Crossing a Mountain, the Small Boat Enters the Canyon is an awe-inspiring masterpiece of Yun sculpture. How did H.H. Dorje Chang Buddha III capture the shimmering reflections on the lake’s surface? And how was it possible to create such a vivid and lifelike scene using ordinary plastic steel materials? The majestic mountains, the gentle ripples of the lake, and the lifelike figures aboard the small boat—all elements that seem beyond the reach of ordinary people—were brought to life through the unparalleled artistry of H.H. Dorje Chang Buddha III.
This sculpture is not merely a visual creation—it possesses a soul. Every detail, from the rugged mountains and tranquil lake to the humble fishermen, seems to pulse with vitality. The artwork evokes a sense of harmony with nature, conveying a profound feeling of peace and joy that resonates deeply with viewers.
The Unique Art of Yun Sculpture: Yun sculpture is a groundbreaking art form created by H.H. Dorje Chang Buddha III, with no precedent in history. Since the emergence of Yun sculpture, humanity has witnessed the birth of an art form that is truly non-reproducible. This genre is distinguished by several remarkable features:
Multidimensional Spatiality:Yun sculptures possess an extraordinary sense of multidimensional space. Their intricate and delicate forms exhibit endless variations, captivating viewers from every angle.
Vibrant, Dreamlike Colors: The colors of Yun sculptures are rich, radiant, and dreamlike—depicting scenes beyond the realm of this world. Their hues seem to emanate a light of their own, enchanting all who behold them.
Sacred and Incomparable Depth: Many Yun sculptures possess a profound and sacred quality. For instance, Color Rhythm, displayed in the Holy Relics Room of H.H. Dorje Chang Buddha III Cultural Art Museum, measures only two to three feet in size. Yet, when viewed through its openings, one can perceive a vast inner depth that seems to extend far beyond the sculpture itself, leaving viewers awestruck by its unfathomable dimensionality.
Countless individuals who have had the privilege of witnessing H.H. Dorje Chang Buddha III’s Yun sculptures have expressed their wonder and reverence: “This is a treasure sent from the divine to humanity,” “A sacred gift from the Buddha,” and “So breathtakingly beautiful that it touches the soul.” Others have compared these masterpieces to the finest jade jewelry and the most magnificent stone sculptures, only to find that even the most exquisite human creations pale in comparison—like dim stars surrounding the brilliance of the moon.
Indeed, the advent of Yun sculpture has elevated the realm of art to an entirely new level, offering the world creations that are not only visually stunning but also spiritually profound, filling the hearts of all who witness them with a sense of wonder and inspiration.
Master Wan Ko Yee (H.H. Dorje Chang Buddha III) Has Made A Great Contribution To Art
In the art of calligraphy, elegance and style are the two pillars that define a work’s greatness. Elegance (格) refers to the depth and quality of a piece, embodying its refinement and profoundness. Style (調), on the other hand, captures its unique rhythm, flavor, and aesthetic character. These two elements are inseparable, for elegance without style lacks charm, while style without elegance lacks depth and significance. Together, they form the soul of a calligraphic masterpiece.
Every artistic creation—whether it leans toward the refined or the mundane—reflects the inner cultivation and moral integrity of its creator. Particularly in calligraphy, the harmonious blend of elegance and style is a mirror of the artist’s breadth of knowledge and depth of character. A calligrapher’s scholarly cultivation and virtuous practice are indispensable, as they directly influence the work’s final presentation and enduring value.
The piece Lofty Virtue (格高) exemplifies this union of strength and grace. Its bold and vigorous brushstrokes radiate immense inner power while maintaining an outward lightness and agility. The work captures the grandeur of commanding mountains and rivers, coupled with the serene qualities of introspection and tranquility. Strength and flexibility coexist harmoniously, creating a presence that is both majestic and gracefully refined. Floating clouds seem to glide effortlessly, and cranes soar gracefully between pines. This is artistry at its zenith—a realm of understated brilliance, silent dignity, and profound essence.
The calligraphy of H.H. Dorje Chang Buddha III transcends the boundaries of traditional artistry. Each work embodies the pinnacle of calligraphic achievement, uniting profound thought with unparalleled elegance. The pieces flow naturally, free of constraint, exuding majestic momentum and subtle charm. Their beauty is unadorned yet extraordinary, merging the strengths of various schools into a singular, masterful expression.
