Over 2,000 years ago, Shakyamuni Buddha came to the Saha world, established Buddhism, and began to spread the Buddha Dharma. Now, the karmic conditions related to the good fortune of living beings have matured, and the contemporary Buddha H.H. Dorje Chang Buddha III has come to our world once again to bring more Dharma to us. The Avalokiteshvara Bodhisattva Great Compassion Empowerment Dharma is the Dharma that His Holiness has brought to us this time.
When a Dharma Master practices this Dharma, it can convene people, empower them, and lead them into a supernormal state. The purpose is to eliminate negative karma, improve one’s health, and increase spiritual mentality. H.H. Dorje Chang Buddha III has transmitted the Dharma to a few qualified Rinpoches and Dharma Masters, and these Rinpoches and Dharma Masters have hosted the Dharma Assembly many times around the world.
I have participated in the assembly four times so far. The first time, I heard many people crying, singing, or laughing, and some walking around, but I myself didn’t experience any specific motions. I was kind of disappointed. The second time, I had very strong feelings. When the assembly just started and everyone was chanting the Great Bright Six Syllable Mantra, I began to cry and couldn’t control myself. I kept on crying and crying, and it seemed like I cried out all my sorrows and pains in my life. Then I started to sway my body, shake my head and neck. The third and fourth time I joined the assembly, I had more motions and stronger expressions. I still cried hard at the beginning, then I sang the name of Namo Dorje Chang Buddha III, swung my two arms, and spun around. I bent my neck backward so hard, and I even lay down on the floor feeling so peaceful and comfortable, feeling the energy flowing through my body. I did all those without any intention from my mind. I felt the assembly was too short to end. Every time after the assembly, I felt my whole body loosen up, and I was so relaxed and rejuvenated.
The assembly actually has two parts. One is held inside, such as a conference center or grand hall in a hotel, where the master performs the Dharma. The second part takes place outside, where living beings are released from captivity.
H.H. Dorje Chang Buddha III emphasized many times in the Dharma discourses: “The concluding practice of the Avalokiteshvara Bodhisattva Great Compassion Empowerment Dharma is the finest, the best. Were it not for its concluding practice, I would not advocate practicing this Dharma. I all the more would not transmit this Dharma in this world. Why release captive living beings? All living beings have been our family members since beginningless time. They are the same as humans. It is just that their degree of intelligence and appearance are different from those of humans. Still, their consciousness is the same as that of a human. That is why in real life, we see that some animals can even rescue people, some can do math, some can sing, and some can dance. I even saw a dog that was able to play a highly difficult piano melody. Moreover, the dog played it very precisely. We must help them and rescue them. Furthermore, we must not even slightly harm any living being. We can only rescue them.
Because the Avalokiteshvara Bodhisattva Great Compassion Empowerment Dharma is based on the power gathered from the greatly compassionate mind of Avalokiteshvara Bodhisattva, at the end of each Dharma assembly, the one performing the Dharma must lead the attendees in a concluding practice to release captive living beings, do good deeds, and help other people. It is best to conduct the concluding practice on the same day. If there is not enough time, doing it on another day is also acceptable. However, the concluding practice must be completed within fifteen days.
People who attend an Avalokiteshvara Bodhisattva Great Compassion Empowerment Dharma Assembly should make offerings. However, in order to comply with the Dharma, it would be best if they personally helped the Dharma assembly staff arrange that the monetary offerings received at the Dharma assembly be spent on the main subject of the Dharma assembly—the concluding practice of releasing captive living beings, helping other people, and doing good deeds— as well as on the related expenses of the Dharma assembly, such as renting the site, transportation, meals, and lodging for the master performing the Dharma and those accompanying the master.”
Today is the auspicious occasion of Avalokiteshvara Bodhisattva’s holy birthday, and on this special day, I offer my sincere prayers: May the great Bodhisattva bless all living beings with a life full of auspiciousness, prosperity, and happiness. May the compassionate energy of Avalokiteshvara Bodhisattva radiate throughout the world, bringing peace, harmony, and love to all sentient beings.
Guan Shi Yin (Avalokitesvara) Bodhisattva is a revered figure in Buddhism who has achieved the level of marvelous enlightenment, possessing the same qualities as a Buddha. According to sutras, Guan Shi Yin Bodhisattva is believed to be the manifestation of an ancient Buddha called True Dharma Brightness Tathagata and is considered the king of great compassion. The Bodhisattva tirelessly works day and night to help all beings in the Three Spheres, accumulating boundless merit.
