Calligraphy Artwork :《格高》Lofty Virtue

In the art of calligraphy, elegance and style are the two pillars that define a work’s greatness. Elegance (格) refers to the depth and quality of a piece, embodying its refinement and profoundness. Style (調), on the other hand, captures its unique rhythm, flavor, and aesthetic character. These two elements are inseparable, for elegance without style lacks charm, while style without elegance lacks depth and significance. Together, they form the soul of a calligraphic masterpiece.

Every artistic creation—whether it leans toward the refined or the mundane—reflects the inner cultivation and moral integrity of its creator. Particularly in calligraphy, the harmonious blend of elegance and style is a mirror of the artist’s breadth of knowledge and depth of character. A calligrapher’s scholarly cultivation and virtuous practice are indispensable, as they directly influence the work’s final presentation and enduring value.

The piece Lofty Virtue (格高) exemplifies this union of strength and grace. Its bold and vigorous brushstrokes radiate immense inner power while maintaining an outward lightness and agility. The work captures the grandeur of commanding mountains and rivers, coupled with the serene qualities of introspection and tranquility. Strength and flexibility coexist harmoniously, creating a presence that is both majestic and gracefully refined. Floating clouds seem to glide effortlessly, and cranes soar gracefully between pines. This is artistry at its zenith—a realm of understated brilliance, silent dignity, and profound essence.

The calligraphy of H.H. Dorje Chang Buddha III transcends the boundaries of traditional artistry. Each work embodies the pinnacle of calligraphic achievement, uniting profound thought with unparalleled elegance. The pieces flow naturally, free of constraint, exuding majestic momentum and subtle charm. Their beauty is unadorned yet extraordinary, merging the strengths of various schools into a singular, masterful expression.

  • If one seeks the soaring of dragons and the dancing of phoenixes, it is present.
  • If one desires the piercing power to shatter gold and stone, it is evident.
  • If one yearns for the interplay of gentleness and strength, it is there.
  • If one wishes for the innocent spirit of a child within the heart of an elder, it is expressed.
  • If one demands a unique elegance and distinct charm, it is inherent.
Crane Dance 
Tiny (Xiao bu dian)
Holy (Sheng)

In summary, these works epitomize perfection, returning to simplicity and authenticity—the calligraphy of the Buddha!

A distinguishing feature of H.H. Dorje Chang Buddha III’s calligraphy is the extraordinary frame that accompanies the work Lofty Virtue. The frame is crafted from the artist’s “White Jade Ginkgo Root” sculptures. Beyond showcasing the natural patterns, colors, and textures of ginkgo roots, the frame possess the pure and crystalline qualities of genuine white jade. The harmonious union of art and sculpture elevates the calligraphy to an unparalleled realm of aesthetic and spiritual resonance.

The calligraphy of H.H. Dorje Chang Buddha III is more than art; it is a testament to the unity of profound thought, moral integrity, and artistic mastery. It invites us to experience the boundless elegance and style that can only emerge from a heart imbued with wisdom and compassion—a true reflection of the Buddha’s teachings. Visit the International Art Museum of America to immerse yourself in the extraordinary artworks of H.H. Dorje Chang Buddha III.

Link:https://peacelilysite.com/2025/01/21/calligraphy-artwork-%ef%bc%9a%e3%80%8a%e6%a0%bc%e9%ab%98%e3%80%8blofty-virtue/

The Benevolence Temple Celebrates the Renunciation of the Shakyamuni Buddha and the Anniversary of the Temple

Photo Courtesy: Benevolence Temple (The Benevolence Temple held a Dharma assembly to commemorate the Enlightenment Day of Shakyamuni Buddha. Jiaozun Zhengda, Vice President of the World Buddhism Association Headquarters presided over the Dharma assembly.)

The Benevolence Temple, located in Las Vegas, hosted a series of Dharma assemblies and retreats from January 2 to January 11 to commemorate the Enlightenment Day of Shakyamuni Buddha and the anniversary of the Temple. Jiaozun Zhengda, Vice President of the World Buddhism Association Headquarters, led the congregation in a group study of the teachings of H.H. Dorje Chang Buddha III, revered as the Pope of Buddhism. Hundreds of participants from around the world attended this significant event.

This ten-day celebration features a variety of Dharma assemblies and spiritual practices, including a group study of the teachings of H.H. Dorje Chang Buddha III, one-day Zen sessions, the Grand Diamond Gem Repentance Ceremony, and life release rituals. Each day’s program begins at 8:30 a.m. and concludes at 9:00 p.m., providing participants with an immersive experience of the Temple’s tranquility and a temporary escape from worldly concerns. Lay practitioners also participate in the Temple’s daily routines, such as morning and evening chanting and dining ceremonies, offering them a glimpse into the essence of temple life.

The special one-day Zen session took place on January 4, 2025. Prior to the session, all participants were required to study Announcement No. 40 of the Office of H.H. Dorje Chang Buddha III, which details the “Great Dharma of Zen Practice” taught by H.H. Dorje Chang Buddha III to a group of cultivators in March 2013. This Dharma provides a clear understanding of Zen’s standard and proper practice, addressing key questions such as: What is Zen used for? Why should one practice Zen? What is the ultimate goal of Zen practice? More than one hundred Venerables, Dharma Masters, Rinpoches, and lay practitioners from the United States, Canada, Germany, mainland China, Thailand, Taiwan, and other countries and regions participated in this transformative experience.

The event took place in the Mahavira Hall of the Temple and featured ten meditation sessions: five sitting and five walking meditation sessions. Each sitting meditation lasted thirty minutes and an hour, with walking meditation sessions interspersed to maintain balance and flow. This arrangement allowed practitioners to sustain a steady rhythm and deepen their daily mindfulness. Two key roles were essential to the success of the event: the host and the discipliners. The host guided participants through the schedule and explained Zen practices’ rules and key aspects. The discipliners, equipped with a disciplinary board, patrolled the venue to gently correct participants if they became drowsy, slouched, or caused unnecessary noise, ensuring the sanctity and focus of the practice were upheld.

