Tag: Travel

Dazu Rock Carvings – The Last Monumental Works in the History of World Grotto Art

linda changLeave a comment

Detail of reclining Buddha, Parinirvana of Shakyamuni attended by bodhisattvas, Mt. Baoding, Southern Song Dynasty, Dazu, China, 102′ long (photo: Mulligan Stu, CC BY 2.0)

With a history spanning over 1,300 years, the Dazu Rock Carvings represents the pinnacle of grotto art worldwide from the ninth to the thirteenth century. The exquisite and varied cliff-side sculptures at Dazu caves provide outstanding proof of the harmonious fusion of Buddhism, Taoism, and Confucianism in civil. In 1999, the Dazu Rock Carvings was inscribed on the World Heritage List by UNESCO.

Enjoying a comparable reputation with the top four grottoes in China (Mogao Grottoes, Yungang Grottoes, Longmen Grottoes, and Maijishan Grottoes) and being rated as one of the eight grottoes in the world, the Dazu Rock Carvings (“大足石刻” in Chinese), also known as Dazu Caves or Dazu Grottoes, located 167km from the city center of Chongqing. It is the one and only UNESCO World Cultural Heritage Site in Chongqing municipality. The Dazu Rock Carvings consists of 75 cave temple sites, including more than 50,000 statues, being protected for their historical, artistic, and scientific values at different levels, representing the pinnacle of Chinese cave temple art between the 9th and 13th centuries. Among them, rock carvings of Baodingshan (宝顶山), Beishan (北山), Nanshan (南山), Shimenshan (石门山), and Shizhuanshan (石篆山) are exquisitely sculpted with the most distinctive style.

The Dazu Rock Carvings started in the early Tang Dynasty, went through the late Tang Dynasty and the Five Dynasties, and then experienced its golden time in the Northern and Southern Song Dynasty. At the time when cave art in northern China fell into decay, the Dazu Rock Carvings undoubtedly created another peak in the history of Chinese cave art, extending the history of Chinese cave art for more than 400 years. Since then, there have been no such large-scale rock carving events in China or even in the world. Therefore, the Dazu Rock Carvings are also known as the last monument and swan song in the history of the world’s grotto art.

UNESCO Stele of the Dazu Rock Carvings

Differing from famous royal grottoes in the north, the religious cliff inscriptions in Dazu show distinctive features of nationalization, secularization, and everyday life, reflecting the remarkable development and changes in folk religious beliefs. Thus, the Dazu caves have the irreplaceable historical, artistic, scientific, and connoisseurship values of grottoes of the previous generations. Another highlight that has to be mentioned is that the statues there provide outstanding evidence of the harmonious synthesis of Tantric Buddhism, Taoism, and Confucianism. Visitors can see separate stone carvings as well as the unity caves reflecting the three religions’ confluence and ruling together. Moreover, thanks to the southern hinterland location of the Dazu Rock Carvings, this cultural heritage stays far away from man-made sabotage, retaining the integrity of the statues, the original characteristics and values of the period when the carvings were created.

Rock carvings in Dazu are mainly located across five mountains, each containing distinct sets of grottoes, among which the cliff-side sculptures on Baodingshan and Beishan are best known and considered to be the model of the late Chinese grottoes statue art. The pictures of the Dazu rock carvings that we commonly find online were mostly taken at the Baodingshan Scenic Area, which is also the must-visit site for a Dazu Rock Carvings tour.

Baodingshan Rock Carvings (Baodingshan Scenic Area)

Fifteen kilometers northeast from Dazu center, Baodingshan Rock Carvings was constructed by the famous monk Zhao Zhifeng in the Song Dynasty for more than 70 years. As one of the most famous Tantric Buddhist shrines in China, there is an old saying that goes like “Go North, climb the Emei Mountain; Go South, reach the Baoding Mountain.” The centerpiece of the Baodingshan rock carvings is the U-shaped Grant Buddha Bay, also known as Dafowan (“大佛湾” in Chinese). Nearly ten thousand statues are carved along the east, north, and south cliffs, which are approximately 500 meters in length and 8-25 meters high. Like a picture scroll with endless photographs, the content of Baodingshan rock carvings is mainly Buddhist scripture stories, each niche related to the other but not identical.

Dazu Rock Carvings – Buddhist Wheel of Life

Avalokitesvara with Thousand Hands

The Buddha statues at Baodingshan are novel in conception, skillful in carving, and rich in secular characters. Religious treasures come one after another, including the representative work – Niche of Sakyamuni Entering Nirvana, one of the wonders of Buddhist art in the world – Avalokitesvara with Thousand Hands, striking image of Buddhist Wheel of Life, scientific designs of Three Saints of Huayan School of Buddhism and Cave of Full Enlightment showed craftsmans’ ingenuity.

In addition, niche content and their expression approach are striving to visualize reality. For instance, Niche of Parental Love Sutra contains ten groups of carvings, including scenes like begging for a son, carrying a child, and going into labor, etc., depicting parental love in bringing up children with plots linking to each other as a picture-book. These carvings are vivid and impressive. They were the outcome after Buddhism had been localized in China.

The ox herding story

Located at the eastern end of the Great Buddha Bend, the ox herding tableau, shows a herdsman taming a disobedient ox—a traditional metaphor for the path to self-enlightenment and a popular theme among Ch’an Buddhist monks and painters in the Song Dynasty. The tableau is made up of eleven vignettes arranged horizontally along a 27-meter cliff wall.

Ox herding story (scene 1–2), Niche 30, Dafowan, Mt. Baoding, Dazu. Southern Song Dynasty (photos: G41rn8, CC BY-SA 4.0)

The first three vignettes each depict a lively interaction between a herdsman and an ox in a landscape setting. The herdsman represents the Buddhist practitioner while the ox refers to the practitioner’s potential to become a Buddha. As the ox turns its body away, the stocky herdsman uses force, grass, and a stick to tame the ox. The verses accompanying the scenes further recount these struggles. 

Herdsmen embracing in the ox herding story (scene 5), Niche 30, Dafowan, Mt. Baoding, Dazu. Southern Song Dynasty (photos: G41rn8, CC BY-SA 4.0)

In the fourth and fifth vignettes, the ox is finally brought under control. The herdsman, featuring a wide, joyful smile, wraps his arms around his fellow herdsman while holding on to the ox with the rope in his hands.

In addition to the uncanny quality of grottoes’ masterpieces at Grant Buddha Bay (Dafowan), there are also many highlights you can’t miss while visiting Baodingshan Scenic Area:

  • Watch a 4K film with English subtitles to learn about the history and development of Dazu rock carvings, and enjoy an 8D view of spectacular grottos at the dome theater
  • Take a leisure stroll at Dazu Rock Carvings Museum (大足石刻博物馆) to gain insights into the whole thread of world cave temple art and the basic characteristics of Dazu Rock Carvings
  • Visit Shengshou Temple (圣寿寺) to admire the exquisite temple architecture, which was rebuilt at the Ming and Qing Dynasties.
Shengshou Temple & Dazu Rock Carvings Museum

Beishan Rock Carvings

1.5km north to Longgang Town of Dazu, with an altitude of 545.5m, Beishan is also called Longgang Mountain in the past. Beishan Rock Carvings is the initial of Dazu Rock Carvings. They were first created by Wei Junjing, prefect of Changzhou, in 892 A.D. of the late Tang Dynasty. Until 1162 A.D. of the Southern Song Dynasty, the existing scale of Beishan Rock Carvings was formed, and it centered around Fowan. The rock carvings are numbered and divided into two sections: No.1 ~ No.100 are in the south section, while No.101 ~ No. 290 are in the north section. There are over 5,000 statues on a 500m long cliff, with a height of 7 to 10 meters. The grottoes are very dense, just like a hive, and all of them are delicate and carved with high sculpture skills.