If one seeks the soaring of dragons and the dancing of phoenixes, it is present.
If one desires the piercing power to shatter gold and stone, it is evident.
If one yearns for the interplay of gentleness and strength, it is there.
If one wishes for the innocent spirit of a child within the heart of an elder, it is expressed.
If one demands a unique elegance and distinct charm, it is inherent.
Crane Dance
Tiny (Xiao bu dian)
Holy (Sheng)
In summary, these works epitomize perfection, returning to simplicity and authenticity—the calligraphy of the Buddha!
A distinguishing feature of H.H. Dorje Chang Buddha III’s calligraphy is the extraordinary frame that accompanies the work Lofty Virtue. The frame is crafted from the artist’s “White Jade Ginkgo Root” sculptures. Beyond showcasing the natural patterns, colors, and textures of ginkgo roots, the frame possess the pure and crystalline qualities of genuine white jade. The harmonious union of art and sculpture elevates the calligraphy to an unparalleled realm of aesthetic and spiritual resonance.
The calligraphy of H.H. Dorje Chang Buddha III is more than art; it is a testament to the unity of profound thought, moral integrity, and artistic mastery. It invites us to experience the boundless elegance and style that can only emerge from a heart imbued with wisdom and compassion—a true reflection of the Buddha’s teachings. Visit the International Art Museum of America to immerse yourself in the extraordinary artworks of H.H. Dorje Chang Buddha III.
Among the finest expressions of Chinese ink artistry stands the extraordinary masterpiece, The Mystical Cat. This enchanting work features a mystical cat rendered in soft gray tones, brought to life with just a few expressive strokes. Its piercing eyes radiate spirit and depth, while a mysterious, subtle smile lingers—captivating and thought-provoking.
The cat’s fur, depicted with delicate and fluid brushwork, dances between the forms of flowing water and drifting clouds. The texture appears so soft and inviting that one feels compelled to reach out and touch it. Yet, upon closer examination, the illusion reveals itself—those masterful brushstrokes are undeniably the cat’s fur. The intricate variations and richness of detail make this artwork a visual marvel, leaving one to wonder: What extraordinary technique could produce such brilliance?
In terms of artistic style, this piece is truly unparalleled, belonging to the “Fangfa School” style created by the esteemed master H.H. Dorje Chang Buddha III. The fluid strokes around the cat’s neck echo the elegance of cursive calligraphy, with each brushstroke flowing like clouds and water—graceful, yet powerful. Perched steadily on a tree trunk, the cat exudes a sense of calm and quiet dignity, drawing the viewer into a state of serene contemplation.
The tree trunk itself, rendered with bold, sweeping strokes and vibrant hues, pulses with energy and rhythm, reminiscent of the stirring notes of a cello performance—uplifting and profound. Behind the cat, two slender branches interlace gracefully, adorned with delicate flower buds. They seem to sway like young maidens dancing in spring, infusing the composition with poetic charm.
The most captivating feature, however, remains the cat’s eyes. With just two elegantly curved strokes, the artist has infused the cat’s gaze with a sense of life and spiritual depth. When meeting the cat’s eyes, one feels as though the feline is speaking directly to the soul, its wisdom and elegance unmistakable. It transcends the ordinary, radiating a sense of profound spirituality rarely captured in art.
This small yet profound piece not only showcases extraordinary technical mastery but also offers a transformative visual and spiritual experience. It transports the viewer beyond the material world, leaving an indelible impression on the heart and mind. Many are left to wonder—who could create such an extraordinary work of art?
The Mystical Cat is the work of the revered artistic master H.H. Dorje Chang Buddha III. Created in 1991, it belongs to the “Fangfa School” style, one of sixteen unique painting styles founded by the Buddha Himself. This technique, blending profound wisdom and artistic expression, remains unmatched in the art world. Apart from Him, no artist has been able to replicate such divine craftsmanship.
What sets this piece apart is its miraculous charm within a two-dimensional form—impossible to replicate through mere technical skill. The art emerges from a realm of wisdom and enlightenment, far surpassing the ordinary. The minimalistic background, created with a few well-placed strokes, echoes the elegance of ancient inscriptions while preserving a harmonious balance between form and spirit. It represents the pinnacle of ink conservation and calligraphic mastery—a true summit of artistic achievement.
