Refrain from Harsh Words, Kind Speech Will Bring Wealth for Love

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A Jataka Tale: The Ox Named Great Joy

The Buddha recounted this tale in response to a dispute between two monks, highlighting the destructive nature of harsh words. Gathering a large group in the monastery hall at Jetavana, he addressed them, saying:

“Monks and nuns, even animals suffer unhappiness due to harsh words. Allow me to share with you a story from ancient times, when bitter words caused a farmer to lose his fortune.”

Once, in a bygone era, the Future Buddha manifested as a bull and was gifted to a farmer. Overjoyed, the farmer named the young calf “Great Joy” and treated him like his own child. He provided the bull with the best rice and milk, fostering his growth. Great Joy flourished and became a mighty ox, black as the night sky and as radiant as the stars. Despite his immense strength, he remained gentle and obedient.

After years of tender care, Great Joy felt immense gratitude towards the farmer. He thought to himself, “The farmer has raised me with loving kindness and made great sacrifices for my well-being. He has even gone hungry at times to ensure I am well-fed. I must find a way to repay him for all his kindness!” The next morning, as the farmer brushed the bull, Great Joy spoke to him, saying, “Master, I have devised a plan to repay you for your many years of care.”

Pausing his brushing, the farmer gently placed his hand upon the bull’s large head and replied, “Great Joy, you already plow my fields, turn my well wheel, and carry heavy loads to and from the village. You work tirelessly, and there is no need for you to repay me. Do not trouble yourself with such matters.”

However, Great Joy was determined to execute his plan. “Master, please listen. I have a marvelous idea that will make you instantly wealthy. Journey to the town today and find a merchant who owns a vast herd of oxen. Make a bet with him for a thousand silver pieces, claiming that your bull is the mightiest in all of India. Wager that tomorrow morning, in the village square, your ox will draw a hundred carts overflowing with rocks, stones, and gravel!”

Skeptical, the farmer replied, “My dear friend, how could any ox in the world pull a hundred loaded carts? It has never been done before. The entire town will think I have gone mad.”

Unyielding, Great Joy persisted, “I possess the strength, and I will not let you down.”

“But what if you fail to pull such a heavy load? A thousand silver pieces comprise all I possess! If you lose, I will be left impoverished!”

Remaining steadfast, Great Joy reassured him, “I promise you, I will not let you down. I will not lose the wager, and you shall not lose your money.”

And so, the farmer followed the ox’s suggestion. He ventured to the village and positioned himself in the town square, where business transactions took place. Eventually, a wealthy merchant dressed in fine robes approached him. Seizing the opportunity, the farmer boldly proclaimed, “Did you know, gentlemen, that I am the owner of the strongest ox in the kingdom? I doubt there is a bull in all of India that can rival mine! In fact, my bull may be the largest and mightiest in the entire world!”

The crowd fell silent upon hearing his boast. All eyes turned towards the farmer. Finally, the wealthy merchant broke the silence and retorted, “It is widely known that I, sir, possess an entire herd of the world’s strongest oxen. What makes your single bull so exceptional?”

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Realizing he had found the ideal opponent, the farmer promptly replied, “I have a bull capable of effortlessly pulling a hundred fully loaded carts!”

Mockingly, the merchant responded, “And where might this extraordinary bull be found? In the land of fairies and dreams?”

“He resides at my home,” answered the farmer confidently.

“Well, if you hold him in such high regard, let us make it a wager,” challenged the merchant.

“Certainly,” agreed the farmer. “I will bet you a thousand silver pieces that my bull can move one hundred carts fully loaded with rocks, stones, and gravel. Prepare the carts and meet me here in the village square at sunrise tomorrow morning.” With a firm handshake, the deal was sealed, and both parties made their preparations.

The following morning, before daybreak, the farmer fed Great Joy sweet milk and hay, bathed him, and brushed his coat until it shone. Speaking gentle and soothing words, just as he did every day, the farmer adorned the ox’s neck with a garland of flowers.

Great Joy knew the moment had arrived to prove himself.

At dawn, the farmer led Great Joy to the village square. Excited onlookers, including men, women, and children, filled the streets, eager to witness the outcome of this seemingly impossible bet. The farmer was astounded by the sight that greeted him—an unprecedented number of carts, each loaded to the brim with rocks. If any doubts lingered in the farmer’s mind, they were quickly replaced by certainty that he had been foolish to believe a mere animal’s promise.

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Nevertheless, Great Joy stood proudly at the head of the line of carts, awaiting his harnessing. Magnificent and towering, his shoulders surpassing any other ox, he captured the awe of the crowd. Two men struggled to secure the heavy yoke upon his broad back, and then they attached the carts in a long chain.

Anxious, the farmer anticipated his impending humiliation before the townsfolk. Clutching the leather goad tightly, he muttered to himself, “I cannot afford to lose this wager. The ox has made a promise, but I am his master. I must ensure that he pulls the carts without fail. Ailee! I have risked my life savings on the word of a mere beast!” With determination, the farmer raised his goad and struck Great Joy forcefully, shouting, “Now, you beast, pull the carts! Pull! Pull, you rascal!”

Great Joy was taken aback by this treatment. He thought, “I am not a rascal! I am not a beast! He has never spoken to me like this before or used a whip on me. I will not move an inch!” Ignoring the lashes of the whip and the harsh words from his friend, Great Joy planted his hooves firmly, like the roots of four Banyan trees, and remained immobile.

Instantly, the crowd erupted in laughter and mockery, witnessing the farmer’s stubborn ox refusing to obey. Once again, the farmer struck Great Joy with the goad and cursed him, but the ox gazed straight ahead, disregarding the goad, the farmer, and the jeering crowd. In no time, the crowd began pelting both the farmer and the ox with mud and dung. Overwhelmed with shame, the farmer hung his head low and reluctantly handed over his entire savings to the merchant.

Jingling the coins in his hands, the merchant chuckled and said, “Whenever you wish to make another wager, seek me out! What ox could possibly pull a hundred loaded carts?” he laughed.

Despondent and penniless, the farmer unharnessed Great Joy from the line of carts and led him back home. The villagers taunted them along the way, hurling insults, rotten fruit, and mud. The farmer tied the ox to a stake and retreated inside his home, overcome with grief. “I am a pauper! It took me twenty years to earn that silver!” he wailed and moaned.

Hearing the farmer’s pained sobs from outside, Great Joy approached the window and inquired what was wrong. “I have lost all my money because of you!” the farmer bitterly exclaimed. “You promised me you wouldn’t let me down!”

Great Joy replied, “Ah, but master, it was you who let me down! Throughout all the time I have lived under your care, have I ever harmed anyone? Have I ever been clumsy or broken a pot? No. I have carried children gently on my back, even allowing the smallest of them to lead me. I have always done exactly as you asked.”

“Yes, I suppose you are right,” sniffed the farmer.

“Well, then, go once more to the town and bet the merchant double the silver. We shall meet him again in the square tomorrow morning at sunrise. But remember, treat me kindly as you always have, and I will treat you as I always have!”

Hurriedly, the farmer returned to town, found the merchant, and presented him with a new offer. Laughing at the prospect of making even more money, the merchant agreed to another wager.

At dawn the next morning, the village square mirrored the scene from the previous day. One hundred carts stood in a long line, each loaded with rocks. Once again, the streets were filled with eager spectators. Great Joy, bathed and brushed with a fresh garland around his neck, walked proudly alongside the farmer to the front of the carts. However, people chatted and joked, not taking the two participants seriously.