Photo Courtesy: Benevolence Temple (The Benevolence Temple held one-day Zen sessions)

After attending the event, a university scholar shared that she traveled more than ten hours and took three flights to attend the blessing ceremony and participate in the grand event. Having never practiced group meditation before, she was initially worried that she would struggle to sit still for an extended period. However, the outcome was both unexpected and extraordinary.

Thanks to the supportive group atmosphere, nearly all participants completed all ten sessions, overcoming the physical discomfort of sore feet and backs. By the end of the day, many reported experiencing a profound sense of Dharma joy. Dharma Master Zheng Da expressed her delight with the positive feedback from attendees. She hinted that longer Zen retreats, ranging from three to seven days, may be organized to encourage deep meditation and personal growth.

Dharma Master Zheng Da also inspired the group with H.H. Dorje Chang Buddha III’s teachings: “No matter what Zen Dharma you practice, you cannot deviate from cultivation. That is why you must go online and learn Buddha Master’s teaching of ‘What Is Cultivation?’ Furthermore, you must carry out that teaching in your daily lives. Only then will your practice of Zen truly succeed.”

Photo Courtesy: Benevolence Temple (The walk session in the Benevolence Temple’s one-day Zen sessions)

In addition to the one-day Zen event, the group study of H.H. Dorje Chang Buddha III’s teachings offered clear guidance, helping disciples cultivate the correct views and understanding.
 
 
Published by Joseph T.

Soruce of the article : The Benevolence Temple Celebrates the Renunciation of the Shakyamuni Buddha and the Anniversary of the Temple

The Mystical Cat: A Masterpiece of Chinese Ink Painting

Among the finest expressions of Chinese ink artistry stands the extraordinary masterpiece, The Mystical Cat. This enchanting work features a mystical cat rendered in soft gray tones, brought to life with just a few expressive strokes. Its piercing eyes radiate spirit and depth, while a mysterious, subtle smile lingers—captivating and thought-provoking.

The cat’s fur, depicted with delicate and fluid brushwork, dances between the forms of flowing water and drifting clouds. The texture appears so soft and inviting that one feels compelled to reach out and touch it. Yet, upon closer examination, the illusion reveals itself—those masterful brushstrokes are undeniably the cat’s fur. The intricate variations and richness of detail make this artwork a visual marvel, leaving one to wonder: What extraordinary technique could produce such brilliance?

In terms of artistic style, this piece is truly unparalleled, belonging to the “Fangfa School” style created by the esteemed master H.H. Dorje Chang Buddha III. The fluid strokes around the cat’s neck echo the elegance of cursive calligraphy, with each brushstroke flowing like clouds and water—graceful, yet powerful. Perched steadily on a tree trunk, the cat exudes a sense of calm and quiet dignity, drawing the viewer into a state of serene contemplation.

The tree trunk itself, rendered with bold, sweeping strokes and vibrant hues, pulses with energy and rhythm, reminiscent of the stirring notes of a cello performance—uplifting and profound. Behind the cat, two slender branches interlace gracefully, adorned with delicate flower buds. They seem to sway like young maidens dancing in spring, infusing the composition with poetic charm.

The most captivating feature, however, remains the cat’s eyes. With just two elegantly curved strokes, the artist has infused the cat’s gaze with a sense of life and spiritual depth. When meeting the cat’s eyes, one feels as though the feline is speaking directly to the soul, its wisdom and elegance unmistakable. It transcends the ordinary, radiating a sense of profound spirituality rarely captured in art.

This small yet profound piece not only showcases extraordinary technical mastery but also offers a transformative visual and spiritual experience. It transports the viewer beyond the material world, leaving an indelible impression on the heart and mind. Many are left to wonder—who could create such an extraordinary work of art?

The Mystical Cat is the work of the revered artistic master H.H. Dorje Chang Buddha III. Created in 1991, it belongs to the “Fangfa School” style, one of sixteen unique painting styles founded by the Buddha Himself. This technique, blending profound wisdom and artistic expression, remains unmatched in the art world. Apart from Him, no artist has been able to replicate such divine craftsmanship.

What sets this piece apart is its miraculous charm within a two-dimensional form—impossible to replicate through mere technical skill. The art emerges from a realm of wisdom and enlightenment, far surpassing the ordinary. The minimalistic background, created with a few well-placed strokes, echoes the elegance of ancient inscriptions while preserving a harmonious balance between form and spirit. It represents the pinnacle of ink conservation and calligraphic mastery—a true summit of artistic achievement.

The rarity of The Mystical Cat is beyond comparison. Since creating this piece, H.H. Dorje Chang Buddha III has sealed this divine style, ensuring that such masterpieces will not be produced again. This fact alone transforms the artwork into a priceless, limited edition treasure of the highest order.

The painting’s extraordinary value was confirmed at the Christie’s Chinese Treasures Christmas and New Year Auction hosted by the New York GianGuan International Auction Company on December 9, 2012. A reproduction of The Mystical Cat sold for an astonishing $253,000 USD, achieving the highest recorded price for a reproduction painting per square foot.

The Mystical Cat is not just a painting—it is a gateway to a realm where art, wisdom, and spiritual depth converge. A true testament to the artistic genius of H.H. Dorje Chang Buddha III, this masterpiece stands as an eternal symbol of artistic perfection and spiritual transcendence.

This beautiful artwork is part of the permanent exhibition at the International Art Museum of America, located in downtown San Francisco.