Avalokitesvara with a Rosary

The crowning jewels of Beishan rock carvings are the statues of Avalokitesvara. They are ornamental and artistic, with diverse looks and postures. The most emblematic ones are the Avalokitesvara with a Rosary, Avalokitesvara Watching the Moon Reflection in the Water, and Thousand-armed and Thousand-eyed Avalokitesvara, etc.

Beishan rock carvings can be visited both during the day and at night. An additional visual experience is provided by the scenic spot’s usage of colored light to illuminate the stone statues. Besides, if you have enough time and stamina, don’t forget to follow the downhill trail to visit the Duobao Pagoda (多宝塔) to see the giant cliff statues of Beishan, the Two Buddhas of the North Pagoda.

Dazu Rock Carvings – The Last Monumental Works in the History of World Grotto Art

Link:https://peacelilysite.com/2024/01/04/dazu-rock-carvings-the-last-monumental-works-in-the-history-of-world-grotto-art/

#AvalokitesvarawithThousandHands #Shakymunibuddha #DazuRockCarvings #History #WorldGrottoArt #Buddhism #BuddhistArt #BuddhaStatue#Cave#TravelChina #ChineseCulture

Source：https://www.chinadiscovery.com/chongqing/dazu-rock-carvings.html, https://smarthistory.org/mt-baoding-dazu-rock-carvings/

Eternal Smiles: Unveiling the Serenity of China’s Buddhist Sculptures

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DunHuang MoGao Caves

A Journey Along the Silk Road: Unraveling the Tapestry of Buddhism in China

When we think of iconic sculptures, the Discobolus, Michelangelo’s Moses, and the Laocoon and his Sons likely come to mind—captivating masterpieces that freeze moments in time with gripping intensity. However, the realm of Buddhist sculptures in ancient China offers a different narrative, one of profound serenity and peace that sets it apart from Western art.

CGTN’s latest film, Eternal Smiles, invites you to embark on a mesmerizing 60-minute exploration of China’s Buddhist sculptures. As you delve into the most renowned grottoes, you’ll witness a unique facet of statuary art that transcends time and space, offering a glimpse into a continuous eternity. The film provides a rare opportunity to experience the tranquility and harmony exuded by Buddhas and Bodhisattvas in these ancient works.

Guiding you along the Silk Road, Eternal Smiles unravels the fascinating journey of Buddhism to China. The film takes you to famous grottoes, temples, and historical sites, immersing you in a rich tapestry of stories that satisfy your curiosity about history, art, natural scenery, culture, and more.

Unlike the dramatic and intense narratives often found in Western sculptures, China’s Buddhist sculptures are a testament to serenity and peace. The film beautifully captures the essence of these timeless works of art, inviting viewers to appreciate the subtleties and spiritual depth embodied by Buddhas and Bodhisattvas.

Eternal Smiles is not merely a documentary; it’s a cinematic symphony that seamlessly weaves together history, art, and culture. Through stunning visuals and insightful narratives, the film offers a holistic experience that transcends the screen, transporting viewers to the heart of China’s Buddhist legacy.

Whether you’re a history buff, an art enthusiast, or someone seeking a peaceful escape, Eternal Smiles promises to be a visual feast for the curious soul. Join us on this cinematic journey to discover the beauty, serenity, and eternal smiles hidden within China’s Buddhist sculptures.

Eternal Smiles: Unveiling the Serenity of China’s Buddhist Sculptures

Link:https://peacelilysite.com/2023/12/29/eternal-smiles-unveiling-the-serenity-of-chinas-buddhist-sculptures/

#Buddhist #BuddhistSculptures #SilkRoad #Caves #DunhuangMogaoCaves

Harbin Ice and Snow World – A Colorful Ice Disneyland

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Steve222_11 2019

The Harbin Ice and Snow World stands as one of the largest ice and snow theme parks globally, encompassing an expansive area of 600,000 square meters. It not only serves as an irreplaceable landmark for Harbin City but has also become a renowned international ice and snow tourism brand. Boasting over 2,000 ice sculptures, landscapes, ice castles, rides, and stage shows, this man-made winter wonderland is often referred to as the “Disneyland of Ice and Snow.”

Aligned with the International Ice and Snow Festival of Harbin, the Harbin Ice and Snow World recently celebrated its 20th consecutive year. Unlike traditional construction materials, the park is crafted entirely from ice each winter, featuring delicate and intricate ice and snow sculptures designed under different themes annually. The night view of the park, adorned with vibrant lights accentuating the sculptures, is a mesmerizing spectacle.

The winter experience in Harbin is not limited to visual delights; it encompasses various cultural activities and winter sports. For those seeking relief from summer heat, an indoor ice and snow paradise awaits exploration.

Entering the Ice and Snow World, visitors are greeted by awe-inspiring sculptures, some towering over three stories high, showcasing intricate designs. The park transforms into a magical realm at night, as multicolored lights embedded in the ground illuminate the ice structures, creating a surreal kaleidoscope of colors against the dark night sky.

The exhibition within the park is a display of international ice engraving competitions, ice and snow LED lighting competitions, photography shows, oil painting exhibitions, and other forms of art themed around ice and snow. Marvel at award-winning works and iconic structures, such as those depicting scenes from popular games like Arena of Valor.

A visit to Harbin Ice and Snow World offers not only a feast for the eyes with illuminated sculptures and performances but also a chance to partake in diverse cultural activities and winter sports. The recreation area, spanning over 200,000 square meters, provides more than 20 options, including ice sports like skating, curling, sleighing, ice biking, and the thrilling 320-meter long ice slide. Snow sports enthusiasts can engage in skiing, snow football, snow circling, and the classic snowman and snowball-making activities.

Families can enjoy quality time together in the Parent-kid Paradise, fostering close contact with nature. Furthermore, the dazzling shows presented by skilled actors, combining dancing, acrobatics, and various art forms themed around ice and snow, promise to leave a lasting impression. Don’t miss the opportunity to dance with the actors at the Dream Stage, adding an interactive element to your visit. The Harbin Ice and Snow World is not merely a destination; it’s an immersive experience that seamlessly blends artistic excellence and technological marvels for visitors of all ages.

Harbin Ice and Snow World – A Colorful Ice Disneyland

Link:https://peacelilysite.com/2023/12/22/harbin-ice-and-snow-world-a-colorful-ice-disneyland/

#SnowIceFestival #TravelChina#Harbin#IceDisneyland#ChinaDiscovery #WinterWonderland

Source: https://www.chinadiscovery.com/heilongjiang/harbin/harbin-ice-snow-world.html

Maijishan Grottoes – Buddhist Treasure Well-preserved on Maiji Mountain Cliff

linda changLeave a comment

Maijishan Grottoes, also known as Maiji Mountain Grottoes or Maijishan Caves, is situated in Maiji District, Tianshui City, Gansu Province, in northwest China. Alongside the Longmen Grottoes, Yungang Grottoes, and Dunhuang Grottoes, it holds the esteemed title of being one of the “Four Greatest Grottoes in China.”

If the Mogao Caves are likened to a vast mural museum, the Maijishan Caves undoubtedly resemble an expansive sculpture museum. Boasting 10,632 clay sculptures, Maijishan is hailed as “the Oriental Sculpture Art Exhibition Hall.”

Much like the Parthenon temple in ancient Greece, the stone and clay carvings at Maijishan have been remarkably preserved since ancient times, earning it the moniker of “China’s Parthenon Temple.”