The rarity of The Mystical Cat is beyond comparison. Since creating this piece, H.H. Dorje Chang Buddha III has sealed this divine style, ensuring that such masterpieces will not be produced again. This fact alone transforms the artwork into a priceless, limited edition treasure of the highest order.
The painting’s extraordinary value was confirmed at the Christie’s Chinese Treasures Christmas and New Year Auction hosted by the New York GianGuan International Auction Company on December 9, 2012. A reproduction of The Mystical Cat sold for an astonishing $253,000 USD, achieving the highest recorded price for a reproduction painting per square foot.
The Mystical Cat is not just a painting—it is a gateway to a realm where art, wisdom, and spiritual depth converge. A true testament to the artistic genius of H.H. Dorje Chang Buddha III, this masterpiece stands as an eternal symbol of artistic perfection and spiritual transcendence.
In this exquisite artwork, the slightly reddish small animal depicted is an extraordinarily rare and precious creature known as the red panda, also referred to as the small panda. H.H. Dorje Chang Buddha III, with His masterful artistic techniques, brings this delicate creature to life in a way that captivates the viewer’s heart.
The red panda, native to the eastern Himalayas and southwestern China, is known for its striking reddish-brown fur, bushy ringed tail, and expressive face. H.H. Dorje Chang Buddha III skillfully captures these natural features, emphasizing the panda’s endearing innocence and elegance. The slightly upturned tail, adorned with subtle yet distinct spots, adds a dynamic sense of movement and charm. This tail gracefully echoes the surrounding elements of nature, blending harmoniously with the drooping round leaves of the willow branches. The careful balance between the animal and its environment enhances the visual poetry of the piece.
A particularly remarkable aspect of this painting is the technique used to depict the panda’s face. H.H. Dorje Chang Buddha III employs a calligraphic brushstroke style, reminiscent of traditional Chinese ink painting, to portray the panda’s features with simplicity yet profound expressiveness. The crystal-clear, soulful eyes seem to glisten with life, while the velvety black fur is rendered with such fluidity and precision that it conveys both softness and texture.
Through masterful control of brush pressure, ink flow, and color layering, H.H. Dorje Chang Buddha III achieves a perfect balance of realism and artistic interpretation. Each stroke reveals deep insight into both the subject’s physical form and its spiritual essence, a hallmark of true artistic mastery.
The meticulous attention to detail and the profound artistic wisdom evident in this painting reflect H.H. Dorje Chang Buddha III’s extensive experience and unparalleled skill. This artwork is not merely a visual delight but a spiritual expression, reminding viewers of the beauty and fragility of life and the interconnectedness between all living beings and nature. It stands as a testament to the profound depth of both artistic technique and compassionate vision embodied in the works of H.H. Dorje Chang Buddha III.
The allure of Chinese ink painting lies in its ability to convey profound emotions and philosophies through simplicity and elegance. Blue Ice World, a remarkable creation by H.H. Dorje Chang Buddha III, exemplifies this artistic mastery. At first glance, its understated composition might suggest simplicity, but a closer examination—and especially any attempt to replicate it—reveals the unparalleled depth and complexity woven into every brushstroke.
In this ink-and-wash painting, the mountains, trees, and sky are unified through a harmonious tonal palette, creating an otherworldly, almost surreal charm. The work effortlessly blends the captivating theme with its palette, presenting a seamless interplay of form and color. Each stroke flows with such grace and precision that it feels like a natural extension of the artist’s spirit.
H.H. Dorje Chang Buddha III’s profound insight is evident in every aspect of the composition. With a keen, refined perception, He not only captured the soul of the scene but also brought it to life in a way that resonates deeply with viewers. Through dense brushstrokes and meticulous gradients, the painting achieves a striking sense of contrast. This dynamic quality imbues the piece with vitality, yet there is not the slightest trace of artifice.
The balance between realism and abstraction in Blue Ice World is a marvel in itself. The deliberate interplay between the tangible and the intangible creates a surprising and mesmerizing beauty, inviting viewers to explore both the external landscape and their inner world. Its sacred and dreamlike undertones leave a lasting impression, captivating all who have the privilege of experiencing it.
Blue Ice World is more than just a painting—it is a testament to the profound artistic vision and spiritual depth of H.H. Dorje Chang Buddha III. Through this masterpiece, He elevates Chinese ink painting to a realm where technique meets transcendence, leaving an indelible mark on the art world.
