Atisha: The Buddhist Master Who Followed Tara’s Guidance to Tibet

His remarkable journey, the devotion of Tibetan kings, and the legendary guidance of Tara

More than nine hundred years ago, an Indian Buddhist master undertook a difficult journey to Tibet that would profoundly influence the future of Tibetan Buddhism. His name was Atisha Dipankara Shrijnana (982–1054), a renowned scholar, meditation master, and spiritual teacher whose life was devoted to the liberation and well-being of sentient beings.

His story is not simply about the spread of a religion. It is about the power of compassion, the courage to leave behind worldly comfort, and the willingness to sacrifice personal interests for the benefit of others.

A Prince Who Chose the Spiritual Path

According to traditional biographies, Atisha was born into a royal family in eastern India. His birth name was Chandragarbha, and he grew up surrounded by the wealth and privileges of palace life.

Yet he was not satisfied with worldly success. Even as a young man, he felt drawn toward spiritual practice and the search for a deeper understanding of life.

Traditional accounts relate that Tara, the female Buddha associated with enlightened compassion and swift assistance, appeared to him in a vision when he was young. This encounter strengthened his determination to follow the spiritual path rather than pursue the life expected of a prince.

Atisha eventually renounced his royal future and became a monk. He studied with many distinguished Buddhist masters and developed an extraordinary command of Buddhist philosophy, meditation, ethics, and tantric teachings.

But one of the most important influences on his life came from a journey far beyond India.

Atisha traveled by sea to Suvarnadvipa, traditionally identified with present-day Sumatra, where he studied for twelve years under the great master Dharmakirti, also known as Serlingpa in Tibetan tradition.

There, Atisha received profound teachings on bodhichitta—the aspiration to attain enlightenment for the benefit of all sentient beings.

He later regarded these teachings as among the most precious gifts he had received. His life reminds us that genuine wisdom requires more than accumulating knowledge. It requires cultivating a heart that sincerely wishes to benefit others.

By the eleventh century, Buddhism in Tibet was undergoing a period of revival after earlier political upheavals and the disruption of Buddhist institutions.

The rulers of western Tibet wished to restore the teachings and strengthen the understanding and practice of the Dharma. They were particularly concerned about confusion surrounding Buddhist doctrine and the relationship between different forms of practice.

King Yeshe Ö became deeply committed to finding a qualified Indian Buddhist master who could help Tibetans recover a clear and systematic understanding of the teachings.

According to traditional Tibetan accounts, he sent young Tibetans to India to study Sanskrit and search for an appropriate teacher. Their journeys were dangerous, and many did not return.

Eventually, the name of Atisha emerged as that of a master whose learning, discipline, and compassion made him especially suitable for the mission.

The king’s efforts to invite him became one of the most moving stories in Tibetan Buddhist history.

Traditional biographies recount that Yeshe Ö was captured during his efforts to gather resources for the mission. When his nephew Jangchub Ö was unable to meet the captor’s demands for his release, Yeshe Ö urged him not to spend the remaining gold on rescuing him. Instead, he asked his nephew to use it to invite Atisha to Tibet.

In this traditional account, the king placed the future of the Dharma above his own life.

Whether every detail of this story can be historically verified or not, its spiritual message is unmistakable: the king believed that preserving the Dharma for future generations was more important than his personal safety.

After Yeshe Ö’s death, his nephew Jangchub Ö continued the mission. He sent the translator Nagtso to India with an earnest request for Atisha to come and help the people of Tibet.

Tara’s Guidance: A Decision That Changed History

Atisha did not immediately agree to leave India.

He was already an established teacher at Vikramashila, one of the great Buddhist monastic universities of the time. Leaving would mean abandoning familiar surroundings, colleagues, and responsibilities for a long and uncertain journey into a distant land.

Goddess in blue robe sitting on a lotus flower surrounded by lotus pond and traditional Asian pagodas at dusk

Traditional biographies tell us that Atisha sought guidance from Tara, his revered spiritual protector.

According to these accounts, Tara appeared to him in a vision and explained that traveling to Tibet would bring great benefit to the Dharma, although it would shorten his life.

Atisha faced a profound choice: remain in India, where he could continue his work in familiar surroundings, or travel to Tibet, where his help was urgently needed.

The traditional story says that he chose Tibet, accepting the personal cost because he believed the journey would benefit countless beings.

This is one of the most inspiring parts of his life.

Tara’s appearance belongs to the spiritual narratives preserved by the Buddhist tradition; it is not something that can be independently established as a historical event. For devotees, however, the story expresses an important understanding of spiritual guidance: wisdom is not merely about choosing what is comfortable or advantageous for oneself, but discerning where one’s efforts can bring the greatest benefit.

In 1042, Atisha arrived in western Tibet, in the kingdom of Guge.

His arrival was a moment of great significance. According to traditional accounts, monks, laypeople, and local leaders gathered to welcome him in a grand procession. People had traveled to meet the Indian master whose arrival they hoped would strengthen the Dharma in their homeland.

Imagine the scene: after years of hardship and repeated efforts to bring him to Tibet, the people finally welcomed the teacher for whom they had waited so long.

Tibetan people welcoming an Indian guru

Atisha was deeply moved by their enthusiasm. He was also impressed by the intelligence and dedication of the Tibetan practitioners he encountered.

Yet he recognized that many people needed a clearer understanding of how the various Buddhist teachings fit together and how they could be applied in everyday life.

King Jangchub Ö therefore asked him to teach in a way that ordinary people could understand and practice.

Rather than asking for teachings that sounded profound but were difficult to apply, the king wanted guidance on ethical conduct, karma, compassion, and the steps that lead toward enlightenment.

Atisha responded by composing one of his most influential works, A Lamp for the Path to Enlightenment (Bodhipathapradipa).

This concise text organized the Buddhist path into a clear framework, integrating ethical discipline, the cultivation of wisdom, and the development of bodhichitta. It became a foundational influence on later Tibetan Buddhist teachings about the stages of the path to enlightenment.

Atisha did not merely bring more books or philosophical ideas to Tibet. He helped present the Dharma as a coherent path that people could study, contemplate, and practice.

A Statue of Tara That Could Speak

Among the many fascinating stories associated with Atisha is the tradition that sacred images spoke to him.

This is the statue of Tara that Venerable Atisha is said to have kept with him at all times. According to tradition, the statue once spoke to him and communicated with him.
The statue is now enshrined at Tara Temple (Drolma Lhakhang) in Lhasa, Tibet.

According to his traditional biography, while circumambulating the great Buddhist stupa at Bodh Gaya in India, Atisha heard sacred statues speaking about the importance of bodhichitta. Their message was that the essential path to enlightenment lay in cultivating love, compassion, and the aspiration to benefit all beings.

The story is a reminder that, within Buddhist devotional traditions, sacred images are not always regarded as mere objects of art. They can serve as powerful reminders of the qualities that practitioners seek to develop.

Tara held a particularly important place in Atisha’s spiritual life. Traditional accounts describe her appearing in visions to guide him, including in his decision to travel to Tibet.

These narratives are cherished by many Buddhist practitioners as expressions of faith and spiritual inspiration. They are best understood as traditional religious accounts rather than independently verified historical events.

Whether one approaches them through faith, cultural history, or symbolic interpretation, their central message is meaningful: spiritual guidance should lead us toward greater compassion, wisdom, and responsibility for others.

What Can Atisha Teach Us Today?

Atisha lived in a very different world from ours, yet the questions he faced remain familiar.

We live in a time when information is abundant, opinions are everywhere, and people often disagree about what is true. It is easy to accumulate knowledge without allowing it to transform our behavior.

Atisha’s life points toward another way.