In contrast to the exotic sculptures found in the Mogao Caves, the sculptures in Maijishan are characterized by a more secular, human, and distinctly Chinese quality.

Unlike the exotic sculptures in Mogao Caves, the sculptures in Maijishan Caves are more secularized, human, and more Chinese

The name Maiji in Chinese translates to “piled sheaves of wheat,” reflecting the mountain’s appearance and the origin of its name. The Maijishan Grottoes were initially constructed in A.D. 384-417 and underwent subsequent expansions in dynasties such as Northern Zhou (A.D. 557-581) and Tang (A.D. 618-907). The site currently comprises 221 caves, 10,632 clay sculptures, and over 1300 square meters of murals, earning global acclaim for its exquisite clay sculpture art and recognition as the “Oriental Sculpture Art Exhibition Hall.”

While Maijishan Grottoes may not be as renowned as the other three great grottoes, it stands out as the best-preserved among them. Carved into the steep cliff of the mountain, the caves were not easily accessible, thus escaping much of the destruction that plagued other sites throughout tumultuous periods in history. Today, visitors can marvel at Buddha sculptures and murals along a narrow path clinging to the cliff’s edge.

Marsman Rom, Wikimediia Commons

Shizao, Wikimedia Commons

Maijishan in a sea of fog. ©Maijishan Grotto Art Institute and Global Heritage Fund

Located just a few miles south of the main road connecting China and Central Asia, Maijishan emerged as a hub of cross-cultural exchange, drawing hundreds of thousands of itinerants and serving as a historical canvas reflecting the art of 12 distinct dynasties. Indians, Mongols, Huns, Sogdians, Tibetans, Chinese, and others traversed its halls, leaving enduring imprints of their cultures in the form of art.

The mountain’s 194 grottoes stand as tangible evidence of this diverse influence, showcasing seven architectural variations, housing over 7,000 statues, and adorned with more than 100 square meters of murals. Everything within reflects a dedication to Buddhism, from depictions of Siddhartha’s birth to bodhisattvas engaged in meditation and scenes of new devotees arriving. While Maijishan’s physical features initially garnered attention, it is the heritage inscribed, painted, and sculpted onto the soft golden stone that solidified its place in the globalized consciousness of Buddhism, akin to Mount Sumeru, the sacred Buddhist mountain often considered the “mythical axis of the universe.”

The history of Maijishan, like the tales along ancient trade routes, commences with a journey. One account tells of the priest Hsüan-kao meditating at Maijishan, later joined by the shaman T’an-Hung. Together, they founded the mountain’s first monastic community, growing to nearly 300 people before their departure, marking a departure filled with religious fervor, and in T’an-Hung’s case, a morbidly poetic self-immolation in Cochin.

This semi-mythical origin, whether entirely factual or not, undeniably solidified Maijishan as a significant religious site for Chinese rulers. In the Fang-yü sheng-lan, a Sung Dynasty-era book, it is noted that Yao Hsing transformed the mountains, carving 1,000 cliffs and 10,000 images, transforming the cliffs into halls. A stele from 1222 attests to the site’s prominence, with 10,000 people praying there, empires granting land for farming, and seven kingdoms continuously contributing to its maintenance. Subsequent imperial decrees bestowed various names, including “Ching-nien ssu,” “Ying-chien kan ssu,” and “Jui-ying ssu,” before settling on the name Maijishan.

Examples of how brilliantly these works of art were once colored. Shizao, Wikimedia Commons

Differences between Maijishan’s Grottoes and Mogao’s

The Maijishan Grottoes and the Mogao Grottoes, both situated in Gansu Province along the Silk Road, offer distinct experiences, prompting consideration for visitors on a Silk Road journey. Despite being grottoes, they differ significantly, making a visit to both a worthwhile endeavor.

  1. The Maijishan Grottoes are renowned for their clay sculptures, whereas the Mogao Grottoes impress with expansive and beautiful murals. The arid climate in Dunhuang aids mural preservation, while the Maiji Mountain area, with more rainfall and looser mountain rock (clay), is conducive to sculpture carving.
  2. Sculptures in the Maijishan Caves are primarily plain clay pieces, while in the Mogao Caves, they are predominantly painted sculptures integrated with murals. Buddha statues in Maijishan exhibit a more secularized and daily-life-oriented character.
  3. The surrounding natural landscapes vary. Maijishan Caves, located in the Maiji Mountain Reserve area, offer a summer retreat with lush trees and springs, providing opportunities to explore diverse wildlife. In contrast, the Mogao Grottoes are situated in the Gobi Desert, surrounded by wild desert scenery.
  4. The Maiji Grottoes were carved into a steep 100-meter-high cliff face, requiring travelers to ascend the “floating plank road” for a more adventurous experience. In comparison, the Mogao Grottoes were carved into a 30-meter-high sandstone outcrop distributed over four floors.

The breathtaking Maiji Caves, carved into the steep cliffs of Maiji Mountain, stand about 100 meters (330 feet) above the ground, divided into East and West Cliffs. These caves, resembling honeycombs in hives, are interconnected by plank walkways suspended in the air from the cliff face.

Have you ever pondered how this feat was accomplished over a thousand years ago without modern machinery?

Legend has it that the Maijishan Grottoes were excavated at the expense of clearing all the woods near Maiji Mountain. Ancient people built wooden scaffolds from the mountain’s foot to the top, serving as precursors to the later generations’ “plank roads.”

During the Tang Dynasty (618–907), an earthquake divided Maiji Mountain into two cliffs, east and west. Over subsequent dynasties — Song, Yuan, Ming, and Qing — the Maijishan Grottoes underwent development, evolving into the cohesive complex seen today.

The Maijishan Caves stand as a testament to human wisdom and art along the Silk Road, embodying profound respect for Buddhism and an unending yearning for a better life.

Part of the Maiji Mountain Scenic Reserve area (including Xianren (‘Fairy’) Cliff, Shimen, Quxi, and Jieting Hot Spring), the Maijishan Grottoes boast diverse forests and a rich array of plants and animals.

While the Maijishan Grottoes can be visited year-round, the best time to explore the Maiji Mountain Scenic Reserve area is from July to October when the mountain, adorned with dense foliage, provides an ideal summer getaway.

Maijishan Grottoes – Buddhist Treasure Well-preserved on Maiji Mountain Cliff

Link:https://peacelilysite.com/2023/12/15/maijishan-grottoes-buddhist-treasure-well-preserved-on-maiji-mountain-cliff/

#MaijishanGrottoes #BuddhistTreasure #MaijiMountainCliff #Travel #China#Art#TravelChina

Source: https://globalheritagefund.org/2018/02/13/inside-the-lost-grottoes-of-maijishan/, https://www.chinadiscovery.com/gansu/maijishan-grottoes.html, https://www.chinahighlights.com/tianshui/attraction/mount-maiji-grottoes.htm

Yun Sculpture: Unparalleled Craftsmanship in Human History

linda changLeave a comment

Yun Sculpture, a groundbreaking form of art devised by H.H. Dorje Chang Buddha III for the global audience, stands unmatched in the annals of history. Since its inception, the world has borne witness to an artistic phenomenon that defies replication. Observers, captivated by the works of H.H. Dorje Chang Buddha III, often find themselves in awe, expressing sentiments from the depths of their hearts: “This is a treasure bestowed upon the world by a divine force,” “Sacred artifacts from the Buddha’s Pure Land,” “Captivating the soul with its unparalleled beauty,” and “Since the advent of Yun Sculpture, humanity’s jewelry pales in comparison, like stars around the bright moon—dim and lackluster.” Indeed, when contrasted with the most finely carved jade and opulent stone sculptures, the latter suddenly lose their luster and grandeur, revealing an insurmountable gap.