The weighty wooden yoke was placed upon Great Joy’s back, and the ropes were securely fastened. The farmer stood beside his ox, gently stroking his powerful shoulders. After a while, he leaned over and spoke softly into the bull’s ear, “Now, my fine fellow, my friend, pull the carts forward!”

Upon hearing these words, Great Joy seemed to grow in size. His muscles tensed, and he leaned against the ropes with all his might, causing them to tighten, cart by cart, until reaching the hundredth. Great Joy strained and pulled, taking one step and then another, each accompanied by a surge of momentum. Step by step, with unwavering determination, Great Joy continued his effort until the final cart stood exactly where the first one had started.

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It was a sight to behold! Cheers and applause filled the air as flowers and money rained down upon the bull and the farmer. Great Joy, glistening with sweat, stood nobly and proudly in his place.

The merchant shook his head in disbelief but paid the two thousand silver coins as agreed. Children reached out to stroke the mighty ox, marveling at his remarkable perseverance. There was much celebration. Before the morning came to an end, the farmer and his faithful companion, Great Joy, trotted down the dusty road back home, where they lived happily and prosperously ever after.

Thus, the Buddha finished his lesson with the monks and nuns, sayingagain that harsh words please no one. And he spoke this verse in conclusion:

Speak only kind words: never be unkind.

For he who speaks gently, the ox moves the whole earth,

And brings him wealth for love.

A Jataka Tale: The Ox Named Great Joy

Link:https://peacelilysite.com/2023/06/28/refrain-from-harsh-words-kind-speech-will-bring-wealth-for-love/

#Kindness # Buddha #BuddhistTales #JakataTales#GreatJoy #Ox

Source: Kindness A Treasury of Buddhist wisdom for Children and Parents By Sarah Conover Page 111-118

Read This You will Overcome You Sorrow

Once, a man sought refuge in Gautam Buddha’s ashram after spending two days alone. Finally, he mustered the courage to approach Buddha and said, “Oh Buddha, I have questions lingering in my mind. I believe you hold the answers I seek.” Buddha replied, “Please, share your questions with me.” The man sighed deeply and expressed his dissatisfaction with life, saying, “I am constantly plagued by sadness and find no happiness whatsoever. I yearn to understand why this happens to me.”

Gautam Buddha, in his calm demeanor, responded, “First, tell me about the root cause of your sorrow. What are the exact factors contributing to your grief and anxiety?” The man pondered Buddha’s words for a moment and retorted, “Why do you ask me such a question? Aren’t you supposed to provide me with answers?”

With a serene smile, Buddha gently replied, “Your sorrow is yours to bear, and it is essential for you to identify the causes of your own suffering.” The man, astounded, exclaimed, “Oh Buddha, you possess prophetic abilities, capable of reading minds. You should already know everything.”

Buddha’s smile widened as he humbly replied, “It is a misconception on your part. You believe someone else can liberate you from your grief, but that is not the case. Only you have the power to resolve your own problems. I am just like you, the only difference being that I am free from confusion. The day your inner confusion dissipates, there will be no need for you to seek out a Buddha for answers. Have you ever observed flowers closely?”

Intrigued, the man responded, “Who has time to observe flowers?” Buddha continued, “A flower blooms like a bird at dawn, flourishes throughout the day, and withers by evening. If the flower had known it would wilt in the evening, it might have hesitated to blossom. Similarly, if you constantly dwell on sorrow, you will never experience true happiness. There are countless things in life that can bring you joy. You can smile and relish every moment. To find happiness, you must follow this path. I can show you the way, guide you on the path, but it is you who must walk it. Only then will you discover true happiness in life.”

Upon hearing this, the man fell silent for a while. After thoughtful contemplation, he said, “Buddha, one thing eludes my understanding. Is it possible to solve all the problems in my life simultaneously?” Buddha began to speak slowly, “Imagine someone approaches you and informs you that you will die in the next ten minutes. At that moment, no other problem would occupy your thoughts, for you would solely contemplate the absolute truth of life—death. You would realize the futility of dwelling on problems. We often fail to recognize life’s transience, becoming attached to our desires and perceiving our existence as eternal. Happiness and sorrow are not permanent; they arise from our actions and thoughts.”

The man listened attentively to Buddha’s words and inquired further, “So, should I constantly think about my mortality? Will that resolve my problems?” Buddha gently responded, “No, never think that way. Merely acknowledge the uncertainty of your existence and choose to live happily for as long as you are here. Ponder deeply; there are still many things that can bring you joy and contentment. Cultivate a focused mind, free from confusion. The sorrows and sufferings of life stem from desires. Control your mind. If you can make it as pure and innocent as that of a child, you will attain eternal happiness.”

The man eagerly asked Buddha, “Oh Buddha, how can I control my mind?” Buddha responded, “To gain control, we must understand the distinction between happiness and sorrow. One must recognize what brings happiness and what causes sorrow. The mind should neither be overly elated in extreme happiness nor deeply saddened in extreme sorrow. It is crucial to remain steady in the middle ground. If you closely analyze your sorrows and their underlying causes in real life, you will ultimately realize that the root of all sorrows lies within ourselves. And since the mind governs our actions, by controlling the mind, we can overcome sorrow.”

Buddha then suggested, “If you can accomplish one more task, you will witness the permanent vanishing of sorrow from your life.” The man, filled with enthusiasm, asked, “Tell me, Buddha, what must I do?” Buddha explained, “For the next two days, refrain from conversing with anyone. Find a solitary place in the ashram, take pen and paper, and contemplate your sorrows and their causes. On another piece of paper, write down the happiness that still exists in your life and its reasons. Take your time, think deeply.”

The man respectfully bowed to Buddha and retreated to a secluded corner of the ashram. After two days, he returned to Buddha with numerous sheets of paper. Buddha smiled and said, “Let me hear the summary of your sorrows first.” The man began reading, “Number one, all my siblings are wealthy, but I am burdened with debt and poverty. I fear taking action, always comparing myself to others. Number two, my neighbors have accumulated significant savings, unlike me. The reasons are that I have worked less, earned less, and squandered my money in bad company. I have not saved a single penny. Number three, my wife has been ill for a long time, and I am to blame for her suffering. Neglecting her, I have failed to seek medical help, leaving everything to chance. In truth, a wicked desire lingers in my mind: if my wife dies from her illness, I will remarry a faithful woman. Number four, I constantly daydream of illusory happiness, worrying and grieving when these dreams are unfulfilled due to a lack of money. Every day, I resort to alcohol to drown my sorrows, fully aware that I cannot afford it, yet I make excuses for my drinking. These are my four sorrows, and at the core of all of them lie my actions and thoughts.”

This time, Gautam Buddha smiled and said, “Now, tell me about your list of happiness.” The man’s face beamed with joy as he exclaimed, “I am truly happy, experiencing immense joy within me for the first time in my life during these past two days. The list of reasons for my happiness is so extensive that it would take hours to read. But let me share a few highlights.” Buddha smiled and responded, “Not just for you, but for all of us, the scenario is the same. We simply waste precious time fixating on the causes of sorrow. In reality, life is a treasure trove of happiness, peace, and joy. Well, you don’t need to read the entire list; just share a few.”

The man began with great delight, “First and foremost, I am grateful for being alive in this world, blessed with good health and strength. I have parents, a loving wife, and children, just like the fortunate ones in the world. My wealth extends far beyond material possessions; it encompasses the love and care from my parents, the affection of my beautiful wife, the tenderness of my children, and the joy of being a father. I am capable of working, physically fit and healthy. I have the opportunity to enhance my income through various endeavors, enabling me to fulfill the needs of my entire family. I am happy because I can create a harmonious family without comparing myself to neighbors or siblings. With the compassion instilled in me by your grace, I can leave behind my vices and embrace eternal peace.