First, knowledge must be accompanied by practice. Learning about compassion is not the same as treating people compassionately. Understanding karma is not merely discussing cause and effect; it is taking responsibility for our intentions, words, and actions.

Second, true spiritual growth requires humility. Despite his extensive education, Atisha continued to learn from qualified teachers. His example reminds us that wisdom is not a reason to feel superior to others. It is an opportunity to understand ourselves more deeply and serve others more effectively.

Third, compassion sometimes asks us to step beyond our comfort zone. Atisha left a respected position in India to help people far away. We may never be called to undertake such a journey, but we can respond to the needs around us—in our families, communities, and wider world.

Sometimes compassion means giving our time. Sometimes it means listening patiently, helping someone in difficulty, or admitting that we were wrong. Small actions, when guided by sincere concern for others, can also make a meaningful difference.

Finally, Atisha’s story reminds us that the most valuable teachings are those that help us change our lives. The Dharma is not simply something to admire from a distance. It is a path to be walked.

The Light That Continues to Shine

Atisha passed away in Tibet in 1054, but his influence did not end with his life. His writings, his disciples, and the traditions that developed from his teachings helped shape the course of Tibetan Buddhism.

His journey was made possible by the devotion of Tibetan rulers, the dedication of translators and messengers, and the willingness of a great teacher to respond to a distant people’s spiritual needs.

The story of Atisha and Tara adds another dimension to this legacy: the belief that a life guided by wisdom and compassion can accomplish far more than a life devoted only to personal success.

We may not be able to travel across mountains to revive a Buddhist tradition, as Atisha did. But each of us has opportunities to bring a little more understanding into the world.

We can study sincerely, practice humbly, and treat others with compassion. We can use what we know not to elevate ourselves above others, but to lessen suffering wherever possible.

Perhaps this is one of the most enduring lessons of Atisha’s life: the true light of the Dharma shines not only through what a person teaches, but through the compassion that person is willing to put into action.

Link: https://peacelilysite.com/2026/10/21/atisha-the-buddhist-master-who-followed-taras-guidance-to-tibet/

Transforming Adversity into Spiritual Growth: The Wisdom of Patience from Lama Atisha

In our daily lives, we often fall into a harmful habit: when trouble arises, we instinctively blame others and rarely acknowledge our own karma.

Since time immemorial, we have been conditioned to look outward—to criticize and judge those around us—while seldom pausing to examine our own minds. Every surge of emotion and every lingering affliction is driven by the swelling of our own “ego.” When Buddhism speaks of “releasing the ego,” it does not mean losing yourself; rather, it encourages us to let go of our blind attachment to self-centeredness.

Consider this: setting aside the faults of others, are we truly completely blameless?

No instrument can produce music with a single part. It takes two hands clapping to make a sound; cymbals must strike together to resonate. The same principle applies to life’s conflicts—it is exceedingly rare for one person to be entirely faultless while the other is completely to blame.

Padampa Sangye, a master in the Chöd transmission lineage, once taught:

“Believing that our enemies are harming us is merely our delusion. If we can convert anger into compassion, it brings us the greatest benefit.”

Lama Atisha also imparted this wisdom:

“Do not feel hatred toward those who cause you harm. If you respond to harm with resentment, you lose the very object needed to practice patience.”

When faced with provocation or mistreatment, if we can extinguish anger and practice patience (Kshanti), we not only purify our past misdeeds but also accumulate immense merit and spiritual strength.

When Lama Atisha traveled to Tibet, the period of Buddhist persecution had passed, and the Dharma was flourishing once again. As one of India’s most revered masters, Lama Atisha was treated with supreme respect throughout Tibet. Everyone obeyed him, and no one dared to make him angry.

Yet Lama Atisha reflected: “If everyone caters to me, where will I find the opportunity to practice patience?”

Determined to cultivate patience, Lama Atisha specifically chose a servant with an exceptionally fiery temper to stay by his side. Unlike others, this servant was far from submissive—he frequently disobeyed Lama Atisha and lost his temper with him.

Seeing this, many disciples felt offended and believed that a great master should not endure such rudeness. They urged Lama Atisha to dismiss the servant. But Lama Atisha replied with deep compassion:

“This servant is of profound kindness to me! Precisely because he provokes me, he gives me the opportunity to practice patience. Otherwise, no one in Tibet would dare anger me, and I would forever lose the chance to cultivate endurance.”

If even a great master treasured adversity so deeply, shouldn’t we also view every hardship as a catalyst for our own spiritual awakening? After all, every favorable or unfavorable circumstance in life is simply the unfolding of cause and effect.

To cultivate a mind free of anger, we must deeply appreciate the infinite merit of patience:

  • When opposed, remain unperturbed
  • When hated, remain free of resentment
  • When provoked, remain calm
  • When insulted, remain tranquil

To face turmoil with equanimity—keeping the mind undisturbed and self-contained—is the true hallmark of a spiritual practitioner.

As the Buddha declared: “Non-action is supreme, and patience is the highest path.”

Among all teachings, the practice of patience stands supreme. It is the direct path to enlightenment and a priceless treasure within our own true nature.

Link:http://fcexpeacelilysite.com/2026/07/31/transforming-adversity-into-spiritual-growth-the-wisdom-of-patience-from-lama-atisha/

NINETY-EIGHT POUND STALACTITE STONE WENT THROUGH A HUMAN BODY; FOUR-HUNDRED-THIRTY POUND GIGANTIC MANI STONE DUO QIE XU FLIES INTO THE AIR

Unveiling the mystical realization state of esoteric Buddha-dharma—a true account of a grand assembly of esoteric Buddha-dharma

People think of Tibetan Buddhism in general as a far-away culture full of mystery. Especially when patriarchs from various sects manifested mystical phenomena and supernatural powers, people become curious about esoteric Buddha dharma.

Based on the descriptions of some lamas, there are various examinations for Buddhist practitioners in Tibet. One’s proficiency of Buddhism is examined by means of different scales of dialectical debates. The one who passes thousands of debates and is in first place is called Lharampa geshe. The ones in second place and third place are called geshes. Only after completion of tens of thousands of dialectical debates can geshes enter schools of Esoteric Buddhism to learn esoteric dharma.

These lamas said that esoteric dharma emphasizes states of realization. In Esoteric Buddhism schools, mani stones are usually used to evaluate practitioners’ levels of realization. There are two types of mani stones.

The first type is stones that are inscribed with mantras by ordinary people and placed in mani stone mounds. This type of mani stone does not contain dharma power.

The second type is stones that are inscribed by great patriarchs from lineages of Tibetan Buddhism after practicing dharma. These stones are inscribed with images of Buddhas or seed syllables of mantras. They are placed in mani stone mounds to be used as empowerment to eliminate disasters and obstacles. The most important function of this type of mani stone with power is to test and measure levels of self-cultivation.

According to some accounts, only practitioners who have attained states of realization through self-cultivation are able to practice dharma that causes mani stones to move at a distance. Mani stones move in different ways: some move slowly, while others walk or fly. Ordinary people cannot make them move at all, no matter how much force they use or how many people recite mantras at the same time. These stories have added an element of mystery and significance to Tibetan esoteric dharma.

Recently, the reporter had the honor of attending a grand assembly in the United States where various states of realization were revealed. Attendees included great lamas and ordinary lamas from Tibet, as well as great dharma masters and ordinary dharma masters of Exoteric Buddhism.

The mantras recited included the Great Compassion Mantra, the Green Tara Heart Mantra, and the mantra of Vajrakila (Dorje Phurba). Some dharma masters were unable to cause the mani stone to move even after a prolonged period of practicing dharma. Several Exoteric Buddhist dharma masters recited mantras in unison and, across space, caused a 150-gram mani stone on a glass table to move. A great dharma master and a female lama were able to make a mani stone at a distance move as soon as they chanted mantras combined with mudras.

