Category: Artist

Showing Impermanence In Minutes — A Holy Treasure in Hua Zang Si

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Showing Impermanence In Minutes — A Holy Treasure in Hua Zang Si

Hua Zang Si at San Francisco, has many Holy Treasures and holy manifestations. Several years ago, I was very fortunate to have a chance to see an unimaginable Buddha Dharma relic — Dharma Tent. According to mundane logical thinking, it is impossible for such a mysterious thing to have occurred in this world. However it truly did occur in tis world in front of a number of people! I would like to say that I do not know how to explain this. Ordinary language, high-tech principles, or the most advanced scientific theories cannot explain such a thing. This mysterious thing simply cannot be explained. It is truly wonderful, magnificent, and unbelievable!

The monastic introduced to me, the holy feat occurred in January of 2005. After the grand opening of the Hua Zang Si temple, Rinpoches and Dharma Teachers exhibited their ultimate artistic wisdom relating to carving vines. They made a dharma tent. They then went to H.H. Dorje Chang Buddha III and asked him to consecrate their tent. 

Kuru Rinpoche said, “This Padmasambhava dharma tent is an indestructible treasure that removes the negative karma of living beings.” 

H.H. Dorje Chang Buddha III smiled and said, “Everything that comes into being through causes and conditions illusorily exists. All sentient beings must die. All non-sentient things must perish. All of these things are impermanent.” 

A Dharma Teacher then said, “This dharma tent looks very wonderful. It is not impermanent in the least.”

H.H. Dorje Chang Buddha III replied, “In every moment, it is arising, growing old, and dying. In every moment, it is in a state of impermanence. Your ordinary eyes cannot see such a process. If in a few hundred years from now you take another look at it, you will see that those entangled vines on the top of the tent are dried up. Actually, with respect to time and space, there is no past or future. Today, the causes and conditions are ripe. Watch!”

H.H. Dorje Chang Buddha III then pressed his hand upon the top of the dharma tent in the middle of the entangled vines. Halfway turning his hand, he then hit the vines once. A crackling sound could then be heard. A few minutes later, people looked at the vines and saw that their color had changed. They had withered and were dried up. In just a moment of time, they became a thousand-year-old cultural relic. They were thoroughly dried up, withered, and ruined. When the Great Dharma King lifted his hand, everyone saw that the Great Dharma King’s hand left an impression upon the vines when it pressed them down. Everyone also saw that the vines that were under the Great Dharma King’s hand did not wither, their color and luster did not change, they did not have any wrinkles, and they did not show any signs of dryness or aging. With respect to that part of the vines, no sign of the process of impermanence could be seen. Everyone was shocked!

      At that time, H.H. Dorje Chang Buddha III gave the following explication: “All such phenomena do not truly exist. They are illusory phenomena. The Buddha expounded the dharma for forty-nine years, which was also a manifestation of illusory existence. There actually was not dharma that he had spoken of. If you obtain the Mahamudra of Liberation and realize the true, original nature of all phenomena (i.e. the original essence of all being, the true thusness or reality-nature), then it is exactly like this hand imprint analogy–there will be no impermanence nor birth and death. The Buddha expounded all of the dharmas. Sages attained the state of realization, and such dharmas were thereby real. Ordinary beings were confused, and such dharmas were thereby false. But who can turn the false into the real? Who possesses the dharma that leads to realization? Thus, only the correct dharma of the Buddha turns illusion into reality. All of you should listen, ponder, and deeply understand the Great Master’s discourse entitled “The Essence of Seeing One’s Original Nature.” Receiving such an initiation is truly an indestructible treasure. Today you have seen signs of impermanence relating to the dharma tent. Such signs are only an analogy. Such a manifestation is illusory and was done for fun only. Do not take it as being the absolute or ultimate truth. It is just art that one can dismiss with a laugh.”

      This lecture by H.H. Dorje Chang Buddha III has profound meaning and is worthy of pondering. Although this feat is illusory in nature, who else can manifest such an impermanent illusion? If one cannot manifest illusory phenomena, nor can one turn illusion into reality, then how can one give expression to one’s realization? How can such a person possibly claim that he possesses the Buddha-dharma?

      The dharma tent with vines on top is a wonderful treasure and evidence of a holy feat. Monastics have already respectfully received it in San Francisco, where it is worshipped as an object of veneration at the Hua Zang Si temple.

Rinpoches, Great Dharma Teachers, and laypersons observe the holy signs of permanence and impermanence that appeared on the top of the Padmasambhava dharma tent. (Photograph by Ru-Jun Zheng)

#DorjeChangBuddhaIII#HHDorjeChangBuddhaIII#HuaZangSi#Buddha#Buddhism#buddhist #Temple#HolyTreasures#HolyManifestations#DharmaTent#Impermanence

Showing Impermanence In Minutes — A Holy Treasures in Hua Zang Si

Link:https://peacelilysite.com/2022/05/05/showing-impermanence-in-minutes-a-holy-treasures-in-hua-zang-si/

Source: http://huazangsi.org/en/shengbao.php?id=16

Dr. Yuhua Shouzhi Wang’s Paintings and Achievements

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Dr. Yuhua Shouzhi Wang’s Paintings and Achievements

Professor Yuhua Shouzhi Wang is a world-renowned painter. Throughout Asia, she is the only artist to whom the New York Academy of Art conferred the title of international preeminent artist of first class standing. 

