Tag: Dorje Chang Buddha

Wang Zha Shang Zun Held the Dharma Assembly of Jin Gang Fa Man Ze Jue And Determined the Genuine Incarnation of the Buddha

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Wang Zha Shang Zun Held the Dharma Assembly of Jin Gang Fa Man Ze Jue And Determined the Genuine Incarnation of the Buddha

(Reported by the Taiwan Times) On September 5, 2015, an unprecedented dharma assembly of “Determining the Status of a Buddha by the Dharma of Jin Gang Fa Man Ze Jue (Jin Gang Fa Man Ze Jue is a dharma in Tibetan Esoteric Buddhism for determining the result sought through selection)” was held in the United States of America with the attendance of several dozens of venerable ones, dharma kings and rinpoches, who are from Tibetan Esoteric Buddhism, and dharma masters. The dharma practice was led by Great Rinpoche Wang Zha from Tibet, who once practiced in solitary retreat for 46 years in Tibet and has the realization of Golden Button Grade 3 (having three Sun-Moon wheels) in Buddha-dharma. The decisions by the Dharma of Jin Gang Fa Man Ze Jue determined that Sakyamuni Buddha is a true Buddha, H.H. Dorje Chang Buddha III is a true Buddha, and Master Hui Neng, the sixth patriarch of the Ch’an (Zen) School, was not a Buddha but was the incarnation of a great Bodhisattva.

At what level is a dharma assembly of determination by the Dharma of Jin Gang Fa Man Ze Jue? According to the explanation provided by the United International World Buddhism Association Headquarters (UIWBAH) who sponsored the two sessions of the dharma assembly to determine the status of a Buddha, the Dharma of Jin Gang Fa Man Ze Jue is one of the holy supreme great dharmas and can be used to determine the true or false status of any holy being. In this world, this dharma and the Dharma of Forecasting the Future (announcing events that will happen in the future ahead of time) are the co-champions among the dharmas of decision by selection. The dharma ranked next is the holy inner-tantric dharma of “Bai Fa Ming Men Hei Guan Ze Jue (a dharma specifically used to determine the correct or wrong result).” The next lower dharma is the dharma of dropping divine pieces to receive divine instruction, which is at the inner-tantric level. Then, there are lower, outer-tantric dharmas of lot-drawing from a golden vase, rotating a tsampa ball, watching a sacred lake to see the result, and others. This Dharma of Jin Gang Fa Man Ze Jue and the Dharma of Forecasting the Future are the highest dharmas among dharmas of decision by selection to determine the status of either “another person” or “self.” This dharma can only be possessed and commanded by holy ones at the level of great Mahasattvas or higher. Therefore, no great dharma king or venerable one who is not an extremely great holy one can hold and practice this dharma. Even great dharma kings and great venerable ones at the level of Jiao Zun who have the ability of performing inner-tantric initiations do not have the qualification to hold and practice this dharma. Mo Zhi Jiao Zun said, “Although I have just entered the door of holding and performing inner-tantric initiations, I have not touched even the edge of the Dharma of Jin Gang Fa Man Ze Jue. Only a holy one who has the realization of performing holy inner-tantric initiations that are close to the level of state practice can perform the Dharma of Jin Gang Fa Man Ze Jue. Otherwise, one is merely dreaming and far away from doing it.”

Why was this dharma assembly held to determine the status of a Buddha by the Dharma of Jin Gang Fa Man Ze Jue? According to a writing describing the fact by the UIWBAH, the karmic condition rose from the fact that many Buddhists in the world wished to respectfully beseech the contrasting photos of H.H. Dorje Chang Buddha III showing His returning from an aged appearance to a youthful person three years ago. However, H.H. Dorje Chang Buddha III did not agree to that. He thought that these were just ordinary photos and were meaningless for people to have. The discussion lasted three years to 2015. The UIWBAH finally got the agreement from H.H. Dorje Chang Buddha III. His Holiness the Buddha donated the two photos of His to the UIWBAH free of charge with a requirement that the UIWBAH can only sell the photo at a low price to those who wish to get it and must not profit from selling the photo. At the end of October of 2015, the UIWBAH published the contrasting photos of H.H. Dorje Chang Buddha III showing His returning from an aged appearance to a youthful person to the world. This provided people with auspicious and magnificent feelings and abundant joy of Buddha-dharma.

Unfortunately, H.H. Dorje Chang Buddha III wrote a note for the photos and demanded it to be printed at the lower part of the photo sheet. The note mainly stated that He is an ordinary person like everyone else, He is not a holy person, He has no advantage over other people, He does not know the dharma of returning from an aged appearance to a youthful person, and what people saw was a temporary phenomenon due to a medicine given by an elder virtuous one. On the other hand, UIWBAH stated that many people witnessed the real fact that Wang Zha Shang Zun, who is an outstanding one among great dharma kings, publicly practiced a dharma of empowerment. After a short period of a little over 10 minutes, an elder person whose age was over 60 changed into an appearance of a person who was about 30 years old. Wang Zha Shang Zun used this demonstration to show the fact that the dharma of returning from an aged appearance to a youthful person does exist within the realm of Buddha-dharma. Wang Zha Shang Zun said, “My Buddha Master is the universe. I am only a small piece of stone. Even I can empower a cultivator to return from an aged appearance to a youthful person temporarily. H.H. Dorje Chang Buddha III’s realization is millions of times higher than mine. Can you believe that the Buddha Master is an ordinary person?”

Although Wang Zha Shang Zun made the above proof, the speech by His Holiness the Buddha saying that He is an ordinary person just like everyone else made many Buddhist disciples in the world, whose good roots and intelligence are not strong enough, hesitate and be at a loss. They are unsure, with pressure on their mind. All can tell that, in terms of science and causality, how can there exists any miraculous medicine that can completely change a person’s facial features in a short period of a little over 10 minutes? Furthermore, three years have already passed and there is still not even one winkle in H.H. Dorje Chang Buddha III’s face. The skin and flesh on His face are clean and tender with a light ruddy complexion. His appearance is extremely beautiful, handsome, and majestic. Other than a Buddha, how can a Bodhisattva have such extremely beautiful magnificence and how can any medicine create such an effect? Additionally, H.H. Dorje Chang Buddha III’s accomplishments of perfect mastery in both exoteric Buddhism and esoteric Buddhism and at the acme of the Five Vidyas are unmatched and incomparable by any holy one throughout the history of Buddhism. Not even one can be found from looking through history, searching the internet, and exhaustive investigations! How could H.H. Dorje Chang Buddha III not have advantage over others? Ordinary people do not bear any remote resemblance to H.H. Dorje Chang Buddha III. Then, how could H.H. Dorje Chang Buddha III be an ordinary person? On the other hand, should we not listen to His Holiness the Buddha’s speech? Therefore, unintelligent and deluded people feel muddle-headed and do not know what is right.

Considering this situation of cultivators being pressured, the UIWBAH had discussions and decided to provide Buddhists a correct conclusion. For the sake of benefiting living beings, an action that may not respect His Holiness the Buddha has to be taken. Wang Zha Shang Zun, an extremely great holy one at the level of Golden Button Grade 3 or higher, took the lead to practice the Dharma of Jin Gang Fa Man Ze Jue to determine fundamentally whether the Buddha’s status is true or false. Many cultivators wish to know the situation of the dharma assembly that determined the Buddha’s status by the Dharma of Jin Gang Fa Man Ze Jue. The following is a report on that dharma assembly:

On September 5, 2015, the historic grand dharma assembly to determine the status of the Buddha using the Dharma of Jin Gang Fa Man Ze Jue began in a solemn and majestic scene. Wang Zha Shang Zun’s holy arrival was welcomed by Great Holy and Virtuous One Mo Zhi Jiao Zun, Chairman of the UIWBAH Dharma King Gar Tongstan, UIWBAH’s Secretary General Kai Chu Ru Zun, Chief Abbot of the International Buddhism Sangha Association Dharma Master Zhengda, Great Rinpoche Akou Lamo, and several dozens of eminent monks, rinpoches, and dharma masters who were to serve as observing witnesses. They held palms together to greet each other and were seated on the dharma rostrum.

To be fair, the decision by selection was first conducted to verify the status of Sakyamuni Buddha. The beseeching dharma document wrote, “We respectfully beseech a verification from the decision by selection. If Sakyamuni Buddha is truly a Buddha, a crown made by strands of hair will be put on the head. If not, there will be no crown.” First, a portrait of Sakyamuni Buddha was laid on an ordinary four-legged flat table of dark-brown color. Then, a pinch of sand from the Ganges River with the color of light camel wool was picked up and put on the portrait at a spot of hair at the top of the Buddha’s head. Wang Zha Shang Zun began to practice the dharma at a dharma rostrum which was about 13 feet away from the table. After the ritual of knocking the wood fish, ringing the bell, waving the Vajra, performing mudras, and chanting mantras, twelve documents written on yellow papers were burnt. All observing witnesses saw with their own eyes that the sand placed at the spot of hair at the top of the Buddha’s head began to disperse with inconceivable changes. Every grain of sand seemed to be alive. All sand grains moved individually with miraculous transformations to form a crown made of strands of hair, which very naturally and wonderfully stood up above the top of Sakyamuni Buddha’s head. A scene of adding a crown of strands of hair to the Buddha’s top-knot was manifested, proving that Sakyamuni Buddha is a true Buddha.

Immediately after and on the same table, the decision by selection was conducted for H.H. Dorje Chang Buddha III. The beseeching dharma document wrote, “We respectfully beseech a verification from the decision by selection. If H.H. Dorje Chang Buddha III is the incarnation of the primordial Sambhogakaya-Buddha Dorje Chang Buddha, a crown made by strands of hair will be put on the head. If not, there will be no crown.” Wang Zha Shang Zun practiced the dharma following exactly the same ritual as before. After the twelve documents were burnt, the sand of the Ganges River with the color of light camel wool that had been flatly put on the spot of hair at the top of H.H. Dorje Chang Buddha III’s head suddenly had the miraculous transformation of being elevated upward. Sand grains connected with each other to form strands of hair standing in the air. The strands of hair then automatically formed a crown of hair. A 3-dimensional crown was put on the head of H.H. Dorje Chang Buddha III in the portrait, proving that H.H. Dorje Chang Buddha III is a true Buddha coming to the world!