Guan Yin is one of the most widely depicted figures in Chinese temples, with thousands of different incarnations or manifestations. Typically portrayed as a graceful woman dressed in flowing white robes and a hood, carrying a small vase of holy dew, she stands tall and slender, emanating selflessness and compassion. She may be depicted in various forms, such as seated on an elephant, standing on a fish, nursing a baby, holding a basket, or with multiple arms and heads. Her main goal is to alleviate the suffering of all beings.
Guan Yin is often portrayed riding a mythological animal known as the Hou, similar to a Buddhist lion, symbolizing her divine power over nature. She is usually depicted barefoot, while on public altars, she is flanked by two acolytes: a barefoot, shirtless youth known as Shan-ts’ai (Golden Youth) on her right, and a demure maid known as Lung-nü (Jade Maiden) on her left, holding her hands together inside her sleeves.
Guan Yin’s birthday is celebrated on the nineteenth day of the second lunar month, which falls on March 10th this year. She is considered a model of Chinese beauty, and being referred to as a “Guan Yin” is the highest compliment for grace and loveliness.
There are many legendary stories and folk tales about Guan Yin, which have been collected and passed down through generations.
Willow Guan Yin, left hand has a jar containing pure water, and the right holds a willow branch.
According to legend, during a period of severe drought and corruption in the Zhongzhou area of China, Guanyin Bodhisattva came to enlighten the people and show them the path to righteousness. With her compassion for all living beings, she took out willow branches from a jade bottle and poured nectar into the fields. Suddenly, it rained heavily, relieving the drought and bringing new life to the parched land.
The Willow Guan Yin’s willow branch represents her ability to heal and soothe, while the jar of pure water symbolizes her power to purify and cleanse. Her actions during the drought represent her willingness to help those in need and her desire to alleviate suffering. Her message is clear: no matter how dire the circumstances, there is always hope and a chance for redemption.
Guan Yin on a Dragon
According to legend, a fearsome monster with the head of a dragon and the body of a turtle that dwelled in the East China Sea. This monster was known to cause great havoc and destruction, leaving the people in constant fear and anxiety.
The people’s prayers were answered when Guanyin Bodhisattva heard of their plight. Being the embodiment of compassion, Guanyin Bodhisattva arrived in the East China Sea, he rode on the back of the dragon-headed monster, showing no fear, and subdued it with his magic power. From that day on, the people lived in peace and safety, free from the monster’s threat.
In honor of Guanyin Bodhisattva’s courageous act, the people erected a statue of him standing on the dragon-headed monster, enshrining it as a symbol of his boundless magic power and compassion for all living beings.
YouXi GuanYin
According to legend, Guanyin Bodhisattva traveled to Luoyang City and took out a precious mirror. She claimed that as long as people paid three Wen coins, they could see their past and future lives from the mirror. The people eagerly lined up and took turns looking into the mirror. They were all surprised to see their past and future lives reflected back at them.
However, when Guanyin Bodhisattva revealed her true form, the people saw different expressions on her face. Some saw an angry face, some saw a fierce face, and some saw a joyful face. The people were confused by these different expressions.
Guanyin Bodhisattva warned all living beings not to think that their evil deeds would go unnoticed. She urged them to do more good deeds instead. It is absolutely true that one cannot escape karma. Evil will be rewarded with evil, and good will be rewarded with good.
Guan Yin with Fish Bucket
According to legend, there was a time when people living on the coast of the East China Sea lacked manners and etiquette. Guanyin Bodhisattva, being the compassionate deity that she is, decided to intervene and provide enlightenment to these people.
In order to do so, Guanyin Bodhisattva transformed herself into a beautiful fisherwoman and began to teach the people about the importance of etiquette and manners. She also promised to marry whoever could recite the Buddhist scriptures that she taught them.
A young fisherman named Ma Lang was determined to gain the Bodhisattva’s favor and started to diligently study the scriptures. Eventually, his hard work paid off, and he was able to recite the scriptures flawlessly. Impressed by his dedication, the Bodhisattva decided to imparted him with further enlightenment. At the wedding night, the Bodhisattva left the house with sudden death.