Link:https://peacelilysite.com/2025/01/17/the-mystical-lynx-a-masterpiece-of-chinese-ink-painting/

BRIEF INTRODUCTION TO H.H. DHARMA KING TRULSHIK

H.H. Dharma King Kyabje Trulshik Chokyi Lodro is one of the most accomplished masters of the Nyingma sect in the present age. He is also one of the few remaining great masters of Tibetan Buddhism who has real and extensive knowledge, real training, and true cultivation. He is a lineage holder of many important dharma lineages. He is a great dharma king who does not distinguish among the various sects of Buddhism. H.H. Dharma King Trulshik and the most magnificent modern dharma kings of Buddhism, such as the H.H. Dudjom Dharma King and H.H. Dharma King Dilgo Khyentse, have been masters and disciples of one another. H.H. Dharma King Trulshik also taught the dharma of many lineages to the 16th Karmapa. He is a personal master of H.H. the Dalai Lama as well as a master of the most recent reincarnation of the H.H. Dudjom Dharma King, H.H. Dharma King Dilgo Khyentse, and H.E. Dharma King Tulku Ugyen.

Many Rinpoches had different views concerning which great Bodhisattva H.H. Dharma King Trulshik was the incarnation of. Thus, the International Buddhism Sangha Association held an unprecedented Drawing Lots From a Golden Vase Ceremony to affirm the true reincarnated identity of H.H. Dharma King Trulshik and others. There were ten possible identities recognized by various rinpoches. One lot was drawn from among 120 lots to affirm the true reincarnated identity of H.H. Dharma King Trulshik. That drawing affirmed that H.H. Dharma King Trulshik is the nirmanakaya of Maitreya Bodhisattva, which is the reincarnated identity that H.H. Dorje Chang Buddha III recognized before that lot was drawn.

In history, H.H. Dharma King Trulshik incarnated as Thonmi Sambhota, who created the Tibetan written language. Later, he incarnated as the great translation master Bairotsana, who was one of the twenty-five major disciples of Guru Padmasambhava. H.H. Dharma King Trulshik will be the next Buddha of this Good Eon (Bhadra-kalpa) of one thousand Buddhas. At that time, all of his disciples who heard him expound the Buddha-dharma will attain accomplishment in the dharma.

The dharma king was born on September 10, 1924, the year of the wooden rat, which was the exact birthday of Guru Padmasambhava. He was born in Wengre Cave, which is a holy place of cultivation in southern Tibet. Many auspicious phenomena appeared at the time of his birth. The father of the dharma king, Dianjin Queda, was a practitioner of yoga. His mother, Jiangyang Wangmu, was a descendent of Zhangba Jialei, who was the first Drukpa Dharma King and founder of the magnificent Drukpa lineage.

The dharma king was extraordinary ever since childhood, especially with respect to his deep self-cultivation. When he was four years old, his master, Zhachu Rinpoche (who was a disciple H.H. Dharma King Trulshik personally taught in his previous life as Trulshik Dongak Lingpa), invited him to the Zhalongpu Monastery in the Latuo Xueka District. At that time and place, memories of his prior life spontaneously welled up in the mind of the dharma king. He recounted in detail past events of that prior lifetime. Zhachu Rinpoche had personally witnessed those past events of his former master. Zhachu Rinpoche wept as he orally corroborated each of those events without exception. Zhachu Rinpoche was truly astonished by this and firmly believed that this boy must be the incarnation of Trulshik Dongak Lingpa. After the rinpoche practiced the Selection of Karmic Affinity Dharma, he affirmed that the boy was undoubtedly the incarnation of Trulshik Dongak Lingpa.

Dharma King Dilgo Khyentse Rinpoche (right) and his main Dharma heir, the Fifth Dharma King Trulshik Rinpoche (left)
The Gelug sect’s Dalai Lama invited the Nyingma sect’s Dharma King Trulshik to transmit the supreme Dharma

At the Mindrolling Monastery, the dharma king engaged in extensive learning. He received all of the monk precepts from his precept masters Cuikenqiong Rinpoche and Mindrolling Kenqian Khyentse Norbu according to the “Formal Pronouncement on Precepts” lineage passed down from Laqian Qianba Lasa. Present-day dharma kings unanimously agree that H.H. Dharma King Trulshik is one of the most important lineage-holders of this lineage. H.H. Dharma King Trulshik holds three types of precepts that are on different levels: the Pratimoksa precepts, the Bodhisattva precepts, and the precepts for tantric masters. The dharma king is one who truly wears a golden precept robe. Not only does he abide by the precepts for monks, he also completely abides by all of the Hinayana, Mahayana, and Vajrayana precepts. That is why he deserves to be called a “holder of the Vajra Three Secrets Vows.” H.H. Dharma King Trulshik is the main transmitter of the monastic vows within the Nyingma lineage.

The dharma king has received teachings on the sutras and tantras, as well as other teachings. He has visited famous masters in many places to learn Buddha-dharma, including over thirty famous masters who belong to ancient and modern sects of esoteric Buddhism. The dharma king has studied all of the dharma teachings of these important lineages and has put them into practice. He still learns assiduously even after he completed a strict three-year retreat. Accepting the request of Zhachu Rinpoche, the dharma king became the khenpo of the Zhalong Dongga Qielin Monastery, where he is responsible for upholding, protecting, and spreading the dharma.

Throughout his whole life, the dharma king has wholeheartedly cultivated himself in retreat. Every day he abstains from speaking until 10:00 in the morning. Each year the dharma king goes into retreat in his own temple for as much as nine months. All of the great Tibetan rinpoches acknowledge that as a master of masters, the dharma king has the greatest abilities and power to clearly point out the way leading to realization of one’s original nature. That is why extremely virtuous masters send their capable disciples to the dharma king in order to seek teachings and empowerment.

H.H. Dharma King Trulshik has vast and profound learning. His practice is solid and flawless. He is unassuming and amiable. No one in today’s world can match his profound experience, training, and realization. Many practitioners of the various sects regard him as a venerable Dharma King Master with limitless wisdom and vast supernatural powers. H.H. Dharma King Trulshik has recognized the identities of the person who is the incarnation of H.H. Dharma King Dilgo Khyentse, the person who is the incarnation of H.E. Dharma King Tulku Ugyen, and persons who are incarnations of other important rinpoches. He has also transmitted dharma to and performed initiations for such people. The dharma king is a magnificent practitioner of the Great Perfection Dharma and a magnificent accomplished one in our current age. He is a model master of this century with disciples spread all over the world.