Yun Sculpture boasts several distinctive characteristics:

Firstly, these sculptures exude a multidimensional sense of space, intricately crafted with unparalleled complexity, displaying endless variations.

Secondly, Yun Sculptures burst forth in rich and vibrant colors, presenting scenes so dreamlike and fantastical that they remain unseen in this world.

Thirdly, many Yun Sculptures possess a sacred and mysterious quality that transcends ordinary comprehension, exemplified by pieces such as “Mysterious Boulder with Mist.” In these sculptures, a mysterious mist gracefully floats among intricately carved, seemingly shifting, and intriguingly interconnected hanging rock formations. Why are such pieces referred to as sculptures containing mysterious mist? The answer lies in the enigmatic and beautiful scenes depicted within these sculptures—a dance of auspicious mist swirling amid hanging rock formations, creating an ethereal ambiance.

Mysterious Boulder with Mist

These miraculous works can be seen and touched. However, they cannot be created by anyone who is not a being of the highest holiness.

Precious Place

Stepping into this precious place, Surveying the treasures hanging on all four walls, Pure white, inky green, brownish-yellow… A multitude of vibrant colors. Is this the magic of nature? No, it’s the crystallization of wisdom!

The Grand Entrance of Elegance

The grand entrance, adorned with intricate golden lace, Built upon a foundation of gemstones, Various wonders on display, Gleaming with dazzling radiance. The densely woven textures and folds, Alive with vivid details, Eagerly beckon one to step inside, And behold the magical scenes within the hall.

Dawn

This Yun Sculpture masterpiece interprets the natural landscape of dawn with a strong sense of color contrast and intricate contours. The magic of this artwork lies in the seamless transition between night and day, appearing remarkably natural without any artificiality. It is not just a unique Yun Sculpture piece but also a transmission of positive energy.

The shift from darkness to light is not merely a natural phenomenon but also signifies the awakening and transformation of human thought and consciousness. By sincerely experiencing this Yun Sculpture piece inspired by the dawn, you will feel the powerful energy embedded within.

This Yun Sculpture piece resembles an ancient tree hollow, exuding a sense of mystery. Looking into the cave from its entrance, it appears bottomless, much like the human heart—profound and unfathomable.

Therefore, the term “tree hollow” now symbolizes the secrets hidden deep within. Psychologists propose that people need to learn to confide, to release their emotions. This artwork provides us with a window to express the unspeakable depths of our hearts, offering a means to alleviate stress through sharing.

A Rock of Horizontal Charm

Endless changes of spirit and feelings unfold
Mysterious motions envelop wonders untold
Only in heaven is such a presence found
No handiwork of artisan earthly bound

The sculpture A Rock of Horizontal Charm is a masterpiece of Yun Sculpture, embodying the spirit of an art surpassing the beauty of nature, created by H.H. Dorje Chang Buddha III for humankind. Derived from an art form created by H.H. Dorje Chang Buddha III that possesses beauty beyond nature’s, it has attained a realm –never before seen in human history – of artistry transcending nature, originating an art form in this world that is irreplicable by any craftsman or high technology. This amazing beautiful sculpture is currently displayed in H.H. Dorje Chang Buddha III Cultural And Art Museum.

Coral from Heaven

This Yun Sculpture piece exudes a mysterious yet astonishing feeling. The meticulous handling of the subtle details precisely embodies the essence of this artwork. Dubbing it “Coral Descending from Heaven” aptly confirms its precious and distinctive qualities. It’s challenging to fathom how the artist applied colors, especially in certain tiny areas where ordinary individuals would be unable to do so. It is precisely because of such a mysterious, astonishing, and unique piece that it deserves this name.

Unusual Music from Beyond Heaven

Art of the Little Autumn
Hanging Withered Vines Embrace Ancient Stones
Loveliness
Deep Feeling: Vistas Beyond the Tranquil Valley

Discover a captivating array of Yun Sculptures at the permanent exhibition housed at The International Art Museum of America, located in downtown San Francisco. Additionally, immerse yourself in the extraordinary collection at the H.H. Dorje Chang Buddha III Cultural And Art Museum in West Covina, a treasure nestled in the vibrant cultural landscape of the greater Los Angeles area.

Link: https://peacelilysite.com/2023/12/15/yun-sculpture-unparalleled-craftsmanship-in-human-history/

#DorjeChangBuddhaIII #HHDorjeChangBuddhaIII#DorjeChangBuddha#IAMA#InternationalArtMuseumofAmerica#H.H.DorjeChangBuddhaIIICulturalAndArtMuseum#YunSculpture #Craftsmanship

Aladaglar Mountains

linda changLeave a comment

One of the most amazing nature phenomenon in Iran

Concrete gray cities have deeply absorbed people as if creation of the Earth had been as colorless and artificial from the very beginning.
When the hands of a great artist touch the paintbrush, the spectra of his color feast cannot be counted. In a distance not too far, God’s tableaus can be seen with soul and heart.

One of the most amazing nature phenomenon in Iran is the Aladaglar mountains or Rainbow  mountains which is in Zanjan province. The hills are so incredible that for a moment you might think you are walking on another planet.

Aladaglar Mountains date back to 15 million years ago. There are a variety of colors in this attractive place containing Red, Copper, Brown, Yellow, White, Green and blue in beauty different spectrum and especially Red, Copper, and Yellow in hot weather. As the setting sun casts golden rays and a lacework of shadows across the landscape, the visual effect becomes even more stunning.

’Ala’’ in Azeri Turkish language means colorful and ‘’Dag’’ means mountain. The Aladaglar rainbow mountains and hills are tucked into the northwest of Iran, 25 kilometers in the northeast of Tabriz between Ahar and Khajeh. Along the road of Ahar-Tabriz, the landscape begins to switch step by step. Passing the city of Tabriz, an eye-catching mountain chain of the Aladaglar appears. The distance between Tehran to the Aladaglar mountains is about 630 kilometers and takes approximately 7 hours via Qazvin-Zanjan road, Zanjan-Tabriz road, and Tabriz-Ahar road.

The golden and copper colors of these mountains get a maximum glow when the Sun shines with the right angle. These mountains provide a unique opportunity for eco-tourists who would like to do their own professional photography.

This work of art by mother nature, the Aladaglar Mountains, shares its name with a mountain range in Turkey, but the two should not be confused.

These painted mountains exist in a few places on earth, such as the Zhangye National Geopark in China, Hornocal mountain range in Argentina and Ausangate mountains in Peru. In China, these mountains are said to be the result of millions of years of minerals and sandstone being pressed together and oxidized. This is likely what happened elsewhere in the world, too, making these phenomenal mountains look like giant layer cakes. Everywhere of the Aladaglar Mountains has a unique form and color and type of stones are different.

Aladaglar Mountains

Link: https://peacelilysite.com/2023/12/01/aladaglar-mountains/

#Travel #Iran #NautrePhenomenon#AladaglarMountains #Paintedmountains

Source: https://iranparadise.com/aladaglar-mountains/#:~:text=Aladaglar%20Mountains%20date%20back%20to,and%20Yellow%20in%20hot%20weather.

Autumn in Jiuzhaigou: A Colorful Paradise

linda changLeave a comment

Jiuzhaigou National Park is located in southwestern China in the north part of the Sichuan Province. The park covers an area of 280 square miles (720 sq km). It is a UNESCO World Heritage Site and a World Biosphere Reserve.