While the attendees marveled at these sights, a great female lama from Tibet arrived. Before the testing, she requested that the person videotaping not capture her face. She said that she was a self-cultivator who wished to attain liberation and realization, and that she did not intend to manifest Buddha-dharma to show off her powers. Soon after, something stunning happened.

As soon as she recited mantras, a ninety-eight-pound stalactite stone surprisingly rose from the ground and circulated in the air following her hand gestures. This mani stone with supernatural powers stopped and trembled after rising into the air.

What was even more astonishing was that when the female lama sat on the wooden floor, the mani stone moved from behind her to the front in a split second. Witnesses felt that the ninety-eight-pound mani stone had moved in the blink of an eye, at such speed that it seemed to pass through her body.

Then the mani stone circled the great female lama twice, following her finger gestures. It moved up and down while trembling as it circled. When the mani stone moved to her back the second time, her index finger—forming a mudra above her head—pointed downward, and the stone immediately descended. Following the direction of her fingers, it paused briefly and then dropped onto the wooden floor with a heavy thump. The weight of the stone was evident, and it would be difficult to imagine such a scene without witnessing it firsthand.

The most famous gigantic stalactite mani stone, Duo Qie Xu from Tibet, was also included in the assembly. It weighs approximately 430 pounds, equivalent to about 200 kilograms, and was shipped from Tibet to the United States. It revealed great supernatural powers during the assembly.

The gigantic mani stone Duo Qie Xu is not an ordinary stone. It is a mani stone with a distinct identity, similar to the famous Cuiyu Cabbage (a renowned jade carving from the Qing Dynasty displayed at the National Palace Museum in Taipei). Most Tibetan Buddhist practitioners are familiar with Duo Qie Xu. During the testing involving Duo Qie Xu, even more incredible phenomena occurred.

When the great Tibetan female lama was about to test her powers on Duo Qie Xu, she again requested that her face not be captured on camera, for the same reasons as before. The video recordings were intended solely as keepsakes for those present and were not to be used for any form of promotion. Her strict adherence to the precepts deeply moved those in attendance.

Then something extraordinary happened. The 430-pound Duo Qie Xu followed the hand gestures of the great Tibetan female lama, trembling as it rose from the lawn and flew into the air. The crowd was awestruck and suddenly felt the lawn move like ocean waves. Rooftops and trees also appeared to move simultaneously.

The mani stone flying in the air then returned and suddenly fell from a height of three feet above the ground, making a large dent in the lawn. Such an occurrence—normally found only in fiction—unfolded in real life. The lamas and dharma masters present stated that this holy feat demonstrated the magnificence and authenticity of Buddha-dharma, through which all things can be accomplished, including the transformation of mountains and oceans.

At the Exposing Buddha Statues to the Sun Dharma Assembly held at Chiang Kai-shek Memorial Hall in Taipei on January 13, 2002, there was a mound of stones inscribed with mantras from Lapuleng Temple in Gansu. It was a Mani Stone Mound consisting of mani stones.

This article is from “H.H. Dorje Chang Buddha III (A TREASURY OF TRUE BUDDHA-DHARMA)” P485.

Link:https://peacelilysite.com/2026/01/21/ninety-eight-pound-stalactite-stone-went-through-a-human-body-four-hundred-thirty-pound-gigantic-mani-stone-duo-qie-xu-flies-into-the-air/

Kumbum Monastery: The Sacred Birthplace of a Master and the “Three Wonders” of Tibetan Art

In the southwestern suburbs of Xining, where the air grows thin and the spirit grows light, stands one of the most significant sites in the Buddhist world: Kumbum Monastery.

Known in Tibetan as Kumbum Jampa Ling, meaning “A Supreme Temple of a Hundred Thousand Lion’s Roar Buddha Images,” this sprawling complex is far more than just a collection of buildings. It is a living monument to Lama Tsongkhapa, the revered founder of the Gelug (Yellow Hat) sect of Tibetan Buddhism.

The Legend of the Golden Tree

Unlike many temples built to house statues, Kumbum was built to house a pagoda.

Legend tells us that Tsongkhapa was born here in 1357. When his mother cut his umbilical cord, drops of blood fell to the earth, and from that spot grew a miraculous sandalwood tree—the “Tree of Great Merit.” It is said this tree had 100,000 leaves, each bearing a natural image of the Buddha.

Years later, when Tsongkhapa was studying in Tibet, his mother sent a letter begging him to return. He replied that he could not leave his studies, but sent a self-portrait and a “Lion’s Roar” image, instructing her to build a pagoda over his birthplace. “Seeing this pagoda,” he promised, “is the same as seeing me.” In 1379, the Julian Pagoda was built, forming the sacred heart of what would become Kumbum Monastery.

Kumbum is world-renowned for its harmonious blend of traditional Tibetan and Chinese Han architectural styles.

1. The Eight Pagodas of Buddha Shakyamuni

Greeting visitors in the front square are eight gleaming white pagodas. Built in 1776, they commemorate the eight great merits and virtues of Buddha Shakyamuni. Each stands 6.4 meters tall, decorated with delicate Sanskrit scriptures and guardian lions, serving as a powerful symbol of the monastery’s spiritual authority.

2. The Grand Golden Tiled Hall

This is the soul of the monastery. With its gilded copper roof and emerald glazed-tile walls, the hall radiates a celestial glow. Inside, you will find an 11-meter-tall golden tower wrapped in white sandalwood and encrusted with jewels. At its peak sits a statue of Tsongkhapa. For pilgrims, meeting this tower is considered a direct meeting with the Master himself.

3. The Main Assembly Hall

Spanning nearly 2,000 square meters, this is the center of monastic life. Under a flat roof adorned with gilded bronze bells and “Aquarius” vases, hundreds of monks gather to recite sutras. The interior is a sensory masterpiece of colorful streamers and intricate carvings.

Dhammapala Hall

The “Three Artistic Wonders” of Kumbum

Kumbum is celebrated throughout Asia for its “Three Arts,” which represent the peak of Tibetan craftsmanship and devotion.

I. Vivid Yak Butter Sculptures

In the freezing depths of winter, when fresh flowers were unavailable for offerings, monks began carving flowers from yak butter. This evolved into a sophisticated art form. In the Yak Butter Sculpture Hall, you can see entire landscapes, pavilions, and deities crafted with impossible detail. To keep the butter from melting while they work, monks must dip their hands in ice water—a true testament to their endurance and faith.

II. Imaginative Barbola (Embroidered Appliqué)

Barbola is a unique form of 3D silk embroidery. By layering silk and cotton, artists create raised patterns that give the figures of Buddhas and animals a lifelike, three-dimensional appearance. The “Sixteen Disciples of Buddha” housed in the Main Assembly Hall are considered national treasures.

III. Exquisite Murals

The walls of Kumbum are alive with color. Using special mineral pigments that remain vibrant for centuries, these murals depict the life of Shakyamuni and scenes from the sutras. During the Sutra-viewing Festival, a massive 30-meter-long Buddha scroll is unfurled on the hillside, a breathtaking sight known as the “Great Buddha Exhibition.”

Kumbum Monastery hosts four major Dharma assemblies annually, held during the first, fourth, sixth, and ninth months of the lunar calendar. These gatherings are a blend of traditional festivals and grand religious events unique to the monastery. During these times, the temple comes alive with sacred activities, including monastic debates, mask dances, and sutra chanting.

A highlight of these fairs is the Cham Dance, where monks wear ornate masks and vibrant costumes, using dramatic gestures to express profound Buddhist teachings to the rhythm of cymbals and suonas (traditional horns). One of the most awe-inspiring sights is the Giant Thangka Unveiling, where a massive, delicate image of Tsongkhapa is unfurled down the mountainside. For the faithful, witnessing this Thangka is considered a direct and holy encounter with the Master himself.