The art world has classified the quality of ink painting into four different levels: Class of Proficiency, Class of Wonderment, Class of Divinity, and Class of Ease. Artwork of the Class of Proficiency has the ability to present a resemblance of objective reality, achieving likeness in form. This is the first stage of artistic creation. The art world calls it the stage of sketching. This is a stage that an artist cannot skip, yet they also cannot remain at this status quo, because this is an elementary stage. The next level is the Class of Wonderment. Artworks of this Class demonstrates highly skilled techniques. The artist is able to paint anything at will without revealing any trace of effort. However, one also cannot remain stagnant at this stage.

The next level after the Class of Wonderment is the Class of Divinity where the art carries likeness of ‘form’ and likeness of ‘spirit.’ In ink painting, the highest state of accomplishment is the Class of Ease where the artist attains natural ease by using simple brushstrokes to fully capture the form. With the most succinct brushwork and the most superb technique, the artist depicts objective reality and attains a state of miraculousness where both form and spirit are fully captured. This is the kind of art that viewers never get tired of appreciating; it leaves a wonderful aftertaste. There are only about a dozen people in the history of art who have attained such a class.

Stamps published in Ukraine

 In 2008, the United States Congress exhibited her sculptures and paintings in the Gold Room in the Rayburn Congressional Building which received rave reviews. Professor Stephen Farthing of the University of the Arts in London, United Kingdom, determined that “Professor Wang’s paintings reach across cultures to celebrate the space that exists intellectually and emotionally between representation and abstraction, between a fact and an idea…Dr. Wang’s paintings may draw heavily on the traditions of Eastern art, but they present themselves as extraordinarily Western ideas and images.”

in 2013, out of the works of all painters, the World Federation of UNESCO Clubs, Centers and Associations (WFUCA) awarded the title “WFUCA2013” to the artworks of Professor Yuhua Shouzhi Wang. In 2020, the United States National Commission for UNESCO Clubs, Centers, and Associations conferred on her the “International First-Class Artist” title along with the issuance of a certificate and badge.

In 2019, When Professor Wang’s solo exhibition was held at the Shanghai Exhibition Center that used to be the Sino-Soviet Friendship Building, a record-breaking number of people visited the show. The Museum Director Wu Shufang stated that the museum had never experienced such an overwhelming number of visitors since its official opening, and for this exhibition, they had to post notices to limit admission. Same year, she held a solo exhibition, titled One Flower, Two Worlds at the Louvre in Paris in 2019 and created a sensation in French art circles. This exhibition showcases 27 of Professor Wang’s extraordinary artworks each of which has reached the height of the Class of Ease.

More than 200 distinguished members of society, artists, collectors, entrepreneurs, and art lovers attended the exhibition opening; including representatives from French museums, professors from French art institutes, French nobilities, renowned artists, celebrities, representatives from auction houses, art critics and journalists from major news media. They all marveled at the artworks and expressed their praises. They considered this an unprecedented experience for French people.

Simply put, the artistry of Professor Yuhua Shouzhi Wang has attained the highest level of artistry in ink painting which is the Class of Ease. One of Professor Yuhua Shouzhi Wang’s paintings Pomegranates in a Basket realized a top auction price of US$1.27 million at the Gianguan Auction House in New York on March 13 of 2019. It clearly shows that the art of Professor Yuhua Shouzhi Wang is recognized by art collectors and people of foresight alike.

Dr. Yuhua Shouzhi Wang is the Lifetime Honorary Chairwoman of the International Art Museum of America. The museum has a dedicated gallery exhibiting her artworks. Her paintings encompass a broad range of styles and subject matters, including landscapes, animals, flowers, birds, and so forth, all of which have reached the summit of world class artistic excellence. Based on her lotus and water lily paintings, artists have acclaimed that Professor Yuhua Shouzhi Wang is the foremost lotus painter of all times. No artist in the past would have been able to surpass her accomplishment, and her works will continue to inspire generations to come. Among all notable lotus painters, her skills are extremely profound, substantial, and masterful, and she is among the most distinguished artists in history. Her artistic achievement has reached perfection at the summit of the “ten ultimate artistries.”

The well-known saying, “Deeply hidden talent not easily revealed” aptly describes Dr. Yuhua Shouzhi Wang’s morality and inner refinement. The characteristics of an artist’s paintings essentially reflect the character of the painter. From the paintings below you can find humility, inner peace, harmony and noble morality of professor Wang.

Golden Lotuses

The approach of Professor Yuhua Shouzhi Wang to draw flowers in gold and create leaves with splashed watery ink exhibits high elegance, great beauty, and lovely simplicity. The technique of Professor Yuhua Shouzhi Wang to paint lotus flowers in varying degrees of darkness and lightness enables her to represent fully a striking charm in both tone and form. Every stroke is lively, vigorous, graceful, and without the slightest air of affectation. Applying mature and seasoned artistry, she fully displays on paper her unfettered, natural, unattached state of mind. The brushwork was completed with ease and spontaneity, free of any inhibition. The atmosphere is strong but very elegant and pure. This entire painting provides much comfort to the eyes.

Brushstrokes as Spontaneous as Dancing Dragons and Snakes
Springtime Snow-White Plum Blossoms as Pure as Jade
The Ink-wash paintings of Dr. Yuhua Shouzhi Wang
Loquats and Radish Staring at Taro

Some of professor Wang’s paintings have been published on stamps.

Dr. Yuhua Shouzhi Wang’s Paintings and Achievements

Link: https://peacelilysite.com/2022/04/20/dr-yuhua-shouzhi-wangs-paintings-and-achievements/

#ProfessorYuHuaShouZhiWang#Art#Artist#ClassofEase#InternationalArtMuseumofAmerica#TenUltimateArtistries#ArtistofFirstclassstanding#Inkpaintings#LotusPainters

Source: Professor Xingyi Gu   |  Wed, 16 Oct 2019, 12:40:15 EDT https://www.send2press.com/wire/solo-exhibition-of-professor-yuhua-shouzhi-wang-international-preeminent-artist-of-first-class-standing-amazes-art-world-at-palais-du-louvre/h International Art Museum of America.