Ma Lang realized the fishwoman was actually Guanyin Bodhisattva, he carved a statue of Bodhisattva looking like a fisherwoman and enshrined the statue in his house.
Guan Yin on One leaf
According to the legend, Dogen, a Japanese monk who had just returned from studying in China, found himself in the middle of a terrible storm while sailing near the coast of Nanming. Fearing for his life, he prayed silently to Avalokitesvara, the Bodhisattva of compassion, to protect him from the storm.
Suddenly, he saw a miraculous sight. A beautiful and serene figure of Avalokitesvara appeared riding on a lotus leaf, floating on the sea. The Bodhisattva’s presence calmed the storm, and the wind and waves stopped. Dogen was filled with wonder and gratitude, and he knew that he had witnessed a great miracle.
After he landed safely, Dogen decided to commemorate this miraculous experience by creating a statue of Guanyin as he had seen her on the lotus leaf. He had the statue enshrined in the Nanming Guanyin Temple, where it became an object of veneration for countless devotees.
one thousand-armed and one thousand-eyed Guan Yin
Avalokitasvara, Guan Shi Yin in Chinese, means the Perceiver of World’s Sounds. The Lotus Sutra says: “Perceiver of the World’s Sounds, heavenly voice, the voice of the sea’s tide—magnificent, rich and harmonious surpassing all worldly sounds.” The bodhisattva always help all beings in danger and distress and is willing to bear the pain of all beings. If we hold the bodhisattva in our hearts and call on her sincerely, she will always respond.
May the greatly loving and compassionate Namo Guan Shi Yin Bodhisattva bless all beings!!!
My dharma name is Hua Yong. I am very grateful for having the good fortune to attend the Guan Yin Bodhisattva of Great Compassion Empowerment Dharma Assembly led by Dharma Master Ruo Hui. Dharma Master Ruo Hui is Abbess of Hua Zang Si at San Francisco.
We started off by diligently reciting the Six-Character Great Bright Mantra. After a dozen of recitations, tears kept emerging as I kept reciting the Six-Character Great Bright Mantra. I did not know why I had tears, but it felt comforting and soothing. Minutes later, a bright white light shone towards my face, the light then transformed into a rainbow colored beam of light and eventually formed into a very large lotus flower of clouds. Immediately, I felt energy surging from the floor where I stood up through my entire body. My eyes were shut and I stood still as I felt my body very heavy. Sounds of a lion’s roar and footsteps were coming from the hallway People behind me started to pat their own bodies. Sister Hua Rui walked passed me while singing out loud. Qinbu Rinpoche joined in shortly after. Eventually, I started to recite “Namo Guan Shi Yin Bodhisattva.” Every syllable was dragged out loudly.
Suddenly, Sister Hua Rui began to deliver Guan Shi Yin Bodhisattva’s message out loudly in Cantonese, “We are all destined to be here today. You have acted sinfully in your past lives. You must repent your actions!” I thought to myself, “Of course, of course.” I felt a moment of despair as I began to cry while reciting “Namo Guan Shi Yin Bodhisattva.” Moments later, all I could see was a red circle in the middle of darkness. This could possibly be the symbol of my karma, I thought. I immediately requested a blessing from the Buddhas and Bodhisattvas to clear my karma, be diligent in my practice as well as bring my husband and daughter to practice Buddhism! After requesting this blessing, I began to sing even louder and more passionately. My arms naturally began to swing from side to side, however, both of my feet remained still.
Meanwhile, while Qinbu Rinpoche was singing, she came behind me and started to slap my shoulder all the way to my lower back. It felt very painful as I felt that Qinbu Rinpoche’s palms were very large, however, I continued to stay still and recite “Namo Guan Shi Yin Bodhisattva” out loudly and prolongly. Sounds of people crying, falling to the ground, slapping, people reciting the Six-Character Great Bright Mantra and “Namo Guan Shi Yin Bodhisattva” were being heard everywhere in the hall. Shortly after, I heard the master say “Stop”, but I kept going on. I did not know when, then Qinbu Rinpoche came behind me and slapped from my shoulder to my lower back again very intensely and I could not stop singing in a high pitch. It was until the master came to me and tapped my head that I stopped.
