Tag: Travel

The Consequences of Lying: A Lesson from Buddhist Teachings

linda changLeave a comment

When we were young, our parents and elders all taught us not to lie. Many stories and fairy tales illustrate the consequences of lying, such as a child being eaten by a wolf or having a long nose like Pinocchio. Different cultures and religions praise honesty and disapprove of liars. However, most of us have told a lie at one time or another, often to gain an immediate benefit, without realizing that the long-term consequences of lying can be very costly. In Buddhism, one of the ten precepts is to abstain from lying.

There is a recorded story in a Buddhist sutra about Shakyamuni Buddha teaching his son to refrain from lying.

The Buddha’s son, Rahula, was quite mischievous in his youth. He often enjoyed playing pranks on others, using deceptive words to tease people. For instance, when someone came to see the Buddha, Rahula, knowing that the Buddha was not present, would intentionally mislead them about the Buddha’s whereabouts, causing them to search in vain for amusement.

When the Buddha learned of this, he asked Rahula to bring him some water to wash his feet. After washing his feet, the Buddha pointed to the water and asked Rahula, “Can this water be drunk?”

Rahula replied, “The water is dirty from washing feet; it cannot be drunk.”

The Buddha then asked, “Can this basin, used for washing feet, be used to hold food?”

Rahula replied, “No, it cannot. The basin is dirty and cannot be used to hold food.”

The Buddha sternly said, “You are like this water. The water was originally very clean, just as you were originally a prince, able to renounce the false glories of the world and become a monk. But if you do not diligently pursue the path, do not purify your body and mind, and do not speak carefully, the impurities of the three poisons will fill your heart, just like the clean water being soiled by washing dirty feet. You are like this basin. Although you have become a monk, if you do not practice precepts, concentration, and wisdom, and do not purify your body, speech, and mind, how can the food of the Great Path fill your heart?” After speaking, the Buddha kicked the basin, causing it to roll. Rahula was very frightened. The Buddha asked, “Are you afraid the basin will break?”

Rahula replied, “No, the basin is a coarse utensil; it doesn’t matter if it breaks.”

The Buddha said, “Rahula, you don’t cherish this basin, just as people will not cherish you. As a monk, if you do not uphold dignity and discipline, and speak deceitfully, the consequence is that no one will care for you or value you. When your life ends, you will not attain enlightenment, but will only increase your delusion.”

From then on, Rahula changed his mischievous ways, strictly observed the precepts, and diligently practiced the path.

According to the teachings of the Buddhist sutras, we should take a long-term view and consider the consequences of lying for both this life and future lives.

In this life, if we frequently lie, deceive, or slander others, we will inevitably face retaliation from those we have wronged. In the mundane world, most people are naturally inclined to protect themselves and have a tendency for “an eye for an eye” revenge, unless they are saints who have subdued their own minds. If we deceive others, the victims, unwilling to be deceived, will expose our misdeeds among people. As word spreads from one to ten and from ten to a hundred, our bad reputation will quickly become widespread. Our credibility will be utterly destroyed, and our trustworthiness will plummet. From then on, even if we speak the truth, it will be seen as a lie, and people will be wary of us to avoid being deceived. No one will trust us. In such a predicament, we will constantly feel the pain of isolation and helplessness. Our lives will shrink, and our careers will suffer as a result.

In future lives, under the influence of the dark karma of lying, one will inevitably fall into the three lower realms. When the bad karma diminishes and one is reborn as a human, the residual effects of lying will manifest in various speech-related congenital obstacles in both body and mind. These may include having an impaired tongue root, stuttering, or unclear speech. Additionally, there will be a habitual tendency to lie, and sometimes, even when one wishes to speak the truth, it will come out as a lie involuntarily. In interactions with others, one will frequently be slandered and deceived. Even when speaking the truth, people will not believe it. Moreover, even when preaching the true Dharma, others will be unwilling to listen.

Link:https://peacelilysite.com/2024/06/13/the-consequences-of-lying-a-lesson-from-buddhist-teachings/

Source: https://fo.china.com/m/fostory/20001207/20231107/25809400.html

Masterful Artwork: Portraits of Namo Avalokitesvara Bodhisattva

linda changLeave a comment

In the history of painting in China, many renowned artists have used Namo Avalokitesvara Bodhisattva as a subject for their works. These artistic images are beloved by the people because the Bodhisattva is a symbol of compassion. These exalted artistic images subtly influence the inner world of generations, inspiring and shaping the soul of the nation.

The Mogao Caves in Dunhuang are the largest and most well-preserved repository of Buddhist art in China and the world. Among the murals in the Mogao Caves, there are masterpieces of Namo Avalokitesvara Bodhisattva created by painters over the ages, including images of the Water-Moon Guanyin, the White-Robed Guanyin, and the Eleven-Faced Guanyin. It is said that this treasure trove of painting art contains works by masters like Gu Kaizhi and others from various dynasties.

In 1940 Zhang Daqian led a group of artists to the caves of Mogao (莫高) and Yulin (榆林) for the purpose of copying their Buddhist wall paintings. The group completed over 200 paintings, and the experience left Zhang with a repository of religious imagery. He was so captivated by these unparalleled treasures that his original plan to stay for three months extended to two years, during which he dedicated himself to studying and copying the artworks. Today, his paintings of Avalokitesvara Bodhisattva are acclaimed as rare and invaluable masterpieces.

The early Tang Dynasty portrait copied by Zhang Daqian is a national first-class cultural relic
Tang Dynasty murals copied by Zhang Daqian
Mid-Tang Dynasty portrait in the Mogao Caves, copied by Zhang Daqian

At  International Art Museum of America, there is a painting of Namo Guan Shi Yin Bodhisattva by H.H. Dorje Chang Buddha III that left a profound impression on me. The portrait is stunningly beautiful, executed with fine brush strokes characteristic of traditional Chinese painting. The artist used very fine and intricate strokes, rendering every detail vividly and perfectly. I could clearly see the hair, the crown, the intricate jewelry, and even the delicate patterns of the flowing ribbons. These details express the painter’s portrayal of Guan Shi Yin Bodhisattva’s meticulous compassion and love for all living beings. The entire portrait appears lifelike, exuding infinite grace, and showcasing the artist’s extraordinary skill, which is beyond perfection.

In this meticulous painting, Namo Avalokitesvara Bodhisattva is depicted wearing white garments, with a serene and compassionate expression, seemingly walking gracefully accompanied by heavenly music. The Bodhisattva’s face is as delicate as powdered jade, with elegant eyebrows and red lips, and eyes that are reserved yet radiate a light of compassion.