The elevation varies from 6,600 to 14,800 feet (2,000 to 4,500 m). The Jiuzhaigou valley falls within the Min Mountains and serves as the heart of the national park. The national park is renowned for its beautifully colored lakes, the numerous layered waterfalls, and peaks that are frequently snow-capped.

The autumn season in Jiuzhaigou is nothing short of a masterpiece, painted with a palette of vibrant colors. As mid-to-late October arrives, the transformation of the trees in Jiuzhaigou nears completion. The leaves change from a lush green to a brilliant gold, while others take on a stunning red hue that blankets the mountains.

The forest is ablaze with shades of red and yellow, creating a dazzling display that is reflected in the tranquil waters of the lake. The backdrop of a clear, clean blue sky enhances the refreshing atmosphere. Standing amidst this natural wonder, you can’t help but feel like you’ve stepped into a colorful paradise.

When autumn graces Jiuzhaigou, it feels as if you’ve entered a fairy tale world. The leaves compete in a brilliant display, reminiscent of flowers vying to bloom. But Jiuzhaigou is not just about the autumn leaves; it’s also about the countless streams that flow gracefully between the red and yellow leaves. These streams create a spectacular scene that is a rare sight to behold. In that moment, it feels as if all your worries and troubles simply melt away. In Jiuzhaigou, there is also the Five Flower Sea, which offers a 360-degree unobstructed view of breathtaking beauty.

Autumn in Jiuzhaigou is akin to a pot of warm and soothing wine that makes the earth’s cheeks blush and the eyes sparkle. As you stroll along the winding walkways, the warm sunlight bathes your face and body, gently warming your body and soul. The light dances through the valleys, casting a dazzling glow on the bright colors of the forest. The colorful mountains reflect in the calm water, creating a harmonious display of colors between the mountains and the water. It feels as if you’ve stepped into a dreamlike world. Every glance is met with stunning scenery, capturing your heart and leaving you in awe. The water’s surface, stirred by the autumn wind, shimmers with sparkling light and patchy colors, creating a captivating display of colorful rays of light cascading across the water.

If you wish to witness the sunrise in Jiuzhaigou during autumn, the best time is after 8:30 AM and before 5:00 PM for sunset. For those looking to capture the beauty of the “seas” (lakes) in Jiuzhaigou, the lighting is optimal during these times, ensuring that you can showcase the captivating colors of Jiuzhaigou’s “seas”.

Autumn in Jiuzhaigou: A Colorful Paradise

Link:https://peacelilysite.com/2023/11/03/autumn-in-jiuzhaigou-a-colorful-paradise/

#Autumn #Jiuzhaigou #NationalPark #ColorfulParadise #UNESCOWorldHeritageSite

Source: https://national-parks.org/china/jiuzhaigou all photos from website https://www.sohu.com/a/423494066_120065322, https://www.expatsholidays.com/14-unique-places-to-see-autumn-foliage-in-china

Mount Jizu

linda changLeave a comment
Photo From https://www.visityunnanchina.com/attractions/natural-attractions/mount-jizu

In my eyes, Yunnan Province is the most beautiful province in China. Its mild climate throughout the four seasons and its unique geographical location give Yunnan breathtaking natural scenery. The numerous ethnic minorities in Yunnan add to its diverse cultural customs. Yunnan is both romantic and passionately exotic, yet also elegant and graceful. It is truly charming and enchanting. Jizu Mountain is one of my favorite places there.

Mount Jizu (Chicken-foot Mountain) is situated in Dali Prefecture. The mountain is located to the northeast of Erhai and forms the tripoint of three counties:  Heqing,  Binchuan, and Dali City. With three mountain ranges to the front and one range to the rear, it resembles a chicken’s foot, hence its common name is Mount Cock’s Foot or Mt. Cock’s Claw. Yet another name for this mountain is Nine Strata Cliffs.

Mount Jizu is a famed holy mountain in Buddhism. Its main peak, Tianzhu Peak, rises some 3,240 metres above sea level. The mountain is vegetated with dense forests and bamboo groves.

From it, visitors can see the sunrise in the east, floating clouds to the south, Cangshan Mountain to the west and Jade Dragon Snow Mountain in the north. They are described as the “four wonders seen from the mountain top.”

The best viewing spot for the four wonders of Jizu Mountain is at its highest point, the Golden Top Temple. The view from the temple is wide and open, with visibility for more than ten kilometers. Watching the sunrise in the east is the king of the four wonders. Early winter mornings are the best season to witness the sunrise, as the reduced moisture increases visibility.

Before dawn in winter, the stars in the sky gradually dim, and the eastern horizon begins to whiten. A hint of orange appears on the just-yellowing horizon. In just a few minutes, the orange-red sun leaps above the horizon, and its dazzling rays spread across the entire landscape. If there are rolling clouds, they turn into a dazzling orange-red color within seconds. The sun’s rays, like an arrow carrying a force of ten thousand pounds, fly straight at everyone. In an instant, a huge spark bursts open in one’s heart. The ruddy morning sun is so bright that it’s hard to keep one’s eyes open. However, once you get used to it, the earth has already begun to revive, welcoming a new day in the dawn.

The best season to view the silver Cangshan and jade Erhai from the west is still in winter and spring. In these two seasons, snow accumulates on the peaks of Cangshan. Looking west from Golden Top Temple, you’ll see the plateau’s pearl, Erhai Lake, which runs between the mountains and valleys, reflecting silver waves. It’s as if pearls are dancing on the water’s surface. At the place where the water meets the mountains, you’ll find the nineteen peaks of Cangshan neatly arranged. The pure white snow on the mountain peaks becomes even more noble silver under the sunlight. The mountains and the sea echo each other, with the mountains towering and magnificent, and the water soft and charming. This is a masterpiece of beauty that cannot be drawn!

The best time to view the colorful clouds from the south is in the evening when the sun is about to set. Try to choose a time when the clouds are most densely gathered. Standing at the Golden Top Temple and looking south, you’ll see the undulating mountains covered in mist, which either wraps around or disperses in clouds, drifting freely in the blue sky, transforming into various shapes. The afterglow of the setting sun is scattered among the light and leisurely drifting clouds, blooming with a burst of colorful brilliance!

Jade Dragon refers to the “Jade Dragon Snow Mountain,” whose peak is covered in snow all year round, so it can be viewed at any time. Looking north from the Golden Top Temple, the snow-capped mountains stretching for dozens of miles look like an outstretched dragon, crystal clear as jade, pure white and flawless, without a speck of dust.

There are some other scenic views of Jizu Mountain that appear at different times and moments, unique to Jizu Mountain. Every year in the summer and autumn rainy season, sudden storms suddenly stop, and the surrounding mountains are still in the mist, except for a part of the clouds above Jinding Temple which disperse and sunlight reappears. At this time, a circle of seven-colored light circles surrounds Jinding Temple, which is one of the Eight Scenic Views, known as “Tianzhu Buddha Light.” Similarly, during the summer and autumn rainy season, Jizu Mountain sometimes experiences strong winds, thunderous sounds, flashes of lightning, and heavy rain in the valleys. However, Huashou Gate, located under Tianzhu Peak and below the Sheshen Cliff, is still clear and sunny. The sound of thunder echoes here and lingers for a long time. This is the famous “Huashou Qing Lei.”

The most abundant trees on Jizu Mountain are “pine and oak.” These trees come together to form a vast forest.

Whether you look from a distance or up close, the “forest sea” of Jizu Mountain stretches for dozens of kilometers, from the mountain peak to the valley, casting shadows with its pine trees. The forest is deep and lush, and when the wind, whether gentle or strong, blows through, the leaves rustle, creating music reminiscent of the thunderous galloping of a thousand horses. Sitting in the mountain and quietly listening to this has a special charm. This landscape is known as “Wan He Song Tao”.

