Mastering Emotions: The Path to Inner Peace

In ancient Tibet, there was a man named Aediba. Whenever he found himself angry or in the midst of an argument, he had a peculiar habit. He would immediately run home and circle his house and land three times before sitting down by the fields to catch his breath. As the years passed, Aediba worked tirelessly, and his house and land expanded significantly. But regardless of how large his property grew, he continued his practice—whenever he got upset, he would run three laps around it.

By the time Aediba had grown old, his property stretched far and wide. One day, after yet another argument, he grabbed his walking stick and, with great effort, completed his customary three laps. When he finally sat down to rest, the sun had already set. Concerned, his grandson approached him and said, “Grandpa, you’re too old to keep doing this. No one around here owns more land than you. You don’t need to run around your property anymore when you’re angry. Can you tell me why you’ve done this your whole life?”

Aediba smiled and replied, “When I was young, every time I got angry, I would run around my house and land. As I ran, I’d think to myself, ‘My house is so small, my land is so little—what right do I have to be angry or argue with anyone?’ That thought always calmed me down, and I would pour all my energy into working harder. Now, even though my house is large and my land vast, I walk around it and think, ‘I have so much—why should I waste my time quarreling with others?’ And once again, my anger fades.”

Just as every rose has its thorns, every person has traits that may frustrate us. The key to happiness is not trying to remove these “thorns,” but learning how to live with them, avoiding getting hurt.

This simple yet profound story teaches us a vital lesson about managing emotions. With family, there’s no need to argue to prove who’s right or wrong. Winning or losing a debate doesn’t matter—home is not a battlefield. We need to make sure our own thorns don’t harm those we love.

When interacting with others, especially those who may not see the world as we do, it’s wise to avoid unnecessary arguments. Not engaging in debates over who’s right shows maturity and emotional intelligence. In fact, most arguments are futile. The real strength lies in holding back, demonstrating grace, and knowing when to step away. Spiritual teachings from ancient times remind us, “When you open your mouth, your energy scatters; when your mind stirs, your internal strength cools.” Engaging in constant disputes not only wastes time but drains our energy.

On Mount Emei, there lived an old monk named Yongtong, who was over 100 years old. Someone once asked him, “Master, what is the secret to happiness?” Yongtong calmly replied, “Never argue.” The person asking wasn’t satisfied with this simple answer and said, “Master, I don’t quite agree with your idea that this is the secret.” Yongtong smiled and said, “Yes, you’re absolutely right…”

Life is full of challenges and difficulties, and none of us can avoid them. However, if we let every problem cause frustration or every small setback lead to anger, life will be full of turmoil. Truly strong individuals know how to control their emotions, step back, and manage problems calmly. Mastering our emotions isn’t about avoiding conflict entirely, but about learning to navigate it with wisdom and grace—leading to a life of peace and fulfillment.

Link:https://peacelilysite.com/2024/10/11/mastering-emotions-the-path-to-inner-peace/

“Dragon Carp Frolicking in the Lotus Pond”: A Masterpiece Beyond Time

Art has the power to transcend boundaries, evoke emotions, and stir the soul. One such masterpiece is “Dragon Carp Frolicking in the Lotus Pond”, created by H.H. Dorje Chang Buddha III. This extraordinary painting, executed with ink and color on paper, seamlessly blends freehand brushwork with meticulous detail. It has been rightfully hailed as a world-class “treasure of unparalleled excellence” and a “divine masterpiece.” Experts agree that this work surpasses conventional artistic techniques, reaching a level of spiritual depth that few can replicate.

At first glance, the painting’s lotus leaves and carp, rendered with freehand techniques, captivate the viewer with their delicate yet vibrant forms. The wide, majestic leaves appear to breathe, their veins subtly flowing and shifting in unpredictable ways. Bold strokes define the water grasses, infusing the scene with a palpable sense of movement. This is a world that feels “drawn from life, yet elevated above it.”

The lotus pods are painted with a playful, almost fantastical touch, while the decaying lotus stems evoke a vivid realism. The carp glide effortlessly through varying depths of water, with natural ripples enhancing the impression of life in motion.

What makes “Dragon Carp Frolicking in the Lotus Pond” so compelling is the swirling energy that permeates the entire composition. Fish, water, lotus leaves, flowers, ripples, mist, and lotus roots all come together as one. Every element is in harmony, creating a profound sense of vitality. The interplay between stillness and motion is masterfully orchestrated, with tension and fluidity imbuing the painting with a life of its own. The spiritual resonance of the ink and brushstrokes is so powerful that it touches the soul, offering a rare glimpse into the artist’s mastery.