After H.H. Dharma King Trulshik saw who His Holiness Dorje Chang Buddha III Wan Ko Yeshe Norbu is through the limitless omniscience displayed in A Treasury of True BuddhaDharma, he stated that His Holiness Wan Ko Yeshe Norbu has reached the highest state of Buddhahood in the few-thousand-year history of Buddhism, having truly attained complete. Dharma King Trulshik wrote a respectful congratulation letter.

RESPECTFUL CONGRATULATIONS
His Holiness Buddha Vajradhara (Dorje Chang Buddha) Yangwo Wan Ko Yeshe Norbu:
I recently learned that the book about you, A Treasury of True BuddhaDharma, was published a long time ago. The content of that book includes
the traditional Tibetan five major vidyas and five minor vidyas. In terms of modern branches of learning, the book involves more than thirty different branches of learning. Thus, I entered samadhi and visualized the Three Jewels the Buddha, the dharma, and the sangha. I pervasively spread bodhicitta and
wished that all living beings would realize the supreme, absolute truth and
Buddhahood. May the propagation of A Treasury of True Buddha-Dharma be
the karmic condition whereby living beings in the three spheres leave the sufferings of reincarnation and obtain the fruit of wonderful happiness. It will become the cause whereby each sentient being who has descended into the abyss of the six realms of reincarnation leaves suffering and attains happiness.
I hereby specially convey my respectful congratulations!


Buddhist monk Ngawang Chokyi Lodro,
having the undeserved name of Khenpo
Zhalong Trulshik Shatrul
Written on the auspicious day of June 28, 2007

Link:https://peacelilysite.com/2025/01/16/brief-introduction-toh-h-dharma-king-trulshik/

Source: H.H. Dorje Chang Buddha III A TREASURY OF TRUE BUDDHA – DHARMA

BRIEF INTRODUCTION TO THE SUPREME LEADEROF JONANG SECT H.H. DHARMA KING JIGME DORJE

Within Tibetan Buddhism, the Jonang sect has been known around the world for the true practice of its followers. There currently are two dharma kings who are in charge of the dharma teachings of the Jonang sect. One of them is the head of the Zangwa Monastery, H.H. Dharma King Jigme Dorje. The other is H.H. Dharma King Ngagwang Pedma Namgyal Palzangpo of the Longshijia Monastery. There is also a young future sect leader, Jianyang Lezhu Rinpoche, who is vice-head of the Zangwa Monastery.

When Shakyamuni Buddha lived in the world, H.H. Dharma King Jigme Dorje Rinpoche was already a great Bodhisattva in that lifetime. H.H. Dharma King Jigme Dorje was born in 1944 accompanied by various amazing auspicious signs that cannot be fully described. As a child, he never did anything to upset his parents, such as crying or acting in a common, childish way. He was very much different from other children. The masters of a monastery, as well as the monastics and laypersons in that monastery who handled monastery matters, all praised the child as being the incarnation of a wonderful Bodhisattva who had come back to this world voluntarily. Later, he went to the headquarters of the Jonang sect, the Zangwa Monastery in Rangtang, where he worshipped the Buddhas. His uncle, the Sai Rinpoche by the name of Awang Genga Phuntsok who lived at the Zangwa Monastery, saw that this child was the incarnation of a holy being. In accordance with the dharma, Awang Genga Phuntsok Rinpoche recognized that the child was the true reincarnation of a rinpoche who had been the head of the Zangwa Monastery. In accordance with the dharma rules, Lama Danba Daji from Xiayan, Lama Aguoba from Hongtu, and others practiced the dharma, entered holy supernatural states, and confirmed the accuracy of Awang Genga Phuntsok Rinpoche’s conclusion. They then made their formal pronouncements concerning the identity of H.H. Jigme Dorje. Moreover, the International Buddhism Sangha Association held an unprecedented Drawing Lots From a Golden Vase Ceremony to affirm the true reincarnated identity of H.H. Dharma King Jigme Dorje and others. There were ten possible identities recognized by various rinpoches. One lot was drawn from among 120 lots to affirm the true reincarnated identity of H.H. Dharma King Jigme Dorje. That drawing affirmed that H.H. Dharma King Jigme Dorje is the incarnation of Shambhala King Suchandra, which is the reincarnated identity that H.H. Dorje Chang Buddha III recognized before that lot was drawn.

After the formal enthronement ceremony for H.H. Jigme Dorje Rinpoche was performed at Saige Monastery in Aba County and the celebration of the enthronement ceremony was performed at Zhuoge Monastery, the rinpoche returned to Zangwa Monastery. The intelligence of the rinpoche is extraordinary. He was able to thoroughly learn and recite the scriptures, treatises, and rituals without having to exert himself. He later served as a disciple under his root master, Awang Gongqiu Daji, who was the Vajra Master of the Zangwa Dazang Monastery and the 44th Kalachakra Dharma King of the Jonang sect. Under H.H. Awang Gongqiu Daji, the rinpoche learned and practiced the five preliminary practices of the Jonang sect and the generation and completion stages of the Kalachakra Vajra the Six Yogas. He reached perfect merit in every dharma he practiced.

When the rinpoche was eight years old, he succeeded to the throne of the head of the Zangwa Monastery. However, at this time, his uncle, the Sai Rinpoche, and H.H. Dharma King Awang Gongqiu Daji predicted to H.H. Jigme Dorje Rinpoche that changes in the world situation would occur that would be disadvantageous to Buddhism. They told the rinpoche to go back to Aba County and that in the future, when the world situation stabilizes, he should return to the Zangwa Monastery and teach the dharma. Afterward, the Sai Rinpoche passed away and later H.H. Dharma King Awang Gongqiu Daji passed away as well. H.H. Jigme Dorje Rinpoche then went to Aba County, where he requested and received the complete precepts from Lama Tujihua of Sai. He later served as a disciple under another root master, Lama Kesang, who is the nirmanakaya of the Eleven-Faced Kuan Yin Bodhisattva. Under Lama Kesang, the rinpoche learned all of the initiation and lineage teachings. During this time period, he both herded goats and cultivated himself in caves, tree holes, and other places while traveling from mountain to mountain. He realized the state of viewing all phenomena as equal and the state where the mind is not affected by the situation one encounters. Thus, he became a free and unhindered person of great accomplishment in the dharma. He then lived in a cave, where he continued his practice of the dharma.