It felt as if time flew by really quickly as if the Dharma assembly ended really quickly. However, I am sure I received an extraordinary amount of empowerment and blessings even though my body still felt heavy. After the Dharma assembly ended, a lot of sisters and brothers went up on stage to share their personal experiences. I also went up to the front, knelt on my floor with my palms together, and from the bottom of my heart, I shared my experience and expressed my utmost gratitude to H.H. Dorje Chang Buddha III, Namo Guan Shi Yin Bodhisattva, and all other Buddhas and Bodhisattvas.
Returning home, I found out that 10 years of pain and failed treatment on my right shoulder and spine has disappeared! Back then, because of my right shoulder pain, turning my head to the right was not possible. But now, I can do that without any problems! 10 years of pain has disappeared!
It was late January, just a few weeks before Chinese New Year, when we headed to Zhoushan in Zhejiang Province. It was bitterly cold and traveling to Mount Putuo (普陀) for a two-day visit was not good timing. COVID-19 was—and still is—running rampant around the world. Any kind of travel required constant and painstaking vigilance, including full compliance with stringent prevention measures in China. Nevertheless, our destination looked as beautiful as ever, a glimmering island in the great ocean, celebrated as the “Buddha-land in the sea.” (Haitian fogou 海天佛國)
Mount Putuo is very environmentally friendly. Except for public buses, no vehicles are allowed, so we had to leave our car at the wharf. Most residents simply cycle around for their daily errands, and even said bicycles are under a quota control. For visitors to move about, you can take a bus, cycle, or simply walk. Roads and pathways are well maintained, and there is a long road that connects all the temples on the island, big or small, affording a pleasant journey at one’s own pace.
It was warm and sunny with a gentle breeze by the time we reached the island in the early afternoon. As there were very few visitors, we could stroll around at our leisure, enjoying the sunlight’s embrace. “You are so lucky,” commented our trip’s docent. “It was so windy in the morning that the ferry service was about to be suspended. In a week, the entire mountain might be closed to prevent the chance of further infections, no matter how sporadic.” We were blessed with the good fortune of a joyful excursion.
Mount Putuo is classified by the Chinese government as an “AAAAA Grade Scenic Resort and Historic Site,” attracting about 10 million visitors each year under normal circumstances. Visitation, though down 40 per cent during the pandemic in 2020, has rebounded sharply; as of April, 2.8 million people had visited Mount Putuo, a fivefold increase. The effort to attract visitors is ongoing: the Putuo Mountain College of the Buddhist Academy of China was recently completed, and Guanyin Dharma Park opened last November.
Putuo is a Chinese transliteration of the Sanskrit Potalaka, which is mentioned in several Buddhist scriptures, including the Gandavyuha Sutra (added as the final sutra in the Avatamsaka Sutra). Potalaka is described as the holy residence of Avalokiteshvara, the bodhisattva of compassion. According to Guang Xing, Mount Putuo was identified as the mythical Potalaka mountain by Buddhist monks and Chinese literati (Guang 2011: 1-22). It has been the pilgrimage site of Avalokiteshvara for about a millennium, honored as one of the four sacred Buddhist mountains in Chinese Buddhism. We speak here of Guanyin, the feminine form of Avalokiteshvara popularized in Chinese Buddhism. We will return to Guanyin below. For now, we simply need to know that Mount Putuo’s status matches that of Mount Wutai (五台) for Manjushri, Mount Jiuhua (九華) for Kshitigarbha, and Mount Emei (峨眉) for Samantabhadra.
There seem to be three main demographics for visitors to Mount Putuo: sightseers, pilgrims, and students of Buddhism. The majority of sightseers are visitors who do not have much knowledge of Buddhism, nor much interest in its history, sutras, or temples. Nevertheless, everyone, regardless of background, recognizes this place as one expecting reverence and respect for the buddhas and bodhisattvas. When we worship and make our wishes before the famous 33-meter statue of Nanhai Guanyin, we are also introspecting, contemplating, and reflecting on the vicissitudes and travails of our lives.
The town nearby is neat and chic, full of activity and interesting souvenirs for tourists to commemorate their visit. Even in the winter, Mount Putuo is generously covered with greenery and vegetation, with a multitude of species including ancient camphor trees and the rare wild plants of Carpinus putoensis (普陀鵝耳櫟). They are one of the major treasures on Mount Putuo and monoecious. There are red and yellow variations coexisting, but they do not mature at the same time, so the pollination rate is extremely low. When the Sun is shining, the leaves of many trees turn golden in the backdrop of the Prussian blue sky, surrounded by the various temples. It is truly a picturesque sight.