H.H. Dorje Chang Buddha III’s ability to manipulate ink and water produces endless visual effects, creating an atmosphere where life itself seems to flow through the brush. The dragon carp, swimming through the water with ease, symbolize the very essence of vitality.

Compared to past masters, who captured the beauty of carp but failed to unite the fish with the water, H.H. Dorje Chang Buddha III elevates his work to a higher realm. His brushwork achieves perfect harmony between the fish and water, with the two becoming one in a symbiotic relationship that enhances both their liveliness and texture.

Traditional Chinese ink painting often uses blank spaces to represent water’s stillness, while lines suggest movement. “Dragon Carp Frolicking in the Lotus Pond” takes this concept even further, incorporating the refraction of light through the water’s surface and depths.

The dynamic light waves, combined with the seamless interaction of the carp and the ever-changing water, create a breathtaking depiction of the concept “fish finding their element.”

The true brilliance of this work lies in its extraordinary attention to detail and the artist’s mastery of brush techniques. From the texture of the carp’s scales to the intricate interplay between fish and water, every detail contributes to the painting’s vibrant spirit. This level of craftsmanship goes beyond what other media, such as oil painting, can achieve, making “Dragon Carp Frolicking in the Lotus Pond” a unique artistic treasure. Its spiritual resonance and profound beauty leave a lasting impression.

This painting is not just a visual masterpiece; it is a profound experience that speaks to the heart, a testament to the transformative power of art.

In 2016, there was already an offer of 60 million USD to purchase this painting. However, H.H. Dorje Chang Buddha III declined the sale, considering that once it was owned by a private collector, the public would have little opportunity to appreciate it. Currently, “Dragon Carp Frolicking in the Lotus Pond” is permanently displayed in the Master Artist Fish Hall at the  H.H. Dorje Chang Buddha III Cultural And Art Museum in Covina, California.

Link:https://peacelilysite.com/2024/10/10/dragon-carp-frolicking-in-the-lotus-pond-a-masterpiece-beyond-time/

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#Dragon #Carp #Lotus

Withered Leaves Scattering Red: A Masterpiece of the Thickly Layered Color School

H.H. Dorje Chang Buddha III‘s oil Painting “Cang Ye Pao Hong”

“Cang Ye Pao Hong” (Withered Leaves Scattering Red) is an extraordinary oil painting that belongs to the Thickly Layered Color School, a unique style originated by H.H. Dorje Chang Buddha III. This painting style is renowned for its bold, dynamic strokes and the use of layered, textured color blocks that create a deeply three-dimensional effect. The abstract, surreal use of color brings an unpredictable yet harmonious elegance, transforming the chaotic into a coherent and mesmerizing vision.

The meticulous process behind “Cang Ye Pao Hong” is just as awe-inspiring as the final result. According to the art museum where this work is displayed, the painting took six years to complete, with over 50 layers of paint carefully stacked on top of one another. Each layer was allowed to dry completely before the next was applied, ensuring a rich and vibrant interplay of colors. The outcome is a work of art that exudes an indescribable divine aura, blending both natural beauty and mystical energy.

You can find this masterpiece at the International Art Museum of America, located in downtown San Francisco. Upon first glance, “Cang Ye Pao Hong” commands attention, drawing viewers into deep contemplation. The withered lotus leaves, depicted in a strikingly realistic and three-dimensional manner, symbolize wisdom gained through life’s journey, while the vivid red lotuses appear to leap from the canvas, capturing the essence of “scattering red” with exceptional grace. The rippling water above, shimmering with light, symbolizes infinite hope, further enhancing the painting’s sense of serenity and renewal.

When observed up close, the painting reveals intricate details within the broader strokes, where subtle nuances emerge, demonstrating the remarkable precision and effortless flow that characterize the work. It evokes an ethereal sense of peace, with a balance of strength and gentleness, transcending the worldly and exuding both quiet elegance and boundless depth. It is truly a marvel of artistic mastery, offering a sense of tranquility and spiritual upliftment that words can hardly describe.