The last decision by selection was to verify whether the Sixth Patriarch Master Hui Neng was a Buddha’s nirmanakaya (meaning emanated body). The beseeching dharma document wrote, “We respectfully beseech a verification from the decision by selection. If the Sixth Patriarch Master Hui Neng is a Buddha’s nirmanakaya, a crown made by strands of hair will be put on the head. If not, there will be no crown.” As before, Wang Zha Shang Zun practiced the dharma following the same ritual and the twelve documents were burnt. Everyone saw that the sand of the Ganges River with the color of light camel wool placed at the top of Patriarch Master Hui Neng’s head had no movement or change at all. Therefore, the conclusion was that Patriarch Master Hui Neng was not a Buddha’s nirmanakaya. So a lower-level status had to be verified by the decision by selection, i.e. to determine whether Patriarch Master Hui Neng was an incarnation of a great Bodhisattva or not. The beseeching dharma document wrote, “We respectfully beseech a verification from the decision by selection. If the Sixth Patriarch Master Hui Neng is an incarnation of a great Bodhisattva, a crown made by strands of hair will be put on the head. If he was not at the level of a Bodhisattva, there will be no crown.” After Wang Zha Shang Zun practiced the dharma, a dharma crown was put on Master Hui Neng’s head. Sand grains formed a crown of hair. However, because Patriarch Master Hui Neng was not a Buddha or a Bodhisattva with universal or wonderful enlightenment, as stipulated by the dharma, the crown of hair did not stand up into the air and become a 3-dimensional crown, but was formed on a flat plane. However, it was very naturally structured and absolutely not something that can be made by humans.

The two sessions of the dharma assembly lasted more than five hours. To show the magnificence and extremely truthful nature of the crowning process through determination by the Dharma of Jin Gang Fa Man Ze Jue, each of the venerable ones, dharma kings, rinpoches, great dharma masters, dharma masters, great laypersons, and others attending the dharma assembly took a test to crown the visage using the sand from the Ganges River. As it turned out, none of the holy and virtuous ones present who are at the levels of Golden Button Grade 2, Golden Button Grade 1, and Blue Button Grade 3 were able to crown the Buddha’s portrait with sand from the Ganges River. There was no manifestation of power of Buddha-dharma to cause miraculous changes. This proved that the great dharma of Jin Gang Fa Man Ze Jue can only be practiced by extremely great holy and virtuous ones at the level of Golden Button Grade 3 or higher. No one else possesses the realization to practice the dharma successfully.

Wang Zha Shang Zun was very dissatisfied with himself for the first session. He said that his cultivation was shallow and lacked merit and virtue and that his own karmic forces caused him not to practice this dharma of decision by selection perfectly. The reality was that a few people in the observing crowd had their karmic forces become visible during the dharma assembly. They caused disturbance in the Buddha hall when they could not control their excitement upon seeing holy states. They shouted loudly and pushed others. Such disrespect toward the holy dharma kept the outcome from being completely perfect. For this reason, Wang Zha Shang Zun decided to hold a second session of the dharma assembly. Before the second dharma assembly started, Dharma King Gar Tongstan made the rules on behalf of Wang Zha Shang Zun. He announced that onlookers could get closer to watch but no one was allowed to speak loudly or push others. All must have the mind focusing on being respectful before moving closer. Then Wang Zha Shang Zun practiced the dharma. The second dharma assembly had a perfect success with extremely magnificent manifestations, proving again that Sakyamuni Buddha is a true Buddha and H.H. Dorje Chang Buddha III is the incarnation of the primordial Sambhogakaya-Buddha Dorje Chang Buddha. In the process, the sand of the Ganges River of the light camel wool color placed at the top of the head exhibited unimaginably miraculous transformation. A lose-hair crown changed into a head-covering crown and a thick-hair crown changed into a thin-hair crown. The strands of hair gathered or separated as required at different places to knit into a naturally perfect crown. Every sand grain had its own independent life. Some walked extremely fast; some wandered around casually; some followed twisted paths; some traveled past the boundary and then came back; and some climbed from the bottom to the top. The sand grains followed each other one by one to form strands of hair that stood into the air without falling. Eventually, a knot was formed to create a perfect crown for the Sambhogakaya-Buddha. Then, Wang Zha Shang Zun snapped a finger to perform a mudra and the strands of hair fell into a pile of sand with no trace left of the crown. Wang Zha Shang Zun issued a dharma decree to distribute the sand of the Ganges River (which became Vajra Sand after the dharma was performed) to all who were present. Every attendee received a share of the Vajra Sand that manifested the holy crown worn by the genuine incarnation of the Buddha.

The situation at the time was that the dharma was practiced with the same table, at the same position, following the same ritual, and using the same sand of the Ganges River. However, the three hair crowns created were completely different. There was one Bodhisattva two-dimensional crown and there were two Buddha hair crowns that were three-dimensional and stood into the air. The latter two were also different from each other in terms of shape and structure.

All attendees on the dharma assembly on that day took an oath to testify for the above reported true facts, “We all attended the dharma assembly for determining the status of the Buddha by the Dharma of Jin Gang Fa Man Ze Jue as practiced by Wang Zha Shang Zun. We clearly understand and believe in the law of cause and effect. What was stated above is true and without any false statement. If we lied to deceive people, we not only will not become accomplished but also will descend into the three lower realms to undergo extremely miserable suffering. If what was stated above is all true, we wish and pray that all living beings be able to learn the true dharma of the Tathagata from H.H. Dorje Chang Buddha III and Sakyamuni Buddha, attain perfect good fortune and wisdom, and become accomplished and liberated to benefit countless living beings.”

(Translated from a news report in Chinese published by Taiwan Times)

Date of publication: 2016–01–27 09:02:57

Article from: http://xuanfa.net/announcements/wbah-announcements/wang-zha-shang-zun-determined-the-genuine-incarnation-of-the-buddha-through-the-dharma-assembly-of-vajra-dharma-hair/

Link: https://peacelilysite.com/2026/01/20/wang-zha-shang-zun-held-the-dharma-assembly-of-jin-gang-fa-man-ze-jue-and-determined-the-genuine-incarnation-of-the-buddha/

#DorjeChangBuddhaIII #MasterWanKoYee #Buddha #SakyamuniBuddha #Incarnation #TibetanEsotericBuddhism #WangZhaShangZun #cultivation #dharma

One Lollipop, One Forest, and the Quiet Power of Kindness

linda changLeave a comment

Recently, I watched a short video that stayed with me far longer than I expected.

The scene took place in a small shop in Pakistan. A robber walked in, grabbed money and a phone, and prepared to leave. Sitting beside the shop owner was a little girl. She looked at the robber calmly, without screaming or hiding, and gently offered him the lollipop she was holding.

For a brief moment, everything seemed to stop.

The robber froze. He looked at the child, then slowly put the money and phone back down. Before leaving, he leaned over and kissed her on the forehead.

I don’t know whether the girl acted out of fear, nervousness, or pure instinct. But her simple, innocent gesture touched something deeply human in him. Perhaps, in that fleeting moment, his life took a different turn.

What moved me most was this realization:
Even those who appear hardened or dangerous may still carry a seed of kindness within them.
And sometimes, it only takes the smallest act to awaken it.

A single lollipop opened a door in the human heart.

Lately, I’ve been noticing more and more of these quiet sparks of goodness appearing around the world.

In the United States, a group of Buddhist monks has been walking on foot, praying for peace. Without slogans or confrontation, they offer presence, humility, and sincerity. Their journey has inspired many people to reflect on peace in a deeper way, and countless strangers have stepped forward to support them.

https://www.usatoday.com/picture-gallery/news/2025/12/23/buddhist-monk-walk-for-peace-passes-through-montgomery/87897028007/

Guided by the teachings of Namo Dorje Chang Buddha III, and with deep respect for the great mercy and loving-kindness through which Buddhas and Bodhisattvas benefit all living beings, the World Buddhism Association Headquarters (W.B.A.H.), Holy Miracles Temple (at Pasadena CA) and Sanger Mission sincerely to carry out Charitable Acts to Benefit Our Community Together: 2026 Food and Goods Drive, to collectively plant goodness. All donations will be sent to support local food banks, homeless shelters, and animal shelters in the Los Angeles area.

I also read about Jon Stewart, who announced an extraordinary donation of $116 million to help address homelessness across the United States—providing housing and dignity to people who have long been forgotten by society. It was a reminder that compassion, when paired with courage, can bring real and lasting change.

And then there is the story that expanded my sense of hope even further.

Johan Eliasch, a Swedish billionaire, acquired approximately 400,000 acres of the Amazon rainforest by purchasing the company that held its logging rights. Instead of continuing operations for profit, he immediately halted all logging activities.

Just like that, the chainsaws stopped.

That vast stretch of forest was allowed to remain intact—continuing to absorb carbon, protect biodiversity, and sustain one of the planet’s most vital ecosystems. His action demonstrated something profound: that private ownership, when guided by conscience, can become a powerful force for environmental protection.

This act of kindness may not be immediately seen by everyone, yet it will have a profound impact on the Earth’s ecological balance—and it is, in its own quiet way, safeguarding a future our children and grandchildren will still be able to breathe in.

From a child offering a lollipop…
to a monk walking for peace…
to a philanthropist sheltering the homeless…
to a forest saved from destruction—

These acts may differ in scale, but they arise from the same source:
the human longing to protect, to heal, and to do what is right.

In Buddhist teachings, compassion is not passive emotion—it is action.
It is wisdom expressed through kindness.

As a new year begins, I sincerely hope we will witness more of these compassionate and righteous choices—choices that quietly warm the world.