After the restraints on religion were slightly eased, the supreme leader of the Jonang sect, H.H. Dharma King Yundan Sangbu of the Zangwa Monastery in Rangtang, twice dispatched people to the cave at the Zilang Monastery in Aba County (that was the cave in which Maji Lazun practiced the Xiduan Dharma) where the rinpoche was staying. H.H. Dharma King Yundan Sangbu did so based upon the formal pronouncements of certain great masters of the past. When those dispatched arrived, they invited H.H. Jigme Dorje Rinpoche to go to the Zangwa Monastery and lead the teaching of the Buddha-dharma. There was a third visit when H.H. Dharma King Yundan Sangbu himself went to that cave at the Zilang Monastery, bringing with him a kharda (white silk scarf). When the two venerable ones met, they praised each other. H.H. Dharma King Yundan Sangbu repeatedly urged H.H. Jigme Dorje Rinpoche to follow the formal pronouncements of those great masters of the past by going to the Zangwa Dazang Monastery, by leading the teaching of the Buddha-dharma of the Jonang sect at that monastery, and by being the monastery’s retreat lineage Vajra Master. H.H. Jigme Dorje Rinpoche then gave his response to the formal pronouncements of those three masters of the past (H.H. Dharma King Gongqiu Daji, the Sai Rinpoche, and Lama Kesang) that he must go to the Zangwa Monastery in Rangtang. He respectfully said to H.H. Dharma King Yundan Sangbu, “Your merit and cultivation are like those of my father. You are my master. I will carry out your instructions well!”

After H.H. Jigme Dorje Rinpoche returned to the Zangwa Monastery at Rangtang, he helped H.H. Dharma King Yundan Sangbu restore the monastery and build Buddhist statues. The rinpoche performed initiations and dharma transmissions at regular intervals and guided those on retreat. He perpetuated the dharma teachings of the Jonang sect in this human world and propagated such teachings around the world.

In accordance with the rules handed down by the historical masters, H.H. Dharma King Yundan Sangbu personally handed over to H.H. Jigme Dorje Rinpoche in 1998 certain precious objects passed down through the generations by past masters, such as a vajra bell, a vajra, and the writing called “Guiding Text You Will Know Its Meaning When You See It.” He also formally conferred upon H.H. Jigme Dorje Rinpoche the positions of 47th dharma throne holder of the Jonang Kalachakra lineage and 11th Vajra Master of the Zangwa Dazang Monastery. After H.H. Dharma King Yundan Sangbu passed away, H.H. Dharma King Jigme Dorje became the supreme leader of the Jonang sect.

After H.H. Dharma King Jigme Dorje saw who His Holiness Dorje Chang Buddha III Wan Ko Yeshe Norbu is through the limitless omniscience displayed in A Treasury of True BuddhaDharma, he stated that His Holiness Wan Ko Yeshe Norbu has reached the highest state of Buddhahood in the few-thousand-year history of Buddhism, having truly attained complete.

CONGRATULATIONS
United International World Buddhism Association Headquarters:
On behalf of the Jonang sect, I hereby respectfully congratulate H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu for directly propagating in this world the teachings of Buddhism. Such teachings have benefited countless living beings in their practice of the dharma and have caused countless living beings to obtain deep blessings and wisdom. The book A Treasury of True Buddha-Dharma especially shows this Buddha’s complete proficiency in exoteric and esoteric Buddhism and perfect mastery of the Five Vidyas. Such superlative accomplishments are truly unprecedented in the past few thousand years, outshining the accomplishments of all others, both ancient and modern. His Holiness is a shining paragon among Buddhas. May this inexhaustibly mighty light and power of compassion continue so that His Holiness forever teaches the dharma and forever remains in the world. I place my palms together and respectfully praise His Holiness.

I respectfully prostrate to H.H. Dorje Chang Buddha III, Wan Ko Yeshe Norbu!
Supreme Dharma King of the Jonang Sect
Jigme Dorje
May 8, 2007

Link:https://peacelilysite.com/2025/01/10/brief-introduction-to-the-supreme-leaderof-jonang-sect-h-h-dharma-king-jigme-dorje/

Source: A Treasury of True Buddha Dharma


The Enchanting Red Panda: A Masterpiece by H.H. Dorje Chang Buddha III

In this exquisite artwork, the slightly reddish small animal depicted is an extraordinarily rare and precious creature known as the red panda, also referred to as the small panda. H.H. Dorje Chang Buddha III, with His masterful artistic techniques, brings this delicate creature to life in a way that captivates the viewer’s heart.

The red panda, native to the eastern Himalayas and southwestern China, is known for its striking reddish-brown fur, bushy ringed tail, and expressive face. H.H. Dorje Chang Buddha III skillfully captures these natural features, emphasizing the panda’s endearing innocence and elegance. The slightly upturned tail, adorned with subtle yet distinct spots, adds a dynamic sense of movement and charm. This tail gracefully echoes the surrounding elements of nature, blending harmoniously with the drooping round leaves of the willow branches. The careful balance between the animal and its environment enhances the visual poetry of the piece.

A particularly remarkable aspect of this painting is the technique used to depict the panda’s face. H.H. Dorje Chang Buddha III employs a calligraphic brushstroke style, reminiscent of traditional Chinese ink painting, to portray the panda’s features with simplicity yet profound expressiveness. The crystal-clear, soulful eyes seem to glisten with life, while the velvety black fur is rendered with such fluidity and precision that it conveys both softness and texture.