Ancient-Looking Withered Vines

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Ancient-Looking Withered Vines

Have you ever seen a man-made sculpture like real withered vines? In The International Art Museum of America located at San Francisco, there is just such a sculpture, called Ancient withered vines become a fossil fortress. The artist is H.H.  Dorje Chang Buddha III. I was told the sculpture is made of the material like PVC, stone and oil paint. The astonishing fact is the artist needed to carve the sculpture in super fast speed; the material hardens into a mold in less than ten seconds after melting. I can’t image how this huge sculpture could be done in such short time. It has many layers from inside to outside. The sculpture is well lit, and I can see clearly the inside structures. I can only say the artist superior craftsmanship skill is beyond human imagination.

Ancient withered vines become a fossil fortress by H.H.  Dorje Chang Buddha III

I tried to find out more information about the artist and details about this type of artwork. Very fortunately found a book titled “H.H. Dorje Chang Buddha III A TREASURY OF TRUE BUDDHA-DHARMA“. It gave me all the information I wanted.

H.H.  Dorje Chang Buddha III, Holiest Tathagata created high-quality withered vines through a form of carving called “Yun Sculpture.” All of those Yun Sculpture vines must have certain distinguishing attributes in four categories: visual quality, style, shape, and texture. Of these four categories, texture is the most important and indispensable.

Ancient-looking withered vine

The four distinguishing attributes in the area of visual quality are old, withered, dry, and beautiful. As for old, the vines must appear to be old vines from the ancient past. As for withered, the vines must look dehydrated, withered, and wrinkly. As for dry, the winding vines must seem desiccated. As for beautiful, they must have a graceful look to them.
The four distinguishing attributes in the area of style are scholarly, otherworldly, highly elegant, and comforting. As for scholarly, the style of sculpting must be imbued with a feeling of literary or poetic genius. As for otherworldly, the vines must appear to transcend the handwork of human artisans such that they look not of this world. As for highly elegant, the vines must look highly refined, aesthetically pleasing, and far above the ordinary.

As for comforting, the vines must convey a feeling of auspiciousness, grace the place in which they are present, and give those who view them a feeling of harmony and well-being.
The four distinguishing attributes in the area of shape are as follows: natural-looking, genuine-looking, weathered over time, and intertwining.

Regarding the first attribute, the vines must match the winding look of real vines. Regarding the second attribute, the vines must look exactly like real ancient vines. The viewer should have the impression that the carved vines are no different from real vines that grew in nature. Indeed, the viewer should conclude that the sculpted vines look even more ancient than their natural counterparts. Regarding the third attribute, the vines must convey a natural sense that they have been exposed to
wind, frost, rain, dew, and sunshine over a very long time and have aged over that long time period. Regarding the fourth attribute, thick and thin vines must intertwine to look like one natural, connected body that has grown together month after month.


The four distinguishing and extremely subtle attributes in the area of texture are as follows: the vines must have the texture and appearance of having withered in different time periods; the skin of the vines must have the texture of real vines with tiny pores; the lines and wrinkles on the vines must follow the natural course of the vines; and the shades of colors of the vines must be just like those of real ancient vines. The meticulousness shown in the area of texture is the best way to tell whether or not a work of art is a genuine carving of withered vines created by H.H.  Dorje Chang Buddha III through His Holiness’s Yun Sculpture form of art. These four attributes, which cannot be matched by any other artist, are essential in determining whether or not the withered vines are masterpieces sculpted by H.H.  Dorje Chang Buddha III himself. These four attributes are most important and indispensable in distinguishing the works of H.H.  Dorje Chang Buddha III from other works.
The first attribute is that the vines must have the texture and appearance of having withered in different time periods. Since interwoven withered vines come into being and grow in different time periods, they dry, age, and shrivel to different degrees. Their texture and color also vary. Thus, His Holiness’s Yun Sculpture vines give the impression of being historical relics of different time periods.
The second attribute is that the skin of the vines must have the texture of real vines with tiny pores. This means that when one touches the texture of the carved vines, their stems and skin will feel exactly like those of real vines. One can see that the carved vines have minute pores, such as old pores of various colors, pores that follow the course of the stem, inverted pores, miscellaneous pores, and concave and convex pores.

Furthermore, one can see that there are spots of color, shades of color, flows of color, differences in color, and harmony of color relating to the pores. Even under the scrutiny of a magnifying glass, the
sculpted pores appear tiny and no different from those of real vines. Indeed, the vines are much more beautiful than real vines.
The third attribute is that the lines and wrinkles on the vines must follow the natural growth of the vines. Having existed through a very long period of time, ancient vines will manifest wrinkles. The key factors in carving the highest quality wrinkles relate to the course or direction in which the wrinkles run, their size, their degree of thickness, their depth, their length, and their degree of visibility. They must not have the slightest appearance of disorder or randomness. Rather, the lines and wrinkles must totally follow the natural growth patterns of the vines. They must follow the track of the winding vines. As the vines change directions, the lines must follow the twists and turns. They must look natural and no different from real lines on ancient vines.


The fourth attribute is that the shades of colors of the vines must be just like those of real ancient vines. The color or hue of the carved vines must convey a feeling of antiquity and a wondrous quality of age. The sculpted vines must seem old, parched, and shriveled, but in a very fascinating and attractive way. They must not show any trace of having been sculpted by man. All of the freshness and brightness of living vines must be gone. They must appear as relics that are thousands of years old.
There are two Chinese sentences that aptly summarize the artistic skills of H.H.  Dorje Chang Buddha III in carving withered vines: “There is nothing more beautiful than faux jade, ganoderma lucidum frames, and cactus frames. There is no higher art than creating ancient withered vines that even go beyond the appearance of real vines.”

