaijishanGrottoes #BuddhistTreasure #MaijiMountainCliff #Travel #China#Art#TravelChina

Source: https://globalheritagefund.org/2018/02/13/inside-the-lost-grottoes-of-maijishan/, https://www.chinadiscovery.com/gansu/maijishan-grottoes.html, https://www.chinahighlights.com/tianshui/attraction/mount-maiji-grottoes.htm

Yun Sculpture: Unparalleled Craftsmanship in Human History

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Yun Sculpture, a groundbreaking form of art devised by H.H. Dorje Chang Buddha III for the global audience, stands unmatched in the annals of history. Since its inception, the world has borne witness to an artistic phenomenon that defies replication. Observers, captivated by the works of H.H. Dorje Chang Buddha III, often find themselves in awe, expressing sentiments from the depths of their hearts: “This is a treasure bestowed upon the world by a divine force,” “Sacred artifacts from the Buddha’s Pure Land,” “Captivating the soul with its unparalleled beauty,” and “Since the advent of Yun Sculpture, humanity’s jewelry pales in comparison, like stars around the bright moon—dim and lackluster.” Indeed, when contrasted with the most finely carved jade and opulent stone sculptures, the latter suddenly lose their luster and grandeur, revealing an insurmountable gap.

Yun Sculpture boasts several distinctive characteristics:

Firstly, these sculptures exude a multidimensional sense of space, intricately crafted with unparalleled complexity, displaying endless variations.

Secondly, Yun Sculptures burst forth in rich and vibrant colors, presenting scenes so dreamlike and fantastical that they remain unseen in this world.

Thirdly, many Yun Sculptures possess a sacred and mysterious quality that transcends ordinary comprehension, exemplified by pieces such as “Mysterious Boulder with Mist.” In these sculptures, a mysterious mist gracefully floats among intricately carved, seemingly shifting, and intriguingly interconnected hanging rock formations. Why are such pieces referred to as sculptures containing mysterious mist? The answer lies in the enigmatic and beautiful scenes depicted within these sculptures—a dance of auspicious mist swirling amid hanging rock formations, creating an ethereal ambiance.

Mysterious Boulder with Mist

These miraculous works can be seen and touched. However, they cannot be created by anyone who is not a being of the highest holiness.

Precious Place

Stepping into this precious place, Surveying the treasures hanging on all four walls, Pure white, inky green, brownish-yellow… A multitude of vibrant colors. Is this the magic of nature? No, it’s the crystallization of wisdom!

The Grand Entrance of Elegance

The grand entrance, adorned with intricate golden lace, Built upon a foundation of gemstones, Various wonders on display, Gleaming with dazzling radiance. The densely woven textures and folds, Alive with vivid details, Eagerly beckon one to step inside, And behold the magical scenes within the hall.

Dawn

This Yun Sculpture masterpiece interprets the natural landscape of dawn with a strong sense of color contrast and intricate contours. The magic of this artwork lies in the seamless transition between night and day, appearing remarkably natural without any artificiality. It is not just a unique Yun Sculpture piece but also a transmission of positive energy.

The shift from darkness to light is not merely a natural phenomenon but also signifies the awakening and transformation of human thought and consciousness. By sincerely experiencing this Yun Sculpture piece inspired by the dawn, you will feel the powerful energy embedded within.

This Yun Sculpture piece resembles an ancient tree hollow, exuding a sense of mystery. Looking into the cave from its entrance, it appears bottomless, much like the human heart—profound and unfathomable.

Therefore, the term “tree hollow” now symbolizes the secrets hidden deep within. Psychologists propose that people need to learn to confide, to release their emotions. This artwork provides us with a window to express the unspeakable depths of our hearts, offering a means to alleviate stress through sharing.

A Rock of Horizontal Charm

Endless changes of spirit and feelings unfold
Mysterious motions envelop wonders untold
Only in heaven is such a presence found
No handiwork of artisan earthly bound

The sculpture A Rock of Horizontal Charm is a masterpiece of Yun Sculpture, embodying the spirit of an art surpassing the beauty of nature, created by H.H. Dorje Chang Buddha III for humankind. Derived from an art form created by H.H. Dorje Chang Buddha III that possesses beauty beyond nature’s, it has attained a realm –never before seen in human history – of artistry transcending nature, originating an art form in this world that is irreplicable by any craftsman or high technology. This amazing beautiful sculpture is currently displayed in H.H. Dorje Chang Buddha III Cultural And Art Museum.

Coral from Heaven

This Yun Sculpture piece exudes a mysterious yet astonishing feeling. The meticulous handling of the subtle details precisely embodies the essence of this artwork. Dubbing it “Coral Descending from Heaven” aptly confirms its precious and distinctive qualities. It’s challenging to fathom how the artist applied colors, especially in certain tiny areas where ordinary individuals would be unable to do so. It is precisely because of such a mysterious, astonishing, and unique piece that it deserves this name.

Unusual Music from Beyond Heaven

Art of the Little Autumn
Hanging Withered Vines Embrace Ancient Stones
Loveliness
Deep Feeling: Vistas Beyond the Tranquil Valley

Discover a captivating array of Yun Sculptures at the permanent exhibition housed at The International Art Museum of America, located in downtown San Francisco. Additionally, immerse yourself in the extraordinary collection at the H.H. Dorje Chang Buddha III Cultural And Art Museum in West Covina, a treasure nestled in the vibrant cultural landscape of the greater Los Angeles area.

Link: https://peacelilysite.com/2023/12/15/yun-sculpture-unparalleled-craftsmanship-in-human-history/

#DorjeChangBuddhaIII #HHDorjeChangBuddhaIII#DorjeChangBuddha#IAMA#InternationalArtMuseumofAmerica#H.H.DorjeChangBuddhaIIICulturalAndArtMuseum#YunSculpture #Craftsmanship