Thangka Exhibition during the Buddha Festival

In July 2006, this sacred temple issued its formal recognition and congratulations to H.H. Dorje Chang Buddha III

United International World Buddhism Association Headquarters:

Under auspicious circumstances, we were happy to learn of the publication of A Treasury of True Buddha-Dharma—Complete Proficiency in Exoteric and Esoteric Buddhism and Perfect Mastery of the Five Vidyas about the Buddha Vajradhara, H.H. Master Yangwo Wan Ko Yeshe Norbu. His Holiness’s outstanding accomplishments are unprecedented. We respectfully send this letter of congratulations and joyfully offer our praise.

His actions and mind are pure, and His good fortune and wisdom are limitless.
He benefits myriad living beings, and His willpower never tires.
His powerful virtue is widespread, and His appearance is completely dignified.
He truly abides in peace and His accomplishments are perfect!

Qinghai Skuvbum Monastery
An auspicious day in July of 2006

Below is the original copy of the recognition letter in Chinese:

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Source: https://www.chinadiscovery.com/qinghai/xining/kumbum-monastery.html

The Power Of The Holy Vajra Needle

My name is Guang-Fen Fu. Since I was young, I have been physically weak and often ill. When I became an adult, my mother told me, “Daughter! You have had a weak constitution since you were young. Go and learn medicine. This will be good for your health, and you will not become weary through exerting too much physical strength.”

        In 1958, I began following a teacher to learn traditional Chinese medicine. Because my illnesses resulted from the power of karma accumulated through many lifetimes and eons, my illnesses did not decrease as my knowledge of medicine and my experience in practicing medicine grew. Disease constantly followed me wherever I went.

        In 1978 and the following few years, I suffered from a gastric ulcer in which most of my stomach hemorrhaged. During that time, I also discharged blood when going to the bathroom and vomited blood. In 1981, I had no choice but to undergo surgery to cut out most of my stomach. My health was even worse after the surgery. My food intake lessened, my face became pale, I spoke without any vigor, my spirit was weak, my movements were slow, and I often could not go to work.

        As a result of the care and assistance given to me by a friend, in 1987, I met my respected Buddha Master, H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata. When His Holiness learned of my suffering from illness and my strained financial circumstances, His Holiness showed immense compassion and concern. His Holiness treated me with the holy vajra needle. H.H. Buddha Master asked me to show His Holiness the acupuncture point on my foot called Zu San Li. My respected Buddha Master then squatted down and applied that needle to me. After the needle was applied, my respected Buddha Master then said, “Pay attention! I will now apply my dharma power.”

        When my respected Buddha Master put his hands into a mudra before me, I immediately began to feel numbness, swelling, and pain. My whole body emitted heat, and I was slightly perspiring. When my respected Buddha Master heard me repeatedly scream in pain, His Holiness released his hands from that mudra. I instantly felt that the numbness, swelling, and pain I had just experienced had disappeared. The only thing I felt was a relaxed and comfortable feeling that my body had never before experienced. My respected Buddha Master then said, “This needle was used to open your energy channels and chakras. You are too anemic.”

        I had not yet become a Buddhist or learned Buddhism at that time. My respected Buddha Master treated me and all other living beings as his own family members, equally lending them a helping hand out of great compassion. In 1988, I knew that I wanted to convert to and learn Buddhism in order to leave suffering, attain happiness, and walk the path leading to accomplishment in the dharma and liberation from the cycle of reincarnation.

        After following H.H. Buddha Master, my health has improved day by day; my complexion is ruddy, my spirit is clear, my voice is resonant, and I walk with vigor. I gradually understood just how magnificent H.H. Buddha Master is. I also came to comprehend the realness of Buddha Dharma gradually. Those who see me now say, “You have totally changed in the last two years. You don’t look so frail as you did before.” What they found most difficult to believe is that I returned from my trip to the plateaus of Tibet and Qinghai, which are places that lack oxygen without any adverse health effects.

        Because I received H.H. Buddha Master’s teachings and empowerment, I advanced in the area of medicine. I took a countywide test and was the first to receive a certificate of qualification as a traditional Chinese medicine doctor. I took provincial and municipal tests and obtained certificates qualifying me as a “doctor-in-charge” who practices traditional Chinese medicine. The hospital put a sign up for me that read “expert outpatient service.” My patients have increased day by day. I have cured patients near and far of their difficult and complicated illnesses. As a result, I have a bit of fame in the local area where I live. Everything that I have is due to the teachings and empowerment that the Buddha Master bestowed upon me after I began learning Buddhism. The kindness and grace H.H. Buddha Master conferred upon me are as enormous as a mountain. Each and every bit of his kindness and grace is indelibly etched in my heart.

        I remember one day around the year 1989. Zi-Fang Liu, a disciple of my respected Buddha Master, went to the home of my respected Buddha Master in the Nanxin District of Xindu. She beseeched my respected Buddha Master to save her. She said that her illness had lasted many years, was acutely painful, and was about to collapse. She had been to all of the major hospitals in China and had spent a lot of money, all to no avail. I saw that her complexion was unnaturally dark and that her whole body was rigid. She constantly complained about her unbearable pain.

        Then, she suddenly fell to the ground and did not get up. She looked ghastly pale. My respected Buddha Master immediately treated her with the holy vajra needle in order to empower her. Because she was in a state of shock, she did not have any reaction when the needle was applied. After a short while, Sister Liu regained consciousness, stood up, and stated she was no longer in pain.

        Every time I saw the wonders of my respected Buddha Master’s holy vajra needle, I had an even greater desire to learn how to apply that holy needle. One day I said to my respected Buddha Master, “Respected Buddha Master, teach me how to apply that amazing needle so that I may cure more patients.” My respected Buddha Master said in a soft voice, “Guang-Fen, your powers are insufficient. Let’s put that matter aside for the time being.” One time I saw Hsi Jao Ken Ten Rinpoche, who is from Taiwan, also ask my respected Buddha Master to teach him how to apply that amazing needle. My respected Buddha Master replied, “Your powers are insufficient. Let’s put that matter aside for the time being.”

        I later learned that the source of the effectiveness of the holy vajra needle is my respected Buddha Master’s state of realization and virtue and the power of his merit. With a holy mind of enlightenment and great compassion, His Holiness assists living beings with physical illnesses, psychological illnesses, and living beings suffering due to the power of karma. Furthermore, His Holiness constantly and compassionately empowers living beings through his teachings, thereby enabling them to extricate themselves from suffering and find the key to curing and preventing disease.

        I have followed H.H. Buddha Master for more than ten years. I, Guang-Fen, have evolved from a person who did not understand anything about learning Buddhism and self-cultivation to a Buddhist disciple striving to integrate wisdom, compassion, and skillful means and a person striving to be selfless. Based upon empowerment from my respected Master’s practice and from the lineage of great masters throughout generations, a type of merit of the fruit of Buddhahood exerts its influence, causing Buddhist disciples to walk the path toward liberation and accomplishment in the dharma. With the incomparable kindness and empowerment of my respected Buddha Master, Buddhist disciples give rise to bodhicitta and strive to enlighten themselves and others. The compassion, care, and protection my respected Buddha Master bestows upon his disciples and all living beings cannot be described in words. To know what I am saying, you have to experience it yourself.

        I sincerely feel that the kindness and grace shown to me by my Buddha Master are difficult to repay. All I can do is resolve to be a disciple of the Buddha in all my future lives and devoutly and respectfully turn to and rely upon the eternal Buddha Master. Only a Buddha Master can lead Buddhist disciples out of the bitter sea of reincarnation and lead them toward liberation, accomplishment in the dharma, ending of the cycle of birth and death, becoming a Buddha, saving other living beings, undertaking the cause of the Buddhas and Bodhisattvas, and repaying the kindness of the Buddhas.