Only those works of art that possess all of the above–described distinguishing characteristics can be called genuine Yun Sculpture withered vines created by H.H.  Dorje Chang Buddha III. When these frames of withered vines accompany other Yun Sculpture works of art, the result is “double supreme beauty.” This combination is also solid evidence to determine the authenticity of Yun sculptures created by H.H.  Dorje Chang Buddha III. When His Holiness’s withered vines are part of Yun Sculpture art frames, such as “Ancient Jade”and “Emerald,” these art frames become even more phenomenal and take on the ancient air of precious and splendid cultural relics. Truly, such works are national treasures that have no equal in the entire world. They are wonderful masterpieces to hang on your wall.
More importantly, we should understand that these sculptures of ancient-looking withered vines are actually a manifestation of His Holiness’s mastery of the inner-realization vidya. Persons of holy virtue who are able to leave their footprints on stones are unable to create such ancient-looking withered vines. The source of these works of art is the enlightenment of a Buddha that H.H.  Dorje Chang Buddha III possesses. That is why they are precious withered vines that cannot be found anywhere else in the world.

Ancient-Looking Withered Vines

Link: https://peacelilysite.com/2022/04/15/ancient-looking-withered-vines/

#DorjeChangBuddhaIII #HHDorjeChangBuddhaIII  #MasterWanKoYee #Buddha#The InternationalArtMuseumofAmerica#ATreasuryofTrueBuddhaDharma#Art#Artist#YunSculpture#Sculpture#FiveVidyas#InnerRealization#Enlightment

Tiles Designed by H.H. Dorje Chang Buddha III

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Tiles Designed by H.H. Dorje Chang Buddha III

Extremely beautiful and glittering jewel-like floor tiles covered all the hall ways and open areas at the first floor of the The International Art Museum of America (IAMA). H.H. Dorje Chang Buddha III, the artist, wielded his brush and applied colors to create those gorgeous and resplendent as gemstones and with rustic, charming tiles. So ordinary people could replace common tiles, marble, and granite slabs in the old style, and enjoy the splendor of earthly mansions and the beauty of heavenly palaces.

Tiles displayed in the Collection of The International Art Museum of America (IAMA)

When you see these four tiles with gemstone patterns, it seems there is nothing more to say other than they give you a feeling of beauty and naturalness. However, as soon as you realize they are actually four paintings, you will marvel at them in a state of perplexity. All of them are indeed paintings in patterns of jade. They are representative of works that belong to the “Chaoshi” (super fine) style of painting. Starting clockwise from the top left, they are Dragon-Scale Jade, Autumn Aqueous, Fortune Vase Jade, and Yellow Loveliness Jade. Their patterns, watery tone, luster, and moist appearance are completely the same as those of natural jade objects. Such accomplishment clearly shows the calligraphic and painting mastery of H.H. Dorje Chang Buddha III in the style of “Chaoshi.”

In The H.H. Dorje Chang Buddha III Cultural and Art Museum, has more many different color-painted tiles on display. They all completely resemble natural stones in terms of color, luster, grain, and aesthetic impression. These tiles can be classified into six main categories: the Rustic Elegance Collection, the Lyrical Charm Collection, the Luxurious Gem Collection, the Serene Nobility Collection, the Contemporary Distinction Collection, and the Heavenly Stone Collection.

In many world-class building and decoration material exhibitions held in the United States, China, and elsewhere, the tiles created by H.H. Dorje Chang Buddha III have each time attracted the greatest stream of people. They have been appraised as being the best tiles in the world. Those who view them, including experts in the same trade, marvel at and highly praise the beauty before their eyes, smiling as they bask in the pleasure of the moment. The tiles created by H.H. Dorje Chang Buddha III are judged by everyone to be the highest-class, most beautiful, and most elegant decorative material in the world today.

Tiles Designed by H.H. Dorje Chang Buddha III

Link:https://peacelilysite.com/2022/04/01/tiles-designed-by-h-h-dorje-chang-buddha-iii/

Source:https://www.hhdcb3cam.org/htmlpages/intro.html

#MasterWanKoYee #DorjeChangBuddhaIII #HHDorjeChangBuddhaIII#DorjeChangBuddha#IAMA#InternationalArtMuseumofAmerica#Tiles#Art#H.H.DorjeChangBuddhaIIICulturalandArtMuseum

Sculptures Containing Mysterious Mist by H.H. Dorje Chang Buddha III

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Sculptures Containing Mysterious Mist by H.H. Dorje Chang Buddha III

Photo from http://artbybuddha.org/Yun_Sculptures

Yun Sculpture is a new form of art that H.H. Dorje Chang Buddha III created for humanity. It has never appeared before in history. Since the advent of Yun sculptures, artwork that can never be duplicated has appeared for the first time in the human world. 

H.H. Dorje Chang Buddha III created these miraculous sculptures containing mysterious mist in order to make people around the world understand the magnificence of the True Buddha-dharma. These miraculous works can be seen and touched. However, they cannot be created by anyone who is not a being of the highest holiness.

The mysterious mist in these sculptures can be found floating among wondrously carved, seemingly changing, and intriguingly interconnected hanging rock formations. Why is such art called sculptures containing mysterious mist? It is because in those sculptures there is the mysterious and beautiful scene of auspicious mist swirling in between hanging rock formations. This is a manifestation of the realization of H.H. Dorje Chang Buddha III in the craftsmanship vidya and the inner realization vidya.

