The allure of Chinese ink painting lies in its ability to convey profound emotions and philosophies through simplicity and elegance. Blue Ice World, a remarkable creation by H.H. Dorje Chang Buddha III, exemplifies this artistic mastery. At first glance, its understated composition might suggest simplicity, but a closer examination—and especially any attempt to replicate it—reveals the unparalleled depth and complexity woven into every brushstroke.
In this ink-and-wash painting, the mountains, trees, and sky are unified through a harmonious tonal palette, creating an otherworldly, almost surreal charm. The work effortlessly blends the captivating theme with its palette, presenting a seamless interplay of form and color. Each stroke flows with such grace and precision that it feels like a natural extension of the artist’s spirit.
H.H. Dorje Chang Buddha III’s profound insight is evident in every aspect of the composition. With a keen, refined perception, He not only captured the soul of the scene but also brought it to life in a way that resonates deeply with viewers. Through dense brushstrokes and meticulous gradients, the painting achieves a striking sense of contrast. This dynamic quality imbues the piece with vitality, yet there is not the slightest trace of artifice.
The balance between realism and abstraction in Blue Ice World is a marvel in itself. The deliberate interplay between the tangible and the intangible creates a surprising and mesmerizing beauty, inviting viewers to explore both the external landscape and their inner world. Its sacred and dreamlike undertones leave a lasting impression, captivating all who have the privilege of experiencing it.
Blue Ice World is more than just a painting—it is a testament to the profound artistic vision and spiritual depth of H.H. Dorje Chang Buddha III. Through this masterpiece, He elevates Chinese ink painting to a realm where technique meets transcendence, leaving an indelible mark on the art world.
The practice of life release originates from Mahayana Buddhist scriptures and has been widely practiced in mainland China, Tibet, and also spread to Japan, Korea, Vietnam, and neighboring regions. The act of life release is rooted in the compassionate principle of equality among all beings and the karmic understanding of the cycle of birth and death. As the saying goes, “If you take half a pound from others, you will have to repay eight ounces.” Abstaining from killing while also practicing life release brings even greater merit, and there are countless historical accounts of miraculous responses and blessings resulting from such acts.
In Volume 4 of the Miscellaneous Treasures Sutra, there is a story about a novice monk and his teacher. The teacher foresaw that the novice monk would pass away within seven days and advised him to return to his family home, asking him to come back after seven days, without explaining why.
On his way home, the novice monk came across a broken pond, where water was flooding an anthill.
The ants were frantically trying to escape, but their speed was no match for the rushing water. Seeing that countless ants were about to drown, the novice monk used his robe to carry soil and blocked the breach in the pond, saving all the ants.
After seven days, the novice monk returned to his teacher. The teacher, upon seeing him alive, was astonished and asked what had happened during those days. Mistakenly thinking he was being accused of wrongdoing, the novice monk fearfully replied that he had done nothing. The teacher, being an Arhat, used his divine vision and discovered that the novice monk had performed a small yet significant act of kindness by saving the ants from drowning.
This single compassionate act altered the novice monk’s karmic fate, extending his lifespan and allowing him to live a long life until his natural passing.
The Profound Teachings Behind Life Release
The practice of releasing lives is deeply rooted in Buddhist scriptures:
The Chapter on the Practices and Vows of Samantabhadra states: “Living beings cherish their lives above all, and Buddhas cherish living beings above all. To save the lives of living beings is to fulfill the heartfelt wishes of the Buddhas.”
The Brahma Net Sutra on the Bodhisattva Precepts states: “If a disciple of the Buddha practices life release out of compassion, they should regard all men as their fathers and all women as their mothers, for in every life, they are born through them. Therefore, all beings in the six realms are like one’s own parents. To kill and eat them is akin to killing one’s parents or oneself. When witnessing the slaughter of animals, one should strive to protect and relieve them from their suffering. Furthermore, one should teach and explain the Bodhisattva Precepts, guiding and saving all sentient beings.”