H.H. Dorje Chang Buddha III’s artistic genius extends far beyond this single painting. He has mastered all existing schools of painting, including Realism, Abstract, Impressionism, and more, while also founding sixteen entirely new schools of painting. These schools include the Chaoshi School, the Chouxiang Yunwei School, the Fangfa School, the Kuangxi School, and the Thickly Piled Patches of Color School, among others. What sets H.H. Dorje Chang Buddha III apart from any other artist in history is that He not only founded these distinct schools but developed each to a state of perfection, creating what is known as “The H.H. Dorje Chang Buddha III School of Multiple Styles.”

While many renowned artists dedicate their entire lives to mastering one artistic style or theme, H.H. Dorje Chang Buddha III’s unparalleled ability to create and perfect sixteen different painting schools is an accomplishment unmatched in art history. “Cang Ye Pao Hong” is a shining example of His profound artistic vision, showcasing a level of creativity and mastery that continues to inspire and astonish art lovers around the world. Through this work, we are invited to witness not just the beauty of nature but the boundless possibilities of artistic expression.

Link:https://peacelilysite.com/2024/10/04/withered-leaves-scattering-red-a-masterpiece-of-the-thickly-layered-color-school/

#MasterWanKoYee #DorjeChangBuddhaIII #HHDorjeChangBuddhaIII #IAMA #Art #Artitst #InternationalArtMuseumofAmerica

The Art of Graceful Living: Lessons from Yang Jiang on Simplicity and Inner Peace

Yang Jiang, my favorite contemporary female writer, lived a life intertwined with the turbulence of her times, yet she remained as pure and free as a cloud in the sky. Her works not only reveal the beauty of literature but also inspire us on how to maintain inner peace and composure amidst the chaos of the world.

Yang Jiang’s translation of the poem, “I compete with no one, and I disdain competing with anyone; I warm my hands by the fire of life, and when it dims, I am ready to go,” reflects her entire life. In her quiet dignity and grace, she transformed the hardships of life into something serene and beautiful, never letting bitterness take root.

Her unassuming nature is perhaps her most remarkable quality. While many chase after fame and recognition, Yang Jiang focused purely on her love for knowledge. Her reading, writing, and translation work were not for the sake of recognition, but for the joy of learning. In her essay “The Invisibility Cloak,” she explains that humility is the best protection in a complicated world. By not seeking heights, one doesn’t fear falling; by avoiding ambition, one retains a sense of innocence and inner calm. Yang Jiang embodied this wisdom throughout her life. During the Cultural Revolution, when she was assigned the humbling task of cleaning toilets, she used the opportunity to find freedom in adversity, relishing the quiet moments to read and reflect.

Yang Jiang and her husband Qian ZhongShu

“Simple living and a noble soul are the highest realms of life,” she once said. This was not just a belief but a guiding principle for Yang Jiang. She valued her time deeply, distancing herself from superficial socializing and instead focusing on self-cultivation. Together with her husband, Qian Zhongshu, they shared a simple, intellectual life, each respecting the other’s need for space and quiet to work. After her husband’s passing, Yang Jiang withdrew even further from the world, spending her days immersed in writing and editing.

At the age of 92, Yang Jiang published her essay collection We Three, which received widespread acclaim. Even at the age of 103, she was still active in compiling and publishing The Complete Works of Yang Jiang, a reflection of her lifelong dedication to literature.

It was her ability to remove herself from the distractions of life that allowed her to create works of such lasting value.

Her translation of the eight-volume Don Quixote, once the best-selling Chinese version, drew criticism at one point as a “negative example.” Many writers rushed to her defense, but Yang Jiang responded with characteristic humility: “I sincerely declare that I am a humble translator. I have revised my translation over and over, and still feel it’s not good enough. I hope the experts will offer their guidance.” Her modesty and openness to improvement reflect the calm confidence she carried throughout her life.

In her book Walking on the Edge of Life, she wrote, “We once yearned for the waves of fate, only to realize in the end that the most beautiful scenery in life is the inner calm and composure.” This sentence captures the essence of her wisdom. She knew that, amid the noise and complexity of the outside world, it is the peace we cultivate within that is the most precious.

Yang Jiang rarely wore makeup, preferring to show her natural face to the world. This was not just about simplicity in appearance but about a deeper confidence and acceptance of her true self. She believed that external beauty was far less important than the richness of one’s inner life. As she wisely said, “A woman’s greatest strength is not how beautifully she dresses, but the ability to make herself happy no matter what happens.”