Carpinus Putoensis Cheng. From baidu
The beautiful scenery, unique to Mount Putuo, is reminiscent of places I have visited in Japan. The connection between Mount Putuo and Japan can be traced back to the Tang dynasty (618–907), when a Japanese Zen and Tendai monk-pilgrim named Egaku (Chinese: 慧鍔; Hui’E) wanted to bring a statue of Guanyin from Mount Wutai to Japan. However, his voyage back via Mount Putuo was hampered by storms and waves despite several attempts. One day, Egaku had a dream in which he realized that the statue of Guanyin did not want to leave. He decided to enshrine it and built a simple hut near the Tidal Sound Cave. Immediately, his ship sailed through and he was able to return to Japan. This is the story of Guanyin “bu ken qu” or “unwilling to go,” and is the source of many folktales surrounding the establishment of temples and monasteries on Mount Putuo. Exchanges between Mount Putuo and Japan continued over many centuries.
Guanyin is the real protagonist linking Japan and China, with Guanyin known as Kannon or Kanzeon in Japan. Belief in this personification of compassion and benevolence has a long history in China. First introduced from India in the Western Han dynasty (202 BCE–9 CE), Avalokiteshvara was adapted and amalgamated into Chinese culture, most famously through the female figuration and her unique 32 transformations (Guang 2011: 1-22). Beginning in the Song dynasty (960–1279), the Chinese transformed the bodhisattva into the Goddess of Mercy, depicted in the feminine. (Minneapolis Institute of Art)
Belief in Guanyin has flourished in China ever since, going beyond even religious boundaries in everyday life (Guang 2011: 1-22). She is not confined to monastic life, as it is said in the Universal Gate chapter of the Lotus Sutra that any worldly being in danger will be delivered instantly on calling her name. Therefore, Guanyin has been worshipped and revered by all classes of people. As she is a compassionate divinity with countless virtues and merits, she is endowed with transcendental power. She excels in skilful means, allowing her to appear in whatever form needed by sentient beings. And that, in my opinion, is probably the reason behind the 32 forms in the Chinese tradition, including Guanyin Yangzhi (楊枝), or Willow Branch Guanyin. The Guanyin Yangzhi is only one example among many of her history-rich gender transitions.
Willow Branch Guanyin. From online source
We were able to visit a 2.5-meter-high, 2.2-meter-wide monument of Guanyin Yangzhi at a nunnery of the same name. The nunnery, situated at the foot of Putuo’s Western Xiangwang Peak, was built in 1608. The artistic style was pioneered by Yan Liben (閻立本), a famous figure painter in the Tang dynasty, while the stele’s engravings appeared during the Ming dynasty (1368–1644). Holding a tender willow branch in her right hand and a clear water vase in the left, Guanyin is luxuriously crowned with pearls and precious stones, dressed in sumptuously embroidered garments, and adorned with agate, amber, and pearls. She spreads dewdrops to all the world’s quarters to dispel suffering and pain.
Guanyin is replete with the marks of beauty, dignity, and calm. Except for her face, there are not many traditionally female features shown. Indeed, she appears tall and somehow mighty and masculine, standing on her bare feet. Her belly bulges out slightly, and she has large hands and feet. While beholding her, I could not help but think of the mural of Padmapani, another manifestation of Avalokiteshvara, at Ajanta Cave No.1, in India. Painted during the sixth century BCE, the bearer of the blue lotus is a male figure with a slender body. Both forms of Avalokiteshvara are crowned and bejewelled, have physically beautiful features, and appear composed and graceful.
Padmapani, Ajanta Cave 1. From alamy.com
There are many temples on Mount Putuo, but the two most well known are Puji Temple (普濟寺) or the “front temple” (又稱前寺), and Huiji Temple (慧濟寺) on the peak of the mountain. They receive the most pilgrims, but Fayu Temple (法雨寺) is my personal favorite; when there is no pedestrian crowding, it has a gentle and soothing atmosphere. It is surrounded by towering ancient trees, suspending the visitor in time between past and present. From a distance, one can see that the gate to the monastery is unique, unlike those of other temples on Mount Putuo, which are painted in yellow ochre. Here it is light red in color: a soft, ambient hue that emphasizes an atmosphere of paradisical peace and bliss.