The Sutra on Distinguishing the Origin of Good and Evil reveals: “The Buddha said: In this world, if one possesses a compassionate heart and refrains from killing, they will gain five blessings: longevity, physical well-being, freedom from harm, rebirth in the heavens, and a long life when returning to the human world. Those who live to a hundred years today owe it to their abstention from killing in past lives.”
These teachings emphasize that compassion is both a passive and active virtue. While refraining from killing is essential, taking proactive steps to save lives embodies the true spirit of Buddhist teachings.
October 29 marks the Day of Releasing Lives, a profound observance dedicated to the protection and liberation of living beings. This day calls for the nurturing of compassion, the accumulation of virtue, and the cultivation of good karma. Initiated in 2009 by H.H. Dorje Chang Buddha III, this practice symbolizes an enduring commitment to compassion and liberation. Following a major Buddhist event, H.H. Dorje Chang Buddha III designated this day as a global occasion for the compassionate release of captive lives, inspiring a tradition now embraced worldwide.
The 2024 Life Release Event: A Global Act of Compassion
Photo Courtesy: Joyce Lee | Vice President of World Buddhism Association Headquarters, Jiaozun Zhengda, presided over the Dharma Assembly on the Buddha-Stipulated Day of Releasing Lives.
The gathering featured the release of thousands of fish back into the ocean, accompanied by the recitation of the Heart Sutra. Jiaozun Zhengda, Vice President of the World Buddhism Association Headquarters, led the prayers and delivered an inspiring address on the significance of the occasion. She emphasized the need for ongoing acts of compassion and the responsibility to protect living beings wherever and whenever they face suffering.
Jiaozun Zhengda explained that the practice of releasing lives arises naturally from the precept of refraining from killing. While refraining from harm is virtuous, actively saving lives elevates compassion to its highest form. This principle is at the heart of the teachings of Namo H.H. Dorje Chang Buddha III and Namo Shakyamuni Buddha.
Photo Courtesy: Joyce Lee | Hundreds of Buddhists from all over the world attended the Dharma Assembly of Releasing Lives.
Photo Courtesy: Joyce Lee | Participants released captive fish into the ocean
Participants shared profound reflections on the event. Watching the fish swim freely into the ocean became a moving symbol of resilience, freedom, and the boundless compassion of Buddhas and Bodhisattvas. For many, this practice reaffirmed their vows to live with kindness, respect all life, and emulate the selflessness of the Buddhas.
The Day of Releasing Lives is more than a symbolic gesture. It is a reminder that compassion knows no boundaries of time or space. Through the release of captive lives, Buddhists actively demonstrate their commitment to fostering a world of harmony and peace.
A Global Call for Compassion
As we observe the Day of Releasing Lives, let us remember that every act of compassion matters. By choosing to release lives, we contribute to a legacy of kindness that transforms our world. May this day inspire all of us to nurture compassion, protect life, and cultivate peace for the benefit of all beings.
H.H. Dorje Chang Buddha III’s remarkable panda painting exemplifies a profound fusion of traditional Chinese painting and Western three-dimensional techniques, showcasing a unique mastery that elevates this artwork to an unparalleled realm. The Buddha meticulously captures the softness of the panda’s fur, detailing each hair with astonishing lifelikeness. The surrounding trees and scenery are equally vibrant, rendered with ink-splash techniques that lend a lively and enchanting quality, breathing life into the background. Every stroke in this artwork radiates a realism and elegance that words can scarcely convey.
In the foreground, delicate bamboo stalks contrast sharply with the misted backdrop, creating a powerful sense of spatial depth. This mist, drifting through the plum tree branches, draws the viewer’s gaze further into the forest, inviting them to immerse themselves in the crisp, refreshing atmosphere. With his seamless integration of artistic elements, H.H. Dorje Chang Buddha III achieves a captivating blend of classic beauty and dimensionality. The pandas, seemingly more beautiful and pristine than in life, appear freshly bathed in pure, clear waters—a vision of elegance and purity.