The man continued: “The greatest joy and fortune lie in finding a place at the feet of Lord Gautam Buddha through your grace. As long as I am temporarily on this Earth, I will seek the truth of life, understand myself with a composed mind, and strive to bring eternal bliss to myself and others.”

Buddha remarked, “Now, go back to your family, for today you are reborn. Live a life of eternal peace with a steadfast mind. Whenever confusion arises, remind yourself that life is fleeting, and you are not meant to be enslaved by sorrow. Analyze and identify the causes of your sorrows, eliminating them immediately. Only then will you discover everlasting happiness and boundless joy.”

Read This You will Overcome You Sorrow

Link: https://peacelilysite.com/2023/06/19/read-this-you-will-overcome-you-sorrow/

#GautamBuddha #buddhismWisdom#Sorrow #OvercomSorrow #Grateful #Love #Kindness #librate

Source: https://www.youtube.com/watch?v=pwiA7Pb1GN4

Nun’s body intact four years after death in A Missouri monastery

This May, Gower, a small rural town in Missouri, has unexpectedly gained recognition as a pilgrimage destination following an extraordinary occurrence related to the exhumation of a nun’s body. Sister Wilhelmina Lancaster, the founder of the Benedictine Sisters of Mary, Queen of the Apostles, was buried at the age of 95 in May 2019. Remarkably, when her body was exhumed four years later, it displayed no visible signs of decomposition, leading to a surge of visitors to the town, approximately 40 miles north of Kansas City.

The preservation of Sister Wilhelmina Lancaster’s body has captivated the attention of hundreds of people, who have deemed it a “miracle in Missouri.” Despite expectations that only bones would remain due to her burial in a simple, unembalmed wooden coffin, the exhumation revealed her fully intact body, along with her religious habit impeccably preserved. Initially, the discovery was intended to remain private, but the news spread rapidly after a private email was mistakenly shared with the public.

While as a Buddhist disciple, I find this occurrence surprising, it is not unprecedented in Chinese Buddhist history. Throughout the annals of Chinese Buddhism, there have been quite a few revered masters and patriarchs who have left behind fully intact relics of their bodies after passing away. Notably, Nanhua Temple in Shaoguan, Guangdong Province, houses three such relics: Master Huineng, the Sixth Patriarch of Zen; Master Hanshang; and Master Dantian. These examples from Buddhist history further highlight the profound reverence and awe associated with the preservation of such relics.

Master Huineng the Sixth Patriarch of Chan Buddhism

Huineng, widely recognized as the Sixth Patriarch or Sixth Ancestor of Chan (Zen) Buddhism, holds a significant place in the early history of Chinese Chan Buddhism. He is both a semi-legendary and a central figure in the development of this tradition. Huineng is renowned as the author of the influential Sixth Platform Sutra and is revered as the sixth patriarch of Chan Buddhism.

To this day, Huineng’s physical body remains preserved in the Nanhua Monastery in Shaoguan, Guangdong Province. Clad in a yellow robe and a red shawl, his corpse serves as a revered symbol within the monastery where he once taught. According to the Biography of the Great Master of Caoxi (Caoxi Dashi Zhuan, circa 781), Huineng’s body was removed from an urn on September 8, 714. After being desiccated for over a year, it was carefully covered with glue and lacquer before being enshrined in a stupa, where it has remained since.

This preservation of Huineng’s body and its continued veneration serve as a testament to his profound impact on the development of Zen Buddhism and his lasting influence on generations of practitioners. The presence of his preserved corpse stands as a tangible reminder of his teachings and spiritual legacy within the Nanhua Monastery.

Master HanShan (1546-1623)
Master Dantian (1535 – 1614)

Mount Jiuhua, located in China, has a significant historical and religious importance as a Buddhist Holy Land, boasting a rich heritage that spans over 1600 years. Its origins can be traced back to the year 401 AD during the Eastern Jin Dynasty, when the esteemed monk known as “Beidu” journeyed from ancient India to Mount Jiuhua with the intention of constructing temples and spreading the teachings of Buddhism.

In 719 AD, when Kim Qiaoque, a prince hailing from Silla (present-day South Korea), arrived at Jiuhua Mountain. Kim Qiaoque dedicated himself to self-cultivation in this sacred place for an impressive span of 75 years. His life came to an end at the remarkable age of 99, and astonishingly, his physical body remained intact even after death. Due to the striking resemblance between Kim Qiaoque and Ksitigarbha Bodhisattva, the revered monks residing in Mount Jiuhua firmly believed that the spirit of Ksitigarbha Bodhisattva had reincarnated within him. Consequently, Mount Jiuhua evolved into a significant site for conducting rites and rituals dedicated to Ksitigarbha Bodhisattva.

Throughout history, Mount Jiuhua has served as a dwelling place for countless enlightened masters. Historical records reveal an astounding tally of sixteen masters who achieved the extraordinary feat of leaving behind relics of their physical bodies, fully intact. To safeguard these precious remains, most of the relics were delicately adorned with a layer of gold, serving as a symbol of veneration from the people. These sacred relics not only stand as a testament to the spiritual accomplishments of these masters but also continue to evoke deep reverence and inspiration among devotees to this very day.

Mount Jiuhua Incarnation Grand Hall Enshrines Flesh Body of Ksitigarbha covered by a layer of gold

Master Mingjing (1928 – 1992)

Renyi Nun 仁义师太(1911—1995)enshrined at Mount Jiuhua Tonghui Zen temple
慈航法师 Master CiHang (1893—1954)Now enshrined in Taiwan Metriya Temple

Just a few years ago, the esteemed holy monk Yinhai, a devoted disciple of H.H. Dorje Chang Buddha III, departed this earthly realm, leaving behind a profound and awe-inspiring spiritual legacy. On January 15, 2017, Elder Monk Yinhai completed his earthly journey through impeccable spiritual practices. What followed after his passing was an extraordinary phenomenon that surpassed anything witnessed in Buddhist history.

Even after his physical demise, the holy monk’s body underwent a truly extraordinary and divine metamorphosis. In a stunning departure from the natural order of things, his fingers and nails continued to grow, presenting an unprecedented occurrence in the annals of Buddhist history. This majestic and wondrous manifestation set a remarkable new record that reverberated throughout the Buddhist community. Commencing on the tenth day following his passing, an awe-inspiring process of complete transformation unfolded within his flesh and bones. In a mere twenty days, his body underwent a magnificent metamorphosis, assuming a form that transcended all comparisons, resembling a sacred dharma image.

The astounding and sacred phenomenon demonstrated by the revered monk Yinhai stands as a powerful testament to the profound Buddha Dharma transmitted by H.H. Dorje Chang Buddha III in the annals of Buddhist history.

Photo on the left was taken 11 hours after the Holy Monk entered nirvana, on the right was taken after 24 days

Across various religions, there have been instances of inexplicable miracles that defy the understanding and explanations provided by current scientific knowledge. These miracles, although beyond the grasp of science, undeniably exist. It is my sincere hope that individuals refrain from hastily dismissing them as mere superstition and avoid judging them solely based on their personal knowledge and beliefs.

The realm of spirituality and faith often transcends the limitations of scientific understanding. It encompasses dimensions and experiences that extend beyond empirical observations and logical reasoning. Just because something cannot be readily explained by scientific means does not diminish its significance or validity. Rather, it calls for a humble recognition of the vast mysteries that exist beyond the boundaries of human comprehension.