H.H. Dorje Chang Buddha III’s remarkable panda painting exemplifies a profound fusion of traditional Chinese painting and Western three-dimensional techniques, showcasing a unique mastery that elevates this artwork to an unparalleled realm. The Buddha meticulously captures the softness of the panda’s fur, detailing each hair with astonishing lifelikeness. The surrounding trees and scenery are equally vibrant, rendered with ink-splash techniques that lend a lively and enchanting quality, breathing life into the background. Every stroke in this artwork radiates a realism and elegance that words can scarcely convey.
In the foreground, delicate bamboo stalks contrast sharply with the misted backdrop, creating a powerful sense of spatial depth. This mist, drifting through the plum tree branches, draws the viewer’s gaze further into the forest, inviting them to immerse themselves in the crisp, refreshing atmosphere. With his seamless integration of artistic elements, H.H. Dorje Chang Buddha III achieves a captivating blend of classic beauty and dimensionality. The pandas, seemingly more beautiful and pristine than in life, appear freshly bathed in pure, clear waters—a vision of elegance and purity.
The painting’s harmony lies in the Buddha’s masterful approach of combining strength with gentleness, creating a scene of pandas at play, full of soft allure and charm. This balance exemplifies an artistic prowess beyond the reach of most artists. It is the interplay of surrounding elements, from mist to forest, that makes this panda masterpiece truly one of a kind.
Executed in the Kuangxi style—a hallmark of H.H. Dorje Chang Buddha III—this painting unites bold expressiveness with precision. This style combines vigorous, large-scale strokes that radiate energy with the delicate, fine brushwork of realism, resulting in an artwork that captures both elegance and raw intensity. The Buddha’s fusion of rough and refined strokes manifests as a work of art that is both dynamic and graceful, presenting a timeless visual experience that resonates deeply.
“Cang Ye Pao Hong” (Withered Leaves Scattering Red) is an extraordinary oil painting that belongs to the Thickly Layered Color School, a unique style originated by H.H. Dorje Chang Buddha III. This painting style is renowned for its bold, dynamic strokes and the use of layered, textured color blocks that create a deeply three-dimensional effect. The abstract, surreal use of color brings an unpredictable yet harmonious elegance, transforming the chaotic into a coherent and mesmerizing vision.
The meticulous process behind “Cang Ye Pao Hong” is just as awe-inspiring as the final result. According to the art museum where this work is displayed, the painting took six years to complete, with over 50 layers of paint carefully stacked on top of one another. Each layer was allowed to dry completely before the next was applied, ensuring a rich and vibrant interplay of colors. The outcome is a work of art that exudes an indescribable divine aura, blending both natural beauty and mystical energy.
You can find this masterpiece at the International Art Museum of America, located in downtown San Francisco. Upon first glance, “Cang Ye Pao Hong” commands attention, drawing viewers into deep contemplation. The withered lotus leaves, depicted in a strikingly realistic and three-dimensional manner, symbolize wisdom gained through life’s journey, while the vivid red lotuses appear to leap from the canvas, capturing the essence of “scattering red” with exceptional grace. The rippling water above, shimmering with light, symbolizes infinite hope, further enhancing the painting’s sense of serenity and renewal.
When observed up close, the painting reveals intricate details within the broader strokes, where subtle nuances emerge, demonstrating the remarkable precision and effortless flow that characterize the work. It evokes an ethereal sense of peace, with a balance of strength and gentleness, transcending the worldly and exuding both quiet elegance and boundless depth. It is truly a marvel of artistic mastery, offering a sense of tranquility and spiritual upliftment that words can hardly describe.
H.H. Dorje Chang Buddha III’s artistic genius extends far beyond this single painting. He has mastered all existing schools of painting, including Realism, Abstract, Impressionism, and more, while also founding sixteen entirely new schools of painting. These schools include the Chaoshi School, the Chouxiang Yunwei School, the Fangfa School, the Kuangxi School, and the Thickly Piled Patches of Color School, among others. What sets H.H. Dorje Chang Buddha III apart from any other artist in history is that He not only founded these distinct schools but developed each to a state of perfection, creating what is known as “The H.H. Dorje Chang Buddha III School of Multiple Styles.”