In the treasure room of International Art Museum of America, there is a sculpture entitled “Mysterious Boulder With Mist.” After carving the material into the form of an oval boulder, H.H. Dorje Chang Buddha III created two grottoes inside the boulder, each of which contains its own scenery. When you look inside the right grotto, you will see thick mist enveloping everything. The structure of the carved scenery inside this hole is vague, since it cannot be clearly seen through the mist. You are left with the impression that the mist is a few dozen yards deep inside the hole when it is actually only three or four feet deep. When you look inside the left grotto, you will see that there is no mist at all. You will clearly see the structure of the carved scenery inside this hole. The material used to carve those two grottoes was the same, the colors applied to both of them were the same, and their depth is the same. The carving skills and inner-realization of H.H. Dorje Chang Buddha III caused this mysterious phenomenon of one side containing thick, enveloping mist and the other side containing no mist at all.

Mysterious Boulder with Mist

It is no wonder that people praise these sculptures containing mysterious mist as the only form of art in human history that contains natural mist. People also praise them as unique and precious masterpieces that cannot be found in nature. These works of art are one type of sculpture created by H.H. Dorje Chang Buddha III.

Many people have been astonished by the breathtaking beauty of Yun sculpture artwork created by H.H. Dorje Chang Buddha III. They spoke heartfelt words, such as, “This is a treasure sent to the human world from God,” “This is a holy object from a Buddha-land brought here by a Buddha,” “Its beauty captures people’s souls,” and “Since the appearance of Yun sculptures, earthly jewels are like stars surrounding a bright Moon, losing all their color and splendor.” This is indeed true. Some people brought the most exquisite jade and jewelry as well as splendid stone sculptures for comparison. All of those objects immediately lost their beauty and luster when compared with Yun sculptures. There is a world of difference between those objects and Yun sculptures. None of those objects can be regarded as being in the same category as Yun sculptures.

Mist

How Could Such Depths Be Fathomed?

Vermilion Yun Tao Mountain

Hanging Ice Stream in Thick Mist

Sculptures Containing Mysterious Mist by H.H. Dorje Chang Buddha III

Link: https://peacelilysite.com/2022/03/25/sculptures-containing-mysterious-mist-by-h-h-dorje-chang-buddha-iii/

#MasterWanKoYee #DorjeChangBuddhaIII #HHDorjeChangBuddhaIII#DorjeChangBuddha#IAMA#InternationalArtMuseumofAmerica#YunSculpture#Art

Source: https://thebodhiwish.com/sculptures-containing-mysterious-mist-by-h-h-dorje-chang-buddha-iii/ https://www.hhdcb3cam.org/htmlpages/yun-sculptures.html

Art Frames that Truly Complement Paintings

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Art Frames that Truly Complement Paintings

From ancient times to the present, the art of making frames has existed in the East, the West, regions of different nationalities, among the general population and within imperial palaces. There have been many kinds of frames for pictures, paintings, and other forms of art. There are truly unique, beautiful, and elegant art frames displayed in International Art Museum of America, located in San Francisco downtown, that I never seen at anywhere else before.

H.H. Dorje Chang Buddha III, the artist created sculpted art frames in the style of various natural elements. Examples of this include frames made in the style of ganoderma lucidum (a type of hard dark brown fungus supposed to possess supernatural powers), tropical plants that wind around trees, coral, ancient-looking unearthed cultural relics, white and green jade, and winding vines, faux withered vines, faux tree roots, faux white jade, faux old wood, faux spotted jade, faux ganoderma lucidum, faux red coral, etc. All frames there are artistic fascinating.

The ganoderma lucidum art frames are formed by putting together many of those hard mushroom-type fungi. Of course, such frames are not composed of real ganoderma lucidum. Rather, the ganoderma lucidum in such frames are created from carving and application of colors. The shapes of the Ganoderma lucidum are connected together on the wooden frame to form an exquisite, integrated shape. Those ganoderma lucidum have the same color, air, and shape of real ganoderma lucidum. Furthermore, rare thousand-year-old ganoderma lucidum, old hundred-year-old ganoderma lucidum, and new tender Ganoderma lucidum are interconnected to form an elegant and charming appearance. Many ganoderma lucidum mushroom caps and mushroom stems are interconnected in a beautifully rhythmic manner. The interchange between substance and emptiness, highness and lowness, largeness and smallness, and thickness and thinness creates a highly elegant appearance. 

Reishi Mushroom art frame was sculpted and painted with oil colors. It captures the form and texture of reishi mushrooms and has the gracefulness of an aged cultural relic.

The faux green jade art frames have an ancient-looking green jade color to them that is steady and elegant. This color is not stale or old-fashioned in the least. Rather, it is a natural combination of refined blackish green and sprightly verdant, although there is not much verdant hue. This color expresses the essence of old jade that has slowly matured over thousands of years, with a vigorous and spirited quality that is clearly seen. This refined green jade color will every now and again reveal a lustrous white, like the color of the feathers of immortal cranes. Such a mixture of hues truly transcends all traces of the mundane. The color green alone could be further divided into many different types based upon its various hues. There is aged green, light green, blackish green, glossy dark green, pastel green, verdant, fresh green, deep green, translucent green, etc. There actually are countless gradations of green in these art frames, all of which are natural looking. All of these various shades of green interconnect and interact so naturally there is not the slightest sign they were created by man. Therefore, it is difficult to fathom how the creator of these frames could harmonize these colors so masterfully, fittingly, flawlessly, and beautifully.