By approaching these miracles with an open mind and a willingness to explore the depths of the unknown, we can cultivate a greater appreciation for the diverse expressions of spirituality across different belief systems. It is through this mindset that we can foster respect and understanding, recognizing that our individual perspectives may not encompass the entirety of the world’s wonders.

Nun’s body intact four years after death in A Missouri monastery

Link:https://peacelilysite.com/2023/06/16/nuns-body-intact-four-years-after-death-in-a-missouri-monastery/

Source: https://nypost.com/2023/05/25/nuns-body-exhumed-years-after-death-shows-no-signs-of-decay/

#DorjeChangBuddhaIII #HHDorjeChangBuddhaIII#BuddhaDharma#HolyMonkYinhai#ChanBuddhism#MasterHuineng # #YinhaiShengzun#Holyfeat#SixthPatriarchofChanBuddhism #ZenBuddhism #MountJiuhua #KsitigarbhaBodhisattva #NanhuaTemple #Relics #MasterHanshan

A Jataka Tale Depicted by Art

The complete Prince Mahasattva jataka tale mural. Mogao Cave 428. Northern Zhou, 557-581 CE. Dunhuang. Image courtesy of the Dunhuang Academy

Prince Mahasattva

Jataka tales are fascinating narratives that shed light on the past lives of the Buddha. These captivating stories unveil the incarnations preceding Prince Siddhartha Gautama’s birth and illustrate the ways in which he accumulated virtuous karma through selfless acts of sacrifice.

Before his existence as Prince Siddhartha Gautama, the Buddha’s soul had already amassed immense virtue from numerous previous lifetimes, embodying various selfless beings.

One remarkable representation of these Jataka tales can be found in a Dunhuang mural. Located on the eastern wall of Mogao Cave 428, this mural intricately portrays a renowned Jataka tale featuring Prince Mahasattva. The entire narrative is depicted across three registers, capturing the essence of the story within its captivating artwork.

Detail of the three princes paying their respects to the king and queen before they leave for the forest. First register, right section. Mogao Cave 428. Northern Zhou, 557-581 CE. Dunhuang. Image courtesy of the Dunhuang Academy.

The mural commences on the right-hand side of the first register, where a captivating scene unfolds. Three young men, their hands pressed together in a gesture of genuflection, kneel before a majestic blue pagoda. Inside the pagoda, two figures exuding regal aura can be identified as the king and queen, bidding a heartfelt farewell to their sons, the three young men.

As the story progresses, the mural transitions to subsequent scenes, unveiling the brothers’ journey into the forest for a hunting expedition. Within this vibrant forest setting, an array of deer and tigers roam, coexisting with the majestic presence of towering trees and majestic mountain ranges. The undulating mountains, adorned with a multitude of colors, gracefully assume a smaller scale compared to the trees, animals, and human figures, harmoniously framing each scene of the narrative.

Detail of the three princes hunting in the forest. First register, middle section. Mogao Cave 428. Northern Zhou, 557-581 CE. Dunhuang. Image courtesy of the Dunhuang Academy.

The story unfolds on the second register, commencing from the left-hand side. As the three brothers venture deeper into the forest, they eventually dismount from their horses, seeking respite at the foothills of towering mountains.

While taking a moment to rest, the brothers catch sight of a tigress accompanied by seven adorable cubs. The tigress is portrayed with her mouth agape, and her painted figure exudes a somber aura with limbs hanging low. Her gaze fixates upon the playful cubs frolicking around her, creating an illusion of impending maternal aggression, as if she were poised to devour her own offspring.

Detail of the starving tigress and her baby cubs. Second register, middle-left section. Mogao Cave 428. Northern Zhou, 557-581 CE. Dunhuang. Image courtesy of the Dunhuang Academy.

The brothers convene to discuss the matter of the tigress. Not wanting to watch a mother devour her own children, the brothers resolve to help her find food. However, there does not appear to be any food nearby.

Prince Mahasattva suddenly comes up with an idea. He keeps it to himself and tells his two brothers to leave the forest to find some food while he stays behind to watch over the tigers.

After his brothers leave, Prince Mahasattva strips off his clothes and lies down in front of the tigress, offering himself to the tigress. He decides to offer himself as food for the tigress so that she wouldn’t have to eat her own children. 

The tigress sniffs at his body but makes no move to harm him even though she is starving.

When we offer help to someone and they are unable to accept what is offered, it’s a chance for us to feel good about having attempted goodness without losing anything. We can think to ourselves, well, we tried to help. In the case of Prince Mahasattva, he understood that good intentions alone would not save a life. It would take determined and complete self-sacrifice to save the tigers.

Realizing that the tigers will not eat him alive, Prince Mahasattva climbs to the edge of a cliff, cuts open his neck and throws himself off the ledge. With his neck bleeding profusely, his body drops in front of the tigress and her cubs. At Prince Mahasattva’s second attempt to offer his body, the tigers devour him as nourishment.

Detail of the Prince Mahasattva’s sacrifices to the tigers. Second register, right section. Mogao Cave 428. Northern Zhou, 557-581 CE. Dunhuang. Image courtesy of the Dunhuang Academy.

Snaking across and down the three registers, the story continues on the third register by beginning on the right-hand side again. Prince Mahasattva’s brothers return and they understand what happened in their absence when they see the bones left behind by the tigress and her cubs.

The brothers’ bodies contort across the scene in shock, anguish, and grief in reaction to the death of their third sibling.

Detail of the grieving brothers and their return to the palace. Third register. Mogao Cave 428. Northern Zhou, 557-581 CE. Dunhuang. Image courtesy of the Dunhuang Academy.

The two brothers practically fly back to the palace on their horses to tell the king about what happened to Prince Mahasattva. 

The story actually ends on the topmost right corner of this image, returning to the place where the two princes found their brother’s corpse. After reporting to the king, the family builds a stupa over Prince Mahasattva’s bones and hair to commemorate his selfless actions.

Detail of the brothers building a stupa over Prince Mahasattva’s remains. Third register. Mogao Cave 428. Northern Zhou, 557-581 CE. Dunhuang. Image courtesy of the Dunhuang Academy.

Many of the Mogao caves at Dunhuang have central pillars that take after the stupa form.

Scholars have theorized that worshippers could have circumambulated these central pillars inside the Mogao caves at Dunhuang as one would do around stupas in the open air.

The central pillar in Mogao Cave 428. Northern Zhou dynasty. 557-581 CE. Dunhuang. Image courtesy of the Dunhuang Academy.

Prince Mahasattva

Link:https://peacelilysite.com/2023/06/09/a-jataka-tale-depicted-by-art/

#PrinceMahasattva #Mural #Dunhuang#MogaoCave #BuddhistTeaching #BuddhistSutra #BuddhistTales #moralstories #Buddha #Jatakastories #BuddhistWisdom #BuddhistWisdomforChildrenandParents #Jatakatales

Source: http://dunhuangfoundation.us/blog

The Best Buddhist Dharma to Rebirth at Paradise of Ultimate Bliss

Buddhist Devotee Hou Yushan Passed Away, Leaving a Legacy of Spiritual Journey

On June 1st, 2002 Buddhist disciple Hou Yushan peacefully passed away at his home in Los Angeles. Witnessed by his wife, Hou Li Qingqiu, the celestial realm appeared before him as Shakyamuni, Amitabha Buddha, and Avalokiteshvara, guiding him towards the ultimate state of bliss. Prior to his passing, Hou Yushan expressed his unwavering determination to learn Buddhism in this lifetime under the guidance of his master.