The Bodhisattva’s jewelry, including jade pendants, appears to emit a pleasant chime, and the pink and dark green lotus flowers beneath the feet exude a fragrant aroma. The colorful ribbons on the clothing flutter and dance in the gentle breeze. The entire painting exudes an extraordinary and majestic aura. For hundreds of years, the children of China have dreamed countless times of Namo Avalokitesvara Bodhisattva, as if the Bodhisattva is walking toward us from the vast universe.

Upon closer inspection, one can see that within the Bodhisattva’s hair, there is a small figure of Namo Amitabha Buddha, seated with a solemn and exquisite demeanor, wearing a red robe and sitting on a pink and white lotus platform.

The dark green lotus beneath the Bodhisattva’s left foot, the dark blue floral borders on the clothing, and the flowing black hair form a dynamic contrast with the light yellow-brown background and the white robe. The painting uses a large area of light yellow-brown as the background to highlight the pure and elegant clothing, with bright colors as decorative accents. This creates a composition that is both solemn and sacred, yet luxurious.

The Bodhisattva’s attire occupies a significant portion of the painting. If not handled well, it could make the painting appear empty and lifeless. However, the exceptional artist has seized this opportunity, infusing the clothing with a great amount of high-quality ink and brushwork while maintaining overall brightness. The lively and intricate lines are sometimes like flowing clouds and water, sometimes like gentle clouds, sometimes as soft as a summer breeze, and sometimes as powerful as a rushing waterfall. The interweaving lines, though densely packed, are orderly and harmonious. This extraordinary line drawing technique vividly captures the delicate texture of the gauzy fabric. Lines are the earliest form of language in the history of painting and the soul and framework of meticulous figure painting. As a vital expression in Chinese painting, “lines” have always been highly valued by painters throughout the ages.

H.H. Dorje Chang Buddha III‘s meticulous figure painting uses lines that are flexible and varied, not only vividly portraying the image of Namo Avalokitesvara Bodhisattva but also precisely conveying the Bodhisattva’s noble and pure spiritual essence. This technique of capturing the divine through form has been the artistic ideal that painters have longed for throughout history. Therefore, this great painting by Namo Qiang Buddha is destined to become a model for future generations to learn from and an immortal classic passed down through the ages.

This great artwork not only provides people with artistic enjoyment but also offers a profound spiritual experience. I stood in front of the painting for a long time, feeling as if I were leaving behind all worldly affairs and immersing myself in the Bodhisattva’s boundless compassion forever.

Link:https://peacelilysite.com/2024/05/31/masterful-artwork-portraits-of-namo-avalokitesvara-bodhisattva/

#GuanShiYinBodhisattva#MasterWanKoYee #DorjeChangBuddhaIII #HHDorjeChangBuddhaIII#DorjeChangBuddha#IAMA#InternationalArtMuseumofAmerica#AvalokitasvaraBodhisattva#ChinesePainting#Portrait#Art

Mount HuangShan

linda changLeave a comment

Mount Huangshan, often described as the “loveliest mountain of China,” has played a significant role in the history of Chinese art and literature since the Tang Dynasty around the 8th century. A legend from 747 AD recounts the discovery of the long-sought elixir of immortality on the mountain, which gave Mount Huangshan its name and cemented its place in Chinese history. This legend attracted hermits, poets, and landscape artists, drawn by the dramatic mountainous landscape featuring numerous granite peaks, many over 1,000 meters high, emerging through a perpetual sea of clouds. During the Ming Dynasty in the 16th century, the mountain’s unique rock formations and ancient gnarled trees inspired the influential Shanshui (“Mountain and Water”) school of landscape painting, which profoundly shaped the world’s perception of the oriental landscape.

Located in the humid subtropical monsoon climate zone of Anhui Province, Mount Huangshan covers an area of 16,060 hectares with a buffer zone of 49,000 hectares. It is noted for its botanical richness and the conservation of several locally or nationally endemic plant species, some threatened with extinction.

The cultural significance of Mount Huangshan’s scenic landscape was first recognized during the Tang Dynasty and has been revered ever since. Renamed Huangshan (Yellow Mountain) by imperial order in 747 AD, it became a popular destination for visitors who celebrated its inspiring scenery through painting and poetry, creating a rich body of art and literature of global importance. By the Yuan Dynasty (1271-1368), 64 temples had been constructed on the mountain. In 1606, the monk Pumen established the Fahai Meditation Temple. By the Ming Dynasty, Mount Huangshan had become a favorite theme of Chinese landscape painters, firmly establishing the Shanshui school of landscape painting. The interaction of man and nature in this scenic setting has inspired generations of Chinese artists and writers.

Mount Huangshan is renowned for its magnificent natural scenery, including massive granite boulders and ancient pine trees, often enhanced by cloud and mist effects. The dramatic landscape features natural stone pillars, grotesquely-shaped rocks, waterfalls, caves, lakes, and hot springs, formed by its complex geological history. The mountain range has many peaks, some over 1,000 meters high, with the three tallest and best-known being Lotus Peak (1,864 meters), Bright Peak (1,860 meters), and Celestial Peak (1,829 meters). The World Heritage Site covers a core area of 154 square kilometers and a buffer zone of 142 square kilometers. The mountains were formed in the Mesozoic era, approximately 100 million years ago, when an ancient sea disappeared due to uplift. Later, during the Quaternary Period, glaciers shaped the landscape.

Lotus Peak. By De-Shao Liu (Terry850324) – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=90823373
Celestial Peak By 江上清风1961, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=53168150

Vegetation varies with elevation, with mesic forests below 1,100 meters, deciduous forests up to the tree line at 1,800 meters, and alpine grasslands above that. The area boasts diverse flora, with one-third of China’s bryophyte families and more than half of its fern families represented. The Huangshan pine (Pinus hwangshanensis), named after the mountain, is a symbol of vigor as it thrives by growing straight out of the rocks. Many pine trees in the area are over a hundred years old and have unique names, such as the Welcoming-Guests Pine, thought to be over 1,500 years old. The pines vary greatly in shape and size, with the most crooked trees considered the most attractive. Huangshan’s moist climate also supports the growth of tea leaves, and the mountain is renowned as one of China’s premier green tea-growing areas. Mao feng cha (“Fur Peak Tea”), a famous local variety, takes its name from the downy tips of tea leaves found in the region.

Tea Trees in the Cloud

Ying Ke Pine, literally welcome Pine By memes – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=950688

Mount Huangshan often offers views of the clouds from above, known as the Sea of Clouds (yúnhǎi) or “Huangshan Sea,” due to their resemblance to an ocean. Many vistas are named after these cloud formations, such as “North Sea” or “South Sea.” A writer once remarked that to enjoy the magnificence of a mountain, you usually look upwards, but to enjoy Mount Huangshan, you must look downward. The area is also known for notable light effects, such as the renowned sunrises and the phenomenon called Buddha’s Light (fóguāng), which appears only a few times per month.