Faux emerald-jade art frame has the pattern, color watery tone, and texture of real jade

This is a faux natural tree-root art frame, has the pattern, color, and texture of real tree roots

Each and every detail of the frames in the museum, expresses an extremely natural quality in both form and spirit. Some frames are devoid of the dark spots or broken parts that natural objects have after being exposed to wind, frost, rain, and snow. His Holiness has developed to a perfect degree the depiction of the fleeting beauty that natural treasures display during their growth process. Simply put, the worth and prestige of any painting mounted to those frames will increase tremendously.

Art Frames that Truly Complement Paintings

Link: https://peacelilysite.com/2022/03/18/art-frames-that-complement-the-paintings/

#MasterWanKoYee #DorjeChangBuddhaIII #HHDorjeChangBuddhaIII#DorjeChangBuddha#IAMA#InternationalArtMuseumofAmerica#ArtFrame#Art

Source: https://thebodhiwish.com/art-frames-by-h-h-dorje-chang-buddha-iii/

Claude Monet and Yuhua Shouzhi Wang: An Exhibition of Water Lily Paintings in Dialogue

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Claude Monet and Yuhua Shouzhi Wang: An Exhibition of Water Lily Paintings in Dialogue

An Exhibition of “Water Lily Paintings in Dialogue” was held between August 14th – August 19th 2021 at H.H. Dorje Chang Buddha III Cultural And Art Museum, in West Covina CA.

The exhibition was a dialogue between the water lily paintings of Claude Monet and Professor Yuhua Shouzhi Wang. Monet is the founder of “impressionism.” Professor Yuhua Shouzhi Wang is the founder of “imagery-naturalism.” Both artists are the most distinguished virtuosos among International First-Class Artists. This Exhibition of Paintings in Dialogue features 16 oil color water lily paintings from each artist. At the same time, 16 lotus ink paintings created by Yuhua Shouzhi Wang are also on view. The Monet paintings are high-definition reproductions from his water lily paintings.

Master Claude Monet is the founder of the “impressionism” painting style known throughout the world. He was an International First-Class Artist with landmark accomplishment. His Water Lily Paintings are renowned throughout the world. His color is dynamic. With brushstrokes that capture changing light and shadow over the lily pond, Monet portrays foggy morning sceneries of all seasons. Monet is adept at presenting the changes in light and shadow, placing special emphasis on their haziness in the atmosphere. With oil color and technical mastery, he infuses the landscape with the floating light, moving shadow, and atmosphere to present the beauty and colors of water lilies in many layers of depth.

In his late years, he immersed his entire mind and being into his pond of water lilies in Giverny. From then on, his subject matter never deviated from the water lilies. He lived and breathed water lilies. He was a world-renowned master in water lily painting. Monet’s colors are fresh, graceful, sophisticated, seasoned, and brilliant. With sweeping and carefree brushwork, he applies color at will. He places emphasis on haziness, and his use of bright colors are not at all garish. Monet’s paintings are devoid of artisanal dullness, both his technique and form are natural and audacious, achieving the oneness of form and spirit. He is a world master of water lily painting, and fittingly an International First-Class Virtuoso. His artistry has achieved the Class of Divinity and the Class of Ease.

Master Yuhua Shouzhi Wang is the founder of the “imagery-naturalism” style in painting. She has attained the landmark achievement of being the only Asian top-level world virtuoso today who has been accorded the International First-Class Artist title. Her paintings are characterized by noble style, magnificent artistry, masterful technique, magnificent composition, richness of layer and depth, and audacious, beautiful impasto color. The misty atmospheres within them exude another-worldly elegance. She is a very versatile painter. Her paintings encompass landscape, flower-bird composition, animal, flower, fish-shrimp composition, and figure, as well as super realistic art and surrealistic abstraction. Stemming from a foundation of oil color painting, she shatters the normative form of everyday objects, capturing the naturally evolving nature of the imageries that come from everyday life yet transcend everyday life. She has founded the unique “imagery-naturalism” painting style and established a landmark artistic achievement. She has attained the “ten ultimate artistries” in her infinitely evolving style, and her accomplishments are unprecedented.

In 2008, the artworks of Dr. Yuhua Shouzhi Wang were exhibited in the Gold Room at the United States Capitol. The United States Congress recognized her as “a great artist and sculptor” for her outstanding accomplishments, and officially chronicled such recognition in the Congressional Record. The same record also mentioned that Dr. Wang “takes great pleasure in helping others, is a selfless person whose moral character is noble, and has made great contributions to the development of cultural exchange between the East and the West.”

Out of many artists’ works, the World Federation of UNESCO (WFUCA) accorded Professor Yuhua Shouzhi Wang’s artworks the “WFUCA2013” title. The New York Academy of Art, upon assessing and determining Professor Wang’s level of artistry, conferred to her the “International First-Class Artist” title. An “International First-Class Artist” title certificate was also issued by the U.S. National Commission for WFUCA to Professor Wang on December 20, 2020, in which they recognized the professor’s accomplishment as among the top of International First Class Artists.

There is a permanent exhibition of Dr. Yuhua Shouzhi Wang’s paintings in International Art Museum of America at San Francisco downtown.

Claude Monet and Yuhua Shouzhi Wang: An Exhibition of Water Lily Paintings in Dialogue

Link: https://peacelilysite.com/2022/02/25/claude-monet-and-yuhua-shouzhi-wang-an-exhibition-of-water-lily-paintings-in-dialogue/

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Asian Art Museum at a Glance

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Asian Art Museum at a Glance

San Francisco is truly a paradise of museums. There are so many museums and galleries in the city — fine arts, modern arts, history, science, cable car, even an ice cream museum. One of my favorites is the Asian Art Museum.