There are more beautiful scenic views waiting for you to explore.

Besides the beautiful scenery, Jizu mountain is a legendary buddhist holy place.

According to Buddhist scriptures, in ancient times, Shakyamuni Buddha demonstrated to the assembly at the Lingshan Meeting by holding up a flower, and everyone remained silent. Only Venerable Mahakasyapa deeply understood the Buddha’s intention and broke into a faint smile. The Buddha said, “I have the true Dharma eye treasury, the wondrous heart of Nirvana, which I entrust to you.” He also told Mahakasyapa that he would pass on the kasaya robe to him, which would then be transferred to Maitreya when he appears in the world. Venerable Mahakasyapa bowed to the Buddha’s feet and respectfully followed the Buddha’s intention. After the Buddha’s Nirvana, Venerable Mahakasyapa gathered the true Dharma three treasures in the city of Vaishali. He later entrusted the true Dharma three treasures to Ananda and went to Jizu Mountain alone, holding the kasaya robe given to him by the Buddha. He entered meditation at the Huashoumen.

Huashou Gate is 40 meters high, with a sheer cliff face as if cut with a knife. A large stone gate is embedded at the top, and a vertical crack in the middle divides the cliff into two panels, with a “stone lock” hanging in the middle. The stone gate is covered with Hada (ceremonial scarves), and there are prayer flags around it. With an altitude of nearly 3000 meters, the landscape is very similar to that of Tibet.

When Maitreya Buddha is born in this world, he will also climb Jizu Mountain and go to the place where Venerable Mahakasyapa meditated. With a snap of his fingers, the mountain peak will open, and Mahakasyapa will pass on the robe and say his farewell. After the respectful ceremony, he will ascend into the sky, display divine transformations, and enter nirvana.

From the Buddhist scriptures, it can be seen that Jizu Mountain is the place where Venerable Mahakasyapa meditated, and it is also the future place of Maitreya. Its connection with Buddhism will never be severed for billions and trillions of years.

Jizu Mountain’s religious story stretches back nearly 1,000 years. Beginning during the Three Kingdoms period, several nunneries were built upon its slopes. But it was not until the time of the Tang Dynasty, four hundred years later, that the first known Buddhist temple was completed.

Throughout the following centuries, the construction of many other shrines and sanctuaries continued. By the late seventeenth century, during the Qing Dynasty, Jizu Mountain’s religious importance reach its zenith. At that point, according to official historical accounts, there were 42 temples and monasteries, 65 separate nunneries and more than 5,000 religious devotees residing on the mountain.

The mountain enjoys great prestige in South Asia and Southeast Asia, and shares the same fame with Wutai Mountain, Ermei Mountain, Putuo Mountain and Jiuhua Mountain in China. The mountain is a birthplace for Zen Buddhism.

The main sacred sites of Jizu Mountain include: Zhusheng Temple, Huashou Gate, Jinding Temple, Bronze Buddha Hall, Mahakasyapa Hall, Xuyun Zen Temple, Biyun Temple, Huashou Fangguang Temple, etc.

Jinding Temple

Golden Hall at Jinding Temple and LengYan Pagoda

The front entrance of Jinding Temple is typical Baizhu architecture style

Mahakasyapa Hall

From a high vantage point, the Mahakasyapa (Jia Ye) Hall is hidden among the lush green pines and cypresses in the depths of white clouds.

The Mahakasyapa Hall’s main hall houses a statue of the venerable Mahakasyapa, which is carved from camphor wood

Source: https://www.visityunnanchina.com/attractions/natural-attractions/mount-jizu, http://zgt.china.com.cn/v2/content/2022-06/17/content_11117.html, https://www.buli.page/en/article/wechat/0967339c-67be-4d26-bada-c2d7a5bc1709/

Yanmenguan – A Famous Pass of Great Wall

linda changLeave a comment

Nestled in the depths of Yanmen Mountain in Shanxi, the ancient Yanmenguan Pass stands as a solitary testament to history, dating back some 2,000 years. This once invincible guardian of the frontier, which served as a formidable defense along the boundary, now seems like a wise old man, eager to share tales of its storied past.

Located 12 miles (19 kilometers) north of Daixian County, in Shanxi Province, Yanmenguan Pass is one of the three notable passes of the Inner Great Wall, alongside Ningwu Pass and Pianguan Pass.

The region’s history can be traced back to the Spring and Autumn Period (770 BC – 476 BC), when King Wuling of Zhao State first established Yanmen County here. During the reign of Emperor Qin Shi Huang (259 – 210 BC), orders were given to construct Yanmen Pass as a fortification against the northern tribes, sparking centuries of fierce battles for control.

In the Northern Song Dynasty (960 – 1127), the famous Yang family warriors, including female members, were stationed at the pass to defend against invasions from the Qidan troops of the northern prairies. Statues of some of these legendary figures can be seen lining the entrance path of the scenic area.

The structure of the pass includes a pass city, a barbican, and an enclosing wall. Nestled between two rolling hills, the pass city stands at a height of 30 feet (nine meters) and spans a perimeter of 1,100 miles (1,006 meters). Extending from the east and west wings of the pass city, the enclosing wall measures over three miles (five kilometers) in length and is punctuated with beacon towers. The barbican was constructed outside the northern gate of the pass city.

A Uniquely Designed Military Stronghold

The northern gate of the pass, Di Li Gate, boasts a barbican that forms a double defense line. Unlike most barbicans, the entrance door is situated on the east wall instead of the front, exposing potential invaders from two sides. Another distinctive feature is that Tian Xi’an Gate, which opens to the central plain, is not directly aligned with Di Li Gate. It is located at the northeast corner of the pass, while the area directly opposite Di Li Gate is a false lead, leading to a secluded mountain area with no walkable path, only dense trees, knee-high grass, and wild beasts.

Behind Di Li Gate lies a large reservoir with military potential. In case of a breach, defenders could break the dam to flood the invading forces. Additionally, a pagoda stands on the northern slope of the enclosing wall, occupying the highest point of the area at an altitude of 5,968 feet (1,819 meters). This strategic location served as an ideal command post, offering a commanding view of the entire area.

Yanmenguan was renowned for its strategic significance and legendary wars, having witnessed over 1,000 skirmishes and 140 significant battles throughout history. Since the era of the Zhao State during the Warring States period, every dynasty has recognized the importance of Yanmenguan’s defensive position. It has always been a border gateway marked by fierce conflict and integration between farming and nomadic peoples.

However, amidst the echoes of past battles, a story of peace and kindness emerges through the figure of Wang Zhaojun, one of the “Four Great Beauties” of ancient China. Two thousand years ago, she passed through Yanmenguan as an envoy of peace between China and the Xiongnu.

In 33 B.C., after over a century of conflict with the Xiongnu in the north, the Han Dynasty had grown stronger under Emperor Yuan, while the southern Xiongnu had weakened. The people longed for stability, and to establish friendly relations with the Han Dynasty, Chanyu Huhanye, the Monarch of the Xiongnu, visited Chang’an to meet Emperor Yuan.

Wang Zhaojun, born in 51 BC near the beautiful Xiangxi River at the foot of Jingchu Mountain, traveled to the bustling capital Chang’an in 38 BC after being chosen as a maid for the Imperial Palace. Customarily, the Emperor selected maids based on their portraits, and Wang, likened to a phoenix, was so pure that she didn’t need to bribe the artist Mao Yanshou, unlike the other maids. Mao, however, deliberately created an unflattering portrait of her, relegating her to the role of an ordinary maid with chores in the palace’s corners. Despite the cold treatment and challenging tasks, this adversity served to strengthen her mentally and physically, perhaps as a divine preparation for her destiny.