Mount Huangshan is famous for its stone steps carved into the mountain, with over 60,000 steps throughout the area. The origin date of these steps is unknown, but they are believed to be more than 1,500 years old. Over the years, many scenic spots and physical features have been named, often with narratives behind them. For example, one legend tells of a skeptic who, upon visiting the mountains, was immediately convinced of their beauty. One of the peaks he visited was named Shixin (始信), meaning “start to believe.”

Carved steps to Tiandu Peak By Jakemete at English Wikipedia – Transferred from en.wikipedia to Commons by Wouterhagens using CommonsHelper., Public Domain, https://commons.wikimedia.org/w/index.php?curid=5810245

Shixin Peak By 江上清风1961, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=53169922

Bijia Peak (Pen holder Peak), by 颐园新居 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=36838268

FeiLai Peak by Carlos Adampol Galindo from DF, México – Ella me preguntó: ¿te gusta?; le contesté: De aquí soy., CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=45070874

Much of Huangshan’s reputation stems from its significance in Chinese arts and literature. It has inspired poets such as Li Bai, and has been a frequent subject of poetry, Chinese ink painting, and, more recently, photography. From the Tang Dynasty to the end of the Qing Dynasty, over 20,000 poems were written about Huangshan, and a school of painting was named after it. The mountains have also appeared in modern works; director James Cameron cited Huangshan as one of his influences in designing the fictional world of his 2009 film Avatar, and the Chinese animated series Stitch & Ai, a spin-off of Disney’s Lilo & Stitch franchise, is set in the Huangshan mountains.

Ink painting depicting Huangshan by Shitao, 1670 Public Domain, https://commons.wikimedia.org/w/index.php?curid=838862

In 1982, Mount Huangshan was declared a “site of scenic beauty and historic interest” by the State Council of China. It was designated a UNESCO World Heritage Site in 1990 for its scenery and as a habitat for rare and threatened species. Later, it was certified as a National Geopark and subsequently as a regional geopark (Asia Pacific Geopark Network), before being admitted as a UNESCO Global Geopark in 2004.

Mount Huangshan is a habitat for several locally or nationally endemic plant species, many of which are globally threatened. Its flora includes one-third of China’s bryophytes and over half of its pteridophytes. Endemic species to Huangshan include 13 species of pteridophytes and 6 species of higher plants, with many other species endemic to the region or China. This rich flora is complemented by a diverse vertebrate fauna of over 300 species, including 48 mammals, 170 birds, 38 reptiles, 20 amphibians, and 24 fish. Thirteen species are under state protection, including the Clouded Leopard (Neofelis nebulosa, VU) and the Oriental Stork (Ciconia boyciana, EN).

Additionally, Mount Huangshan has multiple hot springs, mainly located at the foot of Purple Cloud Peak. The water, maintaining a temperature of 42°C (107.6°F) year-round, is rich in carbonates and is said to help prevent skin, joint, and nerve illnesses.

The area has also been a site for scientific research due to its diverse flora and wildlife. In the early 20th century, both Chinese and foreign scientists studied the geology and vegetation of Huangshan. Research continues, such as a late 20th-century field study of Tibetan macaques, a local monkey species.

View from Stone Monkey Gazing at the Sea of Cloud By Nicolascornet – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=87551304

Artificial steps on the cliffs of Huangshan By Joe – IMGP1088.JPG, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=16824799

Link:https://peacelilysite.com/2024/05/30/mount-huangshan/

Source: https://whc.unesco.org/en/list/547/， https://en.wikipedia.org/wiki/Huangshan，https://baike.baidu.com/item/%E9%BB%84%E5%B1%B1%E9%A3%8E%E6%99%AF%E5%8C%BA/1350521

The Monkey Trap: A Lesson in Letting Go

linda changLeave a comment

African indigenous hunters have a unique method for catching monkeys.

First, they find a hole just big enough for a monkey’s hand. They place food that monkeys like inside the hole. When a monkey passes by and sees the food, it reaches in to grab it. With its hand full of food, the monkey’s hand gets stuck in the hole. Most monkeys won’t let go of the food and instead try to pull it out from different angles.

When the hunters arrive, the monkey is still struggling and trapped, making it easy for the hunters to catch it.

Many people’s anxiety and suffering stem from holding on to too many things and being unwilling to let go, which prevents them from truly obtaining what they need.

In reality, letting go appropriately allows us to broaden our horizons, take time to adjust ourselves, and better engage in our current work.

The Young Man and the Zen Master: A Lesson in Detachment

Once upon a time, a young man visited a Zen temple to seek guidance from an old Zen master. On his way, he witnessed an interesting sight and decided to test the master. Upon arriving at the temple, he and the master chatted over tea. Suddenly, the young man asked, “What does ‘going round and round’ mean?”

“It’s because the rope hasn’t been cut,” the Zen master replied casually.

The young man was stunned and amazed. He said, “Master, I am surprised that you knew! Today, on my way here, I saw a cow tied to a tree. The cow wanted to go far to graze, but because the rope was through its nose, it kept going round and round, twisting itself without being able to break free. It was quite amusing. I thought that since you hadn’t seen it, you wouldn’t be able to answer. But you answered correctly right away.”

Photo: http://his.newdu.com/m/view.php?aid=358718

The Zen master laughed and said, “You asked about an event, and I answered with a principle. You asked about a cow tied by a rope and unable to break free; I answered about the mind being entangled by worldly matters and unable to find liberation. One principle can explain many situations.

“A kite, no matter how high it flies, cannot soar into the vast sky because it is tethered by a string. Similarly, what often binds us in life, preventing us from being free? A single win or loss can exhaust us; a gain or loss can cause us great anguish; an exam can keep us tossing and turning; a relationship can tie us in knots.

“For power and money, we run around in circles; for fame and desire, we are constantly entangled. Fame is a rope, desire is a rope, profit is a rope; the attachments and temptations of the world are all ropes. So the Zen master said, ‘All beings are like that cow, bound by many ropes of worries and sufferings, unable to achieve liberation throughout life and death.'”

The Wisdom of Living in the Present

A young monk once asked an old monk, “Master, what did you do when you were young?”

The master replied, “I chopped wood, fetched water, and cooked.”

The young monk asked, “And what do you do now that you’ve attained enlightenment?”

The master said, “I still fetch water, chop wood, and cook.”

The young monk, puzzled, asked, “What’s the difference? It seems like you haven’t made any progress in your entire life.”

The old monk explained, “You’re wrong. There is progress. When I was young, I would think about fetching water while chopping wood, and think about cooking while fetching water. Now that I am enlightened, when I chop wood, I chop wood; when I fetch water, I fetch water; and when I cook, I cook.”