An amazing interactive activity for kids of all ages was a digital aquarium where you are given paper with an outline of an aquatic animal to color and then your art piece is scanned and appears swimming on the wall. I tried that too, to feel like a kid one more time.

My only one little complaint, is there are only a few Chinese ink paintings. Chinese ink painting is one of the oldest art traditions still practiced today. One important form of ink painting is Chinese calligraphy, which can be traced back to 4000 B.C. So it is a very important part of Asian art history. However I found a smaller sized museum located on market street, just a couple of blocks away from the Asian Art Museum, that showcased this type of artwork. The International Art Museum of America has Chinese painting art including landscapes, flowers and birds, fish and insects, and figures. The techniques, whether it is fine brushwork, freehand brushwork, or splashing ink, are all ingenious, with authentic traditional techniques and innovations. Every piece is world class level. It truly gave me an uplifting aesthetic enjoyment.

Title: Asian Art Museum at a Glance

Link: https://peacelilysite.com/2022/02/25/asian-art-museum-at-a-glance/

#AsianArtMuseum#InternationalArtMuseumofAmerica#HHDorjeChangBuddhaIII

Professor Yuhua Shouzhi Wang

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Professor Yuhua Shouzhi Wang


Dr. Yuhua Shouzhi Wang is the Lifetime Honorary Chairwoman of the International Art Museum of America. The museum has a dedicated gallery exhibiting her artworks. Her paintings encompass a broad range of styles and subject matters, including landscapes, animals, flowers, birds, and so forth, all of which have reached the summit of world class artistic excellence. Based on her lotus and water lily paintings, artists have acclaimed that Professor Yuhua Shouzhi Wang is the foremost lotus painter of all times. No artist in the past would have been able to surpass her accomplishment, and her works will continue to inspire generations to come. Among all notable lotus painters, her skills are extremely profound, substantial, and masterful, and she is among the most distinguished artists in history. Her artistic achievement has reached perfection at the summit of the “ten ultimate artistries.”

Professor Wang’s works have been exhibited and widely acclaimed in the United States, China, Asia, and Europe. In 2008, the United States Congress held an exhibition of the professor’s works, calling her art a “treasure of the world.” The U.S. Congressional Record chronicled the recognition that “her lotus flower paintings are unsurpassed and are extremely valuable.” Professor Yuhua Shouzhi Wang has also been critically acclaimed by news media that “she fuses vivacity, power, color, scholarly essence, quintessence of stone and bronze inscriptions, spirituality, erudition, and morality into oneness in her art. She is the foremost artist in the world.” Back in 2013, out of the works of all painters, the World Federation of UNESCO Clubs, Centers and Associations (WFUCA) awarded the title “WFUCA2013” to the artworks of Professor Yuhua Shouzhi Wang.

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The Kingdom of Thailand’s Department of Culture especially organized a solo exhibition of the art of Professor Yuhua Shouzhi Wang at their Ratchadamnoen Contemporary Art Center in Bangkok. The Department of Culture also notified all university and middle school teachers and students to visit the exhibition and study the artworks. In 2019, When Professor Wang’s solo exhibition was held at the Shanghai Exhibition Center that used to be the Sino-Soviet Friendship Building, a record-breaking number of people visited the show. The Museum Director Wu Shufang stated that the museum had never experienced such an overwhelming number of visitors since its official opening, and for this exhibition, they had to post notices to limit admission.

In 2019, when her works were exhibited at the Louvre Museum in Paris, guests – including artists, collectors, and art critics – were thrilled and overwhelmed with joy, praise, and admiration. They felt that the French people had never had such an experience before. The experts acclaimed that Prof. Yuhua Shouzhi Wang is a virtuoso of equal standing as Van Gogh, Cezanne, Gaugain, and Monet. They said, “Professor Wang’s paintings are so magnificent that they amaze us. We have never thought that the level of artistry of Eastern ink painting can surpass that of a few centuries of Western traditions. Professor Wang is the only one who has achieved that.”

Professor Yuhua Shouzhi Wang’s art works were exhibited at the Louvre Museum in Paris in 2019.
Professor Yuhua Shouzhi Wang’s art works were exhibited at the Louvre Museum in Paris in 2019.

Renowned art critic Aude de Kerros has commented: “I have curated and critiqued so many art exhibitions, yet I have never seen an exhibition like this where all the guests are so touched and amazed by the art, and all of them expressed praise. I truly cannot describe their surprise and joy. The art experts do not even want to leave after seeing such exquisite artworks. You can see that so many people are staying this late and they are not leaving.” Professor Peter Drake, Provost of the New York Academy of Art, presented a certificate to recognize Prof. Yuhua Shouzhi Wang‘s extraordinary contributions to representational and abstract art, stating “Dr. Wang’s exceptional accomplishment has been to straddle the often-oppositional worlds of representation and abstraction. Her works are both finely crafted and deeply experiential, instilling the viewer with a sense of art that both comes from nature and is nature itself.” The Provost also personally led graduate students to the International Art Museum of America to see Professor Wang’s artworks in the Museum’s collection. He also gave lectures on site. Faculty members and students were all thrilled to see the original paintings in the museum, and they studied the artworks by copying them.

On December 20, 2020, the UNESCO convention was held on the occasion of the 2020 United Nations International Day for Human Solidarity, and the United Nations Secretary-General His Excellency António Guterres attended in person and delivered a speech. During the convention, the Chairman of the U.S. National Commission for UNESCO Clubs, Centers and Associations Guy Djoken proclaimed Professor Yuhua Shouzhi Wang’s title and level of artistic achievement, which was based on a determination of the artistry accomplished by the Professor in her paintings. The issuance of the “International First-Class Artist” title to Professor Yuhua Shouzhi Wang on December 20 was a determinative recognition that Professor Wang has attained the highest level of achievement among international first-class artists. This is the ultimate world class title for artistic accomplishment, and Professor Wang is the only Asian artist who has ever received such a title.