May we walk together,
letting kindness extinguish the fires of war,
allowing love to dissolve hatred and conflict,
and using compassion to heal sorrow, fear, and pain.

The world does not change all at once.
But every gentle act—no matter how small—adds light.

And sometimes, that light begins with something as simple as a child’s open hand.

Link: https://peacelilysite.com/2026/01/13/one-lollipop-one-forest-and-the-quiet-power-of-kindness/

Kumbum Monastery: The Sacred Birthplace of a Master and the “Three Wonders” of Tibetan Art

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In the southwestern suburbs of Xining, where the air grows thin and the spirit grows light, stands one of the most significant sites in the Buddhist world: Kumbum Monastery.

Known in Tibetan as Kumbum Jampa Ling, meaning “A Supreme Temple of a Hundred Thousand Lion’s Roar Buddha Images,” this sprawling complex is far more than just a collection of buildings. It is a living monument to Lama Tsongkhapa, the revered founder of the Gelug (Yellow Hat) sect of Tibetan Buddhism.

The Legend of the Golden Tree

Unlike many temples built to house statues, Kumbum was built to house a pagoda.

Legend tells us that Tsongkhapa was born here in 1357. When his mother cut his umbilical cord, drops of blood fell to the earth, and from that spot grew a miraculous sandalwood tree—the “Tree of Great Merit.” It is said this tree had 100,000 leaves, each bearing a natural image of the Buddha.

Years later, when Tsongkhapa was studying in Tibet, his mother sent a letter begging him to return. He replied that he could not leave his studies, but sent a self-portrait and a “Lion’s Roar” image, instructing her to build a pagoda over his birthplace. “Seeing this pagoda,” he promised, “is the same as seeing me.” In 1379, the Julian Pagoda was built, forming the sacred heart of what would become Kumbum Monastery.

Kumbum is world-renowned for its harmonious blend of traditional Tibetan and Chinese Han architectural styles.

1. The Eight Pagodas of Buddha Shakyamuni

Greeting visitors in the front square are eight gleaming white pagodas. Built in 1776, they commemorate the eight great merits and virtues of Buddha Shakyamuni. Each stands 6.4 meters tall, decorated with delicate Sanskrit scriptures and guardian lions, serving as a powerful symbol of the monastery’s spiritual authority.

2. The Grand Golden Tiled Hall

This is the soul of the monastery. With its gilded copper roof and emerald glazed-tile walls, the hall radiates a celestial glow. Inside, you will find an 11-meter-tall golden tower wrapped in white sandalwood and encrusted with jewels. At its peak sits a statue of Tsongkhapa. For pilgrims, meeting this tower is considered a direct meeting with the Master himself.

3. The Main Assembly Hall

Spanning nearly 2,000 square meters, this is the center of monastic life. Under a flat roof adorned with gilded bronze bells and “Aquarius” vases, hundreds of monks gather to recite sutras. The interior is a sensory masterpiece of colorful streamers and intricate carvings.

Dhammapala Hall

The “Three Artistic Wonders” of Kumbum

Kumbum is celebrated throughout Asia for its “Three Arts,” which represent the peak of Tibetan craftsmanship and devotion.

I. Vivid Yak Butter Sculptures

In the freezing depths of winter, when fresh flowers were unavailable for offerings, monks began carving flowers from yak butter. This evolved into a sophisticated art form. In the Yak Butter Sculpture Hall, you can see entire landscapes, pavilions, and deities crafted with impossible detail. To keep the butter from melting while they work, monks must dip their hands in ice water—a true testament to their endurance and faith.

II. Imaginative Barbola (Embroidered Appliqué)

Barbola is a unique form of 3D silk embroidery. By layering silk and cotton, artists create raised patterns that give the figures of Buddhas and animals a lifelike, three-dimensional appearance. The “Sixteen Disciples of Buddha” housed in the Main Assembly Hall are considered national treasures.

III. Exquisite Murals

The walls of Kumbum are alive with color. Using special mineral pigments that remain vibrant for centuries, these murals depict the life of Shakyamuni and scenes from the sutras. During the Sutra-viewing Festival, a massive 30-meter-long Buddha scroll is unfurled on the hillside, a breathtaking sight known as the “Great Buddha Exhibition.”

Kumbum Monastery hosts four major Dharma assemblies annually, held during the first, fourth, sixth, and ninth months of the lunar calendar. These gatherings are a blend of traditional festivals and grand religious events unique to the monastery. During these times, the temple comes alive with sacred activities, including monastic debates, mask dances, and sutra chanting.

A highlight of these fairs is the Cham Dance, where monks wear ornate masks and vibrant costumes, using dramatic gestures to express profound Buddhist teachings to the rhythm of cymbals and suonas (traditional horns). One of the most awe-inspiring sights is the Giant Thangka Unveiling, where a massive, delicate image of Tsongkhapa is unfurled down the mountainside. For the faithful, witnessing this Thangka is considered a direct and holy encounter with the Master himself.

Thangka Exhibition during the Buddha Festival

In July 2006, this sacred temple issued its formal recognition and congratulations to H.H. Dorje Chang Buddha III

United International World Buddhism Association Headquarters:

Under auspicious circumstances, we were happy to learn of the publication of A Treasury of True Buddha-Dharma—Complete Proficiency in Exoteric and Esoteric Buddhism and Perfect Mastery of the Five Vidyas about the Buddha Vajradhara, H.H. Master Yangwo Wan Ko Yeshe Norbu. His Holiness’s outstanding accomplishments are unprecedented. We respectfully send this letter of congratulations and joyfully offer our praise.

His actions and mind are pure, and His good fortune and wisdom are limitless.
He benefits myriad living beings, and His willpower never tires.
His powerful virtue is widespread, and His appearance is completely dignified.
He truly abides in peace and His accomplishments are perfect!

Qinghai Skuvbum Monastery
An auspicious day in July of 2006

Below is the original copy of the recognition letter in Chinese:

Link:https://peacelilysite.com/2025/12/26/kumbum-monastery-the-sacred-birthplace-of-a-master-and-the-three-wonders-of-tibetan-art/

Source: https://www.chinadiscovery.com/qinghai/xining/kumbum-monastery.html

Recognitions & Congratulations to H.H. Dorje Chang Buddha III from Father of Medicine, Ferryboats, Bridges, and Operas in Tibet in a Previous Life: H.E. Dharma King Tangtong Gyalpo

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Recognitions and Congratulations to H.H. Dorje Chang Buddha III from Father of Medicine, Ferryboats, Bridges, and Operas in Tibet in a Previous Life: H.E. Dharma King Tangtong Gyalpo

Recognitions-Congratulations-to-H.H.-Dorje-Chang-Buddha-III.

A Buddha Truly Recognized as Such in Accordance with the Dharma

The people on both sides of H.H. Dorje Chang Buddha III on this page are the highest present-day dharma kings and regent dharma kings from various Buddhist sects or are famous rinpoches. It is they who wrote recognitions, corroborations, or congratulations to H.H. Dorje Chang Buddha III.

H.H. Dorje Chang Buddha III is the first Buddha on earth to have received such a large number of recognitions, corroborations, and congratulations and to have been recognized as having the highest status! No other Rinpoche on earth has ever received even one third of the number of recognitions, corroborations, and congratulations from great dharma kings, regent dharma kings, etc. that H.H. Dorje Chang Buddha III has received. H.H. Dorje Chang Buddha III has singlehandedly manifested accomplishments in thirty large categories involving all of the Five Vidyas, thereby establishing the highest record of accomplishment in the history of Buddhism in this world.

Certain evil people have slandered H.H. Dorje Chang Buddha III as having conferred upon Himself the status of H.H. Dorje Chang Buddha III, and they have thereby guided Buddhist practitioners toward evil. In order to protect the wisdom roots of living beings, H.H. Dorje Chang Buddha III makes the following vow of truth: “If those recognitions, corroborations, and congratulations that follow did not come from the dharma kings, regent dharma kings, and rinpoches whose photographs appear on this page of from their temples and/ or are not copies of the original texts but rather are my fabrications with forged signatures – if even one such case exists – then i should descend into hell without the possibility of ever leaving hell. If those recognitions, corroborations, and congratulations were written or typed by them as well as signed and/ or stamped by them, the merit of this truth will bring to everyone wonderful blessings and wisdom! Vow Maker- Dorje Chang Buddha III“

  • FATHER OF MEDICINE, FERRYBOATS, BRIDGES, AND OPERAS IN TIBET IN A PREVIOUS LIFE: H.E. DHARMA KING TANGTONG GYALPO

H.E. Tangtong Gyalpo is a greatly accomplished person within Tibetan esoteric Buddhism who attained the rainbow body. In a prior life in Tibet, he was the supreme dharma king of the four main sects esoteric Buddhism. He is a great Bodhisattva known and respected by one and all in Tibet. He is also a person of great holiness who has made huge contributions to the Tibetan people. It was this great Bodhisattva who was the father of medicine, ferryboats, bridges, and operas in Tibet. To this day, Tibetan temples and families continue to worship H.E. Tangtong Gyalpo Bodhisattva.


H.E. the 16th Tangtong Gyalpo Bodhisattva (Thangtrul Rinpoche) took birth in Bhutan. His physical appearance resembles that of Guru Padmasambhava. Even when he sleeps, his eyes remain open. During a Dharma Assembly that took place in 2005 at Hua Zang Si in San Francisco, he entered a supernatural state of samadhi in which he saw H.H. Dorje Chang Buddha. H.E. Tangtong Gyalpo said to H.H. Dorje Chang Buddha III that he had received teachings directly from Guru Padmasambhava. He also said that he specially came to formally acknowledge H.H. Dorje Chang Buddha III as his Master and to request the highest dharma in order to save living beings. H.H. Dorje Chang Buddha III immediately accepted H.E. Tangtong Gyalpo as one of his disciples who is on the level of a great venerable one and performed an initiation for him. H.E. Tangtong Gyalpo organized many rinpoches to practice the Kuan Yin Dharma one billion times as an offering to the treasure book about H.H. Dorje Chang Buddha III. He also sent his written congratulations stating that the magnificence of H.H. Dorje Chang Buddha III is supreme and that no other holy being in history can compare with this master of the Buddhas.