Reflecting on myself, I often feel that I need to do something else while eating to avoid “wasting time.” So, I like to chat with others, watch TV, or think about other things while eating. No wonder I sometimes feel like “I don’t even know what I just ate.”

Enjoying the time spent eating and treating each bite with attention, I savor the sweetness of the rice, the freshness of the vegetables, and the richness of the soup. The world on my taste buds is indeed wonderful, bringing much joy to everyday life.

While walking, I now instinctively let my phone rest and focus on walking, feeling my feet propel my body, enjoying the natural comfort of the breeze, smelling the flowers, hearing the birds, and seeing the colorful flowers, green leaves, and various passersby. The scenery is infinitely beautiful, something I rarely appreciated before. Missing out and becoming numb was inevitable.

This series of practices has gradually cultivated the quality of “focus” in me. I increasingly embrace the concept of “living in the moment.” Of course, I know this is just the beginning; focus is a lifelong practice.

Link: https://peacelilysite.com/2024/05/30/the-monkey-trap-a-lesson-in-letting-go/

Source: https://gospelexpress.id/2023/01/20/%E6%9D%BE%E6%89%8B%E6%94%BE%E4%B8%8B/, http://his.newdu.com/m/view.php?aid=358718， https://www.sohu.com/a/240312612_761892

Yuanmou Earth Forest

linda changLeave a comment

Yuanmou Earth Forest is a breathtaking area of clay formations that have developed over the past 1.5 million years. Located 210 km northwest of Kunming, this scenic wonderland features rocks composed of sand mixed with clay, giving them a distinctive yellow color and loose texture. These rocks have undergone extensive weathering, making their surface resemble earth, and they glisten like gold under the sunlight. Some are as large as castles, while others resemble pylons, all in various magnificent shapes. The earth forest covers a wide area in the Yuanmou Basin, with different regions exhibiting unique features based on the extent of weathering and erosion. Three notable scenic sites within the area are Tiger Leaping Sands, Ban Guo, and Xin Hua, each with its own distinct characteristics.

Tiger Leaping Sands is considered the most spectacular site within the Yuanmou Earth Forests. From a distance, the rocks resemble an ancient deserted castle. Tall, straight rock pillars appear as remnants of a shrine, and the rock walls resemble the enclosure of an ancient palace. What makes it truly unique is the three-color ‘roof’ on top of the ‘castle’ – red, brown, and black. This coloration is due to rain permeating the rock, causing ferrous and calcium substances to coagulate into an impermeable layer. As other parts eroded away, this layer naturally protruded and formed an ‘umbrella’ that preserved the rocks below.

Exploring this hidden world, you’ll be captivated by the abrupt clay formations that glisten like yellow crystals emerging from the ground. These formations vary in shapes, heights, and volumes, each resembling a piece of indescribable artwork.

Collectively, they create an intricate maze filled with mystery and sublime beauty. Some liken Yuanmou Earth Forest to a weathered golden monastery, a desolate Gothic church, or a giant shrine ravaged by fierce elements.

When illuminated by sunlight, these clay columns emit sparkling rays, a rare phenomenon likened to China’s clay version of the Parthenon. At twilight, their silhouettes resemble gothic structures, transforming the fairyland into a haunting terrain. It takes great courage to explore and walk among them.

To fully appreciate the beauty of Yuanmou Earth Forest, viewing from above is recommended. A bird’s-eye view reveals the meandering Longchuan River, a tributary of the Jinsha River (a major tributary of the Yangtze River), flowing like a silver ribbon alongside the attention-grabbing golden patchworks on its west bank, where you’ll find Earth Forests of Banguo, Tiger Leaping Shoal, Wanbao, Xiaoleizai, and Xinhua covering an area spanning over 5 square kilometers.

Photo taken on Nov. 17, 2021 shows the scenery of earth forest in Yuanmou County, southwest China’s Yunnan Province. The earth forest, which was formed by geological movement and soil erosion, is basically in color of yellow and the color varies in different parts. (Xinhua/Wang Guansen)

Yuanmou Earth Forest’s clay formations can be categorized into four styles based on shapes and formation processes: Earth Bud Style, Castle Style, Bamboo Shoot Style, and Mushroom Style. Earth Bud Style formations, though small, serve as precursors to other types, while Castle Style formations are larger, typically measuring 2 to 5 meters in height.

Earth Bud Style

Due to varying degrees of cementation and semi-cementation, sedimentary rocks have different water content in clay minerals and varying expansion coefficients after water absorption. Surface rock layers are subject to long-term weathering, resulting in a series of cracks. Surface runoff and rainwater initially erode along these cracks and soft rock layers, forming soil buds with heights and diameters less than 1 meter and relative heights less than 1 meter. This type serves as the embryonic form for developing other types of earth forests.

Castle Style

The continuous flow of water erodes and cuts into the base of soil buds, along vertical fissures, horizontal fissures, and other forms of cracks in the strata, as well as erosion and abrasion along the surfaces of soft and hard rock layers. This process forms shapes such as arches, platforms, and vertical shafts, creating an environment reminiscent of ancient castles.

These types of soil columns generally have a connected base, with a thick and rounded or serrated top, occupying a relatively large area and standing 2-5 meters in relative height. However, the flat tops and arches below these columns often collapse under the effects of flowing water and gravity, causing the columns to separate and evolve into other types of soil columns.

Bamboo Shoot Style

This type of earth forest is primarily composed of sand and clay, with loose consolidation and no hard covering layer at the top. As a result, it undergoes erosion and cutting by rainwater and surface runoff, forming conical soil columns. These earth pillars have sharp tops, resembling large bamboo shoots after rain or the pointed tip of a pagoda, with heights generally ranging from 5 to 10 meters.

Iron Cap Style

As a typical category of earth forest, it is the most widely distributed. Due to the leaching effect of surface water on iron, silica, and calcium in the strata, these elements gradually dissolve, penetrate, and filter to the interface of the impermeable layer, where they precipitate and accumulate, cementing the upper strata to form iron oxide caps or silica/calcium iron caps. Under the erosion and scouring action of water flow, these caps gradually expose themselves at the tops of columns, acting as natural “umbrellas” that protect the soil columns from direct erosion and scouring by flowing water and intense sunlight.

The “iron cap” above and the soil column below merge into one, forming a variety of unique landscapes within the earth forest. Some resemble old fishermen fishing, some resemble soldiers going to battle, some resemble standing cranes, and some resemble galloping wild horses, creating yet another extraordinary sight within the earth forest.