Upon entering and reaching the main hall of Nine Dragons, where a statue of Guanyin is enshrined, one feels a strong sense of sublime and resplendent majesty. Yuantong Hall of the Fayu Temple is renowned for its resplendent appearance and ingenious interior structure, with a large ball hanging from the ceiling of its dome surrounded by nine vertical rafters. Each rafter is carved with a dragon that rears its head in a scramble for the ball. This intricate layout is called the Bracket with Nine Coiling Dragons and is ascribed to Emperor Kangxi (康熙) (1654–1722), who used the materials of the former palace of the Ming dynasty in Nanjing to reconstruct an earlier monastery, Zhenhai Monastery, on Mount Putuo.
Fayu Temple. From the author
What strikes me most, however, is not Fayu Temple’s imperial heritage, but rather two great minds that made their mark here. Venerable Yinguang (印光) (1861–1940) was the 13th patriarch of the Pure Land tradition and the abbot of Fayu Temple for decades. Meanwhile, Ven. Hongyi (弘一) (1880–1942) wrote in traditional calligraphy Fayu Temple’s nameplate of “heavenly flowers and Dharma rain”—first devised by Emperor Kangxi. Li Shu Tong (李叔同) was Hongyi’s secular name. A wealthy and rakish young man, he was also an eclectic and learned scholar of high culture. He relinquished what he possessed and committed to living a monastic life. Fully devoted to promulgating Buddhism, he rose to become an eminent monk.
At some point, the two monastics met each other. It is said that Master Hongyi admired Master Yinguang and asked him to be his teacher. Humble and modest, Master Yinguang refused, but invited him to stay as long as he wanted. The two spent seven days together, studying, practicing, and meditating without a single word exchanged. They simply were, as minds think alike, without verbal obstructions, thoughts traveling and flowing effortlessly. How wonderful it is to exist together beyond words. But in the era of the Internet, we are bombarded with so many words and so much information that we lose our sense of their meaning, let alone their authenticity.
If we wish to be heard, we need to be sincere, candid, and heartfelt. “Guanyin” in Chinese means the Perceiver of Sounds, or “Guanshiyin,” the Perceiver of World’s Sounds. As chanted in the Universal Gate chapter of the Lotus Sutra: “Perceiver of the World’s Sounds, heavenly voice, the voice of the sea’s tide—magnificent, rich and harmonious surpassing all worldly sounds.” If we keep Guanyin in our hearts and call on her sincerely, she will always respond.
Hua Zang Si is my favorite sacred spiritual worship place in the bay area. In there I find peace, relaxation, and harmony, and a home for my soul. I have gone there many times, to chant the sutra, join the meditation sessions, and participate in Dharma assemblies.
Hua Zang Si, an impressive-looking temple located in the center of the Mission District in San Francisco. The building was formerly the St. John’s Evangelical Lutheran Church, built in 1903, and has been repurposed as a Chinese temple. To me it is really a friendly symbol that different religions can coexist in harmony.
The large outside facade of the temple is painted red color, made the building a very outstanding and eye-catching landmark in the neighborhood. Red is a good color in Chinese culture that symbolizes auspiciousness and warding off evil spirits。
Once entering the temple, I feel like I am in another world. The marvelous statue at the entrance of the temple is an oversize representation of a jolly, laughing Buddha: Maitreya Bodhisattva (the next Buddha in this Saha world). It is such a warm welcoming sign. The big belly not only means jolly, it also means tolerating those intolerable things in the world. So when you look at the statue, you will start to feel that learning Buddhism is happy and kind.
The right line of the couplet is “da du neng rong tian xia shi he lai bu rong zhi rong.” As self-cultivators, we should be like the Buddhas and Bodhisattvas. We should have a broad mind, open heart, and great tolerance. The left line of the couplet is “ren ru ke na fa jie jing qi shi you na zhong na.” The first priority for one who learns Buddhism and cultivates himself is to be patient and forbearing under insult. The thought of patience or tolerance does not arise from his mind. Everything in all of the dharma realms can change from ordinary to holy.