        This year I have passed sixty-five years of age. What I have written above is my own true personal experience. I have not lied. If what I wrote above contains lies, I am willing to descend into the Avici Hell (hell of uninterrupted suffering). If what I wrote above is true, I offer the merit of this writing to my magnificent Buddha Master, who is like my father and mother. I also dedicate such merit to all of my vajra Brothers and Sisters so that they attain enlightenment soon and to all sentient beings on the six paths of reincarnation. Amitabha!

Written and respectfully submitted by a Buddhist disciple,
Guang-Fen Fu

April 16, 2006

(This is a complete translation of the Chinese text that was initially written and signed by Guang-Fen Fu.)

Mastering Emotions: The Path to Inner Peace

In ancient Tibet, there was a man named Aediba. Whenever he found himself angry or in the midst of an argument, he had a peculiar habit. He would immediately run home and circle his house and land three times before sitting down by the fields to catch his breath. As the years passed, Aediba worked tirelessly, and his house and land expanded significantly. But regardless of how large his property grew, he continued his practice—whenever he got upset, he would run three laps around it.

By the time Aediba had grown old, his property stretched far and wide. One day, after yet another argument, he grabbed his walking stick and, with great effort, completed his customary three laps. When he finally sat down to rest, the sun had already set. Concerned, his grandson approached him and said, “Grandpa, you’re too old to keep doing this. No one around here owns more land than you. You don’t need to run around your property anymore when you’re angry. Can you tell me why you’ve done this your whole life?”

Aediba smiled and replied, “When I was young, every time I got angry, I would run around my house and land. As I ran, I’d think to myself, ‘My house is so small, my land is so little—what right do I have to be angry or argue with anyone?’ That thought always calmed me down, and I would pour all my energy into working harder. Now, even though my house is large and my land vast, I walk around it and think, ‘I have so much—why should I waste my time quarreling with others?’ And once again, my anger fades.”

Just as every rose has its thorns, every person has traits that may frustrate us. The key to happiness is not trying to remove these “thorns,” but learning how to live with them, avoiding getting hurt.

This simple yet profound story teaches us a vital lesson about managing emotions. With family, there’s no need to argue to prove who’s right or wrong. Winning or losing a debate doesn’t matter—home is not a battlefield. We need to make sure our own thorns don’t harm those we love.

When interacting with others, especially those who may not see the world as we do, it’s wise to avoid unnecessary arguments. Not engaging in debates over who’s right shows maturity and emotional intelligence. In fact, most arguments are futile. The real strength lies in holding back, demonstrating grace, and knowing when to step away. Spiritual teachings from ancient times remind us, “When you open your mouth, your energy scatters; when your mind stirs, your internal strength cools.” Engaging in constant disputes not only wastes time but drains our energy.

On Mount Emei, there lived an old monk named Yongtong, who was over 100 years old. Someone once asked him, “Master, what is the secret to happiness?” Yongtong calmly replied, “Never argue.” The person asking wasn’t satisfied with this simple answer and said, “Master, I don’t quite agree with your idea that this is the secret.” Yongtong smiled and said, “Yes, you’re absolutely right…”

Life is full of challenges and difficulties, and none of us can avoid them. However, if we let every problem cause frustration or every small setback lead to anger, life will be full of turmoil. Truly strong individuals know how to control their emotions, step back, and manage problems calmly. Mastering our emotions isn’t about avoiding conflict entirely, but about learning to navigate it with wisdom and grace—leading to a life of peace and fulfillment.

Link:https://peacelilysite.com/2024/10/11/mastering-emotions-the-path-to-inner-peace/

H.H. Dodrupchen Rinpoche: The Pillar of Longchen Nyingthig Dharma and Compassionate Wisdom

THE WORLD’S SOLE HOLDER OF THE HIGHEST RAINBOW BODY ACCOMPLISHMENT DHARMA: H.H. DHARMA KING DODRUPCHEN

H.H. Dodrupchen Rinpoche stands as the supreme leader and sole lineage holder of the complete Great Perfection Longchen Nyingthig Dharma across the world. Every Longchen Nyingthig lineage practiced in the major monasteries worldwide traces its origins to the initiations and teachings of H.H. Great Dharma King Dodrupchen. Without his guidance, the highest esoteric dharma, Longchen Nyingthig Great Perfection, would not exist.

The Longchen Nyingthig transmissions of the Nyingma tradition, including those practiced in renowned monasteries like Kathok and Dzogchen, all flow from the empowerment of H.H. Dodrupchen Rinpoche.

The title “Dodrupchen” translates to “the great accomplished one from the Dokham Valley,” a name rooted in the legacy of the First Dodrupchen Rinpoche, who was born in the Upper Dokham Valley of the Golok region in eastern Tibet. When the First Dodrupchen Rinpoche met the great master Jigme Lingpa, he received the complete transmissions of the “Buddha’s Words” and the “Treasured Teachings.” Jigme Lingpa also recognized him as the sole root lineage holder of Longchen Nyingthig. Remarkably, when Dodrupchen Jigme Trinle Ozer, the reincarnation of Jigme Lingpa, encountered Dodrupchen Rinpoche, he saw him as Guru Padmasambhava. Over generations, the Dodrupchen Rinpoches have demonstrated profound wisdom and miraculous abilities, while also tirelessly transmitting Longchen Nyingthig teachings to those with the right karmic connections, nurturing many accomplished masters.

The Fourth Dodrupchen Rinpoche, Thubten Thrinle Lhawang Sangpo, was born in 1927 in the Tse village of the Serta Valley, Golok. Even before his birth, auspicious signs appeared, such as rainbows gracing the skies above his village almost daily and the protector deity Rahula being seen atop his rooftop nightly. A rare flower bloomed on his rooftop, similar to those cherished by the Third Dodrupchen during his retreat, even though it had never been seen in the region. His mother experienced miraculous phenomena throughout her pregnancy, such as the unborn child momentarily disappearing and a mysterious light accompanying her, enabling her to see in the dark without any need for illumination.

After Rinpoche was born, many miraculous events occurred. On one occasion, a Mani stone fell from a rock and struck Rinpoche, shattering many of his bones. However, just a few hours later, all signs of injury miraculously disappeared. Sometimes, young Rinpoche would be on the ground one moment, and in the blink of an eye, he would be on the rooftop or a mountain rock wall. Before the monks from Dodrupchen Monastery came to visit and identify the reincarnated lama, Rinpoche’s parents were unaware of their visit. Yet, Rinpoche told his parents, “Guests are coming today,” and joyfully began to sing.

When the search team presented items previously used by the previous Dodrupchen, such as books and prayer beads, mixed with items from other people, Rinpoche accurately selected his past life’s belongings, saying, “These are mine.” The Fifth Dzogchen Rinpoche personally recognized the young boy as the Fourth Dodrupchen Rinpoche.

As Rinpoche grew older, he rarely displayed miraculous powers, except in rare circumstances. Despite not needing to purify his mind or accumulate merit like ordinary practitioners, he sought teachings from various human masters and completed many years of retreat to set a true example of practice for all beings. By age fifteen, Rinpoche had already mastered mandala painting, calligraphy, pottery, architecture, and numerous other skills, as well as profound teachings like the supreme methods of seed syllables and karmic selection. Throughout his life, he interacted with others with unwavering peace, humility, and simplicity, without any pretense. His compassionate actions, in every moment and place, served as a guiding light for all beings.