Link:https://peacelilysite.com/2024/04/24/yuanmou-earth-forest/

Source: http://www.news.cn/english/2021-11/18/c_1310317427.htm, https://www.westchinatour.com/kunming/attraction/yuanmou-clay-forest.html， https://baike.baidu.com/item/%E5%85%83%E8%B0%8B%E5%9C%9F%E6%9E%97/3379396

Exploring the Significance of Qingming Festival

linda changLeave a comment

Discovering Chinese Traditional Culture

April 5th, or April 4th in leap years, marks the Qingming Festival in China. This festival is a nostalgic occasion, harmonizing solemn remembrance with a celebration of nature through outings and reveling in the spring scenery. It stands as a festival steeped in cultural heritage, seamlessly combining the solemnity of honoring ancestors with the delight of outdoor activities.

Originating from ancient rituals of tomb-sweeping by emperors and officials, Qingming Festival dates back over 2,500 years to the Zhou Dynasty. Initially named after a solar term, it evolved into a day for commemorating ancestors, closely linked to the Cold Food Festival.

The Cold Food Festival typically falls 105 days after the winter solstice. Legend has it that its origin dates back to the Spring and Autumn Period when Prince Chong’er of the state of Jin was on the run, exhausted and starving. Finding himself in a desolate area with no one around, his loyal servant Jie Zitui cut a piece of flesh from his own leg and cooked it into a soup to feed Chong’er. After Chong’er ascended to the throne as Duke Wen of Jin, Jie Zitui chose to live in seclusion with his mother rather than seek rewards. Duke Wen repeatedly tried to persuade him to return, even resorting to burning down the mountains surrounding his hideout, hoping to force him out. Tragically, Jie Zitui and his mother perished in the fire, unmoved by Duke Wen’s efforts. Overwhelmed with grief, Duke Wen declared this day as the Cold Food Festival in honor of Jie Zitui’s sacrifice.

Qingming Festival, a day for ancestral worship, embodies moral beliefs, poetic sentiments, and genuine emotions. It is an expression of filial piety and remembrance towards ancestors, a cultural tradition emphasizing reverence and familial bonds. It serves as a poignant reminder of our roots and a moment to express gratitude.

The act of ancestral worship symbolizes not belief in spirits, but faith in the enduring love of our loved ones. Therefore, their memories remain etched in our hearts, and our gestures of respect hold profound significance.

Death merely transitions life’s state; it does not sever our connection with loved ones. Through this annual ritual, we learn to remember and let go, finding solace in expressions of love. Qingming Festival encompasses grief, remembrance, responsibility, and gratitude, serving as a cornerstone of familial and national heritage.

Qingming ancestral rites reflect traditional Chinese values of filial piety and ancestor reverence, rooted in Confucian ethics. This moral compass guides contemporary attitudes of respect, gratitude, and harmony with nature, embodying the essence of Confucian teachings.

Moreover, Qingming customs extend beyond tomb-sweeping to include outdoor activities such as spring outings. As nature rejuvenates during this season, families venture into the countryside to enjoy the blossoming scenery, fostering a sense of harmony with the natural world.

During Qingming, planting trees has become a common tradition, stemming from the practice of wearing willow sprigs. Legend has it that the tree from which Jie Zitui made his sacrifice revived, leading to the tradition of planting willow trees during Qingming.

Another customary delight during Qingming Festival is Qingtuan, or green rice balls, a delicacy with a sweet and fragrant taste. Made from glutinous rice flour mixed with mugwort juice, stuffed with fillings like red bean paste or sesame, these green dumplings symbolize renewal and abundance.

In essence, Qingming Festival embodies the essence of Chinese civilization, honoring our ancestors, nurturing familial bonds, and fostering harmony with nature. It serves as a testament to our cultural heritage and a reminder of the values that bind us as a people.

Link:https://peacelilysite.com/2024/04/05/exploring-the-significance-of-qingming-festival/

Source: http://m.xinhuanet.com/jl/2019-04/05/c_1124329263.htm, http://news.enorth.com.cn/system/2022/04/05/052503270.shtml, https://www.ahjzu.edu.cn/jwjc/2020/0402/c8861a142385/pagem.htm

https://m.hsrb.com.cn/detail/168059723444921.html#:~:text=%E6%B8%85%E6%98%8E%E8%8A%82%EF%BC%8C%E6%98%AF%E7%A5%AD%E7%A5%80%E7%A5%96%E5%85%88%E7%9A%84%E6%97%A5%E5%AD%90&text=%E6%B8%85%E6%98%8E%E4%B9%8B%E7%A5%AD%EF%BC%8C%E4%B8%BB%E8%A6%81%E7%A5%AD%E7%A5%80,%E7%94%9F%E8%80%85%E5%AF%BB%E6%A0%B9%EF%BC%8C%E5%8F%B6%E8%90%BD%E5%BD%92%E6%A0%B9%E3%80%82

Discover the Marvels of Zhangye National Geopark: A Journey Through Time and Terrain

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Nestled in the northwestern region of China lies a geological wonderland that seems to defy the boundaries of imagination – the Zhangye National Geopark. This awe-inspiring landscape, characterized by its vibrant hues of red, orange, and yellow, is a testament to millions of years of geological evolution. Here, layers of minerals and sandstone have been sculpted by the forces of nature, resulting in a breathtaking vista that resembles giant layer cakes stretching as far as the eye can see.

The formation of these majestic mountains is a testament to the intricate dance of geological processes that have unfolded over millennia. Millions of years ago, sedimentary layers were deposited on this land, slowly compressing and solidifying over time. As tectonic movements and erosion took their course, the once-flat layers were uplifted and exposed to the elements. Through the gradual process of oxidation and weathering, the vibrant colors we see today were revealed, creating a surreal landscape that captivates the imagination.

One of the most iconic features of the Zhangye National Geopark is the Danxia landform, characterized by its steep cliffs, towering pillars, and intricate rock formations. Among the myriad of scenic points within the park, several stand out as must-visit destinations for any traveler:

Rainbow Mountains: Undoubtedly the crown jewel of Zhangye National Geopark, the Rainbow Mountains mesmerize visitors with their surreal beauty. As sunlight dances upon the mineral-rich rock layers, the landscape transforms into a vivid tapestry of hues, creating a visual spectacle unlike any other. Hike along the designated trails to immerse yourself in this kaleidoscopic wonderland, where every turn unveils a new vista worthy of admiration.

Colourful Hills: Step into a world of vibrant hues at the Colourful Hills, where layers of sedimentary rock create a stunning mosaic of colors. From deep crimson to golden ochre, the hills are a testament to the rich geological history of the region.

Danxia Landform Scenic Area: Explore the intricate network of canyons, valleys, and rock formations that define the Danxia landform. Wander along winding paths that lead you through narrow gorges and past towering cliffs, each corner revealing a new and captivating vista.