Walking inside, the first floor is Shakyamuni Buddha Hall. The golden statue of Shakyamuni Buddha is a very dignified-looking Buddhist statue. On the left side is the one thousand-armed and one thousand-eyed Guanyin Bodhisattva, an awe-inspiring statue. On the right side is Skanda Bodhisattva, a standing majestic full-body armored statue. With a sword in hand, Skanda Bodhisattva is a Buddha Dharma protector, and it is believed he can subjugate demons and evil spirits.
Shakyamuni Buddha
One thousand-armed and one thousand-eyed Guanyin Bodhisattva
Skanda Bodhisattva
The second floor is Amitabha Buddha Hall. The twenty-one-foot-high statue of Amitabha Buddha (designed by H.H. Dorje Chang Buddha III) has been generally recognized as the most majestic Buddhist statue in the world. It is an extremely solemn sight. The color painted on the face is so lifelike, one feels like seeing the real Amitabha Buddha from western paradise. The Buddha’s eyes seem alive as well, looking down at all beings full of compassion and love. Every time when I look at the Buddha, I feel so moved and touched, tears fill my eyes. I can’t help but to kneel down and pray wholeheartedly: Please Buddha save me from the birth-death cycle, please take me to the western pure land. I feel my whole body melted into the compassionate gaze of the Buddha.
In the center of Amitabha Buddha hall, there is a large circular mandala on which a Yun sculpture (carved by H.H. Dorje Chang Buddha III) depicting Mt. Sumeru is placed. In that Yun sculpture are shariras (sacred relics) of the Shakyamuni Buddha for worshipping.
Directly facing the Amitabha Buddha is a tall Dharma altar, there is a huge blue Dorje Chang Buddha image. Dorje Chang Buddha is also called Buddha Vajradhara or Ruler of the Vajra Beings. In the entire universe, Dorje Chang Buddha is the first Buddha with form and is the highest Buddha. That is, the highest leader of Buddhism in the entire universe came into being in the form of Dorje Chang Buddha. It was Dorje Chang Buddha who began transmitting dharma and saving living beings in the dharmadhatu. As a result, Buddhism was born and the Buddha-dharma began spreading.
In front of the image of Dorje Chang Buddha are photos of H.H. Dorje Chang Buddha III. Dorje Chang Buddha has come to this world twice. The first time was in the form of the holy and venerable Vimalakirti, who was Dorje Chang Buddha II. The second time was in the form of H.H. Wan Ko Yeshe Norbu, who is Dorje Chang Buddha III.
These photos were true records of the holy miracle Buddha Dharma. On October 18, 2012, H.H. Dorje Chang Buddha III within ten minutes, reversed his appearance back to a youthful look. This incredible Buddha Dharma ever practiced successfully by Guru Rinpoche long time ago in Tibet.
Hua Zang Si has many Holy Treasures , make sure you check them out at the corner of this hall as well.
The third floor contains a library of Buddhist scriptures.
The backyard — a city oasis in the shadow of surrounding Victorians — is home to a magnolia tree, which the faithful say rained nectar for three days, along with a miraculous lotus tub used in the bathing of the Buddha and heavenly beings.
Further back, there is Dharma protector pavilion, a statue of the Dharma Protecting Deity Guan Yu was installed inside.
Guan Yu took refuge in Master Zhiyi at Yuquan Hill. He then manifested great supernatural power and constructed the Yuquan Temple overnight on a barren lot, where he resolved to become a protector of Buddhism. That is why, upon the plea of many Buddhist practitioners, he was recommended to be the Dharma Protecting Deity of Hua Zang Si.
Hua Zang Si is different from other temples that propagate only one sect within Buddhism. It teaches all of the various sects within Buddhism. If you want to know and learn Buddhism, Hua Zang Si is the best place to start with.
GuanShiYin (Avalokitasvara) Bodhisattva is a well-known Buddhism figure in China and southeastern Asian. Actually the influence of Buddhism has reached to western countries as well. In my yoga class at San Francisco, the teacher often play music that chanting the name of Guan Shi Yin Bodhisattva in English version.
Guan Shi Yin Bodhisattva is a Bodhisattva at the level of marvelous enlightenment, which means possessing the marvelous enlightenment of a Buddha. That is, the Bodhisattva is one of the great holiness and virtue who is no difference from a Buddha. As recorded in sutras, Guan Shi Yin Bodhisattva is the incarnation of an ancient Buddha called True Dharma Brightness Tthagata and is the king of great compassion. The Bodhisattva is incessantly busy day and night helping all humans and other living beings in Three Spheres and has accumulated boundlessly vast merit.