Hou Liqingqiu, a devoted practitioner of Chinese medicine in California, addressed over 20 monks who gathered in their home for a Buddhist practice session in honor of Hou Yushan. She shared the remarkable journey of her husband, stating that he had dedicated many years to the study of Buddhism. Diagnosed with lung cancer four years ago, Hou Yushan had endured arduous and prolonged treatments. However, his life took a transformative turn a year and a half ago when he and his wife attended the Yiyungao International Cultural Foundation, where they listened to the enlightening teachings of Master Yiyungao (H.H. Dorje Chang Buddha III).

Deeply inspired by the teachings on the pre-recorded dharma discourse, Hou Yushan developed profound admiration and sincerity towards Great Master Yi. He actively participated in the group cultivation programs of the foundation, he never missed an opportunity to listen to the pre-recorded dharma discourse. Despite the advice of others to focus on rest and recovery, Hou Yushan insisted on continuing his full-time volunteer work at the foundation, driven by his desire to meet Master Yun Gao Yi as soon as possible.

In February of year 2002, Hou Yushan and his wife sought refuge under the guidance of Great Master Yi Yungao (H.H. Dorje Chang Buddha III) through the American Master Yiyungao International Cultural Foundation, led by Lobsang Gyatso Rinpoche. Upon meeting the revered master, they were pleasantly surprised to find that their preconceived notions were far from reality. Master Yi was not the distant figure they had imagined, instead, he displayed approachability and warmth. With utmost sincerity, they sought empowerment to learn the Dharma, presenting their offerings. However, Master Yi, without even glancing at them, humbly declined their offerings, explaining that he could not set such a precedent. Nonetheless, Great Master Yi graciously provided them with the empowerment and transmission of the Dharma. Hou Yushan diligently practiced the teachings and swiftly progressed, experiencing a sudden disappearance of his cancer pains.

Hou Yushan’s wife Hou Liqingqiu shared the incredible experience with the monastery

On the auspicious occasion of Buddha Bathing Day in May 2002, Hou Yushan and Hou Liqingqiu had the opportunity to reunite with Master Yi Yungao (H.H. Dorje Chang Buddha III). When asked about his wishes, despite his terminal illness, Hou Yushan expressed his sole desire to learn how to attain a stable rebirth in the Land of Ultimate Bliss. In response, Master Yi advised him to adopt a different practice method, specifically the Pure Land School’s method of reciting Buddha, with a particular emphasis on Amitabha. Additionally, Master Yi imparted a secret handprint of rebirth, promising that through this method, Hou Yushan would soon witness the state of Amitabha and be guided by Buddhas and Bodhisattvas to the Paradise of Ultimate Bliss. The compassion demonstrated by the master was profound, as he called Hou Yushan to his side and secretly shared the sacred handprint with him. Hou Yushan experienced indescribable excitement and joy upon receiving this precious gift—the profound Great Dharma of the Supreme PureLand Buddha Dharma.

Ever since Hou Yushan received the transmission of Amitabha Dharma on the Buddha Bathing Festival, his wife has witnessed a remarkable transformation in his condition. Hou Liqingqiu, the wife saw golden rays of yellow and red light radiating from his head and back at any given time. As a result, all the cancer-related pains in his body have vanished, along with the swelling. He no longer required the morphine painkillers prescribed by the hospital.

One day, Hou Yushan asked his daughter Lily, who worked as an anesthetist in the hospital, about his complexion. Lily responded, saying, “Dad, your complexion is genuinely vibrant, and your spirits are high. One would never guess that you are a patient.” On the morning of May 25, Hou Yushan shared with his wife that during his Dharma practice the previous night, he entered a state of samaya and visited the Land of Ultimate Bliss. He described the indescribable beauty of the paradise, filled with captivating shades of red, green, and purple.

Hou Liqingqiu eagerly inquired, “Can you provide me with an analogy to illustrate its beauty?” After a moment of contemplation, Hou Yushan responded, “The Paradise of Ultimate Bliss surpasses any scenery in this world. Do you recall our visit to West Lake when we were young? In the early morning, the misty air and the colorful reflections on the lake created a breathtaking view. However, the beauty of the Paradise surpasses even that. Furthermore, the Buddha informed me that he would come to fetch me in seven days, urging me to proclaim to the world that the greatest Dharma in existence is with our master.”

On May 31, Hou Yushan carefully settled all family matters and left final words for his daughter. He advised her, “Do not hold your mother responsible for everything in her life. However, there is one thing you can admonish her for: if your mother ever strays from Buddhism and deviates from following Vajra Master (Master Yi Yungao – H.H. Dorje Chang Buddha III), remind her to earnestly practice under our Master Yungao’s guidance without hesitation.” Then, he turned to his wife, Hou Li Qingqiu, and earnestly said, “In your life, it doesn’t matter if you make other mistakes, but there is one thing you must not falter in: wholeheartedly follow the Vajra Master in dedicated practice. Your success lies solely in following his guidance, as his Dharma is the true path.”

Hou Yushan informed his wife that he would pass away that night and advised her, “Pay close attention tonight. At the moment of my passing, I fear I may fall into drowsiness and enter a demonic realm. Do not sleep, but remind me to visualize the Vajra Master above my head and Amitabha Buddha atop my head, while reciting the mantra wholeheartedly.” That night, in their seaside home, Hou Li Qingqiu had already foreseen that her husband, Hou Yushan, would depart to the Buddhist realm. Therefore, she set four alarms to ring at different times, once every hour. True to her premonition, at 6:15 a.m. on June 1st, Hou Yushan’s pulse and breathing slowed down. Hou Li Qingqiu shook his bed, and together they chanted, “Namo Vajra Guru! Namo Amitabha!” Hou Yushan held the secret handprint taught by Master Yi Yungao.

At that moment, Hou Li Qingqiu heard heavenly music, and Hou Yushan’s body emitted increasingly powerful golden light. She witnessed the appearance of Shakyamuni Buddha, Amitabha Buddha, Guanyin Bodhisattva, and other Buddhas and Bodhisattvas in the sky by the seaside. The merging rays of light grew more potent. After about five minutes, the Buddhas and Bodhisattvas, along with the celestial splendor, disappeared. It was then that she remembered to check Hou Yushan’s pulse, which had ceased along with his heartbeat.

Zhang Tianyou, the president of the American Master Yi Yungao International Cultural Foundation, was the first to arrive at Hou Yushan’s residence after his passing. He observed Hou Yushan, who appeared peacefully asleep, with no signs of pain on his face. Hou Yushan’s hands held the secret handprint from his previous life.

The incident deeply moved Long Hui, the chairman of the International Federation of Buddhist Monks and Nuns and the abbot of Huazang Temple. She continuously praised the greatness of Master Yi, stating that she often witnessed the suffering experienced by lung cancer patients at the end of their lives. However, the Pure Land method of reciting Buddha taught by Master Yi could transform a lung cancer patient’s condition within a month, filling their surroundings with auspicious golden light and relieving their pain. This would ultimately lead them to be reborn in the Land of Ultimate Bliss under the guidance of Buddhas and Bodhisattvas. Long Hui marveled at the tremendous power of Tathagata-rectification, beyond the capacity of words to express.