The painting’s harmony lies in the Buddha’s masterful approach of combining strength with gentleness, creating a scene of pandas at play, full of soft allure and charm. This balance exemplifies an artistic prowess beyond the reach of most artists. It is the interplay of surrounding elements, from mist to forest, that makes this panda masterpiece truly one of a kind.
Executed in the Kuangxi style—a hallmark of H.H. Dorje Chang Buddha III—this painting unites bold expressiveness with precision. This style combines vigorous, large-scale strokes that radiate energy with the delicate, fine brushwork of realism, resulting in an artwork that captures both elegance and raw intensity. The Buddha’s fusion of rough and refined strokes manifests as a work of art that is both dynamic and graceful, presenting a timeless visual experience that resonates deeply.
Holy Miracles Temple, located at 1730 N. Raymond Ave., Pasadena, CA, serves as a sanctuary dedicated to teaching the true Dharma of the Tathagata, as transmitted by Namo H.H. Dorje Chang Buddha III and Shakyamuni Buddha, guiding disciples on their path to liberation and spiritual accomplishment. Grounded in the Buddha’s teachings and fueled by boundless compassion, the temple’s core mission is to selflessly serve humanity. Its hope is for people in America and across the globe to embrace Buddha Dharma, cultivating love for their country, fellow people, and the world. Through mutual support, peace, kindness, and auspiciousness, the temple envisions a strong nation with thriving citizens and a world brimming with joy and happiness.
In these challenging times, when suffering and catastrophe touch so many, Buddhism’s compassionate spirit calls us to extend blessings to all sentient beings. On October 13, 2024, the Holy Miracles Temple held a Blessing and Peace Dharma Assembly, a response to the unprecedented hardships the world faces today. Devoted Buddhist disciples gathered to honor the teachings of Namo Dorje Chang Buddha III, coming together to send prayers for healing and hope to those affected by natural disasters, conflicts, and upheavals. This assembly reaffirmed the Buddhist commitment to easing the suffering of all.
The event featured a solemn chanting of the Universal Gate Chapter of the Lotus Sutra, dedicated to Avalokitesvara Bodhisattva, the embodiment of compassion. The gathering was led by Abbess Ruzun Ruohui from Hua Zang Si Temple, who guided attendees through the prayers.
This year has been marked by profound global calamities. In the United States, Hurricane Helene ravaged Texas and Louisiana in August, displacing thousands and flooding communities. Just weeks later, Hurricane Milton unleashed further destruction in Florida and Georgia. Recovery efforts faced tremendous challenges as these back-to-back disasters left homes shattered and lives in turmoil.
In Asia, Typhoon Dindo devastated the Philippines, causing severe flooding and landslides across Luzon in September. Thousands of people were forced to evacuate as the typhoon submerged entire neighborhoods. Nepal, too, was struck by tragedy when a powerful earthquake hit in June, resulting in widespread destruction and loss of life in remote regions.
The war in Ukraine, continuing its escalation throughout 2024, inflicted further suffering on cities like Kyiv and Mariupol, leaving behind a deepening humanitarian crisis. Meanwhile, renewed violence in Syria once again brought bloodshed to war-torn cities such as Aleppo and Damascus, compounding the plight of its weary people.
Europe was not spared from disaster either, as record-breaking floods struck in July. Torrential rains overwhelmed parts of Germany and Belgium, causing rivers to overflow and submerging entire towns. Meanwhile, the United States’ western regions grappled with annual wildfires of increasing magnitude, destroying homes and forests alike.
During the Dharma Assembly at Holy Miracles Temple, attendees united in spirit and purpose. As the sacred verses of the Universal Gate Chapter resonated through the temple, the prayers reached out to those suffering from this year’s tragedies, seeking to bring healing and relief. Prayers were offered for the displaced, the injured, and those who had lost everything. In the face of conflict and war, the community gathered to extend peace, comfort, and hope to all those impacted.