Through masterful control of brush pressure, ink flow, and color layering, H.H. Dorje Chang Buddha III achieves a perfect balance of realism and artistic interpretation. Each stroke reveals deep insight into both the subject’s physical form and its spiritual essence, a hallmark of true artistic mastery.

The meticulous attention to detail and the profound artistic wisdom evident in this painting reflect H.H. Dorje Chang Buddha III’s extensive experience and unparalleled skill. This artwork is not merely a visual delight but a spiritual expression, reminding viewers of the beauty and fragility of life and the interconnectedness between all living beings and nature. It stands as a testament to the profound depth of both artistic technique and compassionate vision embodied in the works of H.H. Dorje Chang Buddha III.

This beautiful artwork is part of the permanent exhibition at the International Art Museum of America, located in downtown San Francisco.

Link:https://peacelilysite.com/2025/01/10/the-enchanting-red-panda-a-masterpiece-by-h-h-dorje-chang-buddha-iii/

Embracing Life’s Impermanence: A Call to Seek Liberation Through Buddhism

Life is fleeting, a truth echoed by philosophers across history. Human existence is undeniably intertwined with suffering. To counterbalance this suffering, people often seek meaning through achievements or temporary relief in material pleasures. When conflicts arise, modern psychology offers positive thinking strategies to ease distress, yet it seldom explores the deeper essence of life, offering only superficial comfort rather than lasting resolution.

A lifetime passes in the blink of an eye. Pause for a moment and reflect: If you were to gather all the joyful moments of your life, how many days would they truly account for? And how many days were instead consumed by pain, worry, resentment, frustration, or helplessness? For most, the latter dominates.

Everything in this world is impermanent. Our loved ones, our wealth, the children we raise, and even our own bodies—none can remain with us forever. Eventually, all things return to dust. Life is like a passing guest, reminding us that the most vital truth is to seize the present moment while we can.

The ancient Greek philosopher Epictetus taught: “For things beyond our control, we should remain optimistic and confident. For things within our control, we should stay cautious and restrained.” Anxiety and fear cannot alter tomorrow’s outcomes, but they can ruin today. True wisdom lies in accepting what we cannot change and acting mindfully where we can.

Life’s path is unpredictable. No one knows what the next moment holds. Beyond treasuring the present, we can only strive to be our best selves. Do not wait until happiness slips away to feel regret. Treasure each effort and every connection, for what is lost may never return.

Nature’s cycles remind us of renewal—flowers bloom after withering, grass sprouts anew with the seasons. Yet human life is different. We are not like flowers or grass; our lives come but once. Once this life ends, it will not return. This truth makes it even more crucial to cherish each moment and live with purpose.

A beautiful Russian poem reminds us of life’s brevity:

“A day is short, so brief that before you can embrace the morning, dusk has already arrived. A year is short, so fleeting that before you can savor the vibrant reds and greens of spring, autumn frost is already setting in. A lifetime is short, so brief that before you can fully enjoy your youthful days, old age has already arrived.”

Among the most precious blessings in life is not what we have lost or seek to gain but the ability to treasure the present. As taught in Buddhism:

“The human body is rare and difficult to obtain, yet we have attained it. The Dharma is difficult to encounter, yet we have heard it. If we do not seek liberation in this lifetime, in which lifetime shall we seek it?”

In this rare and precious life, we have not only obtained a human body but also the extraordinary opportunity to encounter the true Buddha — H.H. Dorje Chang Buddha III and hear the sacred teachings. The Buddha’s Dharma voice purifies the heart, and when we apply these teachings in our daily conduct, it is like donning armor that shields us from suffering and empowers us with boundless blessings and wisdom.

For those beginning their spiritual journey, the safest and most effective path to rapid growth is to purify and fortify the mind with the authentic teachings of H.H. Dorje Chang Buddha III. His words offer a beacon of guidance, cleansing karmic obstacles and illuminating the path to liberation.

When this precious human life ends, if we remain trapped in the endless cycle of reincarnation, where will we seek the path to liberation? The opportunity is now. As Buddhist disciples, we must cherish this rare blessing, dedicating our lives to listening to the Dharma, studying the sacred teachings, and aligning our actions with the truths taught by the Buddha.

To cherish the H.H. Dorje Chang Buddha III‘s Dharma voice is, ultimately, to cherish our own lives. Let us not delay but strive for liberation in this very lifetime.

Link:https://peacelilysite.com/2025/01/09/embracing-lifes-impermanence-a-call-to-seek-liberation-through-buddhism/

San Francisco Hua Zang Si Temple Celebrates 20th Anniversary with Charity Event: “Love Without Limits” Donation Drive


San Francisco Hua Zang Si Temple Celebrates 20th Anniversary with Charity Event: “Love Without Limits” Donation Drive Photo Courtesy: Joyce Lee (The Hua Zang Si Temple held a Dharma Assembly to celebrate the Holy Birthday of Amitabha Buddha)

The San Francisco Hua Zang Si Temple, inaugurated on December 26, 2004, upholds and promotes the genuine teachings of H.H. Dorje Chang Buddha III, the incarnation of the primordial Buddha, and the World-Honored Shakyamuni Buddha, extending boundless compassion and kindness to all beings. 

Guided by the teachings of H.H. Dorje Chang Buddha III, Hua Zang Si Temple has actively participated in various charitable activities for many years, including organizing New Year entertainment events in nursing homes, assisting with hospital relocations, providing food relief to disaster-affected areas, and holding garage sales, with all proceeds donated to vulnerable groups. The temple expressed their hope that this spirit of helping others will continue to flourish: “In acts of kindness, seeds of virtue grow, a family that sows goodness finds happiness in full flow.”

San Francisco Hua Zang Si Temple Celebrates 20th Anniversary with Charity Event: "Love Without Limits” Donation Drive
Photo Courtesy: Natty Kao (Nuns from Hua Zang Si Temple and volunteers from the Dharma-Protecting Fellowship of Hua Zang Si donated items to San Francisco Marin Food Bank.)