Binggou Danxia Scenic Area: Venture into the heart of the geopark to discover the secluded beauty of Binggou Danxia. Here, you’ll find a landscape characterized by rugged peaks, deep ravines, and tranquil streams, offering a serene escape from the bustling crowds. （Photo by Bekah 06/2021)

Zhangye Danxia Geological Park: Immerse yourself in the geological wonders of Zhangye Danxia Geological Park, where you can witness the raw power of nature at work. Marvel at the sheer scale of the rock formations, carved over millions of years by the forces of wind and water.

Danxia Landform Geological Museum:Delve deeper into the geological wonders of Zhangye at the Museum. Here, visitors can gain insight into the formation process of Danxia landforms through informative exhibits, interactive displays, and geological artifacts. From geological evolution to environmental conservation efforts, the museum offers a comprehensive glimpse into the natural heritage of the region.

Photos from https://m.thepaper.cn/newsDetail_forward_21875114

Zhangye Danxia Peak Forest: For a panoramic view of Zhangye’s surreal landscape, venture to the Forest. Perched atop a vantage point, visitors are treated to sweeping vistas of undulating mountains, crisscrossed by winding streams and verdant valleys. As the sun sets, casting a warm glow over the rugged terrain, the scene becomes a photographer’s paradise, capturing the fleeting beauty of nature’s masterpiece.

As we marvel at the splendor of Zhangye National Geopark, it’s essential to recognize the importance of conservation efforts in preserving this natural treasure for future generations. Through sustainable tourism practices, habitat restoration initiatives, and community engagement, stakeholders strive to safeguard the integrity of the park’s fragile ecosystems while promoting awareness of its ecological significance.

Zhangye National Geopark stands as a testament to the awe-inspiring power of geological processes and the boundless creativity of nature. From the vibrant hues of the Rainbow Mountains to the rugged grandeur of the Peak Forest, every corner of this geological wonderland tells a story millions of years in the making. As we venture through its surreal landscapes, let us cherish and protect this timeless masterpiece, ensuring that its beauty endures for generations to come.

Link：https://peacelilysite.com/2024/04/01/discover-the-marvels-of-zhangye-national-geopark-a-journey-through-time-and-terrain/

Brief Introduction to Great Bodhisattva H.E. Tangtong Gyalpo Bodhisattva

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A Great Disciple of H.H. Dorje Chang Buddha III

H.E. Tangtong Gyalpo is a greatly accomplished person within Tibetan esoteric Buddhism who attained the rainbow body. He is a great Bodhisattva known and respected by one and all in Tibet.

He is also an extremely holy person who has made huge contributions to the Tibetan people. It was this great Bodhisattva who was the father of medicine, ferryboats, bridges, and operas in Tibet. He has brought to the living beings of Tibet limitless blessings. To this day, Tibetan temples and families continue to worship H.E. Tangtong Gyalpo Bodhisattva.


The first Tangtong Gyalpo left the household life to become a monk when he was very young. He studied the sutras and treatises and became good at debating the sutras. Although he possessed the Five Vidyas, he remained modest, simple, and down-to-earth. In order to provide a model of self-cultivation, H.E. Tangtong Gyalpo followed and learned under many people of great virtue.

He also engaged in solitary, quiet cultivation for a long period of time at the Eri Temple. Later, he received teachings directly from Dakini Niguma and became a person greatly accomplished in the dharma. People praised H.E. Tangtong Gyalpo with the following words: “In the vast realm of emptiness, there is a yogi who intensively studies emptiness and who is like the King of Fearlessness. His name is Tangtong Gyalpo.” He has also been respectfully called Zhibai Wangxiu Tangtong Gyalpo, which means the accomplished, free and unhindered Tangtong Gyalpo!

During a certain year in history, there was a serious drought and famine in Tibet. H.E. Tangtong Gyalpo conducted a Dharma Assembly in front of the Sakyamuni Buddha statue in the Jo-khan Temple in Lhasa. At that Dharma Assembly, he wrote “A Prayer to Eliminate Famine.” Many people then saw Kuan Yin Bodhisattva in the sky disseminating various grains. The famine ended not long after that.


There was another time when war and chaos occurred in the Muya district of Kham in Tibet, causing people to leave their homes and wander about. H.E. Tangtong Gyalpo made a vow and wrote “A Prayer to End War and Chaos.” People in that area very soon after that ended their mutual hatred and instead treated one another in a peaceful, friendly, and loving manner. There was another year when a pestilence broke out in a large area covering a religious site of the Sakya sect, causing countless deaths. The chanting of mantras and the offering of sacrifices could not end the pestilence. Thus, H.E. Tangtong Gyalpo again practiced dharma and wrote “A Prayer to End the Disaster of Illness.” As a
result, the pestilence disappeared forthwith. In previous times in Tibet, it was very difficult for people to cross rivers. The river waters mercilessly took away people’s lives as they attempted to cross the rivers. Thus, H.E. Tangtong Gyalpo made improvements to ferryboats and began building bridges. In that lifetime, he built fifty iron-chain bridges, sixty wooden bridges, and many temples. One of those temples was the Tangge Lakong (the Tangtong Gyalpo Temple), which was the first temple in the Derge region. With respect to medicine, H.E.Tangtong Gyalpo established the Medicine King Temple at Jiabori in Lhasa, invented a white pill that cured all kinds of internal medical diseases, and invented a red pill that cured epidemic diseases. Thus, he became the founder of Tibetan medicine. That white pill and red pill are used in Tibetan medicine even to this very day to relieve the sufferings of living beings.

This 600 year old bridge crosses the Paro Chhu (Paro River) and was traditionally restored in 2005 after being washed away during a 1969 flood. The bridge was originally built by the legendary Thangtong Gyalpo
Dungtse Lhakhang, a temple in form of a chörten near Paro in Bhutan was built by Thangtong Gyalpo. The roof construction is made of iron.


H.E. Tangtong Gyalpo Bodhisattva also wrote many Tibetan operas and established the Ache Lhamo opera troupe, the members of which acted out Tibetan historical stories through song and dance and pioneered Tibetan operas. The Achi Lhamo opera, with the starting troupe of seven sisters who worked on the saint’s bridges, is still performed and enjoyed hugely to these days during the new year celebration and on festive occasions. 