This powerful assembly embodied the compassionate essence of Avalokitesvara Bodhisattva, radiating light and healing to all beings affected by suffering. It was a profound reminder that through shared compassion and collective action, we can create a world where all beings may find peace, healing, and joy.
The most venerable H.E. Xiazhu Choying Rinpoche, also known as H.E. Xiazhu Qiuyang Rinpoche, is a highly accomplished Buddhist master from Guoluo, renowned for his spiritual achievements and mastery of Vajrayana teachings. Born in the winter of 1945, his birth was marked by extraordinary signs: thunder echoed across the sky, and colorful flowers blossomed spontaneously on the grasslands surrounding his birthplace. Many local herdsmen witnessed these rare and auspicious omens, heralding the arrival of an extraordinary being.
Renowned mantra master Regong, a revered monk, recognized the young child as the reincarnation of the venerable Chagailong Cichengdaji Rinpoche and the great master Naropa. From an early age, Rinpoche dedicated himself to the welfare of all sentient beings, living a life of simplicity and spiritual practice in the mountains. Throughout his life, H.E. Xiazhu Choying Rinpoche devoted himself to intense ascetic practice, receiving direct teachings from the supreme Vajrayogini and attaining profound realization. It is said that he could soar through the sky, using his monk robes as wings, a testament to his deep mastery of esoteric yoga.
At the age of fourteen, Rinpoche was ordained as a monk under the guidance of Xiari Huzuo Qintu Dannima. Over the years, he studied under more than 100 highly accomplished masters from all major Tibetan Buddhist schools, including:
H.H. the Tenth Panchen Lama and H.H. the Sixth Dharma King Gongtang Yongzeng from the Gelug sect.
H.H. Dodrupchen Rinpoche and Khenpo Mengse from the Nyingma sect.
Kanda Chiwa Gadan from the Sakya sect.
Lama Wangcai Kazhige from the Kagyu sect.
Jiana Bannan from the Jonang sect.
From these masters, H.E. Xiazhu Choying Rinpoche absorbed the essence of both exoteric and esoteric teachings. His spiritual journey led him to receive numerous secret mind-dharma teachings and unique empowerments, passed down without reservation, like water flowing freely from a vessel.
Rinpoche spent much of his life wandering through remote mountains and plains, sleeping in caves, eating cold rice and vegetables gathered from alms, and wearing discarded clothing. He lived humbly, indifferent to worldly praise or criticism, appearing at times like a wandering madman. For 25 years, he did not speak a single word, dedicating himself entirely to the practice of the Dharma, undisturbed by the distractions of the world. His rigorous practice took him to numerous sacred sites across Tibet, Qinghai, and India, where he engaged in solitary retreat, including seven years of intense meditation at a holy site in India.
Through these practices, Rinpoche achieved profound realization in the Dakini Dharma, the Great Perfection (Dzogchen) teachings, Kalachakra Vajra Dharma, and Green Tara Dharma. His deep connection with Vajrayogini from a young age allowed him to access highly secret dakini teachings. Buddhist masters of great virtue have recognized H.E. Xiazhu Choying Rinpoche as the true reincarnation of the great master Naropa, revered as the “venerable leader of 100,000 dakinis.”
In a historic event, the International Buddhism Sangha Association conducted an unprecedented Drawing Lots From a Golden Vase Ceremony, drawing one lot from 120 sealed lots. This ceremony affirmed that H.E. Xiazhu Choying Rinpoche is indeed the reincarnation of Patriarch Naropa, a recognition that had been previously confirmed by H.H. Dorje Chang Buddha III.
H.E. Xiazhu Choying Rinpoche has been praised by numerous revered masters, including H.H. the Tenth Panchen Lama, H.H. Dharma King Yongzeng, and H.H. Dharma King Jigme Phuntsok. Xiaridong Rinpoche, a master of the Yamantaka Dharma, described him as “a truly great master of the Dakini Dharma,” while H.H. Dharma King Jigme Phuntsok hailed him as “an extremely rare master who has perfected the Four Initiations Dharma.”