On the night before his passing, Hou Yushan personally prepared gifts and $5,000, and said to his wife, “The master never accepts offerings. He did not accept my offerings. Tonight, as I pass away, tomorrow you shall make the offerings and send them to the master. Please ensure he accepts them.” On June 1st, Hou Li Qingqiu faithfully followed her husband’s final instructions and sent the offering package to Yi Yungao, kneeling on the ground with tears in her eyes. She implored Master Yi to accept the offering, shouting loudly, “My supreme Buddha Vajra Master!” The master replied, “Do not address me as such, for I am not a Buddha. I am merely an ordinary practitioner, just like everyone else.” Hou Li Qingqiu explained that it was Hou Yushan’s testamentary offering, to which the master responded, “It seems there is no other way. These relics of Layman Hou shall be displayed in the temple and not for individual use.” The master immediately transferred $6,000 from his personal funds for Layman Hou’s burial expenses and informed the masters of two prominent temples to offer their support in accumulating merit for the deceased.

Photo from weixin.com

Buddhist Devotee Hou Yushan Passed Away, Leaving a Legacy of Spiritual Journey

Link: https://peacelilysite.com/2023/06/09/the-best-buddhist-dharma-to-rebirth-at-paradise-of-ultimate-bliss/

#DorjeChangBuddhaIII #HHDorjeChangBuddhaIII#DorjeChangBuddha #PureLand #Shakyamuni Buddha #AmitabhaBuddha #Avalokiteshvara #Cancer #ParadiseofUltimateBliss #MasterYiYungao #HouYunshan #Compassion #SupremeBuddhaDharma

The Broom Master

From Kindness A Treasury of Buddhist wisdom for Children and Parents By Sarah Conover

Long ago, during the time of the Buddha, lived a boy named Chundaka. Chunda-as he was fondly called–was a happy and good youngster, but unable to learn to read or write. In comparison, Chunda’s older brother became quite knowledgeable, with a keen interest in Buddhism. When the older brother decided to lead a monk’s life, Chunda followed along. He sought to live near his brother; but secretly, he also hoped to work alongside the monks and learn about Buddhism.

“Why don’t you ask the Buddha if you can become a monk, too?” his brother encouraged. But Chunda had no confidence. “Brother, how can I?” Chunda sadly replied. “I can’t memorize, and I can’t read or write. I have no knowledge of scriptures, and I won’t be able to learn them. A monk must be able to teach others many things.”
But his brother assured him that both riches and knowledge were meaningless to the Buddha.” He values only the compassion we have for one another and the ways to help all creatures suffer less. No one is as gentle and kind as he is. I know he will not disappoint you, Chunda. Go and hear for yourself,” prodded his brother hopefully.

So Chunda mustered all his courage. He bathed and purified himself. When he was certain he was quite ready, he approached the Buddha. The Buddha observed that this humble young man had an earnest and pure heart. He could see that Chunda would try his very best. The Buddha welcomed him as the newest monk in the community.
The next morning, Ananda, head of all the monks, gave Chunda a small scripture to memorize, just 6 lines long. It was the first of hundreds that each monk was expected to learn by heart. But a week later, having tried his hardest, poor Chunda could still not recite it from beginning to end. Completely disheartened, he went back to the Buddha and admitted his failure.

But the Buddha was not greatly disappointed; he had total faith in Chunda’s good intentions. The Buddha and Chunda sat thoughtfully together in silence. An idea suddenly occurred to the Buddha. “Chunda, are you a hard worker?” asked the Buddha.”Do you think you can sweep the temple and keep it spotlessly clean?” “Oh yes, Buddha I’m a good worker, and I’m very good at sweeping. I just cannot seem to learn scripture.”


So the Buddha gave Chunda the task of keeping the temple perfectly clean. He was to hold no other job but temple sweeper. The Buddha then requested that Chunda speak two lines while sweeping: remove all dust, remove all dirt. But as soon as poor Chunda attempted his task, the words completely vanished from his mind. Luckily, Ananda overheard the Buddha’s instructions and could help Chunda remember them over and over again.

At last, a month later, Chunda had it learned by heart.”Remove all dust,” the monks heard Chunda whisper with the sweep of the broom. “Remove all dirt, he murmured with the return sweep. Behind Chunda’s back, the other monks snickered at his memory problem. More than a few took some pride in the extent of their learning. Day and night Chunda poured his heart into his work, repeating those six words again and again. Eventually, however, over time every monk couldn’t help but admire Chunda’s perseverance. They had never witnessed such single-minded determination. In time, the few words that the Buddha had given him to memorize became more and more meaningful to Chunda. His chores became a meditation upon the words.


Chunda’s curiosity deepened, and he suspected that the Buddha knew all along that these words were not as simple as they first appeared. “Did my teacher want me to sweep outer dust and dirt or inner dust and dirt?” he wondered. “What is inner dirt? How would one go about cleaning inner dirt?” he asked himself many times.
Some months later, Chunda found the answers to these questions himself. While he worked, insight nudged its way into his heart. Once in awhile now, the monks saw Chunda thoughtfully pausing from his endless task, leaning against his broom and looking at the far off horizon.
At last a day came when Chunda felt ready to discuss his thoughts with the Buddha.
“Venerable sir” said Chundaka enthusiastically, “I think I finally understand the real meaning of the words you gave me.”
“Please tell me what you understand,” encouraged the Buddha.
“I believe that inner dust and dirt is a grasping, said Chunda. “If we don’t like something in our lives, we grasp for a different situation. But if we really like something that we have, then we also grasp because we don’t want it to change.” Chunda continued, “To look at life clearly, we must always see through this. We must sweep the dust and dirt away and keep our inner temple clean.” The Buddha smiled warmly at Chunda’s thoughtful words.

And so, as the years passed, Chunda swept and meditated and thought deeply. He found he did not have to memorize scriptures as the other monks did, for teachings seemed to arise from within. After a time, he became known as one of the wise and gentle teachers of Buddhism, affectionately called “Chundaka, the Broom Master.” He lived a long and happy life. And for many years people journeyed to the monastery from distant places, not just to hear from the learned monks, but to listen especially to Chundaka, the Broom Master. He was their favorite, loved for his very simple, yet very wise sayings.

The Broom Master

Link:https://peacelilysite.com/2023/06/07/the-broom-master-2/

#Buddhism #BuddhistWisdom #BuddhistStoryforChildren #Kindness #Broom #BroomMaster #Buddha #Sweeping #RemoveDust #RemoveDirt

The Three Perfections: Image, Poem, and Calligraphy in Chinese Painting

In traditional China, painting was revered as “silent poetry,” while poetry was seen as “painting with sound.” Both art forms found expression through the medium of calligraphy, which was considered the “art of handwriting.” Scholars and artist-scholars incorporated calligraphic brushstrokes into their paintings, viewing their artworks as vehicles for self-expression. Consequently, painting was not only regarded as an art form of equal purity and lyricism to poetry and contemplative thought but also as a means to evoke sensory experiences, emotions, and a holistic engagement with the world.

For Western observers, it may be intriguing why Chinese artists incorporate writing in their paintings and what significance the characters hold. By examining some of H.H. Dorje Chang Buddha III’s paintings, we can gain insight into these questions and witness the embodiment of the concept known as the “Three Perfections.” This concept represents the harmonious fusion of fine painting, poetry, and calligraphy within a single artwork.

Song of the Waves in the Three Gorges by H.H. Dorje Chang Buddha III

This painting, titled “Song of the Waves in the Three Gorges,” beautifully captures the grandeur of splash-ink technique alongside the charm of water and ink colors. Its overall tone carries a weighty presence. The brushwork employed in this artwork evokes a powerful sense of momentum, lively charm, and a vividness akin to the scene of a long, flowing river just passing by. The inclusion of a few small sailboats adds elegance to the water scene as they gracefully navigate through it. The combination of the mighty river and awe-inspiring mountains, enveloped in mist and holding sacred spaces, has a purifying effect on one’s emotions. This painting possesses a quality that is reminiscent of both poetry and calligraphy.