H.E. Dharma King Tangtong Gyalpo, the Father of Medicine, Ferryboats, Bridges, and Operas in Tibet in a previous life, acknowledged H.H. Dorje Chang Buddha III (H.H. Dharma King Wan Ko Yeshe Norbu) as his Master, who is unanimously recognized by great holy beings as the true incarnation of Dorje Chang Buddha, the Master of the Five Buddhas, having manifested complete mastery of exoteric and esoteric Buddhism and the Five Vidyas.
H.E. Dharma King Tangtong Gyalpo, the Father of Medicine, Ferryboats, Bridges, and Operas in Tibet in a previous life, acknowledged H.H. Dorje Chang Buddha III (H.H. Dharma King Wan Ko Yeshe Norbu) as his Master, who is unanimously recognized by great holy beings as the true incarnation of Dorje Chang Buddha, the Master of the Five Buddhas, having manifested complete mastery of exoteric and esoteric Buddhism and the Five Vidyas.
Recognition and Congratulation to H.H. Dorje Chang Buddha III from H.E. Dharma King Tangtong Gyalpo

United International World Buddhism Association Headquarters:

Please convey my respects to H.H. Master Wan Ko Yeshe Norbu!

During a Dharma Assembly held by the International Buddhism Sangha Association at the Hua Zang Si temple in San Francisco, I saw the awe-inspiring and peerless powers and realization of the Master. Bodhi nectar went through the walls of the bowl unhindered as it left and entered the bowl. That nectar can make a person’s body change involuntarily in an instant. H.H. Dharma King Wan Ko Yeshe Norbu bestowed upon me that holy bowl. H.H. Dharma King Sakya Trizin; Dharma King Omniscience Jamyang Lungdok Gyaltsen; Lama palchug Ugyen Sherab; Dharma King Renzeng Nima; the Eastern Tibetan Dharma King of the Nyingma sect, Renqing Rongbo Barongbo Rinpoche; the Green Jewel Crown karmapa, Dharma King Jiezong; and other great, holy and virtuous beings who are on the levels of Buddhas and Mahasattvas unanimously acknowledge that H.H. Wan Ko Yeshe Norbu is the true incarnation of Dorje Chang Buddha, the Master of the Five Buddhas, and has for the first time in the history of Buddhism in the human realm truly manifested complete proficiency in exoteric and esoteric Buddhism and perfect mastery of the Five Vidyas. This is a goal of Buddhism that all other Buddhists have not been able to achieve. This goal has finally been achieved by H.H. Master Wan Ko Yeshe Norbu. This is an honor to Buddhism and a blessing to living beings.

May the seven types of Buddhist disciples hear the true dharma taught by H.H. Great Dharma King Wan Ko Yeshe Norbu, and may they soon realize enlightenment!

I respectfully offer my congratulations!

The 16th Khangtrul Rinpoche
Dec 26,2006

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Listening to the Dharma: A Treasure Greater Than Gold

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This ancient Buddhist narrative reveals a timeless truth: the value of spiritual wisdom far outweighs any material wealth. It is a powerful reminder to cherish the opportunity to hear and practice the true teachings.

The story begins with the aunt of Shakyamuni Buddha. Out of deep love and devotion, she wove a magnificent robe for him, intricately threaded with gold. It was a labor of heart, an offering fit for an enlightened one.

Yet when she presented it, the Buddha gently advised her to give the robe instead to the entire monastic community—the Sangha.

This puzzled her. The garment was made especially for him. Why give it away?

The Buddha explained with compassion:

“The Field of Merit provided by the Sangha is vast and boundless. Offer it to them, and the virtue you gain will be immeasurable. To give to the Sangha is to give to me.”

Moved by this wisdom, she offered the robe to the monks. Out of humility, none dared to accept it—except Bodhisattva Maitreya, the future Buddha.

Wearing the golden robe, Maitreya went into the city to receive alms. His majestic presence, radiant in that resplendent garment, astonished the townspeople. They were mesmerized—so much so that they forgot to offer him food.

Among them was a master bead-stringer. Captivated, he invited Maitreya to his home for a meal. Afterward, he requested a Dharma discourse.

The artisan listened with such joy and absorption that he forgot everything—including an urgent commission from a wealthy patron who had paid him generously to craft a wedding ornament worth one hundred thousand coins.

When the client’s messengers arrived repeatedly to collect the finished piece, they found him entirely engrossed in listening to the teachings. Enraged, the wealthy man demanded back his jewels and the full down payment.

The artisan’s wife was devastated. Facing such a financial loss, she scolded him bitterly:

“By simply finishing that order, you would have earned a great fortune. Instead, you threw it all away listening to philosophy!”

The artisan felt a wave of regret wash over him.

Sensing this inner turmoil, Maitreya gently asked, “Will you come with me to the monastery?”

The artisan nodded.

Back at the monastery, Maitreya posed a question to the venerable Arhats:

“Which carries greater merit: listening to the Dharma with a joyful heart, or earning a great fortune?”

One by one, the senior monks affirmed that nothing can compare to the merit of hearing the true teachings.

Venerable Kaundinya declared:

“Receiving ten thousand pounds of gold cannot compare to offering even a single bowl of food to a virtuous practitioner. And listening to the Dharma with pure faith—even for a moment—surpasses that merit by hundreds of millions of times.”

Four other Arhats repeated this profound truth.

Finally, Maitreya asked Venerable Aniruddha why this was so.

Aniruddha replied:

“In a past life, I offered just one bowl of food to a Pratyekabuddha. Because of that single offering, for ninety-one world cycles I was reborn as a Heavenly Emperor and a human King, enjoying peace and prosperity. In this life, I was born into the same clan as the Buddha, and came into this world with a natural treasure field forty li wide.”

Hearing this, the bead-stringer felt his regret dissolve. Joy filled his heart. He understood the treasure he had received was far beyond the hundred thousand coins he had lost.

This ancient story is far more than a tale. It invites us to reflect deeply on the power of the Dharma.

Listening to the Truth is not merely an intellectual exercise.
It opens the heart.
It awakens wisdom.
It strengthens the willpower needed to transform our deepest flaws and afflictions.

Material wealth is limited and fleeting.
The merit gained from receiving the Dharma is limitless, enduring, and life-changing.

And yet the opportunity to listen does not always come easily. Conditions shift. Circumstances change. None of us can guarantee the next moment of life, much less another chance to sit peacefully and hear teachings that can liberate us from suffering.

When the causes and conditions ripen—when the Dharma reaches our ears—we must listen wholeheartedly.

We must not assume tomorrow will come.
We must not assume our hearts are already pure.
We must not assume we know enough.

The greatest freedom comes only when we break the cycle of birth and death and attain effortless liberation. Every moment of listening, every spark of understanding, moves us closer to that awakening.

This story encourages us to treasure every opportunity to hear the teachings, to recognize that spiritual wisdom is the greatest wealth of all, and to remember that even a moment of true Dharma listening can bring blessings far beyond the measure of gold.

In this Dharma-ending age, we are truly blessed that an ancient Buddha has come into our world to reveal the authentic, uncorrupted Dharma. The recorded discourses of H.H. Dorje Chang Buddha III guide practitioners through a clear and progressive path of cultivation, offering incisive teachings that encompass the essence of the twelve divisions of the Tripitaka and the ten divisions of the esoteric scriptures. Nothing is diluted or lost—each teaching preserves the profound meaning of both the exoteric and esoteric Dharma. These discourses illuminate an extraordinary range of topics, from the principles of the Trikaya and the Four Wisdoms of a Buddha to the supreme vajra Dharma of the highest division. They reveal the true realization of the Great Perfection of Ultimate Wisdom, and through the Xian Liang Buddha Wisdom Great Perfection Dharma, disciples may even personally witness the rainbow-body state on the very day the Dharma is transmitted. In both theory and practice, the teachings of H.H. Dorje Chang Buddha III stand complete, perfect, and unparalleled—an immeasurable blessing in this age of fading Dharma.

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The Real Buddha Master Who Possesses Buddha-Dharma

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        The moment I heard that I would be going with Venerable Dharma Teacher Long Hui to Los Angeles, unspeakable joy arose in my heart. On the way to Los Angeles, a rainbow suddenly emerged from the drizzling sky, emitting beautiful lights of various colors. A white celestial crane seen in the distance flew near and landed at the side of the freeway gazing at us, as if paying us respect. All of these signs expressed auspicious blessings. I strongly sensed that what I had wished for so long was about to come true.

        A notice arrived in the afternoon of December 28th. From Venerable Dharma Teacher Long Hui’s somewhat tense facial expression, I could tell this must be the time for me to pay my respects and visit the Buddha Master. Just as expected, when we stepped into the mandala, I saw H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata sitting upright on the dharma platform. His Holiness appeared so dignified and had an expression of loving-kindness. As I sincerely prostrated myself to H.H. Dorje Chang Buddha III, all I heard was the cordial voice of His Holiness telling everyone to come sit toward the front. I sat beside Venerable Dharma Teacher Long Hui. Dharma Teacher Jue Hui and Dharma Teacher Ruo Hui also sat with us.

        Venerable Dharma Teacher Long Hui reported to the Buddha Master regarding the Buddhist chanting work that had taken place at Hua Zang Si over the past two months. Next, the Buddha Master called my name: “Fa Hai, proceed with what you want to say.” Without knowing why, my mind went totally blank. I felt that my entire body was soaking in a kind of freshness. I remained kneeling with a very straight back, as if I had entered a state of meditation. At this time, I only heard the Buddha Master say, “It is all right. Just speak directly!” Yet, I still could not speak and was silent for another eight or nine minutes. I could sense that the Buddha Master was patiently waiting. Finally, a sound floated out of my mouth: “My karmic affinity with the Buddha Master should have begun ten years ago. Because I could not come to America, I was not able to visit His Holiness. I finally got a visa last year. Only this year did I have the opportunity to visit Hua Zang Si, where I respectfully listened to recorded dharma teachings of the Buddha Master. For more than one straight month, I have listened to the recorded dharma discourses without the slightest sense of tiredness. 