Achi Lhamo Opera Composed by Thang Tong Gyalpo Still Prevalent in Bhutan

H.E. Tangtong Gyalpo was the supreme leader of four esoteric sects within India, Bhutan, Sikkim, Mongolia, and Eastern Tibet. He possessed teachings from many dharma lineages, the most remarkable of which were the lineage to extend one’s life and the lineage to bring in wealth and change one’s fortune.
Everyone in Tibet, no matter what sect he or she belonged to, believed in and practiced such lineages and scriptures. Countless disciples of H.E. Tangtong Gyalpo became accomplished in the dharma under his teachings and attained great supernatural powers, wisdom and great compassion. More than one hundred disciples of his attained the rainbow body or the transformation rainbow body. All Tibetan people know that H.E. Tangtong Gyalpo is truly a great patriarch of Tibetan esoteric Buddhism and a great Bodhisattva. Later, each time H.E. Tangtong Gyalpo incarnated into this world. He was a great patriarch who spread the dharma, liberated living beings, and pervasively benefited people.

Thang Tong Gyalpo Present Reincarnation


H.E. the sixteenth Tangtong Gyalpo Bodhisattva (Thangtrul Rinpoche) took birth in Bhutan. His physical appearance resembles that of Guru Padmasambhava. Even when he sleeps, his eyes remain open. He saw H.H. Wan Ko Yeshe Norbu (Dorje Chang Buddha III) during a Dharma Assembly that took place in 2005 at Hua Zang Si in San Francisco, U.S.A. In a supernatural state of samadhi, he instantly saw that H.H. Dorje Chang Buddha, the highest ancient Buddha in the dharma realm, had already come to this world again. He at once formally acknowledged H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu as his master. H.H. Dorje Chang Buddha III asked him, “Did you follow and learn dharma under Guru Padmasambhava? Why have you come here?”H.E. Tangtong Gyalpo answered
that he had received teachings directly from Guru Padmasambhava and from H.H. Sakya Trizin who is the nirmanakaya of Manjushri Bodhisattva. He also said that he had come to request the highest dharma in order to save living beings. H.H. Dorje Chang Buddha III immediately snapped His fingers, and a dharma bowl manifested awesome power. H.H. Dorje Chang Buddha III then accepted H.E. Tangtong Gyalpo as one of his disciples who is on the level of a great venerable one and performed an initiation for him. H.E. Tangtong Gyalpo took that dharma bowl back to his home country.


He later learned that the book A Treasury of True Buddha-Dharma about the H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata was about to be published. He thereupon organized many rinpoches to practice the Kuan Yin Dharma one billion times as an offering to His Holiness Dorje Chang Buddha III. He also sent his written congratulations stating that His Holiness is the master of Buddhas, the magnificence of His Holiness is supreme and that in this world no other holy being in history can compare with His Holiness.

H.H. Dorje Chang Buddha III accepted H.E. Tangtong Gyalpo as his disciple at Hua Zang Si temple San Francisco

#DorjeChangBuddhaIII#HHDorjeChangBuddhaIII#HuaZangSi #Buddha #Buddhism #buddhist #Temple#GuanYinBodhisattva#BuddhismTemple#SanFrancisco#TangtongGyalpo #Buthan #Tibet


Link:https://peacelilysite.com/2024/03/22/brief-introduction-to-great-bodhisattva-h-e-tangtong-gyalpo-bodhisattva/

Source: https://www.rigpawiki.org/index.php?title=Thangtong_Gyalpo, https://www.nwrafting.com/international/thangtong-gyalpo-tachog-lhakhang, https://www.bhutaninbound.com/blog/2022/06/11/thang-tong-gyalpo-iron-man-of-bhutan/

The most Beautiful Spring in YiLi XinJiang

linda chang1 Comment

Every year in March and April, the most beautiful season arrives in Yili, Xinjiang!

This is a legacy from the fifteenth and sixteenth Centuries,

The largest primitive apricot forest,

Concentrated on the north bank of the GongJiShi river,

Covering an area of ​​over 30,000 mu.

The beauty of Yili’s apricot blossom gully is not the deliberate beauty of artificial planting and processing, but the natural beauty of “natural and unadorned”. On the rolling hillsides covered with layers of grass, there are apricot blossom forests in purple, red, and pink, magnificent and dreamlike, which makes people feel excited at first sight. Mentioning Yili, the vast image of the grassland with the words “the sky is vast, the wilderness is vast, and the wind blows the grass low to see the cattle and sheep” comes to mind. Little do people know, here also has the beautiful scenery of “apricot blossoms fill the gully, and the spring scenery intoxicates people”. The apricot blossoms covering the mountains and plains make people indulge in the sea of flowers, lingering and forgetting to return. Most of the visitors who come here all year round are photographers, painters, poets, and so on, who come for fame.

Yili has picturesque grassland, sacred snow-capped mountains, and a splendid sea of ​​flowers… Any one of them is enough to conquer you!

Apricot Blossom Valley, naturally formed,

Becomes a paradise every spring.

The air is filled with the fragrance of apricot blossoms,

The valley is adorned in the robe of spring.

On both sides of the Yili River Valley in the foothills of the Tianshan Mountains, various ancient wild fruit trees are distributed. As April arrives and the weather warms up, wild apricots are the first to sense the temperature change, eagerly adorning their branches with blossoms, heralding the beginning of the entire apricot blossom season in the Yili Valley. In the northern part of Tuge Township in Xinyuan County, the scene of apricot blossoms in full bloom is the most spectacular in the Yili River Valley. The apricot blossoms surge like a torrential tide, climbing up the hillsides and deep into the valleys. The fresh green of the grasslands, coupled with the delicate pink of the apricot blossoms, adorned with the pastoral huts and leisurely cattle and sheep, depicts spring in an exaggerated yet perfect manner.

Entering April marks the most beautiful and romantic season in the Yili River Valley. The first to bloom are the pink apricot blossoms. In Xinyuan County, April is full of spring vitality, with willows budding and hillsides covered in green carpets. Most striking are the rolling hillsides on the north bank of the Gongjisi River, where wild apricot blossoms compete to bloom. The flowering wild apricot trees are snow-white or pink, exuding a bright and fresh fragrance that can be smelled several kilometers away.

Thanks to the influence of the humid climate of the Yili Basin and the nourishment from the abundant glacial meltwater from the Tianshan Mountains, the tens of thousands of mu of primitive apricot trees in the Apricot Blossom Valley have grown wild for hundreds of years, flourishing endlessly.

In April, the Yili region experiences frequent spring rains, gentle like silk. Under the rendering of the rain, the Apricot Blossom Valley appears even more like a hidden paradise, fresh and mysterious. Standing on a hillside and looking out, in the undulating valleys, wild apricot trees dot the landscape between the valleys and hillsides. The lush green of the valleys clashes with the purple-red of the apricot blossoms, creating a visually striking scene! The undulating lines of the valleys amidst the vast expanse of sky and earth present a majestic spectacle, with beautiful light and shadows refracted by the sunlight, creating a rare visual feast.