As a court lady in waiting, Wang Zhaojun was chosen for the marriage. When the matron of the harem presented her unflattering portrait to the Emperor, he merely glanced at it and approved. But upon seeing her in person, her beauty and grace astonished the Emperor, the monarch, and the ministers. Huhanye was overjoyed and vowed to maintain peace along the frontier.

Wang Zhaojun followed the Emperor’s orders, becoming a symbol of peace through her marriage to the Xiongnu. She was honored with the title “Ninghu Yanzhi,” meaning queen who could bring peace to the Xiongnu. Subsequently, she devoted her life to maintaining stability along the Han-Xiongnu border and promoting Han culture.

Two thousand years ago, the Huns led a nomadic life in the harsh northern deserts, lagging behind the more advanced Han Dynasty. As Wang Zhaojun traveled to Xiongnu, she observed the stark contrast between the desolation of the north and the prosperity of Chang’an.

After crossing Yanmenguan, her hometown of Jingchu and the Han palace in Chang’an seemed far away, leading to feelings of homesickness. Playing a sorrowful melody on her pipa (Chinese lute), she captured the attention of a flock of geese flying overhead. So captivated were they by the beautiful music and the sight of the graceful woman on horseback that they forgot to flap their wings and fell to the ground. This incident gave rise to the saying that Wang Zhaojun’s beauty was so captivating that it made geese fall to the ground. Wang Zhaojun’s role in fostering harmony through her marriage and contributing to a peaceful border region exemplifies the traditional Chinese cultural value of “harmony.”

After arriving in Xiongnu, Zhaojun faced a challenging living environment and vastly different customs. Nevertheless, she steadfastly adhered to her mission, set aside her homesickness, and courageously, persistently, and compassionately integrated into the Hun’s lifestyle. She transformed from an ordinary Han palace maid to a virtuous and kind Queen of the Xiongnu, assisting the monarch across two generations.

She urged the monarch to cease hostilities and introduced Han’s advanced cultural etiquette system to the Hun people. Moreover, she taught them to cultivate millet and hemp, rear domestic animals, weave cloth, and dig wells. Consequently, the beacons and wars along the frontier ceased, and a scene of “wind blowing through the grass and cattle and sheep grazing” emerged, allowing the people to live peaceful and prosperous lives.

Wang Zhaojun’s role in fostering harmony through her marriage and contributing to a peaceful border region exemplifies the traditional Chinese cultural value of “harmony.” The ethereal Wang Zhaojun lived up to the expectations of the Han Dynasty, resolved the conflict between the Han Dynasty and the Xiongnu, and propagated Han culture. Her accomplishments have become beacons of inspiration for future generations.

Instrumental in establishing peace and prosperity along the Han-Xiongnu border for half a century, she earned the love and respect of the people of her time and those of future generations. In her honor, the Huns constructed ‘The Tomb of Wang Zhaojun’ near the bank of the Big Black River. In the northern desert, she was revered as a Goddess sent by Heaven to assist the Xiongnu. It was said that there would be plentiful water and lush grass wherever she passed.



wang-zhaojun
(Image: Yaliga Ba via Dreamstime)

Today, as I reflect on this beautiful and strong woman, I can’t help but feel deeply moved. In the present world, we have extremely advanced technology, but it seems that people’s moral standards and the level of civilization have not been correspondingly enhanced. I earnestly hope that modern people can resolve national, racial, and regional contradictions and conflicts through peaceful means, and avoid resorting to war, violence, and terror, as these can only bring disaster and trauma to humanity and the planet.

Yanmenguan – A Famous Pass of Great Wall

Link: https://peacelilysite.com/2023/10/05/yanmenguan-a-famous-pass-of-great-wall/

Source: https://www.travelchinaguide.com/china_great_wall/scene/shanxi/yanmenguan.htm, https://artsandculture.google.com/story/yanmenguan-simatai-great-wall-tourist-area/SgUBezUMaQVMQQ?hl=en

Hangzhou: Where History, Culture, and Natural Beauty Converge

linda changLeave a comment

Photos from https://www.hangzhou2022.cn/

The recent Asian Games held in Hangzhou, China, brought the world’s attention to a spectacular opening ceremony that dazzled the senses. It was a momentous occasion that reminded me of Hangzhou’s unique charm—a city that effortlessly blends history, culture, and breathtaking natural beauty. In this blog post, I am trying to introduce some Hangzhou’s rich history, cultural significance, and the enchanting West Lake that graces this remarkable destination.

Hangzhou’s historical significance dates back over a thousand years. As the capital of the Southern Song Dynasty (1127-1279), it was the political, economic, and cultural center of ancient China. The city’s past is vividly reflected in its well-preserved landmarks, such as the Grand Canal, which was once the world’s busiest and longest artificial waterway. The canal played a pivotal role in facilitating trade and cultural exchange between northern and southern China.

Hangzhou’s cultural heritage is as rich as its history. The city is celebrated for its pivotal role in nurturing Chinese art, literature, and philosophy. It is home to numerous temples, museums, and historical sites. One of the most iconic landmarks is the Six Harmonies Pagoda, which offers breathtaking views of the Qiantang River. Additionally, Hangzhou is renowned for its tea culture, with the world-famous Longjing (Dragon Well) tea originating from the lush plantations that surround the West Lake.

Nature’s Masterpiece: The West Lake

By Mlq4296 – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=5549787

The Guozhuang Garden, one of many historic gardens in the West Lake By 猫猫的日记本 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=39259489

The West Lake, or Xi Hu in Chinese, is Hangzhou’s crown jewel, a UNESCO World Heritage Site that captivates visitors with its picturesque beauty. Surrounded by lush hills, willow-lined pathways, and charming pagodas, the lake’s serenity has been an inspiration to poets, artists, and philosophers for centuries. Its natural allure changes with the seasons, making it a destination worth visiting year-round.

Highlights of the West Lake

Leifeng Pagoda, perched atop Sunset Hill, is a historical gem that offers sweeping vistas of the West Lake. As the sun gracefully descends below the horizon, this iconic pagoda bathes the lake in its enchanting glow, creating a magical setting perfect for a romantic evening. But beyond its scenic beauty, Leifeng Pagoda is intertwined with a captivating and somewhat tragic love story that has captured the hearts of generations.

In the Chinese folk tale “The Legend of the White Snake,” the story unfolds with the white snake, who falls deeply in love with a young man named Xu Xian. In a remarkable transformation, the white snake assumes the guise of a young lady and marries Xu Xian. However, their love is not without obstacles. The wise monk Fahai recognizes the bride’s true identity as a white snake and cunningly deceives Xu Xian, leading him to Jinshan. In a valiant attempt to rescue Xu Xian, the White Lady rushes to Jinshan, only to be suppressed under the Leifeng Pagoda by Fahai.

The hidden interior of Leifeng Pagoda is adorned with intricate carvings crafted in the style of Dongyang woodcarvings. These carvings vividly depict the captivating love story of Bai Niangzi (the White Snake) and Xu Xian as told in the legend of “The Legend of the White Snake.” The carvings employ five distinct techniques, including round carving, semi-round carving, high relief, deep relief, and shallow relief. These techniques are skillfully combined into a form known as “overlay carving,” which serves to enhance the storytelling and character portrayal within the legend.