Despite his vast accomplishments, H.E. Xiazhu Choying Rinpoche remains humble and approachable, freely exercising his supernatural powers without attachment. Known for miraculous feats such as flying, multiplying his body, walking underwater, understanding multiple languages, foreseeing disasters and blessings, and reading people’s minds, Rinpoche is revered as “the unhindered rinpoche.” Clothing and personal items that Rinpoche has worn or used are said to be imbued with miraculous blessings. Many Tibetans have reported turning disasters into blessings, surviving dangerous situations, or recovering from serious illnesses after wearing or ingesting a small piece of his monk’s robe.
H.E. Xiazhu Choying Rinpoche’s legendary life and accomplishments have been widely recorded, including in books such as Holy Cultivation and Its Marvelous Fruits and Biographies of Ten Major Disciples of Dharma Kings. In Tibet, particularly in the Amdo region, almost everyone knows of his miraculous deeds. His life stands as a beacon of inspiration and a model of Dharma practice in this world of five defilements.
Upon reading A Treasury of True Buddha-Dharma, H.E. Xiazhu Choying Rinpoche immediately recognized H.H. Wan Ko Yeshe Norbu as the primordial Dorje Chang Buddha, the highest Buddha in Buddhism. His realization corroborated the recognition of other great holy dharma kings. H.E. Xiazhu Choying Rinpoche offered his heartfelt congratulations in a respectful letter, further acknowledging the sacred truth.
To the Most Revered and Holiest Wish-Fulfilling Jewel Dharma King:
I have learned that A Treasury of True Buddha-Dharma, is a sacred text about His Holiness, the supreme and most honored H.H. Dorje Chang Buddha III, is soon to be distributed worldwide. This book contains the highest, authentic Dharma that brings immense benefit to all sentient beings.
Master Dodrupchen, who is universally recognized as the second Guru Padmasambhava and the highest holy being within Tibetan esoteric Buddhism, expressed his astonishment in his formal congratulations. He praised the accomplishments of the Holiest Wan Ko Wish-Fulfilling Jewel Dharma King as truly extraordinary—unimaginable and miraculous, transcending the ordinary. These achievements express both the describable and indescribable absolute truth of the Buddha-Dharma.
We shall proclaim and praise the accomplishments of His Holiness throughout the Dharma realm. We express our deepest gratitude to His Holiness, the ancient Buddha, for His boundless and great compassion in coming to this world once again to benefit all sentient beings!
Xiazhu Qiuyang Rinpoche May 1, 2007
▲Original congratulatory letter from Xiazhu Choying in Tibetan
Art has the power to transcend boundaries, evoke emotions, and stir the soul. One such masterpiece is “Dragon Carp Frolicking in the Lotus Pond”, created by H.H. Dorje Chang Buddha III. This extraordinary painting, executed with ink and color on paper, seamlessly blends freehand brushwork with meticulous detail. It has been rightfully hailed as a world-class “treasure of unparalleled excellence” and a “divine masterpiece.” Experts agree that this work surpasses conventional artistic techniques, reaching a level of spiritual depth that few can replicate.
At first glance, the painting’s lotus leaves and carp, rendered with freehand techniques, captivate the viewer with their delicate yet vibrant forms. The wide, majestic leaves appear to breathe, their veins subtly flowing and shifting in unpredictable ways. Bold strokes define the water grasses, infusing the scene with a palpable sense of movement. This is a world that feels “drawn from life, yet elevated above it.”
The lotus pods are painted with a playful, almost fantastical touch, while the decaying lotus stems evoke a vivid realism. The carp glide effortlessly through varying depths of water, with natural ripples enhancing the impression of life in motion.