The Fourth Dodrupchen Rinpoche’s status was elevated above many great Dharma kings, and his disciples spanned across all major lineages, many of whom became renowned masters, celebrated worldwide. Among them are illustrious lineage holders such as the Seventh Dzogchen Rinpoche, Sogyal Rinpoche, Rinchen Nyingma Rinpoche, H.H. Jigme Phuntsok Rinpoche, and H.H. Togdan Rinpoche, among others.

In December 2006, after reading A Treasury of True Buddha-Dharma, H.H. Dodrupchen Rinpoche was deeply moved by the accomplishments of H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu. In response, he promptly wrote a congratulatory letter, stating that the accomplishments of H.H. Dorje Chang Buddha III are miraculous and clearly demonstrate the absolute truth of Buddha-dharma.

Link: https://peacelilysite.com/2024/08/29/h-h-dodrupchen-rinpoche-the-pillar-of-longchen-nyingthig-dharma-and-compassionate-wisdom/

#DorjeChangBuddhaIII #HHDorjeChangBuddhaIII  #MasterWanKoYee #Buddha #HuaZangSi #InternationalBuddhismSanghaAssociation #IBSA #DodrupchenRinpoche #Nyingmatradition #LongchenNyingthig

The Potala Palace: Jewel of the Roof of the World

Located in the Tibet Autonomous Region of China, the Potala Palace is known as the “Jewel of the Roof of the World.” It stands as a symbol of China, Lhasa, and the Qinghai-Tibet Plateau. This palace, the highest and most majestic in the world, houses an incredibly rich collection of cultural relics and artifacts, preserving the unique heritage of the Snowy Plateau. The palace is renowned for its architectural layout, civil engineering, metal smelting, painting, and carving, showcasing the extraordinary skills of Tibetan artisans and the architectural achievements of the Tibetan people, as well as contributions from Han, Mongolian, and Manchu craftsmen. In December 1994, the Potala Palace was inscribed on the World Heritage List.

The magnificent Potala Palace stands at an altitude of 3,700 meters, covering a total area of 360,000 square meters, with a total building area of 130,000 square meters. The main building is 117 meters high, appearing to have 13 floors from the outside, while actually containing 9 levels internally. The complex includes palaces, stupas, Buddhist halls, scripture halls, monks’ quarters, and courtyards.

The Potala Palace’s main structure is divided into the White Palace and the Red Palace. Built into the mountainside, the complex features overlapping buildings, imposing halls, and a grand, sturdy granite structure. The white balustrades made of smooth bema grass, the resplendent golden roofs, and the large gilded bottles, stupas, and red banners create a striking decorative effect. The vivid contrast of red, white, and yellow, along with the intricate interlocking architecture, highlights the enchanting characteristics of ancient Tibetan buildings.

Historical records indicate that the Potala Palace was first constructed in the 7th century during the reign of Songtsen Gampo of the Tubo Kingdom, making it 1,300 years old. In the early 7th century, after moving the capital to Lhasa, Songtsen Gampo built three nine-story buildings with a total of one thousand rooms on Red Hill to welcome Princess Wencheng of the Tang Dynasty. The palace was named Potala Palace. The three walls surrounding Red Hill and a silver and copper bridge connecting the palaces of Songtsen Gampo and Princess Wencheng were part of the original structure. Outside the east gate of the Potala Palace was Songtsen Gampo’s horse-racing track.

When Princess Wencheng traveled to Tibet, she brought with her a large collection of books and documents, greatly promoting the development of Tibetan culture. It is said that there were more than 300 types of books on astronomy and calendrical calculations alone. The Tibetan calendar, still in use today, was created by absorbing and learning from the Han calendar, combined with the characteristics of Tibetan-inhabited areas and the experiences of the Tibetan people’s production labor. Classic works representing the excellent traditional culture of China, such as “Liezi,” “Shangshu,” “Strategies of the Warring States,” and “The Book of Questions Between Confucius and Xiang Tuo,” were also introduced to Tibet.

Ingenious Design and Construction

The design and construction of the Potala Palace take into account the patterns of sunlight in the plateau region. The foundation walls are broad and sturdy, featuring a network of tunnels and ventilation openings beneath them. Inside, the palace employs pillars, brackets, wooden struts, beams, and rafters to form its framework. The floors and roofs are made from a hard soil called “Arga.” Skylights are installed in the ceilings of each main hall and bedroom to facilitate lighting and air circulation. The pillars and beams inside the palace are adorned with various carvings, and the colorful murals on the walls cover an area of more than 2,500 square meters.

The Red Palace’s Enchanting Halls

The Red Palace, situated in the central position of the Potala Palace, is distinguished by its red outer walls and mandala layout. The Hall of the Dharma King (Qujiejiebu) and the Hall of the Sage (Pabalakang) within the Red Palace are said to be structures remaining from the Tubo period. The Hall of the Dharma King is located in the middle of the Potala Palace, directly above the peak of Marpori Mountain. It is believed that this hall was once the meditation retreat of Songtsen Gampo and now houses statues of Songtsen Gampo, Princess Chizun, Princess Wencheng, and other ministers. The Hall of the Sage enshrines Songtsen Gampo’s principal deity, a naturally formed sandalwood statue of Avalokiteshvara. The rooftop platform of the Red Palace is adorned with the golden roofs of various stupa halls, all single-eaved hip-and-gable structures supported by wooden brackets and covered with gilded copper tiles.

Songtsen Gampo and Princess Wencheng (Image source: Potala Palace official website)
White Palace

A Masterpiece of Tibetan Architecture

The Potala Palace is a masterpiece of ancient Chinese architecture and an outstanding representative of Tibetan architecture. Its architectural artistry is the most remarkable example among the thousands of Tibetan Buddhist temples and palaces, unmatched anywhere in the world. At the pinnacle of the palace stand three gilded pagodas, one large and two small, shining brightly and dazzling the eyes. The parapet around the rooftop is constructed from a deep purple-red shrub, decorated with various gold ornaments. The roof is adorned with large gilded finials and red prayer flags, reflecting a strong Tibetan style.

A Fusion of Artistic Traditions

The sculptural art within the Potala Palace combines techniques from Han, Indian, and Nepalese Buddhist art. The palace houses a vast collection of treasures, including heavy-colored clay sculptures, wood carvings, stone carvings, and a significant number of metal statues made from gold, silver, copper, and iron. These works of art range in size from over ten meters tall to just a few centimeters.

Thangka Paintings and Cultural Treasures

“Thangka,” a Tibetan transliteration, refers to scroll paintings mounted on colorful silk brocade, depicting religious figures, historical events, and doctrines, as well as subjects like Tibetan astronomy, calendrical calculations, and traditional medicine. The Potala Palace preserves nearly ten thousand thangkas, some of which are several tens of meters long.

The palace also houses numerous religious and artistically significant artifacts, including Tibetan carpets, prayer cushions, prayer flags, canopies, and embroidered satin hangings.

Thangka of a stupa inscribed with the calligraphy of Emperor Qianlong. (Image source: Potala Palace official website)

Gilded bronze openwork incense burner with handle from the Potala Palace. (Image source: Potala Palace official website)

A National Treasure and World Heritage Site

The Potala Palace preserves a vast number of statues, murals, scriptures, and other cultural relics, making it a treasure trove of national art and culture. It is listed as a national cultural relic protection unit and a UNESCO World Heritage Site, reflecting its immense cultural and historical significance.


Explore the Potala Palace and immerse yourself in the rich tapestry of Tibetan history, art, and culture. Its breathtaking architecture and priceless artifacts offer a unique glimpse into the soul of Tibet, making it a must-visit destination for anyone seeking to understand the heritage of the Roof of the World.