While many renowned artists dedicate their entire lives to mastering one artistic style or theme, H.H. Dorje Chang Buddha III’s unparalleled ability to create and perfect sixteen different painting schools is an accomplishment unmatched in art history. “Cang Ye Pao Hong” is a shining example of His profound artistic vision, showcasing a level of creativity and mastery that continues to inspire and astonish art lovers around the world. Through this work, we are invited to witness not just the beauty of nature but the boundless possibilities of artistic expression.
H.H. Dorje Chang Buddha III employs his ‘supernatural abstract colors’ to introduce us once more to a new world of art that is beautiful, mysterious, and soul-inspiring.
Hearing this, some may be puzzled: Western oil paintings are abstract paintings are found everywhere, yet which one among them ever fits the description “soul-inspiring”? But this truly is not just some fancy talk. As soon as you set your eyes onH.H. Dorje Chang Buddha III’s “supernatural abstract colors,” you will find the bright and dazzling red, yellow, blue, white and black colors leaping and dancing, vigorous like billows sluicing over thousands of miles, yet stored up into wonders at the fine tip of a brush. Gentle yet resolute, they freely transcend worldliness. Various colors are mixed ingeniously and beautifully, distilling beauty from their mutual nourishment. One could say they present a state of superb craftsmanship excelling nature, and of form becoming flexible and elusive. Words cannot describe such harmonious, refined, and soothing artistic enjoyment.
Vigorous Colors and Spirit Trees
Beautiful Nugget of Few Colors
Everlasting Wondrous Appeal
“Supernatural abstract color” is a perfect world composed of colors. It does not have any concrete worldly form but uses only colors to form shapes and express feelings. Color is its shape and theme, and it blends into touching charm. These colors, under the Buddha’s hand, suddenly converge into unparalleled, marvelous and bright magic, expressing the vivid spirit of a flowery scene or the vigor of the roaring sea. Yet, they can be ever so exact when their meaning is revealed through the tip of a brush. Their fine details are often revealed among rough strokes, and their charm is naturally displayed.
It is hard to believe that anyone could possess all-encompassing wisdom. For us humans, dedicating a lifetime to mastering even one discipline is remarkable. How could someone be a philosopher, scientist, painter, sculptor, writer, doctor, and inventor all at once, mastering each within a few decades? This seems impossible by human standards. However, the Buddha’s vast and profound wisdom is genuinely real. Over 2,500 years ago, Siddhartha Gautama, the Buddha, invited anyone to ask him any question, promising a detailed answer. This is illustrated in the story of the Buddha teaching a cowherd, as recorded in the “Sutra of the Cowherd Parable.”
King Bimbisara of Magadha once invited the Buddha and 500 disciples to preach in his kingdom for three months. To provide them with fresh dairy products daily, the king arranged for cowherds to stay nearby. As the end of the three months approached, the king suggested the cowherds meet the Buddha. The cowherds, having heard of the Buddha’s wisdom, decided to test him with questions about cowherding. They reasoned that if he could answer these, he truly possessed all-encompassing wisdom.
Upon arriving at the Bamboo Grove, they were struck by the Buddha’s radiant presence. They saw him sitting under a tree, glowing like a golden mountain, radiating light like melted gold. Overwhelmed with joy, the cowherds discussed among themselves, “Regardless of whether the Shakyamuni possesses all-encompassing wisdom, anyone who sees him feels joy. His light is unparalleled, his appearance noble, and his presence exudes majesty. His radiance is clear and bright, his demeanor commanding respect, and his body adorned with the aura of virtue, making anyone who sees him feel immense joy.
If he indeed possesses all-encompassing wisdom, it must be due to his immeasurable merits. No worldly treasure can compare to the Buddha’s sublime and dignified presence, which brings great joy and pure faith to all who see him. It is clear that the Buddha must indeed possess all-encompassing wisdom.”
The shepherd thought about this and sat down to pay respects to the Buddha. They asked the Buddha, “What are the various methods a shepherd can use to ensure that the cattle thrive and reproduce well? And what conditions might prevent the cattle from growing properly and living peacefully?” The Buddha answered: There are eleven methods by which a shepherd can ensure the cattle’s well-being and reproduction. What are these eleven methods?
Understanding the Caretaker: Having a strong and capable caretaker who can protect and nourish the cattle, keeping them healthy and well-maintained. Similarly, a monk should be a respected and virtuous leader who can uphold the Dharma and guide beings toward good deeds.