What makes “Dragon Carp Frolicking in the Lotus Pond” so compelling is the swirling energy that permeates the entire composition. Fish, water, lotus leaves, flowers, ripples, mist, and lotus roots all come together as one. Every element is in harmony, creating a profound sense of vitality. The interplay between stillness and motion is masterfully orchestrated, with tension and fluidity imbuing the painting with a life of its own. The spiritual resonance of the ink and brushstrokes is so powerful that it touches the soul, offering a rare glimpse into the artist’s mastery.
H.H. Dorje Chang Buddha III’s ability to manipulate ink and water produces endless visual effects, creating an atmosphere where life itself seems to flow through the brush. The dragon carp, swimming through the water with ease, symbolize the very essence of vitality.
Compared to past masters, who captured the beauty of carp but failed to unite the fish with the water, H.H. Dorje Chang Buddha III elevates his work to a higher realm. His brushwork achieves perfect harmony between the fish and water, with the two becoming one in a symbiotic relationship that enhances both their liveliness and texture.
Traditional Chinese ink painting often uses blank spaces to represent water’s stillness, while lines suggest movement. “Dragon Carp Frolicking in the Lotus Pond” takes this concept even further, incorporating the refraction of light through the water’s surface and depths.
The dynamic light waves, combined with the seamless interaction of the carp and the ever-changing water, create a breathtaking depiction of the concept “fish finding their element.”
The true brilliance of this work lies in its extraordinary attention to detail and the artist’s mastery of brush techniques. From the texture of the carp’s scales to the intricate interplay between fish and water, every detail contributes to the painting’s vibrant spirit. This level of craftsmanship goes beyond what other media, such as oil painting, can achieve, making “Dragon Carp Frolicking in the Lotus Pond” a unique artistic treasure. Its spiritual resonance and profound beauty leave a lasting impression.
This painting is not just a visual masterpiece; it is a profound experience that speaks to the heart, a testament to the transformative power of art.
In 2016, there was already an offer of 60 million USD to purchase this painting. However, H.H. Dorje Chang Buddha III declined the sale, considering that once it was owned by a private collector, the public would have little opportunity to appreciate it. Currently, “Dragon Carp Frolicking in the Lotus Pond” is permanently displayed in the Master Artist Fish Hall at the H.H. Dorje Chang Buddha IIICultural And Art Museum in Covina, California.
“Cang Ye Pao Hong” (Withered Leaves Scattering Red) is an extraordinary oil painting that belongs to the Thickly Layered Color School, a unique style originated by H.H. Dorje Chang Buddha III. This painting style is renowned for its bold, dynamic strokes and the use of layered, textured color blocks that create a deeply three-dimensional effect. The abstract, surreal use of color brings an unpredictable yet harmonious elegance, transforming the chaotic into a coherent and mesmerizing vision.
The meticulous process behind “Cang Ye Pao Hong” is just as awe-inspiring as the final result. According to the art museum where this work is displayed, the painting took six years to complete, with over 50 layers of paint carefully stacked on top of one another. Each layer was allowed to dry completely before the next was applied, ensuring a rich and vibrant interplay of colors. The outcome is a work of art that exudes an indescribable divine aura, blending both natural beauty and mystical energy.
You can find this masterpiece at the International Art Museum of America, located in downtown San Francisco. Upon first glance, “Cang Ye Pao Hong” commands attention, drawing viewers into deep contemplation. The withered lotus leaves, depicted in a strikingly realistic and three-dimensional manner, symbolize wisdom gained through life’s journey, while the vivid red lotuses appear to leap from the canvas, capturing the essence of “scattering red” with exceptional grace. The rippling water above, shimmering with light, symbolizes infinite hope, further enhancing the painting’s sense of serenity and renewal.
When observed up close, the painting reveals intricate details within the broader strokes, where subtle nuances emerge, demonstrating the remarkable precision and effortless flow that characterize the work. It evokes an ethereal sense of peace, with a balance of strength and gentleness, transcending the worldly and exuding both quiet elegance and boundless depth. It is truly a marvel of artistic mastery, offering a sense of tranquility and spiritual upliftment that words can hardly describe.