        This has been the most beneficial and rewarding time of my entire life. The beneficial effects I have experienced can never be expressed in words. I bring my body, speech, and mind to respectfully visit the Buddha Master at this time. Today, I would like to specially request a great dharma from H.H. Dorje Chang Buddha III. I would not hesitate to leap into boiling water or walk on fire in order to obtain this great dharma. I am willing to undergo any test in order to obtain such dharma. I am even willing to sacrifice my own life. It might sound like I am exaggerating, but I truly can do such things.”

        Perhaps because I was too nervous or focused, I unexpectedly was not able to express exactly what I meant to say. However, I silently told myself that the Buddha Master definitely understands what I am trying to express and what dharma I am requesting. I still remember that I fasted for a full 21 days in the Philippines in order to obtain this great dharma. This is because I am very aware that in this world only H.H. Dorje Chang Buddha III can accomplish this task and announce to the world this great dharma in order to demonstrate the brightness of Buddha and enable the correct dharma to exist in this world forever.

        At first, the Buddha Master did not answer my request directly but gave us a profound and important discourse. Only afterward did I realize that this discourse was actually the beginning of His Holiness’s response to my question. His Holiness specifically pointed out the various kinds of confusion and mistakes that have appeared within Buddhism in this current Dharma Ending Age. Some Buddhist sutras contain serious mistakes. What is even more serious is that there are some so-called eminent monks and great virtuous beings who, due to their erroneous understanding and views, seriously misguide others when giving discourses on the dharma. What is even sadder is that believers who do not understand the truth still fanatically follow them and prostrate to them in worship. H.H. Dorje Chang Buddha III does all He can to correct these heretical ideas and views. However, being limited by the karma of living beings, H.H. Dorje Chang Buddha III feels that it is very difficult to change the current situation despite His wish to do so. The Buddha Master gave some examples of these heretical ways within both esoteric Buddhism and exoteric Buddhism. These very worrisome examples left me not knowing whether to laugh or cry.

       

After finishing the discourse, the Buddha Master said to me directly, “Fa Hai, you did not say what great dharma you want to request. Let me say it for you. The dharma you want to request is to film a movie of the Buddha. There really is no one else besides me who can do this because I completely understand the teachings of the Buddha. I can write the script. This movie must be filmed. The only thing is that the karmic conditions this year are not quite mature enough because the script needs to be written and actors need to be found, especially actors who are qualified. As for funding, as long as there is a script, there will be people who will sponsor and invest. Besides, the movie of the Buddha will not be filmed as one undivided whole but will be divided into a series of 100 parts or episodes. Perhaps this is really the right channel. After all, the influence of a book is limited as it reaches fewer people than a movie, which has much more of an international impact. In addition, when we do this, many problems might be solved. We might even be able to build several temples this way!” At this moment, I understood that the discourse just given by H.H. Wan Ko Yeshe Norbu Holiest Tathagata on the current chaotic situation within Buddhism illustrated that it is impossible for anyone else to write in a script the authentic doctrines of the Buddha.

        Listening to this point, I was really shocked in my heart. I used to pay respect and visit many eminent monks and great virtuous beings. I requested from them great dharma. None of them knew what this great dharma in my mind was that I wanted to request. H.H. Dorje Chang Buddha III is truly magnificent. I did not reveal in the slightest what great dharma I wanted to request. Nonetheless, what His Holiness stated was the exact great dharma in my mind that I wanted to request.

        His Holiness then said, “Fa Hai, when you come back from mainland China, I will transmit to you dharma according to the formal rituals of Tibetan esoteric Buddhism. You still have some negative karma. At that time, I will perform an initiation for you and eliminate your karmic hindrances. You will see.” I was totally engulfed in the joy of the dharma. The Buddha Master further said, “On your way here, the rainbow and the celestial crane you saw augured that your future undertakings will be bright. However, behind the brightness lurks darkness, and there are twists and turns on the path. We will soon face some attacks and slander, although those who commit the slander will all end up losing. When A Treasury of True Buddha-Dharma is published, no force can obstruct or destroy us because what is in that book are facts.” The Buddha Master finished by saying, “The movie of the Buddha definitely has to be filmed. You see, Fa Hai, your wishes have all been fulfilled. How fortunate you are!”

        Actually, there are no words that can express my happiness. There are also no words that can express my gratitude toward H.H. Dorje Chang Buddha III.

        I only want to respectfully offer to the Dorje Chang Buddha III my most beautiful spirit, my most beautiful melody, my most beautiful singing voice, and my best wishes. May all those who hear this beautiful melody and singing voice be happy. 

        I would like to express my special thanks to an anonymous person who ten years ago sent me an express mail package in which a yellow silk scarf was wrapped around the book The Fruits of Pious Devotion and CD’s that had a picture of H.H. Dorje Chang Buddha III on their covers. It is because of this present that seeds planted ten years ago have borne fruit in the form of my taking refuge in the His Holiness as my Buddha Master and in the form of my witnessing the magnificence of the Buddha-dharma. 

        Everything I described above is true. I am a Buddhist nun. I accept the karmic responsibility for my words. If what I have stated is false, I will descend into the Vajra Hell. If what I have stated is true, I would like to dedicate the resulting merit to all living beings in the dharma realm so that they will soon realize enlightenment. 

Respectfully written by disciple Fa Hai Shi 
December 30, 2006

       

The above account was written by Fa Hai Shi. We three humble Buddhist nuns provide the following testimonials.

Encountering an Unusual Occurrence

        Basically, whenever people pay their respects and visit H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata, they make good use of their short meeting time by posing prepared questions or by requesting the transmission of dharma. Some groups have really made the best use of their time by requesting answers to problems that have arisen.

From left to right: Ruo Hui Shih, Long Hui Shih, and Jue Hui Shih

        However, there was one particular occasion in the afternoon of December 28, 2006 when a dharma teacher from the Philippines, Fa Hai, came to the mandala from thousands of miles away. This was the first time she was granted an audience with H.H. Dorje Chang Buddha III. When H.H. Dorje Chang Buddha III asked her what question she had, I saw that Buddhist nun take a deep breath. She then unexpectedly remained silent as she stared at the Buddha Master with open eyes, sometimes lowering her head. Perhaps all of this was due to nervousness or other factors. At this time, the Buddha Master also did not speak. Seconds and then minutes passed by in silence. Then, that dharma teacher sighed once more and straightened her back, still looking at the Great Dharma King without uttering a sound. Strangely, Dorje Chang Buddha III also remained silent. A moment later, she sighed for the third time but still did not reply to the Buddha Master. The duration of this silence lasted more than eight minutes. This kind of situation had never happened before.

        Finally, the dharma teacher spoke. She said she had come with a wish to request a great dharma. If her wish to obtain this great dharma were fulfilled, she said she would dedicate her life to the Buddha-dharma and living beings, even if it meant sacrificing her life. After uttering such words, she again fell into silence without mentioning what dharma she wished to request.

        At this time, Dorje Chang Buddha III said, “Do not say anymore. I will give you a discourse.” The Buddha Master pointed out what request was in the mind of this Buddhist nun. That discourse not only enabled us disciples who were there to once again witness the supernatural powers of H.H. Dorje Chang Buddha III, it also enabled us to understand precious dharma principles. 

        Because I took Dharma Teacher Fa Hai to pay her respects to H.H. Wan Ko Yeshe Norbu Holiest Tathagata, I was there and personally witnessed everything that happened. Everything I described above is true. If what I have stated above contains false words, may I never become accomplished in the dharma. If what I have stated above is true, I dedicate the resulting merit to all living beings so that they may soon hear the correct dharma and soon attain liberation and accomplishment. 

Buddhist disciple Long Hui Shih

        I was present at the time. I hereby confirm that what is stated above is true. If what is stated above is false, I am willing to descend into hell and experience negative karmic retribution. If everything stated above is true, I dedicate the resulting merit to all living beings so that they may soon hear the correct dharma and soon realize enlightenment. 

Buddhist disciple, Jue Hui Shih

        Everything stated above is true. If what is stated above contains false words, I will not become accomplished in the dharma and will become impoverished and miserable. If what is stated above is true, I wish to dedicate the resulting merit to all living beings so that they may always see Buddha and attain liberation. 

Buddhist disciple, Ruo Hui Shih

(This is a complete translation of the Chinese text that follows originally written and signed by Fa Hai Shih, Long Hui Shih, Jue Hui Shih, and Ruo Hui Shih.)

Reposted from《The Treasure Book H.H. Dorje Chang Buddha III》  p.172-175

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Vincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III Compared. Whose Artwork is the Best?

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Forwarded Article-- Vincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III Compared. Whose Artwork is the Best?

Vincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III Compared. Whose Artwork is the Best?

Please see below the answer of whose work is the best amongVincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III

I have spent more than 60 years of my professional life in the field of painting. During the many decades of practice and experiences, I have come to know many famous painters. That is especially the case since I became the Head Consultant for authenticating paintings and calligraphy at the National Museum of China in Beijing. As an appraiser and authentication officer of paintings and calligraphy, the bulk of my work is to verify the authenticity of Eastern and Western paintings. I have reviewed tens of thousands of famous paintings, especially the rare and precious works of the maestro Vincent van Gogh of the Netherlands, and those of the champion of Eastern paintings, Qi Baishi of China.

Both Van Gogh and Qi Baishi were great world-renowned masters in art. One represented the apex of Western art and the other was a master of an extreme class in the field of Eastern paintings. Both artists had drawn from the essence of the classical traditions of their respective cultures. They created new styles of art and new ways of seeing the universe. They broke new grounds and became pioneers of new eras, each becoming a creative guru of his time, developing a distinct style of his own and leading new trends that inspired later generations. Their works reflect the different essences of the Eastern and Western traditions. To what extent can their works influence the artistic civilization of the world? What kind of artistry did they achieve that made them upright monuments in art history and admired by so many people?

Vincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III Compared. Whose Artwork is the Best?

Some art critics compared the works of Van Gogh and Qi Baishi to see which of them reached a higher level of accomplishment. They concluded that both have their own merit, both are undefeated champions in the art and both reached the pinnacle of artistry. Recently, some art critics also brought up the oil painting Sunflowers and the ink-wash painting Sunflowers, both created by H.H. Dorje Chang Buddha III, and gave them rave reviews. They went on to compare the works by Vincent van Gogh and Qi Baishi with the works by H.H. Dorje Chang Buddha III, trying to establish which of the three artists is the champion of the champions. The result of comparing the works by Van Gogh, Qi Baishi and H.H Dorje Chang Buddha III is tremendously inspiring.

Ever since the Renaissance, Western artists had placed emphases on rational analysis and the realist portrayal of forms. They used light, texture and details to present the realistic, three-dimensional perspective. A few centuries later, Van Gogh rejected the monotony of such use of light and shadow and the realistic portrayal of figures.  He pioneered the movement of impressionism that suited him well by applying a mix of colorful, brilliant, splendid and vigorous brushstrokes. He became a great master of his time and his name was forever etched onto the monument of Western civilization and art.

Whenever people think of Van Gogh, they think of his unique character, the sparkles in his eyes that emit lightning, his vigor and his incessant pursuit of inspiration in art without any regard to external hardships. Van Gogh was an artist by birth. He was of exceptional confidence and was somewhat neurotic. Having such traits, he pursued the art that he loved without any reservation or hesitation. He loved his works and regarded everything else with disdain. He preferred to be a loner in the world and did not care to make acquaintance of other painters of his time. His works are full of luminous colors, the brushstrokes are like rising winds and racing clouds in the sky. In his art, he depicted pasture, figures, flowers and other subject matters with brisk colors. Every brushstroke was transformed from his inner emotions. Such emotions were fully and colorfully captured in his Self-Portrait as well as in the transcendental Sunflowers that he painted. These works contain an animated spirit that is deeply moving.

From Van Gogh’s artistic spirit and intent, we can detect that he was profoundly knowledgeable about Chinese ink-wash paintings. Precisely because of this, while depicting forms and applying colors, he employed the skills of using the center tip of the brush and parallel brushstrokes. His Still Life with Bible was created with parallel brushstrokes. In his Self-Portrait, he portrayed his face filled with lines and plaques that are extraordinary. It is not hard for us to discover that he drew inspirations from the substance and essence of Chinese painting in those brushstrokes. That is why Van Gogh is such a distinguished, unparalleled artist of his time and his works are superior to those by the other Western oil painters such as Cezanne, Gauguin or Picasso of the same era.

Van Gogh’s artistic style was closely linked not only to Chinese civilization in the East, but also to the classical Renaissance art, Pointillism, German Expressionism, and Impressionism in the West. Toward the end of his life, he came into oneness with the universe and immersed himself in a carefree state of mind to “follow wherever nature might lead.” As such, he was no longer aware of his own existence. In his mind, there was only the art and the universe. “Following where the nature may lead” is the essence of the ideology of the Chinese philosopher Laozi. Van Gogh cut off his ear with a knife. He lost himself completely in painting. That was his unspoken resentment and rejection of the unfair treatment imposed on him by the society.

Qi Baishi was profoundly knowledgeable about impressionist, fauvist, and realist paintings. By adopting the essence of Western painting and incorporating the traditional spirit of Eastern art, he developed his unique style and became the master of Chinese painting of the twentieth century. His brushstrokes were solid and poised, evincing a sense of power that went all the way through the paper. Using sheep-hair brushes, he elicited calligraphic skills to create his paintings. Qi Baishi’s lines are bold and robust, embodying a forceful spirit that can move mountains. At the same time, these lines are flexible, sturdy and round, with similar qualities to the lines of wire-drawing. His compositions emerged naturally from the spontaneous movement of the brushes. Such compositions are accompanied by vigorous calligraphy resembling the strength, power and fluidity of stone inscriptions.

The artistic concept of spontaneously “following where nature may lead” is precisely derived from Laozi’s philosophy and the artistic civilization of the Chinese ethnicity. Qi Baishi favored the use of white space in his paintings. The white space in black-and-white Chinese ink-wash paintings is considered a solid color. Ink can be differentiated in nine shades (or five shades according to ancient Chinese text.) That is to say, the white of the paper per se and the black of the ink are all considered as colors. There is a sense of meticulous precision in the artworks by Qi Baishi. He depicted insects such as grasshoppers, mantises and butterflies in meticulous and vividly colorful ways. In some of his artworks, the artist was able to express his ideas by putting down just a few brushstrokes without any conscious intent, while arriving at a state of oblivion of his own existence.  Anything depicted by his brushes was vivid and vibrant, with the subject matter coming alive on the paper. There is an aura that moves our heart and soul. All in all, Qi Baishi’s paintings were executed with a confident brushwork that naturally achieved a kind of childlike charm.

Recently, some people compared the works by Van Gogh and Qi Baishi with the works by H.H. Dorje Chang Buddha III to see whose works are more superior and outstanding, or will have a broader and more far-reaching influence on later generations. I have viewed quite a lot of the artworks by Van Gogh, Qi Baishi and H.H. Dorje Chang Buddha III. I started the study and appreciation of the paintings by Qi Baishi under the enlightening guidance of my teacher when I was 9, and when I was 14, I began to study and appreciate the works by Van Gogh. It has since been several decades!

At the same time, since I have admired the art of H.H. Dorje Chang Buddha III for a long time, to satisfy my desire and wishes I flew from New York to San Francisco to visit the International Art Museum of America, and to Los Angeles to visit the H.H. Dorje Chang Buddha III Cultural and Art Museum in order to see their collections. I was profoundly impressed by the architecture of both museums which is grand and dignified. Both museums have a collection of the authentic works by H.H. Dorje Chang Buddha III. There are various artworks that are created with different kinds of material. Some are bold and forthright, some are charmingly meticulous and astounding. The oeuvre is not made up of just one single style.

Yet, the only artwork that was not available for viewing is the Sunflowers painted by H.H Dorje Chang Buddha III. When I hear that some art critics are comparing the works by Van Gogh and Qi Baishi with the works by H.H. Dorje Chang Buddha III, I naturally feel, from my experience of having studied the works by Van Gogh and Qi Baishi for a number of decades, that although their artistry are similar in levels, it is possible to say who is the best if we are just to compare the sunflowers painted by the three artists, when we include in the compositions, colors, brushwork, lines, vitality, spirit and so on. With all these elements in consideration, it is possible to do the comparison and conclude who painted the best, or in other words, whose works can bring the most joy and delight to people, or whose art will be most influential to the philosophy, artistic concept and entire civilization of this world.

Therefore, without any ambiguity, we concluded. In terms of character and morality, Van Gogh would be the last of the three. In terms of level of skills, Qi Baishi would also be ahead of Van Gogh, who is, however, already the cream of the crop in western civilization. Being the Buddha living in the current century, H.H. Dorje Chang Buddha III saves living beings with great loving compassion. He is not embodied in an ordinary being. Needless to say, the level of cultivation of the Buddha is superior to that of Van Gogh and Qi Baishi. In terms of creativity and painting skills, how can any ordinary being even hold a candle to the Buddha? In this way, the comparison result is immediately determined.

When those art critics carried out the detailed research of the Sunflowers by Van Gogh and Qi Baishi as well as H.H. Dorje Chang Buddha III, they copied the artworks by all three artists. After copying the works by Van Gogh and Qi Baishi, they felt deeply that through hands-on practice, they indeed gained more understanding of their works. It would not be easy but not so difficult either for one to really reach their artistic level. As for the Sunflowers by H.H. Dorje Chang Buddha III, they found it rather difficult to copy.  Even though they tried many times, they had a hard time just copying the form, let alone the spirit.

The Sunflowers by H.H. Dorje Chang Buddha III clearly show the artist’s solid foundation and prolific skills in the Eastern and Western painting traditions. They comprise the essences in both traditions and display a brushwork, sentiment and colors that are one of a kind. The color tones and brushstrokes are rich, dense, soothing and elegant. Lively brushwork paints an animated charm that is whole, evincing a miraculous and expansive spirit and aura as well as a strong vitality. As for the Sunflowers oil painting in which H.H. Dorje Chang Buddha III depicted some flowers inside a vase, the artistry is extraordinary and full of variations; the composition is simple yet abstruse. The flowers are natural and gracious, such that they give an impression of unpredictability, reaching a state of oneness with the universe and emanating a sharp animated spirit.

The ink-wash painting Sunflowers by H.H. Dorje Chang Buddha III has an uninhibited, natural, and spontaneous brushwork that is dense, bold, and robust, but also elegant and agile. It exhibits a charm that is like stone and bronze inscriptions. Overall, the whole painting manifests a harmonious and moving imagery, naturally emanating a lively vivaciousness and a carefree, spirited aura.

In comparing the works by Van Gogh of the Western civilization, Qi Baishi of the Eastern culture, and H.H. Dorje Chang Buddha III, we can see the artists are distinguished in their unique own ways owing to their different cultures. However, only the artist who can continue to influence the world two to three hundred years from now will be the everlasting monument.  There is a saying, “Talents emerge in every era and they all will each have 500 years of fame!”  For people of the present day, the one whose work you like the best would be the one that is the most extraordinary!

Please see the contrast of six paintings below:

Sunflowers by Van Gogh (1)
Sunflowers by Van Gogh (1)
Sunflowers by Van Gogh (2)
Sunflowers by Van Gogh (2)
Sunflowers by Qi Baishi (1)
Sunflowers by Qi Baishi (1)
Sunflowers by Qi Baishi (1)
Sunflowers by Qi Baishi (1)
Ink-wash Painting Sunflowers by H.H. Dorje Chang Buddha III
Ink-wash Painting Sunflowers by H.H. Dorje Chang Buddha III
Oil Painting Sunflowers by H.H. Dorje Chang Buddha III
Oil Painting Sunflowers by H.H. Dorje Chang Buddha III

Jiguang Lin

October 26, 2018

Vincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III Compared. Whose Artwork is the Best?