In spring, the Narat Grassland is a subalpine meadow plant area, renowned as a famous pasture since ancient times. The picturesque grassland scenery combines with the local Kazakh folk customs, with valleys, peaks, deep gorges, and forests complementing each other in harmony!

Link:https://peacelilysite.com/2024/03/22/the-most-beautiful-spring-in-yili-xinjiang/

Source: https://m.thepaper.cn/newsDetail_forward_21850081， http://grassland.china.com.cn/2018-03/26/content_40265248.htm， https://www.jiemian.com/article/1213329.html

Zhulin Temple (Chuk Lam Sim Yuen) at Hong Kong

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Standing on Fuyung Mountain Road in Tsuen Wan, Hong Kong, Zhulin Temple (also known as Chuk Lam Sim Yuen) proudly upholds the lineage of the Linji School of Zen Buddhism. Rooted in tradition, the temple seamlessly integrates teachings from the Tiantai and Pure Land traditions, thereby spreading the Buddha’s wisdom far and wide. Nestled within the heart of the Fragrant Harbour, it fosters a unique spiritual atmosphere known as the “Bamboo Grove Family Style,” where the Dharma is generously shared, benefiting both locals and visitors alike, serving as a haven for Buddhist study and practice.

Encompassing an expansive area exceeding 400,000 square feet, Zhulin Temple commands a serene and majestic presence, making it one of the largest and most beautiful temples in Hong Kong. Its origins trace back to 1928 when the founding master, prompted by three visionary dreams from Bodhisattva Ksitigarbha, embarked on the mission to erect a temple on Fuyung Mountain. Inspired by unwavering Bodhi resolve, six devoted followers generously donated funds to procure the land and construct the temple. Drawing inspiration from the architectural marvels of ancient Chinese mountain temples, the Pagoda Hall was completed on October 23, 1932, housing the largest statue of Ksitigarbha Bodhisattva on a lotus throne in Hong Kong. Thus, Zhulin Temple was formally inaugurated, marking the beginning of its sacred journey to illuminate sentient beings.

The architectural layout of Zhulin Temple embraces a harmonious three-section courtyard design. Upon crossing the mountain gate, visitors are greeted by the monastery’s serene courtyard garden, offering a space for worshippers to procure incense, candles, flowers, and fruits for offerings. Ascending the steps leads to the grand Hall of Heavenly Kings, where the jovial Maitreya Buddha stands at the central entrance, extending a warm welcome to all. Within the hall, the Four Heavenly Kings stand guard, with the central altar adorned by Bodhisattva Virūpākṣa, safeguarding the monastery under the benevolent gaze of Maitreya Buddha.

steps leads to the Grand Hall of Heavenly Kings,

Maitreya Bodhisattva

Further beyond lies a spacious courtyard flanked by a bell tower and drum tower. Ascending the stairs unveils the majestic Grand Hall, where the Triple Gem (Amitābha Buddha, Śākyamuni Buddha, and Bhaiṣajyaguru Buddha) resides on the central altar, accompanied by eighteen Arhats on either side. Adorning the rear of the Triple Gem altar is a depiction of the transformative scene from the Avalokiteśvara Sūtra, illustrating the manifestation of Avalokiteśvara Bodhisattva.

Bell Tower and Drum Tower

The Grand Hall

Adjacent to the main hall, worshippers find solace in a pavilion, while the Guan Yin Hall and Jade Buddha Hall flank its sides. Upstairs, the Pagoda Hall, now known as the Ksitigarbha Hall, stands adjacent to the Ancestral Hall and the Kitchen. Surrounding the monastery are additional halls including the Five Hundred Arhats Hall, the Dharma Hall, the Chan Hall, and the Scripture Repository, nestled along the outskirts and mountain slopes.

Guan Yin Hall

Ksitigarbha Hall
Five Hundred Arhats Hall

Four faced Buddha Statue 由Hkgalbert – 自己的作品，公有领域，https://commons.wikimedia.org/w/index.php?curid=9932768

Throughout its century-long history, Zhulin Temple has been overseen by five abbots. Notably, the fourth Abbot Master YiZhao emerged as an eminent monk of his time. Venerable Dharma Master Yizhao (1927-2013), born in Guangdong, China, embarked on his spiritual journey by joining Zhulin Zen Monastery in Hong Kong in 1940, formally becoming a monastic in 1941.

Under the guidance of Master Xuyun, he received the transmission of Viyana at Nanhua Temple in 1944, subsequently inheriting the Linji (Rinzai) Dharma lineage and becoming its 44th holder. Establishing the Guyan Pure Monastery in 1952, he later returned to Zhulin Temple to assist in its renovation, eventually assuming the role of abbot. He peacefully passed away in 2013, leaving behind a legacy of enlightenment and compassion.

Master YiZhao (left) and Master XuYun (right) were together at KaiYuan Temple in ChaoZhou, GuangDong , in 1946

Venerable Dharma Master Yizhao, the successor to H.E. Dharma Master Xuyun, exemplifies profound virtue within contemporary Zen Buddhism. Having attained the supreme state of Bodhi, he relinquished all ties to further reincarnation long ago. Inspired by the compassionate vow of Ksitigarbha Bodhisattva, he pledged “As long as there is any living being in the earthly realm, I vow not to become a Buddha.” Renowned as the nirmanakaya of Ksitigarbha Bodhisattva, he received the Amrit Empowerment Initiation from H.H.  Dorje Chang Buddha III, lauded as an exceptional monk who ardently upholds precepts.

In June 2000, Venerable Dharma Master Yizhao seized the opportunity to participate in the Buddhas Bestowing Nectar Dharma Assembly presided over by H.H.  Dorje Chang Buddha III. (The very left in the photo is Master Yizhao)

Following the conclusion of the assembly, Venerable Dharma Master Yizhao graciously shared his personal insights and expressed his profound admiration and gratitude towards H.H.  Dorje Chang Buddha III. For more details, please refer to the interview titled “Interview with Elder Monk Yi Zhao After the Buddhas Bestowing Nectar Dharma Assembly.“

Zhulin Temple stands as a testament to beauty and sanctity, inviting visitors to immerse themselves in Buddhist culture, prayers, and blessings, offering a profound spiritual experience.

Link:https://peacelilysite.com/2024/03/14/zhulin-temple-chuk-lam-sim-yuen-at-hong-kong/

#Buddhist #BuddhaDharma #ZhulinTemple #HongKong #ZenBuddhism #YiZhaoMaster #Nectar #MasterXuYun #DorjeChangBuddhaIII  #HHDorjeChangBuddhaIII #ChukLamSimYuen #Abbot #LinjiSchool

Source: https://chuklam.org/, https://baike.baidu.com/item/%E7%AB%B9%E6%9E%97%E7%A6%85%E9%99%A2/19659656