There are many different kinds of status and portraits of Guan Shi Yin Bodhisattva in the world. In China, Guan Shi Yin Bodhisattva is generally portrayed as a young woman wearing a flowing white robe, and usually also necklaces symbolic of Chinese royalty. In her left hand is a jar containing pure water, and the right holds a willow branch. The crown usually depicts the image of Amitabha Buddha.
At International Art Museum of America, there is a chinese painting of Na Mo Guan Shi Yin Bodhisattva, the artist is H.H. Dorje Chang Buddha III. It gave me a really deep impression – Amazingly beautiful portrait. It is a fine brush stroke traditional Chinese painting. The painter used very fine and complicated strokes, all the details were vivid and perfectly presented. I can clear see the hair, the crown, all the small part of the jewelry, even the delicate pattern of the flowing strings. Through those details I can feel the painter’s expression of Guan Shi Yin Bodhisattva’s meticulous compassion and love for all living beings. The whole portrait looks lifelike with infinite grace. The artist’s superb artistic skills is beyond perfection.
The great art work not only gives people artistic enjoyment, but also an experience of spiritual encounter. I stood in front of the painting for a long time, and I felt like forgetting about all worldly affairs and emerging into the Bodhisattva’s boundless compassion for ever and ever…
After graduate school, I moved to Wilmington, Delaware. I lived in a very nice neighborhood, with many towering trees, a beautiful pond and grassy land. Wild animals often jumped in your view: squirrels, raccoons, birds, sometimes even deer. I loved to walk around, especially after rain, with the fresh air and tranquil blue sky making me feel so calm and peaceful. However, I found there were some little inconvenient spots where earth worms would drown in the small rainwater puddle. I knew earth worms couldn’t breath in water, that they would die in the puddle. I always tried to find a twig to pick up the worms gently and then put them in the grass. I didn’t have any other thought when I did this, I just didn’t want to see them die. I did not realize this little good deed would save me later.
One day I went to visit one of my friends, and he showed me a picture he got from a temple. It was a painting of The Three Holy Beings in West Paradise, and I was deeply attracted by image of Amitabha Buddha and Guan Shi Yin Bodhisattva. I felt a great compassion flow from the paper into me. I bowed to the holy beings involuntarily. My friend gave me the picture and a small booklet about buddhism. I framed the picture very elegantly and set up a small sacred altar in my home. Maybe because of my Karmic condition, I started to chant the name of Guan Shi Yin Bodhisattva in front of the holy image whenever I had the time. I also read the small booklet. It told me a brief history of Buddhism, and the law of Karma — cause and effect exists everywhere and every time. What kind of actions you did, will bring you what kind of effects. Seems to me like what goes around will comes around. At that time, I didn’t disagree with it but also didn’t truly believe in it.
One year later, I had my first baby. After the delivery I was very weak, because of the excessive blooding. Taking care of a newborn was a lot of work, and sometimes I didn’t even have strength to cook a meal for myself. My husband was traveling a lot, and when he was not at home, I felt very scary at night for no reason. One night I was so exhausted. When I fell asleep I saw a very fierce man whose whole body was black except for two big white eyes, and he held an iron ring and tried to attack me. I was so frightened, I wanted to run, but I couldn’t move. At that very moment I saw Guan Shi Yin Bodhisattva like the purest white angel stand on my head, and then that evil black demon disappeared immediately. While I was still half awake and half dreaming, I felt the floor lamp in my room lighten up, and on the ground I saw many earth worms. Suddenly I heard a voice telling me that because I saved those earth worms before, so I have been saved this time.
I completely woke up, and came to the altar. I deeply homaged to the greatly loving and compassionate Guan Shi Yin Bodhisattva! I was so grateful for being saved by the holy Bodhisattva! I prayed to the Bodhisattva sincerely, to please protect me and my baby.
My prayer did get answered, for very soon my mother got a visa after being rejected twice. She could now come to the US to help me go through the most difficult time in my life.
Now I truly believe in the Buddhism teaching. I practice cultivation diligently every day. And I hope I can attain liberation in my life and have the opportunity to help people be free from suffering, frightening, and sorrow.
I deeply wish all living beings have a happy and prosperous life with good health and an abundance of good fortune!
Peace LiLy 