To commemorate its 20th anniversary, Hua Zang Si launched a month-long charity drive titled “Love Without Limits” in November, supporting animal rescue centers, homeless and low-income families, and local food banks. On the morning of December 15, a Dharma Assembly was held to celebrate the Holy Birthday of Amitabha Buddha, praying for world peace and the well-being of all people. The afternoon featured a 20th-anniversary performance and raffle, attended by nearly 300 people.

By December, Hua Zang Si had collected a total of 812 items, categorized into three main types: 241 animal supplies, including dog collars, walking harnesses, pet carriers, and disposable puppy pads; 211 baby and cookware items, including baby bottle drying racks, baby bodysuits, air fryers, and cookware sets; and a total of 2,265 pounds of food, including rice, pasta, and other food items. On December 11, nuns from Hua Zang Si Temple and volunteers from the Dharma-Protecting Fellowship of Hua Zang Si delivered these items to Muttville Senior Dog Rescue, the Homeless Prenatal Program (HPP), and the San Francisco Marin Food Bank.

San Francisco Hua Zang Si Temple Celebrates 20th Anniversary with Charity Event: "Love Without Limits” Donation Drive
Photo Courtesy: Joyce Lee 
(The abbess of Hua Zang Si Temple awarded 20 years’ service awards to volunteers.)
Photo Courtesy: Joyce Lee (The abbess of Hua Zang Si Temple awarded 20 years’ service awards to volunteers.)

As the first cage-free rescue organization in the U.S. and California’s first nonprofit dedicated to rescuing senior dogs, Muttville has rescued nearly 13,000 senior dogs over the past 17 years, providing support for about 100 senior dogs each month. The generous donations from Hua Zang Si were gratefully received, greatly aiding in the care and rehoming efforts for these senior dogs.

The San Francisco Marin Food Bank, a nonprofit organization dedicated to addressing hunger in San Francisco and Marin counties, distributed over 60 million pounds of food this year, thanks in part to Hua Zang Si’s year-end support. In these regions, one in five people faces food insecurity, and the temple’s contributions have significantly bolstered the food bank’s efforts. The donated food from the temple will be utilized in various community programs, including after-school programs, Boy and Girl Scouts, ensuring that nutritious meals reach those in need.

San Francisco Hua Zang Si Temple Celebrates 20th Anniversary with Charity Event: "Love Without Limits” Donation Drive
Photo Courtesy: Joyce Lee
(The abbess of Hua Zang Si Temple awarded 10 years’ service awards to volunteers.)

The Homeless Prenatal Program (HPP), a renowned family support center in the U.S, serves over 4,000 vulnerable families each year, particularly aiding mothers seeking assistance during pregnancy and parenting. The temple’s donations have significantly enhanced HPP’s ability to support mothers and children facing life challenges.

On the afternoon of December 15, the 20th-anniversary celebration was held in the main shrine of Hua Zang Si, featuring live performances of several classic philosophical songs with lyrics written by H.H. Dorje Chang Buddha III, cello performances of various songs, a mesmerizing Tibetan dance, and an exciting raffle with numerous prizes. The event provided a visual and auditory feast for nearly 300 attendees. The celebration concluded with a heartfelt group sing-along of “Buddha Holding My Hand,” bringing the 20th-anniversary festivities to a perfect close.

Looking ahead, Hua Zang Si will continue to serve as a beacon of love and care within the community. They hope more people will join in these acts of kindness, creating a warm, loving, and harmonious society together.


The above article is from the World Reporter, December 23, 2024.

Link:https://peacelilysite.com/2025/01/08/san-francisco-hua-zang-si-temple-celebrates-20th-anniversary-with-charity-event-love-without-limits-donation-drive/

Hair Sariras of H.H. Dorje Chang Buddha III

In Buddhist scriptures, relics are broadly classified into two types. The first type, known as Dharma-body relics, refers to the teachings and scriptures spoken by the Buddha, representing his spiritual essence and wisdom. The second type, physical relics, comprises the solid remains left after the Buddha’s cremation. These physical relics are traditionally described as being of three kinds: white bone relics, red flesh relics, and black hair relics. They are noted for their luminous, pristine appearance, unbreakable nature, and incomparable beauty, far surpassing worldly jewels.

It is also believed that Bodhisattvas and Arhats may leave behind similar relics. According to Buddhist teachings, relics naturally crystallize in those who have achieved enlightenment and sincerely practiced devotion to the Buddha. They are considered extraordinary and unattainable by ordinary individuals.

H.H. Dorje Chang Buddha III is recognized as the true reincarnation of the Primordial Buddha. His Holiness has demonstrated extraordinary miracles, including the manifestation of hair sariras. Below are authentic accounts from Buddhist disciples detailing their experiences and discoveries of the hair sariras of H.H. Dorje Chang Buddha III.

Hair Sariras (1)

H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata usually cuts His own hair. However, there have been several occasions when I respectfully accompanied His Holiness to a barber shop. Each time, out of reverence, I carefully swept away the floor and removed other people’s hair before the haircut began. After the Buddha Master’s haircut was finished, I would gather His hair from the floor, wrap it carefully in paper, and place it on my Buddhist altar upon returning home. Gradually, I began collecting and keeping some of the hair.

I still remember what happened on June 1, 2003. On that day, I took out several unopened paper packs and organized them, intending to wash the hair. Because the individual hairs were very fine, I had paid special attention and placed them on a screen. While soaking them in water, I saw three small round red beads among the hair. The entire cleaning process was handled by me, and I did not touch anything else during that time. I felt this to be very strange and wondered where those red beads came from. I intended to press them with my finger to see if they were hard or soft and even took a magnifying glass to carefully exam them. Suddenly, a thought occurred to me. Could they be sariras? I realized if I did this, it would be too disrespectful.
Hurriedly, I placed the three small beads in a small white box and took them to H.H. Dorje Chang Buddha III to inquire of their origin. I asked, “May I know what these things are?” The Buddha Master said, “Where did you get these? These are sariras!” Afterwards, the Buddha Master practiced dharma and chanted mantras to prove the authenticity of those sariras. I reported to the Buddha Master that they were wrapped in paper and appeared from the cut hair of His Holiness.