Link: https://dharma-hhdorjechangbuddhaiii.org/vincent-van-gogh-qi-baishi-and-h-h-dorje-chang-buddha-iii-compared-whose-artwork-is-the-best/

#DorjeChangBuddhaIII #VincentVanGogh #QiBaishi #Art #ArtComparison #MasterArtists #ChinesePainting #WesternArt #ArtHistory #HighValueArt

Museum Celebrates Unprecedented “A Rock of Horizontal Charm” Display with Complimentary Admission

linda changLeave a comment

West Covina, CA (PRWEB) June 01, 2017

The H.H. Dorje Chang Buddha III Cultural and Art Museum is pleased to announce its exhibition of “A Rock of Horizontal Charm“, a masterpiece of Yun Sculpture that embodies the spirit of art in a truly dis-tinctive way. In honor of this extraordinary form of art, the museum is offering free admission to the public for a limited time.

“A Rock of Horizontal Charm” was created by the world-renowned and internationally-revered highest leader of Buddhism, H. H. Dorje Chang Buddha III. The Yun Sculpture is a piece of original artwork that expresses a unique set of qualities. Various art experts and professors who have viewed the sculpture art say it has surpassed natural beauty and represents a level of perfection that extends well beyond what can be described as superb craftsmanship or inspired artistry.

The H.H. Dorje Chang Buddha III Cultural and Art Museum is exhibiting A Rock of Horizontal Charm, an unparalleled masterpiece of Yun Sculpture. For a limited time, visitors can receive free admission to the museum and witness the unsurpassed natural beauty of the superb sculpture art first hand.

When viewed from different angles, the Yun Sculpture’s colors, structure, and atmosphere change completely, inexhaustibly transforming in unpredictable ways. Furthermore, it possesses multidimen-sional spatial structures that are complex yet delicate and intricate, and exquisite to the utmost. In addi-tion, its colors—kaleidoscopic and majestic, yet mature and assured—manifest a supernatural, visionary beauty. “A Rock of Horizontal Charm“, alone, is so endlessly variegated that it provides thousands of beautiful vistas.

The astounding beauty of this amazing sculpture art goes far beyond mere words. Therefore, it is no surprise that it has distinguished itself as the “emperor” of the four great Yun Sculptures. In fact, the creation of “A Rock of Horizontal Charm“ is considered to be a miracle in human history because no craftsman in the ancient or modern world—or even high technology—has been able to devise such ex-traordinary works of divine art. Consequently, this original artwork has been designated a “peerless treasure” that cannot be replicated, and the museum has named the room in which it is being displayed, Peerless Treasure.

“Even the “He Shi Bi (the Jade Disc of He) “, recorded in history as a treasure of monumental value, does not fit the title of ‘peerless treasure,’ since it is completely replicable—and if it can be replicated, it is not unique; if it is not unique, it is not peerless,” states the museum’s website. “In fact, any master sculptor’s magnum opus can be recreated; thus, only “A Rock of Horizontal Charm“ is the true peerless treasure.”

Despite an invitation to create an identical replica Yun Sculpture for a $50 million prize, no human sculpture master or technology has successfully duplicated “A Rock of Horizontal Charm“. From this, one can see how H.H. Dorje Chang Buddha lll’s artistic level has far exceeded the summit of sculptural art in human history.

The exhibit featuring “A Rock of Horizontal Charm“ will allow visitors to experience the divine charm of H.H. Dorje Chang Buddha lll’s original artwork in person. The unreplicatable sculpture exudes an inex-plicable amalgamation of color, motion, energy and spirit. “A Rock of Horizontal Charm“ has transcend-ed the category of highest human sculptural attainment and entered into the enjoyments of a mystical world.

Located in Covina in East Los Angeles, the H.H. Dorje Chang Buddha III Cultural and Art Museum is housed in a building with a 117-year history. The structure was renovated in 2014 and transformed into the cultural and art museum that occupies the space today. Since then, the museum’s world-class, un-matched treasures have attracted a steady stream of culture and art lovers from around the globe.

The mission of the cultural and art museum is to promote the exceptional accomplishments of an Amer-ican with outstanding talent—H.H. Dorje Chang Buddha III—by displaying his achievements in culture, literature, philosophy, art, science, technology, and other fields. Visitors to the museum can learn about the noble ethics and morality of H.H. Dorje Chang Buddha III and the holy character of this magnificent, selfless Buddha who altruistically contributes to society through his vast achievements and who advances world peace as well as the happiness of people. In addition, visitors can be guided by the teachings of H.H. Dorje Chang Buddha III and model themselves after him to elevate their own moral character and benefit the public.

For more information about “A Rock of Horizontal Charm“ or the cultural and art museum, visithttp://www.hhdcb3cam.org or call (626) 281-6378.

About H.H. Dorje Chang Buddha III
H.H. Dorje Chang Buddha III has been recognized by the most highly realized practitioners of Buddhism as the third incarnation of the original Buddha, Dorje Chang Buddha. His accomplishments transcend religion, healing and art. As the first in history to manifest real accomplishments in the five vidyas, He meets the highest standard of Buddhism. He is recognized for his devotion to a wide scope of cultural and religious activities, which enrich the lives of people from communities throughout the world. His Holiness has mastered 16 unique painting styles or schools, representing an unprecedented pioneering achievement in the history of art. Additionally, He is the pioneer of a new class of artwork that cannot be duplicated by any living being: Yun Sculpture. Experts predict that His paintings and sculptures will become increasingly valuable.

For the original version on PRWeb visit: http://www.prweb.com/releases/2017/06/prweb14390138.htm 

Link: https://dharma-hhdorjechangbuddhaiii.org/museum-celebrates-unprecedented-a-rock-of-horizontal-charm-display-with-complimentary-admission/

#DorjeChangBuddhaIII #HHDorjeChangBuddhaIIICulturalandArtMuseum #YunSculpture #RockOfHorizontalCharm #Art #ArtExhibition #SpiritualSculpture #ArtMuseum #SacredArt #PeerlessTreasure

The True Holy Vajra Pill and My Buddha Master

linda changLeave a comment

The True Holy Vajra Pill and My Buddha Master

The True Holy Vajra Pill and My Buddha Master

In Tibetan esoteric dharma, there are five types of precious pills. They are the Nectar Pill, the Long Life Pill, the Great Precious Pill, the Vajra Pill and the Supreme Precious Pill. Actually, these five types of pills are made from nectar bestowed by different Buddhas. There are also red pills and black pills made with Chinese herbs after the herbs are empowered through mantras, such as the red pills and white pills made by H.E. Tangtong Gyalpo. The Long Life Pill has the empowering effect of extending one’s lifespan. The Great Precious Pill can further one’s accomplishment in the dharma. The Vajra Pill can help dispel demons and increase longevity and good fortune. The Supreme Precious Pill can ensure accomplishment in the dharma. The five types of pills are crystallization of merit produced from the power of Buddha-dharma and the empowerment of Buddhas and Bodhisattvas. Basically, all great rinpoches have what they call precious pills. But most of them are of the ordinary type, not the holy precious type of pills. Holy precious pills and ordinary ones are two totally different concepts. I personally saw Nectar Pills made from nectar bestowed by Buddhas. I also personally saw true Vajra Pills and heard them chant mantras.

Certain famous rinpoches and dharma kings from the highest temples in Tibet have said that the Buddha-dharma that can enable a vajra pill to fly has not been seen in this world in three hundred years. This is a fact. There was a crazy yogi named Be Wa Ba who could manifest such power hundreds of years ago, but according to these respected rinpoches and dharma kings who have had contact with all of the well known dharma kings of recent times, this dharma had disappeared from this world.

I follow my Buddha Master, H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata, and am constantly by His Holiness’s side. Therefore, I have experienced many magnificent and real manifestations of Buddha-dharma. Now I will tell everyone about my experience of the true Vajra Pill. When the holy vajra mantra and mudra are practiced, the Vajra Pill will jump and even transform into rainbow light and soar into the sky. I have also heard the Vajra Pill dance and chant mantras. I watched other people listen to the Vajra Pill sing songs.

I vow that the events reported here are true and happened as reported. If not, I am willing to bear the karmic retribution of the hell realms.

Amazing supernatural events preceded my first experience with the karmic affinity of the Vajra Pill. This happened in April, 2003. I traveled from San Francisco to Los Angeles to see H.H. Wan Ko Yeshe Norbu. During the trip I suddenly saw a colorful and large rainbow light appear in the sky. The rainbow completely surrounded the sun. There were also Sanskrit symbols in the sky. Just as the rainbow was fading from sight, I was able to take a picture of the bottom half of this light by focusing the camera below the sun. A dignified Buddha–Dorje Chang Buddha–appeared in the middle of the rainbow. This Buddha became my Buddha master, H.H. Wan Ko Yeshe Norbu, who was wearing a red robe and was sitting in the middle of the rainbow. The scene was awesome and extremely wonderful. The rainbow light appeared in the sky for several hours.

When I arrived, I was fortunate to immediately see my Buddha Master. A great lama obtained three true Vajra Pills and had respectfully given them to H.H. Wan Ko Yeshe Norbu Holiest Tathagata as an offering. The Buddha Master bestowed me with two of them. Unexpectedly the Vajra Pills in my hand started to jump. At that time the Vajra Pills jumped in my hand just as if they were alive. They not only jumped but one of them started to circle around and left my hand. It transformed into a dazzling bright red light and soared into the sky. At that time, I saw that the Buddha Master, who sat far away on the dais, had become a blue Buddha Vajradhara. The blue light was shining bright. The scene was very dignified. I was greatly astonished. This is when I first saw the true Vajra Pill and the true identity of my Buddha Master.