Leifeng Pagoda, with its breathtaking views and rich cultural significance, stands as a testament to the enduring power of love and storytelling. It invites visitors to delve into the enchanting world of Chinese folklore while appreciating the timeless beauty of the West Lake at sunset.

Three Pools Mirroring the Moon: This picturesque scene features three small pagodas surrounded by water, beautifully illuminated during the Mid-Autumn Festival. It’s a breathtaking sight that draws thousands of visitors each year.

West Lake Cruise: Exploring the lake by boat provides a unique perspective of its beauty. As you glide across the serene waters, you’ll pass by charming islets, arched bridges, and elegant lakeside gardens.

Lingyin Temple: Located in the vicinity of the West Lake, Lingyin Temple is one of China’s most ancient and revered Buddhist temples. Its serene atmosphere and intricate carvings make it a cultural treasure.

The Mahavira Hall By Tyg728 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=52305861
Panorama enshrining a main statue of Guanyin, a manifestation of the Bodhisattva Avalokiteśvara, at the back of the Mahavira Hall By Kuebi = Armin Kübelbeck – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=3074408
Arhat statues enshrined inside the Hall of the Five Hundred Arhats By Wa18, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=56534477

According to historical tradition, the origins of Lingyin Monastery trace back to the year 328 AD, during the Eastern Jin dynasty (266–420). The monastery was established by an Indian monk known as Huili in Chinese. Right from its inception, Lingyin gained widespread recognition as a prominent Buddhist institution in the Jiangnan region.

During its zenith under the Wuyue Kingdom (907–978), Lingyin Temple stood as a grand edifice. It comprised nine multi-story buildings, 18 pavilions, 72 halls, and more than 1300 dormitory rooms, providing a sanctuary for over 3000 monks. The legacy of this era is also etched into the rich Buddhist carvings that adorn the Feilai Feng grottos and the surrounding mountains.

In the later years of the Southern Song dynasty (1127–1279), Lingyin Monastery retained its eminence, securing its position as one of the ten most significant temples of the Chan sect in the Jiangnan region. Regrettably, this prominence did not shield the monastery from the ravages of time and external threats. Over the centuries, Lingyin Temple has undergone reconstruction no less than sixteen times. While some of the existing structures date back to earlier Chinese dynasties, much of what stands today are modern restorations from the late Qing period (1644–1911).

The temple is also associated with a famous and eccentric monk, Jigong. The legends of this mad monk find their roots in the life of a historical figure named Li Xiuyuan (1148-1209). Born into a family of officials with a long-standing Buddhist tradition in Tiantai County, Zhejiang Province, Li Xiuyuan’s life took a different course when his parents passed away at the age of 18. He made his way to Lingyin Temple, the largest Buddhist temple in Hangzhou, where he became a monk.

Hall of Master Jigong

Under the guidance of Hui Yuan, a senior abbot at Lingyin Temple, Li received the Buddhist name Daoji. However, he was not inclined toward the temple’s customary routines of sutra chanting and meditation. In defiance of strict Buddhist rules, he indulged in eating meat and drinking alcohol, even publicly. His appearance often featured a dirty, tattered cassock, and he could be spotted wandering the streets in a half-drunken state.

Despite his peculiar behavior, Li endeared himself to the local community. He displayed great compassion for the poor and disadvantaged, possessed remarkable skills in medicine, and was known for his ability to treat complex ailments, often saving lives. He was also noted for his wit and what some considered magical abilities. As a result, he became known as Ji Gong the Living Buddha, a folk hero whose legacy has endured in China for over 800 years.

Ji Gong’s distinctive image, with a crumpled hat, ragged robe, and a worn-out palm leaf fan, remains familiar to the public. In fact, an ink painting of Jigong HuoFo, created by the artist H.H.  Dorje Chang Buddha III, is displayed in the International Art Museum of America. This artwork skillfully captures the monk’s details, including his skin, meridians, and veins, utilizing fine brushwork and realism to vividly portray the life of this beggar-like figure who held a special place in the hearts of many.

Another remarkable natural treasure worth mentioning is Longjing Tea. West Lake Longjing tea is among China’s most prestigious teas, renowned for its attributes of “vibrant green color, rich fragrance, mellow taste, and exquisite appearance.” It is often referred to as the “Four Uniques.” Cultivated in five primary production regions—ShiFeng, Longjing, Yunxi, Hupao, and Meijiawu—West Lake Longjing tea is celebrated for its superior quality. Among these regions, ShiFeng stands out as the finest, and “Mingqian tea” is its most coveted variety, frequently chosen as a high-quality gift for special occasions. Shifeng Longjing tea is predominantly produced in the renowned tea villages of Hangzhou Longjing Village and Wengjiashan Village, signifying the “Number One Tea Village in the World.”

Moreover, it’s worth noting that H.H.  Dorje Chang Buddha III has masterfully crafted a tea called “Bi Yu Chun,” which has achieved the highest-grade ranking in China. His Holiness has elevated the traditional techniques of tea production to a level of perfection, resulting in the creation of this exceptional green tea.

Bi Yu Chun possesses a unique flavor and unparalleled quality. Its tea leaves are compact and delicate, retaining their natural fuzz, boasting the color and luster of green jade. This tea exudes a pure aroma reminiscent of chicken broth or roasted chestnuts. It offers a pleasantly refreshing taste that lingers, maintaining its rich flavor for an extended duration. The tea is beautifully translucent, displaying a radiant green akin to that of green jade, akin to a mountain spring. Long after you savor it, the delightful flavor of Bi Yu Chun lingers in your thoughts.

In June of 1989, a competition was held to select the finest Chinese teas. Bi Yu Chun was among the contenders, alongside esteemed Chinese teas like Shi Feng Long Jing, Dong Ting Bi Luo Chun, and Jun Shan Yin Zhen. Evaluated by a committee of tea experts based on the conventional standards for tea evaluation, Bi Yu Chun scored an outstanding 101 points, surpassing all other grades to earn the title of the top Chinese tea. Experts hailed Bi Yu Chun for rectifying the three common shortcomings of Chinese green tea: insufficient greenness, a bitter and astringent taste, and an inability to withstand steeping well. Bi Yu Chun has thus exceeded the highest global standards for tea production and is acclaimed as the premier Chinese tea.

H.H.  Dorje Chang Buddha III‘s talents extend beyond being an exceptional painter; he is also a superb tea artisan. The wisdom and knowledge of His Holiness are truly profound and transcend human imagination.

Hangzhou, with its rich history, cultural significance, and the enchanting West Lake, offers a unique blend of experiences that captivate the soul. Whether you’re exploring the city’s historic sites, sipping on a cup of Longjing tea, or strolling along the shores of the West Lake, Hangzhou is a destination that promises an unforgettable journey through China’s past and present. It’s a place where tradition and modernity coexist harmoniously, leaving an indelible mark on all who have the privilege to visit.

Hangzhou: Where History, Culture, and Natural Beauty Converge

Link:https://peacelilysite.com/2023/09/28/hangzhou-where-history-culture-and-natural-beauty-converge/

 #H.H.DorjeChangBuddhaIII # DorjeChangBuddhaIII ##IAMA#InternationalArtMuseumofAmerica

#WestLake #XiHu#HangZhou#TravelChina #LongjingTea #LingyinTemple #AsianGames #JingongMonk

Source: https://en.wikipedia.org/wiki/Lingyin_Temple https://en.wikipedia.org/wiki/Leifeng_Pagoda#:~:text=Leifeng%20Pagoda%20was%20one%20of,Fahai%20under%20the%20Leifeng%20Pagoda., https://en.wikipedia.org/wiki/Lingyin_Temple