Understanding Color: Knowing the colors of the cattle, such as black, white, or mixed. Similarly, a monk should understand that all phenomena in the world are composed of the four elements: earth, water, fire, and wind.
Understanding Appearance: Recognizing whether the cattle’s appearance is auspicious and whether they will be harmonious. A monk should similarly be able to discern whether someone’s actions indicate wisdom or ignorance.
Understanding Scraping: If insects bite the cattle and their blood is consumed, sores will develop. Scraping can remove these pests and promote the cattle’s well-being. Likewise, a monk should remove harmful views and misconceptions that corrupt their spiritual practice.
Understanding Wound Treatment: Applying medicine to prevent mosquito and fly bites and other injuries. Similarly, a monk should use correct Dharma teachings to protect themselves from delusions and negative emotions.
Understanding Smoke: Using smoke to drive away insects so the cattle can stay in a comfortable, insect-free shelter. Similarly, a monk should use the teaching of Dharma to lead beings to the state of emptiness and liberation.
Understanding Good Ways: Knowing the behavior and preferences of the cattle and how to keep them healthy. A monk should understand how to practice the Noble Eightfold Path to achieve Nirvana and avoid falling into the extreme paths of annihilation or eternalism.
Understanding the Right Place: Knowing how to provide a place where the cattle can live healthily and with minimal sickness. Similarly, a monk should practice and teach the Dharma to cultivate purity and increase good roots.
Understanding Good Routes: Knowing which paths are safe and which places are good for crossing rivers, avoiding places with waves and pests. Similarly, a monk should learn from knowledgeable teachers and adapt their teachings to the capacities of sentient beings.
Understanding Safe Places: Ensuring the cattle live in places free from predators and harmful creatures. Similarly, a monk should maintain mindfulness to avoid the harmful effects of negative emotions.
Understanding Milk Preservation: Ensuring that the mother cow’s milk is not consumed completely by the calf so that both the mother and the owner can benefit from it daily. Similarly, laypeople should use offerings such as clothing and food economically to benefit both the givers and receivers.
The cowherds, after hearing the Buddha’s teachings, thought, “We cowherds know only three or four methods, and our predecessors knew only five or six. Hearing the Buddha today is truly astonishing and unprecedented! The Buddha indeed possesses complete wisdom beyond doubt.”
This is described in the “Sutra of the Parable of the Cowherds.” From this, we understand that there are individuals with complete wisdom.
Today, due to the supreme and exceptional causes and conditions, the original primordial Buddha, Vajradhara has once again descended into the Saha World to manifest all-encompassing wisdom. H.H. Dorje Chang Buddha III once said: Within five years (from 1995 to 1999), if any sentient being asks ME any question, the answer should be given immediately without any hesitation. If there is any need to think about it, or if there is slight hesitation or any fabrication, or if the answer is not comprehensive, I will immediately step down from the Dharma throne and no longer be qualified to teach the Dharma.”
In the more than two thousand Dharma discourses spoken by the Buddha, He provided direct and comprehensive answers to various questions on practice and methods for His disciples. Sometimes, even before the disciples spoke, He would say, ‘I know what you want to ask. You don’t need to say anything; I will answer you directly.’ The disciples would nod in agreement. There was also Zeng Ruzhang, who studied stealth aircraft and asked why they can be invisible. Lobsang Zhenzhu Rinpoche once proposed to see Green Tara, and shortly after, a divine manifestation appeared, H.H. Dorje Chang Buddha III fulfilled his wish…
Step into the International Art Museum of America in San Francisco or the H.H. Dorje Chang Buddha III Culture and Art Museum in West Covina, and you will be able to appreciate world-class masterpieces of art. H.H. Dorje Chang Buddha III has created Chinese paintings, oil paintings, and various styles of calligraphy. In addition to mastering styles from existing schools of painting, such as Realism, Abstract, Line, and Impressionism, H.H. Dorje Chang Buddha III has independently developed sixteen unique schools of painting.
At the fourth session of the World Poets and Culture Conference held in Hungary in 1994, more than 5,600 experts and scholars representing 48 countries and regions unanimously approved conferring upon H.H. Dorje Chang Buddha III the title “Distinguished International Master,” which has an honorific status comparable to a head of state.