Notably, H.H. Dorje Chang Buddha III has inscribed an elegant Chinese poem onto this painting, which can be translated as follows: “The song of waves echoes in the gorge. Hanging colors of rocky cliffs burst with charm. A few cloudy, misty mountains reveal shades of blue. The vast water’s melody sets the sails in motion.” This poem aptly captures the beautiful and misty landscape of the Three Gorges, where the water and sky harmoniously blend, and human emotions become intertwined with the scenery. This painting serves as an artistic paragon, showcasing the mastery of poetic, calligraphic, and painting skills.

Yi Shan Shui Yun Liang Qing Nong ( One Landscape Charm Presents Two Strong Emotions) By H.H. Dorje Chang Buddha III

This remarkable painting showcases a rare combination of splash-ink and splash-color techniques, displaying the artist’s bold and skillful brushwork. The resulting natural effect achieved through these techniques is truly indescribable. Within the bold and dynamic brushstrokes, one can discern countless intricate details and traces of charm emerging from the flowing watery ink.

The painting depicts a scene of mountains and water during the approaching dusk, conveying a profound message. The poem imparts the wisdom that we should strive to engage in virtuous deeds rather than harmful actions, treating all living beings with kindness and respect. By embodying such a way of life, one can transcend to another realm and grasp the truth of existence beyond the concepts of birth and death. This painting offers a profound contemplation on the purpose and significance of human existence.

The calligraphy in the two art works are executed in a cursive style, known for its swift and dynamic strokes. Cursive writing is often characterized by its rapidity and vitality, effectively conveying the artist’s profound emotions.

These paintings are in the permanent exhibition at The International Art Museum of America  in downtown San Francisco. Admission of the museum is free.

The Three Perfections: Image, Poem, and Calligraphy in Chinese Painting

Link:https://peacelilysite.com/2023/06/02/the-three-perfections-image-poem-and-calligraphy-in-chinese-painting/

#DorjeChangBuddhaIII #HHDorjeChangBuddhaIII  #MasterWanKoYee #Buddha#IAMA#InternationalArtMuseumofAmerica #ChineseCulture #ChinesePainting#ChineseCalligraphy #SplashInk #WaterColor

A Chinese Painting Conveys Profound and Enchanting Meaning

A Lotus Pond Has Carp by H.H. Dorje Chang Buddha III

The Title “A Lotus Pond Has Carp” suggests profound Philosophical implications that transcend everyday life. In addition to its masterful artistry, the painting contains subtle messages of the Dao and its fruits. The lyrics on the left and right sides of this work correspond perfectly with the image of the fish, forming a whole that awakens and enlightens, richly rewarding its viewers.

Why is this painting so artistically enchanting that it stirs the hearts of those who see it? One reason is that the fish are depicted with uncanny realism. The swimming carp are infused with vitality. The painting’s details clearly reveal the damage done to the carp’s skin, accumulated over a lifetime in the water, through lines that fade in and out. Appearing as delicate as a fine gauze, the translucent fins, for example, possess a natural realism. Texture and spirit are captured with utter precision, providing the viewer with stirring aesthetic pleasure. The surface and bottom of the pond are depicted with a wonderfully hazy charm, while the lotus flowers, leaves, and pods are portrayed in bold freehand brushwork with distinct and unusual brushstrokes rapidly applied.

The painting is mainly composed of back ink and rich colors. Only a few brushstrokes were used to create each vibrantly red flower, which seem to emit a pure fragrance. The hanging lotus pods embellish the painting, conveying an elegant contrast of hues and instilling a sense of vitality. As the fish swim about, free of any inhibition, the sunlight faintly reflecting off the water ripples provides the illusion of movement that occurs in the natural world.

When examined more closely, the painting has an intricate style to ascertain, for it seems to transcend realistic fine brushwork and convey the feeling of freehand brushwork. It is not in the style of conventional paintings. Instead, freehand brushwork was applied to produce the effect of fine brushwork with close attention to detail.

Fine brushwork was applied that transcends realism. The real and the surreal blend, resulting in a work that excels the beauty of a natural lotus pond. It represents a combination of techniques from the “Menglong” style of painting and bold, large-scale freehand brushwork.

For the painting, H.H. Dorje Chang Buddha III composed these lyrics of a Dao song: “No Dao exists on the high mountain, yet hearts yearn to go there. A lotus pond has carp; men have inquired about them. Which path leads to the truth is worth pondering. It would be better to look tranquil to our original nature, like a lotus flower sitting over its leaves in tranquility.” These lyrics speak of mysteries unknown to the ordinary person – seeing fish, not as fish; seeing water, not as water; no Dao exists on the high mountain, so no value exists in searching for it; and the fish have neither life nor death.

To understand the origin of the painting, we must ask: where did the fish come from? What state of realization was relied upon and gave birth to this exquisite painting? What form of realization manifested this mysterious, hazy, and illusory painting? The magical illusion of the fish and water is nothing more than a superficial image. Spirit is within; A life force underlies spirit. Spirit is empty or nothingness. The original essence of all things is neither empty nor substantive. Everything illusory and impermanent quickly changes in time and space, but their original nature remains constant. Thus, the lyrics of the Dao song continue: “To find our original nature, do not seek the source, as the source is our original nature, tranquil and unmoving, like a lotus flower sitting over its leaves in tranquility. There is no such thing as arising, passing away, and change. From this surpassing wisdom, usages that arise from Buddha-nature will naturally manifest. These usages include calligraphy and painting. Only in such a way is a consummate work created.” Thus, one should understand the tremendous meaning of this song of Dao written in this painting. Profound mysteries are deeply hidden within it.

In case the viewer remains oblivious to right stanza, on the left side of the painting, the second stanza of the song continues with: “The carp rely on the Dao, and the Dao awakens the fish.” The Dao refers to the state of holy ones, a realm that transcends the realm of ordinary people. It does not refer to regular abilities. The artist created this carp painting based on such a holy state. “The Dao awakens the fish” means that this painting of carp in a lotus pond was accomplished based on the wisdom of the transcendent Dao. Only with such wisdom could this lifelike, graceful scene of carp swimming in water be painted, a setting that combines the real and the surreal, emptiness and substance in such a wondrously appealing way. This scene of carp complimented by the boldly and powerfully depicted lotus leaves results from the artist’s awakening to the holy Dao.

This painting of carp, then, is merely an expression of one who has attained the Dao and reached enlightenment. Thus, this work is not just an ordinary combination of brush strokes, color, ink, and water. Instead, it results from techniques derived from the beautiful application of holy wisdom. The profound mysteries contained in “A Lotus Pond Has Carp” cannot possibly be conveyed by the superficial meaning of the words in its title! Actually, this explanation is entirely unnecessary. All those with discerning eyes will understand once they see the lyrics of the Dao song and the calligraphic skills with which they were written on the painting.

A Chinese Painting Conveys Profound and Enchanting Meaning

Link:https://peacelilysite.com/2023/05/25/a-chinese-painting-conveys-profound-and-enchanting-meaning/

#DorjeChangBuddhaIII #HHDorjeChangBuddhaIII#DorjeChangBuddha#IAMA#InternationalArtMuseumofAmerica#ChinesePaintings#Carp #LotusPond #Painting #Lotus

Source: https://new.artsmia.org/exhibition/the-three-perfections-image-poem-and-calligraphy-in-chinese-painting, iamasf.org

Discovering a Hidden Gem in IAMA Gift Shop

A Majestic Wood Carving Depicting Spiritual Growth and Achievements in Buddhism

In a world where art manifests itself in countless forms, there are rare instances when we stumble upon something truly extraordinary—a concealed treasure that enthralls our senses and moves us on a deep level. Such a remarkable encounter occurred one fateful day as I explored the gift shop at The International Art Museum of America (IAMA), nestled in the heart of downtown San Francisco. Amidst the vast array of artistic wonders, my gaze became fixated on an exquisitely crafted wood carving—a masterpiece that exuded an ethereal essence of spirituality and profound significance.