There was a very virtuous disciple who came from Australia. Because of a question I had asked H.H.Wan Ko Yeshe Norbu Holiest Tathagata about a dharma matter concerning mysterious power, the Holiest Tathagata said to me, “Bring your Vajra Pill to empower this disciple.” I took out the Vajra Pill. In order to prevent the Vajra Pill from escaping, this great layperson personally put the Vajra Pill in a small cup and sealed the cup with a piece of paper. The disciple put the cup to his ear and moved 15-20 feet away from the Holiest Tathagata. Several of us were sitting on the floor around H.H. Wan Ko Yeshe Norbu Holiest Tathagata. Then everyone started to chant mantras and practice dharma. Soon the Vajra Pill began to chant and sing Buddhist songs. This layperson was very moved. It is hard to believe that a tiny pill can actually sing Buddhist songs, but I have heard this myself. Actually, I did not hear Buddhist songs, but clearly heard the chanting of holy mantras. The sound came from this tiny BB sized pill that I personally held to my ear. It is truly unbelievable. In this world within the supreme Vajra Division of Esoteric Buddhism the Vajra Pill truly can be categorized into ordinary types and holy types. The Vajra Pill in my hand was living proof of the holy type.

Today I sincerely tell everyone my personal experience. My Buddha Master, H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata is the supreme and highest Buddha. May all living beings have the good fortune to hear, learn, and practice the true Buddha-dharma and quickly attain enlightenment.

I, Buddhist disciple Zhaxi Zhuoma, sincerely vow and clearly write down these events to prove the existence of the true Buddha-dharma in the world today.

(The Chinese translation of this text follows.)

The True Holy Vajra Pill and My Buddha Master

Source: H.H. Dorje Chang Buddha III — A Treasury of True Buddha-Dharma, pp. 157–159.

Link:https://hhdorjechangbuddhaiiidharma.com/2025/11/24/the-true-holy-vajra-pill-and-my-buddha-master/

#DorjeChangBuddhaIII #DorjeChangBuddha #MasterWanKoYee #HolyVajraPill #BuddhaDharma #TrueDharma #BuddhistStories #DharmaBlessings #BuddhistCultivation #VajraPractice #BuddhistFaith #TheVirtueofHHDorjeChangBuddhaIIIandHolyOccurrences

The Supreme Buddha Dharma

linda changLeave a comment

Every Buddhist practitioner longs for achievement and liberation.
Hearing the true Buddha-Dharma is the key. The following article is a genuine account written by a monastic bhikshu Huihai (慧海) who personally listened to the Dharma teachings of H.H. Dorje Chang Buddha III.

In this life, I am able to encounter my supreme and unsurpassable Buddha Master—this truly is the greatest blessing I have accumulated through many lives and countless eons!

The Buddha Master’s genuine and pure teachings, in the turbulent waves of today’s chaotic era, are the vessel that carries sentient beings to the shore of liberation. The Buddha Master’s profound and skillful instructions transcend religion, directly point to mind-transmission, accord with conditions and the Dharma-realm, and enlighten sentient beings to step onto the path of awakening.

As a disciple, whenever I am in the presence of the Buddha Master, my heart always feels immeasurably moved, deeply experiencing the holiness and greatness of the Buddha’s virtue

I remember it was in early September of 2005 that I had an audience with the Buddha Master. The Buddha Master said: “In the history of Tibet and the Han region, there were many practitioners who cultivated many Dharma methods, yet achieved very little in their entire lifetime. Only in their old age did they realize that they had seldom listened to true Dharma, which caused them not to understand the Buddha-principles, and thus they walked a deviated path.

Most of the ancestral masters through generations, most of the Buddhas and Bodhisattvas of the past, attained great accomplishment precisely because they listened to Dharma. Therefore, listening to Dharma is extremely important. Now, in this degenerate era, there is truly far too much false Dharma. You must listen to Dharma more, listen more to the Dharma I teach. Only by clearly understanding the Dharma sounds, learning the true Buddha-Dharma, and deeply applying it in actual practice, can the problem of birth and death be resolved. This is the most important, most important thing!”

I knelt and prostrated to the Buddha Master and said: “Your disciple is very grateful for the Buddha Master’s teachings, and I hope all sentient beings may hear and receive the Buddha’s Dharma sound and learn the true Buddha-Dharma.”

The Buddha Master sat for a moment and then went into the room. Several senior brothers and sisters happened to come out, each with joyful expressions on their faces. I asked them curiously: “I see all of you beaming with smiles—what joyful thing has happened?”

One senior brother said: “We just respectfully listened to a recording of a most supreme Dharma-sound.”

I said: “No wonder you are filled with Dharma joy. May I listen to this Dharma-sound recording?” The senior brother said: “This is a rarely accessible Dharma-sound. Permission must be requested before you can listen.”

At that moment, the Buddha Master came out from the room. I quickly reported: “I request Buddha Master’s permission—may I listen to that Dharma-sound recording?”

The Buddha Master smiled and said to me: “Of course you may. You certainly may listen. If even you, a monastic, cannot listen, then who else could?” I joyfully placed my palms together and prostrated to my kind Master, saying: “Thank you, Buddha Master.”


I went to the altar to pay respect to the Buddha, offered a khata and offerings, performed the pre-Dharma-listening rituals, and began to attentively and reverently listen to the Dharma. The Dharma-teaching that the Buddha Master expounded in the recording was unprecedented—unmatched in its sublimity.

Upon hearing this Dharma, I received tremendous blessing power; suddenly my obstructions opened, joy surged within me, like a spontaneous celestial empowerment pouring down, nectar filling me completely. The karmic forces of beginningless time all became like illusions. Such a supreme Dharma—how could it not be something that is difficult to encounter even in hundreds of thousands of eons?


What sentient beings find hard to see, I now see; what sentient beings have not heard, I have now heard. How could beings burdened by countless karmas possibly comprehend its wondrous principles?
After leaving the altar, I saw the Buddha Master and immediately knelt down in gratitude.

I said excitedly: “Buddha Master! How could this merely be a teaching or a Dharma-sound? This is fundamentally a great Dharma—an unsurpassable great Dharma!”

The Buddha Master looked at me and smiled: “Excellent! You received the blessing of Buddhas and Bodhisattvas and understood the Dharma I taught.”

I continued: “Buddha Master, this Dharma truly leaps directly and suddenly into the Tathāgata’s state! And truly, it requires no effort—you can attain it instantly.”
The Buddha Master said: “Indeed so.”

I further said: “This Dharma is truly magnificent. Indeed, everyone can practice it, but ordinary people will not understand it and will only regard it as an ordinary teaching.”

The Buddha Master said: “This is even easier than realizing mind and seeing one’s nature. Even those who realize mind and see their nature may not attain this state.”

My Buddha Master—the Supreme Protector, H.H. Dorje Chang Buddha III—expounds Dharma by observing sentient beings’ karmic conditions through the complete Buddha-wisdom. Every teaching is given for the liberation of Buddhist disciples and future beings. The Dharma principles revealed are tailored to each person’s capacity, deep yet simple. Though spoken casually, they unfailingly accord with the profound truths of the Buddhist Tripiṭaka and esoteric scriptures. Moreover, many penetrating and unique Dharma principles are not found in any sutras—they arise directly from the Buddha Master’s innate enlightened realization.


Since I drew close to the Buddha Master and respectfully listened to the Buddha Master’s Dharma-sounds, I have finally gained a complete understanding of the Tathāgata’s perfect and true teachings. The benefits I have received are far too many to express in words—far surpassing everything I had learned in Buddhism over the past decades.

Because Buddhist sutras have been transmitted in the world—especially after translation—they inevitably contain mistranslations or misinterpretations. Moreover, the classical literary language used in the scriptures is truly difficult for modern readers accustomed to vernacular style. The numerous technical terms in the sutras also pose a challenge for beginners entering the Buddhist path.

The Dharma-sounds taught by H.H. Dorje Chang Buddha III are the authentic Tathāgata true Dharma, explained through modern language and analogies, expressing principles in accordance with intrinsic nature, unfolding the stages of realization, and enlightening the ignorant. Those who listen can easily learn pure Buddha-Dharma and establish correct understanding and correct views. Therefore, it is most suitable for every practitioner in today’s world to rely on and cultivate.

The Dharma-sounds spoken by H.H. Dorje Chang Buddha III are a bright lamp illuminating the path of cultivation. They are the supreme Dharma-treasure that enables sentient beings to become Arhats, enables Arhats to become Bodhisattvas, and enables Bodhisattvas to become Buddhas—to attain accomplishment, liberation, realization, and sainthood.


I often feel this: whenever the Buddha Master expounds Dharma with perfect, lion-like sound, the Dharma-voice flows throughout the boundless space; humans and non-humans all receive its benefit; the Dharma assembly at Vulture Peak seems as if it has never dispersed—

Before my eyes it is as if scenes from ancient times appear again: the Buddha teaching under the Bodhi tree, when Bodhisattva-Mahāsattvas, monks, nuns, laymen, laywomen, along with heavenly beings, nāgas, humans, and non-humans—countless multitudes—surrounded Him, making offerings, honoring, respecting, and praising. Heavenly mandārava flowers rained down, scattering over the Buddha and the assembly…

In this degenerate age, as a disciple of the Buddha, I feel fortunate to have this rare Dharma affinity, able to personally hear the Dharma before the Buddha and practice the true Dharma. I sincerely pray:

May the Dharma Wheel of the supreme and great H.H. Dorje Chang Buddha III always turn, and may He abide in this world forever.

May all beings in the Dharma-realm hear the Dharma-sounds spoken by H.H. Dorje Chang Buddha III, increase in blessings and wisdom, forever leave all suffering and obtain happiness, and together realize Bodhi.


Disciple of the Buddha — Huihai

For the original Chinese speech, please click here. This English translation is by Linda Chang and is provided for reference only.

Link：https://peacelilysite.com/2025/11/21/the-supreme-buddha-dharma/