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U.S. Senator Chris Van Hollen congratulated Professor Yuhua Shouzhi Wang for being honored with the title recognizing her as a world class international artist on December 20. On December 29, Chairman Guy Djoken went to the International Art Museum of America in San Francisco to personally present the title certificate to Professor Yuhua Shouzhi Wang.

Professor Wang is a person of humility and noble morality. She is modest, unassuming, beneficent and genial. The characteristics of an artist’s paintings essentially reflect the character of the painter.

Professor Yuhua Shouzhi Wang

Link: https://peacelilysite.com/2022/02/15/professor-yuhua-shouzhi-wang/

#YuhuaShouzhiWang#ChinesePainting#EasternInkPainting#InternationalArtMuseumofAmerica

Master Wan Ko Yee （H.H. Dorje Chang Buddha III) Honored with Museum Dedicated in His Honor

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Master Wan Ko Yee （H.H. Dorje Chang Buddha III) Honored with Museum Dedicated in His Honor

The Explanation of the Buddha’s Title – “H.H. Dorje Chang Buddha III”

On April 3, 2008, a solemn and dignified first-publishing ceremony of a fact-recording book entitled H.H. Dorje Chang Buddha III, which published jointly by the World Buddhism Publishing LLC and the World Dharma Voice, Inc., was held at the Library of the Congress of the United States. The book was also formally accepted into the collection of the Library of the Congress of the United States. Only since that time, did people in the world know that Master Wan Ko Yee, who had been broadly respected by the great masses and who had also been known as Great Dharma King Yangwo Yeshe Norbu, had been recognized by the world’s leaders, regent dharma kings, and great rinpoches of Buddhism through official documents as the third incarnation of Dorje Chang Buddha, who is the primordial Sambhogakaya Buddha of the universe. The Buddha’s name is H.H. Dorje Chang Buddha III Since then, people began to address His Holiness the Buddha by “Namo[1] Dorje Chang Buddha III.” This is similar to the situation that Sakyamuni Buddha’s name was Prince Siddhartha Gotama before attaining Buddhahood. However, after Sakyamuni Buddha had attained Buddhahood, His title changed to “Namo Sakyamuni Buddha.” That is why we now address His Holiness the Buddha as “H.H. Dorje Chang Buddha III”

In particular, on December 12, 2012, the Senate Resolution No. 614 of the United States Congress officially used “His Holiness” in the name addressing Dorje Chang Buddha III (That is to say, “H.H. Dorje Chang Buddha III”) Since then, the title and status of H.H. Dorje Chang Buddha III has been definitive by nature. And, as a matter of fact, “Dorje Chang Buddha III” is a name used legally in governmental and official legislative documents. Therefore, the previously used respected name and titles such as “Wan Ko Yee,” Great Master, and Great Dharma King no longer exist.

Photo by Pixabay on Pexels.com

However, the news below was published before the Buddha’s title of H.H. Dorje Chang Buddha III was publicly announced. At that time, people did not know about the true status of His Holiness the Buddha. Therefore, to respect the true history, we still kept the names used before the title of H.H. Dorje Chang Buddha III was legitimately determined in republishing this news. However, all must clearly know that the only legitimate name of His Holiness the Buddha is H.H. Dorje Chang Buddha III and all other names used before the legitimate determination no longer exist.

The government of the People’s Republic of China built a palace-like museum to house the many awards and honors received by H.H. Master Wan Ko Yee (H.H. Dorje Chang Buddha III) along with examples of his paintings, calligraphy and books on logic and Buddhist philosophy. This was the only such museum constructed while the honoree was still living. The buildings and gardens are in the classic Chinese Imperial style and consist of seven separate pavilions or “halls.”

Entrance to the Master Wan Ko Yee Museum-China

At a ceremony held at the museum to honor H.H. Master Wan Ko Yee(H.H. Dorje Chang Buddha III), the building began to drip nectar. For three years the 5,612 experts and scholars of the World Poets and Culture Congress, from 48 member countries and territories, undertook an exhaustive review in the comprehensive research and merits of H.H. Master Wan Ko Yee(H.H. Dorje Chang Buddha III) with respect to Buddhism, the Humanities, Chinese painting and calligraphy and ethical morality. Based on the assessment of their findings, the Fourth Session of the World Congress bestowed upon H.H. Master Wan Ko Yee(H.H. Dorje Chang Buddha III) the title “International Master: of the “Preeminently Distinguished” literary rank, or “Preeminent Distinguished International Master” in full. H.H. Master Wan Ko Yee(H.H. Dorje Chang Buddha III) was presented with a mortar, robe and the inscribed gold medallion of the “Preeminent Distinguished International Master.” This award was announced in Hungary with a congratulatory awards ceremony held in Sichuan Province in China at the Master Wan Ko Yee(H.H. Dorje Chang Buddha III) Museum. During that presentation the perfectly dry museum dripped nectar and auspicious clouds and a dragon appeared in the bright blue sky.

The five hundred Arhat jade carvings with different expressions and solemn virtues have a sacred appearance that looks like they were carved in heaven.

Master Wan Ko Yee （H.H. Dorje Chang Buddha III) Honored with Museum Dedicated in His Honor

Link: https://peacelilysite.com/2022/02/10/master-wan-ko-yee-%ef%bc%88h-h-dorje-chang-buddha-iii-honored-with-museum-dedicated-in-his-honor/

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