Through her life, Yang Jiang has shown us that even in the face of life’s greatest challenges, it is possible to maintain elegance and beauty by nurturing simplicity and inner richness. Her wisdom and grace continue to inspire us to live with quiet strength, away from the distractions of the world, focused on what truly matters.

Link: https://peacelilysite.com/2024/10/03/the-art-of-graceful-living-lessons-from-yang-jiang-on-simplicity-and-inner-peace/

#YangJiang #QianZhongShu #WeThree #WalkingontheEdgeofLife #InnerPeace #Wisdom #Simplicity

Dharma Assembly Celebrates the Birthday of Namo Dipankara Buddha at The Holy Miracles Temple

On Sunday, September 22, 2024, The Holy Miracles Temple in Pasadena hosted the grand “Dharma Assembly to Welcome the Birthday of Namo Dipankara Buddha.” This auspicious event was co-organized by the World Buddhism Association Headquarters, The Holy Miracles Temple, and the Saint Grong Lecture Hall. The assembly was led by the abbot of Hua Zang Si, Venerable Ru Hui Ru Zun, a Holy Virtuous One of Gold Button Level 1, who presided over the sacred ceremonies.

Namo Dipankara Buddha, a revered incarnation of Namo Dorje Chang Buddha, holds a special place in the hearts of Buddhist disciples. In ancient times, he prophesied that Shakyamuni Buddha would one day attain enlightenment and become a Buddha. The site of the “Dipankara Buddha Hall” at The Holy Miracles Temple is significant—it marks the location of the first-ever publication of The True Meaning of the Heart Sutra as Expounded by H.H. Dorje Chang Buddha III, where profound teachings of the Buddha were revealed.

A particularly memorable moment in this location occurred on March 7, 2014, during a Dharma assembly when a miraculous event unfolded. Buddha descended from the sky, manifesting in a divine form, blessing the gathering with three-colored nectar—a clear and undeniable testament to the authenticity of the teachings in Expounding the Absolute Truth through the Heart Sutra. Following this sacred event, the Dipankara Buddha Hall was constructed on this blessed site, where devotees from all directions come to light lamps and offer their reverence to the Buddha.

This year’s Dharma assembly began with great reverence in the Grand Hall, filled with the solemn chanting of Buddhist hymns. Under the guidance of Venerable Ru Hui Ru Zun and the monastic community, participants respectfully recited the Diamond Sutra, bowed to the Buddha, performed repentance, and conducted a grand offering before the Buddha. The assembly’s merits were dedicated to celebrating the Buddha’s birthday, with the intention to increase the blessings and wisdom of all beings, dispel ignorance and darkness, and bring forth prayers for world peace, national prosperity, and a harmonious society.

The Dharma assembly invited Venerable Ru Hui Ru Zun, the abbess of Hua Zang Si and a Holy Virtuous One, to preside over the ceremony

During an interview, Venerable Ru Hui Ru Zun shared the origin of the Buddha’s name: “The name ‘Namo Dipankara Buddha’ comes from the illumination that surrounded Him at birth, shining like a lamp. Today, we light lamps, chant scriptures, and offer prayers, hoping to bring the light of the Dharma to the world, and to bless humanity with peace and auspiciousness.”

The assembly also brought touching personal reflections. Ms. Tam, a long-time attendee, shared, “Every year, our family lights the annual offering lamp at the Dipankara Buddha Hall. It has brought us great blessings, and everything in our lives has been smooth and auspicious.” Benjamin Hong reflected on his family’s deeper connection to Buddhism: “When my uncle was diagnosed with cancer, our family sought ways to help him. This journey led us to encounter the true teachings of the Tathagata. Through the teachings of Namo Dorje Chang Buddha, we gained a profound understanding of what Buddhism truly is. It was this experience that helped our family through the toughest times and brought us to the path of Buddhism.”

At the conclusion of the Dharma assembly, Venerable Ru Hui Ru Zun blessed the congregation by sprinkling holy water for empowerment

This Dharma assembly beautifully honored the legacy of Namo Dipankara Buddha. It served as a living bridge between ancient wisdom and the contemporary aspirations of the Buddhist community, uniting all participants in a shared vision of enlightenment, peace, and harmony for the world.

Link:https://peacelilysite.com/2024/10/02/dharma-assembly-celebrates-the-birthday-of-namo-dipankara-buddha-at-the-holy-miracles-temple/