Later, the Buddha Master gave us a special discourse in which His Holiness stated, “This has happened because of conditions and the level of fortune of all sentient beings. It does not matter where they come from. Perhaps they originated from the empowerment of the Buddhas and Bodhisattvas. It actually does not matter what the disciples think concerning how or where they come from. If they can appear out of nothing, then they can disappear out of nothing. The important thing is the cultivation of each one of us and the need to live in accordance with the teachings and abide by the principles of Buddhism.”
That night, I carefully placed those three red sariras in a small tightly covered Tibetan box and cushioned them with white cotton. The next day, a fellow disciple requested to view them. I thought about placing the sariras in a crystal bottle that I had just bought. When I opened the small box and looked inside–how could it be that there were only two sariras left? I did not touch any other things anymore! I shredded and tore the cotton, but could only find two sariras. It was really upsetting! This proves and corresponds to what H.H. Dorje Chang Buddha III previously expounded: “If they can
appear out of nothing, then they can disappear out of nothing.”

This extraordinary occurrence reminded me of a fellow disciple’s personal testimony of witnessing sariras falling from the Buddha Master. This time, I experienced it firsthand, and it was truly a wonderful and auspicious sign.

Everything I have recounted above is true and authentic. If there are any falsehoods, may I suffer all evil retribution. If they are genuine facts, may living beings receive the dharma teachings of H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata, be liberated from the cycle of life and death, and attain wisdom and good fortune.

Buddhist disciple,
Hsuan Hui

(This is a complete translation of the Chinese text that follows, originally written and signed by Hsuan Hui.)

Hair Sariras (2)

I established a Buddhist altar in my home in Thailand on January 16, 2005. On that day, a fellow disciple brought me a small glass bottle containing several individual strands of the hair sariras of my Buddha Master, Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata. Each strand was approximately one centimeter long. Out of reverence, I placed a blue semi-precious stone inside the bottle and set it on my altar.

A few months later, I decided to replace the glass bottle with a Venetian crystal one. When I opened the glass bottle, I noticed something astonishing: the originally short hairs had grown longer. Although surprised, I did not dwell on it initially. However, the hairs continued to grow, and recently the change has become undeniable. Some strands have grown to five or six times their original length, now measuring five or six centimeters. Remarkably, some of the hairs, pinned down on both ends by the stone, have grown in their middle sections, forming loops. How truly extraordinary!

From a scientific perspective, hair cells die once cut, making it inexplicable how short, severed hairs could continue to grow. Let this miraculous phenomenon strengthen our faith and conviction. It is a genuine manifestation of the power of the Buddha-dharma!

Buddhist disciple,
Shu-Hui Chen

(This is a complete translation of the Chinese text that follows, originally written and signed by Shu-Hui Chen.)

Link:https://peacelilysite.com/2024/12/06/hair-sariras-of-h-h-dorje-chang-buddha-iii/

Source: https://www.tpcdct.org/sites/default/files/media/194.pdf

The Supernatural Beauty of the Yun Sculptural Art by H.H. Dorje Chang Buddha III: Yellowstone National Park

Amid the vibrant colors of mountains, rocks, canyons, and rivers lies a land shaped by tectonic shifts, creating countless graceful ridges and valleys. The limestone formations add a kaleidoscope of colors to the earth’s surface. In the valleys, there is a crystal-clear emerald hot spring, sparkling and serene. Shrouded in a faint mist, the scene resembles a silent dreamland, nurturing boundless hope and vitality in its tranquil beauty.

Perhaps responding to the aspirations of all beings, the world witnessed the emergence of a cultural giant embodying both philosophy and art. This visionary introduced a groundbreaking art form that symbolizes the truth of the universe: the sculptural art of H.H. Dorje Chang Buddha III. These magnificent and mysterious creations, enveloped in auspicious mist, exude an expansive breath that resonates with the cosmos.

This Yun Sculpture is an extraordinary creation by H.H. Dorje Chang Buddha III, a testament to the seamless fusion of artistic mastery and spiritual depth. Made from fiberglass-reinforced plastic—an unforgiving medium that hardens within moments—the work demands incredible precision. Yet, within this fleeting time frame, H.H. Dorje Chang Buddha III creates mountains, springs, peaks, and stones with unparalleled detail, capturing the essence of nature itself.

Every element appears as if naturally formed, devoid of any artificial touch. The brilliance lies not only in the execution but in the profound wisdom and authentic Buddha Dharma infused within the process. It feels as though time stretches infinitely during its creation, allowing for the sculpted forms and vivid colors to come alive with divine elegance.

This sublime work transcends human limitations, leaving viewers in awe of the spiritual and artistic depth it embodies. It stands as a testament to the boundless possibilities of enlightenment and creativity.

Yun Sculpture, a groundbreaking form of art stands unmatched in the annals of history. Since its inception, the world has borne witness to an artistic phenomenon that defies replication. 

Unlike the sulfur-heavy hot springs of this earthly realm, this spring reflects the compassionate and gentle heart of a great artistic mind. It is as delicate as floral mist, as fleeting as morning dew, capturing the universe in its palm while transcending time and space.

This sacred spring of warmth and clarity carries a message of hope, embedding itself into the memory of life. It invites the steaming warmth and tears of repentance to wash away primal desires and inner shadows, extinguishing the fire of ignorance in the heart. In this way, springtime appears radiant, summer breezes refresh the soul, the autumn moon shines with unparalleled clarity, and winter snow unites heaven and earth in a crystal-pure sanctity.

Link:https://peacelilysite.com/2024/11/29/the-supernatural-beauty-of-the-yun-sculptural-art-by-h-h-dorje-chang-buddha-iii-yellowstone-national-park/

Source: https://www.toutiao.com/i6628378035835896324/