This awe-inspiring sculpture, meticulously chiseled from a single tree, originated from China and was skillfully brought to life by gifted folk artists. It portrayed an enchanting realm of spiritual growth and profound accomplishments in Buddhism. Towering at an impressive height of approximately three and a half meters and spanning one meter in width, this artwork was a testament to the dedication and artistry of its creators. Every intricate detail, meticulously carved figures, and delicate embellishments, painted a vivid tableau illustrating the virtues of compassion, enlightenment, and the transformative journey towards Nirvana.

The intricately carved sculpture was a masterpiece that depicted the journey of practitioners from being ordinary to mastering the higher levels of Buddhahood. The figures in the relief were so vividly carved that it was easy to see their progression towards enlightenment and Nirvana. Every detail, from the facial expressions to the flowing cloth, the delicate flowers, and the instruments, was so meticulously presented that it was impossible not to be impressed.

The beauty of this piece lay not just in its stunning visual presentation but also in the message it conveyed. It illustrated the importance of practicing compassion in thoughts, words, and deeds to achieve spiritual growth. It reminded us that every act of kindness, every gesture of love, and every moment of selflessness is a step towards enlightenment and Nirvana.

The sculpture had a calming effect on me. It was a tangible reminder of the power of art to transcend language, culture, and time. It spoke to me in a language that was universal, one that transcended borders and connected people across the world.

As an art lover, I have seen many beautiful pieces over the years, but this wood carving sculpture stood out as a true masterpiece. It was a testament to the skill and craftsmanship of the folk artists who created it, and it served as a reminder of the timeless beauty of art.

Discovering a Hidden Gem in IAMA Gift Shop

Link:https://peacelilysite.com/2023/05/18/discovering-a-hidden-gem-in-iama-gift-shop/

#Buddhism #IAMA#InternationalArtMuseumofAmerica #Art #Artist#ChineseCulture#Sculpture #WoodCarving #Buddhahood #Enlightenment #Nirvana

Why Kumarajiva Swallowed Needles

Great Master Kumarajiva

Once, I had the privilege of listening to a pre-recorded dharma discourse by the esteemed H.H.  Dorje Chang Buddha III. During this enlightening session, His Holiness shared a captivating story that left a profound impact on my mind. It was the tale of Kumarajiva, a legendary figure who demonstrated his profound inner realization by consuming needles. Intrigued by this extraordinary account, I felt compelled to delve further into the remarkable life of Kumarajiva.

Kumārajīva was a Buddhist monk, scholar, missionary and translator from the Kingdom of Kucha (present-day Aksu Prefecture, Xinjiang, China). Kumārajīva is seen as one of the greatest translators of Chinese Buddhism. According to Lu Cheng, Kumarajiva’s translations are “unparalleled either in terms of translation technique or degree of fidelity”.

Kumārajīva settled in Chang’an during the Sixteen Kingdoms era. He is mostly remembered for the prolific translation of Buddhist texts written in Sanskrit to Chinese he carried out during his later life.

At Chang’an, Kumārajīva was immediately introduced to the emperor Yao Xing, the court, and the Buddhist leaders. He was hailed as a great master from the Western regions, and immediately took up a very high position in Chinese Buddhist circles of the time, being given the title of National Teacher. Yao Xing looked upon him as his own teacher, and many young and old Chinese Buddhists flocked to him, learning both from his direct teachings and through his translation bureau activities.

Kumārajīva appeared to have a major influence on Emperor Yao Xing’s actions later on, as he avoided actions that may lead to many deaths, while trying to act gently toward his enemies. At his request, Kumārajīva translated many sutras into Chinese. Yao Xing also built many towers and temples. 

Yao Hsing was so impressed with Kumarajiva’s political acumen, intellectual talent and spiritual depth that he was impelled to try a eugenic experiment. He insisted that Kumarajiva move out of the monastic community into a private house staffed by female attendants. Yao Hsing believed that the offspring of Kumarajiva and carefully selected maidens would be as brilliant and talented as their father. Although Kumarajiva was repelled by the experiment, he refused to jeopardize the welfare of the translation centre by refusing to obey his emperor. He complied with Yao Hsing’s orders but was concerned about the effect his actions might have on the monastic community. He likened himself to a lotus growing out of the mud and enjoined the monks to attend to the lotus and ignore the mud.

However, it is widely understood that monks are expected to adhere strictly to the rules and precepts, diligently purifying their bodies and minds while maintaining purity in their six senses. Deviating from these principles, particularly by engaging closely with women and disregarding the precepts, can hinder the attainment of positive outcomes. Consequently, doubts began to arise among the Sangha regarding Kumarajiva’s integrity, leading to a decline in the commitment of some disciples to uphold the essential Buddhist rules.

When Kumarajiva became aware of the troubling trend spreading among the monks, he could not afford to be complacent. In response, he summoned all his disciples to gather before him, determined to address the issue head-on.

Before the perplexed audience, Kumarajiva unveiled a bowl filled with silver needles, their sharpness and gleaming appearance catching everyone’s attention. The monks were left wondering about the purpose behind Kumarajiva’s display.

In a solemn tone, Kumarajiva addressed his disciples, saying, “Not every monk is qualified to enter into worldly attachments and establish households. If you can swallow these silver needles as I do, then I will consider granting you permission to marry and have children. However, if you are unable to do so, you must never attempt to follow in my footsteps.”

Having spoken these words, Kumarajiva proceeded to place each silver needle into his mouth, consuming the entire bowl with a composed ease. The supernatural power exhibited by Kumarajiva left the assembled monks awe-struck, their eyes widened in astonishment. In the end, they were all convinced by Kumarajiva’s demonstration, believing him to be the true successor endorsed by the Buddha.

With this act, Kumarajiva showcased the potency of the correct Buddha Dharma. Consequently, no one dared to criticize him from that point forward. Instead, they committed themselves to diligent practice, upholding the precepts, engaging in self-cultivation, and abandoning any fantasies of pursuing worldly desires.

The community perceived Kumarajiva’s actions as an exemplification of self-sacrifice in the pursuit of the Bodhisattva Ideal, despite the disappointment he experienced due to the children of Yao Hsing’s experiment falling short of his grand expectations.

Why Kumarajiva Swallowed Needles

Link: https://peacelilysite.com/2023/05/11/why-kumarajiva-swallowed-needles/

#DorjeChangBuddhaIII#HHDorjeChangBuddhaIII #Kumarajiva #Buddhist #BuddhaDharma #SwallowNeedles #ChangAnChina #YaoxingEmperor #KuchaKingdom #InnerRealization #BuddhistPower #Monk

Source: https://en.wikipedia.org/wiki/Kum%C4%81raj%C4%ABva, https://www.tsemrinpoche.com/tsem-tulku-rinpoche/great-lamas-masters/kumarajiva-the-great-translator-from-kucha.htmlhttps://khyentsefoundation.org/the-life-and-legacy-of-kumarajiva/https://japanesemythology.wordpress.com/study-notes-the-influence-of-kumaraju-kumarajiva-upon-japan/