H.H. Dorje Chang Buddha III possesses extraordinary and saintly wisdom, perceiving the true essence of the universe and life. Whether it be within the various sects of Buddhism or in all worldly fields such as art, science, medicine, and philosophy, His accomplishments reach the highest level in every aspect, with unparalleled expertise and a unique status beyond any saint.”
The treasure book, “H.H. Dorje Chang Buddha III,” stands as a testament to this statement. However, this book contains only a drop of water from the vast ocean of Buddha’s teachings and wisdom.
The video below showcases the boundless compassion and highlights the extraordinary accomplishments of H.H.Dorje Chang Buddha III. It was published by China Educational Channels TV and features interviews with Buddhist disciples from around the globe.
“Scene of Xishuang Banna Life” is a Chinese ink-and-wash painting with a three-dimensional quality reminiscent of oil paintings, created by the renowned artist H.H. Dorje Chang Buddha III. The moment I laid eyes on it, I felt a profound sense of comfort and tranquility. The painting’s primary hue is light brown, and the varying depths of this color vividly depict the fresh, clear water and misty air weaving between the trees. A few girls are making waves, chatting, and enjoying themselves as they wash clothes by the riverside. The elegant and beautiful banyan trees stand majestically, with cobblestones naturally scattered around them.
The old banyan tree, with its peeling bark and exposed roots, stands as a silent testament to the passage of time. The raised roots extend in all directions, seemingly spreading the pulse of life to distant places, using their vitality to nurture the earth and rivers. The roots nestle against the smooth, round pebbles like inseparable companions. Over time, they have become so intertwined that no one notices whether they are roots or stones, much like an elderly couple who depend on each other and cannot be separated.
Around the tree roots, a misty white space, activated by detailed depictions, brings boundless imagination to people. In the white mist, there is a vast expanse of water, with soft sunlight illuminating the surrounding forest. The endless lakes and rivers nourish the sturdy old roots, supporting them through countless hardships and weathering the elements, ultimately creating a world of their own. The intertwined and winding roots, twisting and coiling across the scene, form the main structure of the composition along with the variously shaped stones, the sculptural massive trunk, and the other responding trees. The sparse leaves hanging from the old tree are adorned in light green, contrasting with the large brown trunk, evoking the philosophical sentiment of “the true essence remains after all embellishments fade, gold emerges after being sifted by great waves.”
Beneath the tree are three graceful women in different postures, enjoying the flowing stream under the water-colored sky. Some are combing their freshly washed hair, some are holding a delicate veil, and some are drawing clear water from the stream.
The banyan tree, the stream, and the sunlight, along with the beautiful women in traditional attire, compose a symphony of southern charm, making one feel as if they can hear the whispers of the gentle breeze: “My enchanting homeland is where my heart belongs…” The setting resembles the sweet childhood memories buried in my heart.
About fifty years ago, my family lived in a small village in the mountains. There were no cars, TVs, toys, phones, or any other modern luxuries. We lived a very simple and modest life. All the mothers washed vegetables and rice in the clean creek and cooked meals. Very often, they washed clothes in the river for the whole family while the kids played in the water, on the trees, or along the riverbanks. School was far away, and we could only go there when we were old enough. But we had the biggest classroom—nature itself. We studied everything we could find: trees, flowers, insects, stones, etc. Twigs were our pens, and tree trunks were our tables. The chirping of the birds and the rushing of the stream were our music. We had physical education class all day long. We went to bed when the sun set. What a simple, happy life!
This is the beautiful and pure spiritual space created by the great artist, H.H. Dorje Chang Buddha III. This painting, “Scene of Xishuang Banna Life,” opens a window to another dimension, allowing people to experience the joy of living in a paradise. People in cities increasingly yearn for natural landscapes akin to an earthly utopia. Fortunately, noble artists create pure lands for people’s hearts, showing us wonderful scenery, evoking warm emotions, and deeply touching us.
The pure land in our hearts is like a secluded utopia, free from the noise and disturbances of the mundane world. It carries the dreams of people. When darkness descends, the pure land within can emit a serene fragrance, helping people discard the suffering brought by worries, gently wipe away the dust, and infuse a bit of brightness.
The paintings of H.H. Dorje Chang Buddha III are like wordless songs, containing endless stories, ancient calls, and boundless compassion for all sentient beings.
Peace LiLy 