Link:https://peacelilysite.com/2024/08/01/the-potala-palace-jewel-of-the-roof-of-the-world/

Source: https://www.brxuefo.com/2862.html,

Discover the Beauty of Qinghai This Summer

Entering summer, the northwest is like a fairyland, and as the gateway to this paradise, Qinghai is so breathtaking that one forgets the passage of time. Snow-capped mountains, lakes, grasslands, deserts, Yadan landforms, temples, prayer flags…

Countless unique landscapes make Qinghai a place worth exploring in depth. Here, you can easily encounter breathtaking scenery: lakes, flower fields, deserts, and starry skies, along with six vibrant colors: blue skies, green lakes, white mountains, golden deserts, green grasslands, and yellow rapeseed flowers. Walking on this vast land, the vitality and colors continually surprise you. Qinghai is a place you’ll fall in love with and never want to leave. In July, Qinghai Lake is romantic and poetic, with vast fields of rapeseed flowers along the lakeshore, blue water blending with the sky, and smoke rising from small wooden houses by the shore, resembling a pastoral landscape painting.

Qinghai Lake or Ch’inghai Lake, also known as Lake Koko Nor, is the largest lake in China (the size of Rhode Island or three Greater Londons). Located in the northeast of the Tibetan Plateau, this huge alkaline salt lake is usually No. 1 on “Most Beautiful Lakes in China” lists.

Spectacular Sunrise of Qinghai Lake

Erlangjian Scenic Area

Fairy Bay Area – The Sea of Flowers

Fairy Bay Area is a wet land located in the northern coast of Qinghai Lake. There are two legends about how Fairy Bay Area got its name. In one old legend, the queen of the west area fell in love with the King of Central Plains. The queen always served a feast for the king in Qinghai Lake with pretty fairies singing and dancing for them. Another ancient poem showed that the Queen of the west had been waiting for the king of Central Plains in Qinghai Lake for thousands of years but he never kept his appointment. The sad queen left for Heaven, but she ordered the fairies to guard Qinghai Lake. Later, these fairies masqueraded as swans living in Fairy Bay Happily. Might be attracted by these beautiful swans, a dozen of other birds also prefer Fairy Bay as a habitat.

Apart from various birds, different kind of flowers blooms here from every June to October. Just like a carpet waved by fairies, Fairy Bay presents on white, yellow, orange, pink, red etc., really deserving its name of Flowers’ Ocean. Because of the magic legends and amazing landscape, local people regard it as sacred ground and several solemn rituals are held here. So, you can feel a strong cultural fragrance.

Sand island in the lake

Great Scenery in the Biking Trip

There’s a Tibetan folk custom that Buddhists should walk around the lake in the Year of Goat, circle the mountains in the Year of Horse, and circle the forest in the Year of Monkey. Some believe it’s a decree left by Buddha. Qinghai Lake is a sacred lake for Buddhist pilgrimages. Especially in Horse years of the 12-year cycle, many Buddhists will take a kora around the Qinghai Lake which is believed to be helpful to lead a safe and happy life. By traveling to Qinghai Lake you can get close to the devoted Tibetans and appreciate Tibetan culture. When the weather is warm in the summer months, there are ethnic festivals of the Tibetans and Muslims. Nowadays, there are still lots of minority tribes and herdsman families living beside the Lake. You can feel the strong nomadic ethnic culture there.

Buddhist Pilgrims Worshiping Qinghai Lake

Besides Qinghai Lake, there are many lakes in Qinghai, such as Chaka Salt lake, ChaErHan Salt lake, etc.

Qinghai has many mountains, 3,600 mountain peaks, clustered together, resemble giant petals in full bloom, tracing graceful arcs across the sky. Up close, they resemble ancient castles, pyramids, animal shapes, and cylindrical pillars. Being there feels like entering a maze, making it difficult to distinguish directions.

In July and August, large fields of rapeseed flowers bloom beneath Zhuo’er Mountain. Standing at the top of the mountain, the view is incredibly expansive and unobstructed. As far as the eye can see, the earth is covered with a golden-yellow carpet.

This summer, embark on a pilgrimage to Qinghai.

On this vibrant land, there exists a power, ancient and resolute, with the solemn sound of bells echoing in all directions, suppressing all disturbances. The 400-year-old Kumbum(or Ta’er Monastery ) is one of the most important temples of the Gelug sect of Tibetan Buddhism. Entering the incense-filled Ta’er Monastery, one begins to feel detached from the mundane world. Devout followers, serene temples, and vivid Buddha statues all convey the weight of faith. The monastery’s buildings are grand, blending Han palace and Tibetan flat-top styles. With over 4,500 rooms, it forms a unique architectural complex that integrates Han and Tibetan craftsmanship.

The most captivating event is the annual “Shai Da Fo” or “Shai Da Thangka,” also known as the “Buddha Exhibition Festival.” This involves displaying a large Buddha image outdoors to prevent mold and insect damage, and more importantly, as a special way for monks and followers to pay homage to the Buddha. The image is actually a special type of large Thangka, a rare treasure among scroll paintings. The best time to unfold the Buddha image is at dawn when the first rays of sunlight hit the earth, hence the name “Shai Fo,” which means “Sun Buddha.”

Held twice a year during the lunar fourth and sixth months, the festival commemorates the birth, enlightenment, and nirvana of Shakyamuni, the emergence of Maitreya, and the birth and nirvana of Tsongkhapa. By displaying the Buddha image, followers can gaze upon it, receive its blessings, and protect it from damage. Ta’er Monastery has four large embroidered Buddha images: “Lion’s Roar,” “Shakyamuni,” “Tsongkhapa,” and “Vajrasattva,” with only one displayed each time on the monastery’s hillside. The ceremony is grand, attracting many spectators and creating a spectacular scene.

Link:https://peacelilysite.com/2024/07/15/discover-the-beauty-of-qinghai-this-summer/

Source: https://www.chinahighlights.com/xining/attraction/qinghai-lake.htm, https://www.chinadiscovery.com/qinghai/xining/qinghai-lake.html, photos from https://fashion.sina.cn/l/ds/2022-07-06/detail-imizmscv0155077.d.html

Renowned Buddhist Scholar Jeffrey Hopkins, Professor Emeritus at the University of Virginia, Has Died

Photo courtesy Christof Spitz

Jeffrey Hopkins, a brilliant scholar, author, teacher, and translator who founded one of the largest Tibetan Buddhist Studies programs in the West, died on July 1 in Vancouver, Canada. He was 83.

For more than three decades, beginning in 1973, Hopkins was a leading light at the University of Virginia. He directed UVA’s Center for South Asian Studies for twelve years and taught Tibetan Buddhist studies and Tibetan language for thirty-two years, but his signature achievement was the Tibetan Buddhist studies doctoral program he established in 1975, which became the largest in North America. Among its graduates are some of the most esteemed academics in the field today, including Anne C. Klein of Rice University, Donald Lopez of the University of Michigan, Georges Dreyfus of Williams College, and Bryan Cuevas of Florida State University. Hopkins’s program, by placing Tibetan Buddhism (rather than Indian, Chinese, or Japanese Buddhism) at its center and bringing prominent Tibetan masters from India to Charlottesville to teach the classic texts of that tradition, “changed the way Buddhism is taught in the American academy,” Donald Lopez says.

Hopkins’s singular force was evident from the moment he arrived at UVA in 1973. Lopez, a senior when Hopkins joined the faculty, remembers: 

Despite being a newly arrived assistant professor, he immediately gained a large following among the “Be Here Now” crowd. By the second semester, students were walking around campus wearing buttons that said, “Buddha’s Slogan: Dependent Arising.” In a men’s room on campus one day I noticed something written on a urinal. Assuming it said “R. Mutt” [as Marcel Duchamp had signed his urinal artwork, “The Fountain”], I went closer and saw that it was four words stamped in red letters: “DOES NOT INHERENTLY EXIST.” Inspired by such visions, I wrote my senior thesis, master’s thesis, and doctoral dissertation under Hopkins’s direction.

Convinced that scholars of Tibet must be able to both read classical Tibetan and speak modern Tibetan, Hopkins established the first Tibetan language program at UVA and coauthored a comprehensive language course, Fluent Tibetan: A Proficiency Oriented Learning System. He also compiled a 900-page Tibetan-Sanskrit-English dictionary of Buddhist terms that is posted online. 

During his career, Hopkins also held visiting professorships at the University of Hawaii and the University of British Columbia. After he retired from UVA, he focused on translating. He was the founder and president of the UMA (Union of the Modern and Ancient) Institute for Tibetan Studies and from 2011 directed its Great Books Translation Project, set up to make Tibetan texts freely available. 

Hopkins was also a peace and human rights activist and published The Art of Peace, edited from talks at a conference of Nobel laureates he organized in 1998 for UVA and the Institute for Asian Democracy, a Washington, D.C.-based non-profit that promoted self-governance in Asia, particularly in Burma. Hopkins was president of the institute from 1994 to 2000.

One of the most respected Tibetologists of his generation, Hopkins authored, edited, or translated more than fifty books. His extensive published work includes scholarly books on emptiness and tantra, as well as translations of works by such famed figures as Nagarjuna, Chandrakirti, and Tsongkhapa. His first and most influential work was his massive 1973 doctoral dissertation, Meditation on Emptiness, which provided the first detailed presentation of the Geluk synthesis of philosophy and practice. After circulating widely as a bound Xerox copy, it was published by Wisdom Publications in 1983. A fortieth-anniversary edition will be published next year. Much of Hopkins’s work was devoted to the Geluk founder Tsongkhapa, translating major sections of his massive exposition on tantra, Stages of the Path of Mantra. Later he turned to Tsongkhapa’s most beloved work among Geluk scholars, Essence of Eloquence, a text recited from memory by the monks of Ganden Monastery at his funeral in 1419. Although Tsongkhapa’s text is rather brief, Hopkins devoted three large volumes to it: Emptiness in the Mind-Only School, Reflections on Reality: The Three Natures and Non-Natures in the Mind-Only School, and Absorption in No External World. 

In 1979, Hopkins was instrumental in arranging His Holiness the Dalai Lama’s first visit to the United States and served as his chief translator from 1979 to 1989 on tours of the US, Canada, Europe, Southeast Asia, and Australia. Hopkins translated and edited His Holiness’s teachings for sixteen books, including The Dalai Lama at Harvard, along with titles aimed at a general audience, such as Kindness, Clarity and Insight; How to See Yourself As You Really Are; How to Practice: The Way to a Meaningful Life, Mind of Clear Light, Mind of Clear Life: Advice on Living Well and Dying Consciously; How to Be Compassionate; and How to Expand Love: Widening the Circle of Loving Relationships. 

Hopkins collaborated with the tulkus Lati Rinpoche and Denma Locho Rinpoche on Meditative States in Tibetan Buddhism, based on a text by the Geluk master Panchen Sonam Drakpa. With the Nyingma lama Khetsun Sangpo he published Tantric Practice in Nyingma, a translation of a famous work by Patrul Rinpoche that would later be translated as Words of My Perfect Teacher.

Born Paul Jeffrey Hopkins in 1940, he grew up in Barrington, Rhode Island. A rebellious youth, he was a member of what he later described as a “suburban gang . . . disgusted by the aims that were being presented to us: merely making money and so forth.” Hopkins was then sent to Pomfret, a prep school in Connecticut, where he thrived. During his freshman year at Harvard, he read Thoreau’s Walden and retreated to the woods of Vermont, where he lived in a one-room cabin, wrote poetry, and “began finding my own integrity,” he later told an interviewer. Further inspired by Herman Melville’s Typee and W. Somerset Maugham’s The Moon and Sixpence, he hopped a freighter to Tahiti. It was during this period that Hopkins began meditating—in a fashion. 

Hopkins returned to Harvard after a year and a half, then between his junior and senior years, took off again. While floating down a river in Oklahoma, he saw a dead man propped up on a bank. It was a turning point. “I suddenly realized that his last perception in this lifetime would be no fuller than any of his other perceptions,” he recalled. “I began to recognize the ultimate futility of external activities and to turn my attention inward, to a light within. When I returned to Harvard in the fall of 1962, it was as if a coffin had been opened. I had been living my life in a coffin and had not recognized the presence of the sky.”

During Christmas vacation from college that year, a classmate drove Hopkins to Freewood Acres, New Jersey, to meet Geshe Wangyal,  a Kalmyk Mongolian Tibetan Buddhist who had established a monastery there in 1958. In 1963, after graduating magna cum laude from Harvard—an English major, Hopkins won the Leverett House Poetry Prize for his translation of the Anglo-Saxon poem “The Wanderer”—Hopkins spent seven years studying with Geshe Wangyal in New Jersey. After a false start in graduate school at the University of Pennsylvania, he enrolled in the doctoral program at the University of Wisconsin-Madison. 

Later, Hopkins called his time in the Buddhist Studies program at Wisconsin as “thrilling in many ways and . . . certainly a crucial choice for my career.” At Hopkins’s urging, Richard Robinson, the head of the Buddhist Studies program, hired Geshe Lhundup Sopa, a Geluk scholar who had been living at the Kalmyk monastery in New Jersey. He was instrumental in the hiring of renowned tantric master Kensur Ngawang Lekden, former abbot of the Tantric College of Lower Lhasa. Anne Klein, then a master’s candidate at Wisconsin, recalls that Hopkins, with Robinson, “founded Tibet House on a farm outside Madison, where Kensur, Jeffrey, and grad students could live, learn Tibetan, and share kitchen duties. Jeffrey served ice cream on small, flat plates, which, as Kensur demonstrated with delight, meant you could lick them clean.” Hopkins read with Kensur daily, Klein remembers, material that formed his dissertation, Meditation on Emptiness.

Throughout his career, Hopkins’s interest in Buddhist studies was broad, encompassing South Asia, Tibet, and East Asia. He was the recipient of three Fulbright fellowships and made twelve trips to India and five to Tibet for research.

As a translator, Hopkins had an approach unusual among his peers at the time: working closely with Tibetan scholars and regarding them not as “native informants” but as collaborative partners. “I thought it was . . . extremely important to treat every Tibetan scholar fairly, to give them credit for their part in producing any book,” he said. “If I couldn’t understand the text without somebody informing me of its meaning, then that person has played an equal role in its translation even if they don’t know English.” 

In 1991, Hopkins suffered a debilitating, near-fatal case of Lyme disease that temporarily left him partially paralyzed with noticeable mental gaps. He recovered, but “I had to reconstruct my mind,” he later told Tibetan Buddhist nun Robina Courtin. “In any field, I had to consciously make a logical connection, and then once the connection had been made, that area was reopened.” What saved him, he ventured, was a habit formed in his years at the monastery in New Jersey: repeating the intelligence mantra of Manjushri, bodhisattva of wisdom, aimed at enhancing mental acuity: Om ah ra pa tsa na dhih. “I overheard Geshe Wangyal tell one Mongolian boy who was having trouble memorizing it, ‘Then do dhih dhih dhih . . . endlessly,’ ” he recalled. 

Link:https://peacelilysite.com/2024/07/05/renowned-buddhist-scholar-jeffrey-hopkins-professor-emeritus-at-the-university-of-virginia-has-died/

Source: https://tricycle.org/article/jeffrey-hopkins-obituary/, By Joan Duncan Oliver
 JUL 02, 2024