H.H. Dorje Chang Buddha III’s artistic genius extends far beyond this single painting. He has mastered all existing schools of painting, including Realism, Abstract, Impressionism, and more, while also founding sixteen entirely new schools of painting. These schools include the Chaoshi School, the Chouxiang Yunwei School, the Fangfa School, the Kuangxi School, and the Thickly Piled Patches of Color School, among others. What sets H.H. Dorje Chang Buddha III apart from any other artist in history is that He not only founded these distinct schools but developed each to a state of perfection, creating what is known as “The H.H. Dorje Chang Buddha III School of Multiple Styles.”
While many renowned artists dedicate their entire lives to mastering one artistic style or theme, H.H. Dorje Chang Buddha III’s unparalleled ability to create and perfect sixteen different painting schools is an accomplishment unmatched in art history. “Cang Ye Pao Hong” is a shining example of His profound artistic vision, showcasing a level of creativity and mastery that continues to inspire and astonish art lovers around the world. Through this work, we are invited to witness not just the beauty of nature but the boundless possibilities of artistic expression.
On Sunday, September 22, 2024, The Holy Miracles Temple in Pasadena hosted the grand “Dharma Assembly to Welcome the Birthday of Namo Dipankara Buddha.” This auspicious event was co-organized by the World Buddhism Association Headquarters, The Holy Miracles Temple, and the Saint Grong Lecture Hall. The assembly was led by the abbot of Hua Zang Si, Venerable Ru Hui Ru Zun, a Holy Virtuous One of Gold Button Level 1, who presided over the sacred ceremonies.
Namo Dipankara Buddha, a revered incarnation of Namo Dorje Chang Buddha, holds a special place in the hearts of Buddhist disciples. In ancient times, he prophesied that Shakyamuni Buddha would one day attain enlightenment and become a Buddha. The site of the “Dipankara Buddha Hall” at The Holy Miracles Temple is significant—it marks the location of the first-ever publication of The True Meaning of the Heart Sutra as Expounded by H.H. Dorje Chang Buddha III, where profound teachings of the Buddha were revealed.
A particularly memorable moment in this location occurred on March 7, 2014, during a Dharma assembly when a miraculous event unfolded. Buddha descended from the sky, manifesting in a divine form, blessing the gathering with three-colored nectar—a clear and undeniable testament to the authenticity of the teachings in Expounding the Absolute Truth through the Heart Sutra. Following this sacred event, the Dipankara Buddha Hall was constructed on this blessed site, where devotees from all directions come to light lamps and offer their reverence to the Buddha.
This year’s Dharma assembly began with great reverence in the Grand Hall, filled with the solemn chanting of Buddhist hymns. Under the guidance of Venerable Ru Hui Ru Zun and the monastic community, participants respectfully recited the Diamond Sutra, bowed to the Buddha, performed repentance, and conducted a grand offering before the Buddha. The assembly’s merits were dedicated to celebrating the Buddha’s birthday, with the intention to increase the blessings and wisdom of all beings, dispel ignorance and darkness, and bring forth prayers for world peace, national prosperity, and a harmonious society.
The Dharma assembly invited Venerable Ru Hui Ru Zun, the abbess of Hua Zang Si and a Holy Virtuous One, to preside over the ceremony
During an interview, Venerable Ru Hui Ru Zun shared the origin of the Buddha’s name: “The name ‘Namo Dipankara Buddha’ comes from the illumination that surrounded Him at birth, shining like a lamp. Today, we light lamps, chant scriptures, and offer prayers, hoping to bring the light of the Dharma to the world, and to bless humanity with peace and auspiciousness.”
The assembly also brought touching personal reflections. Ms. Tam, a long-time attendee, shared, “Every year, our family lights the annual offering lamp at the Dipankara Buddha Hall. It has brought us great blessings, and everything in our lives has been smooth and auspicious.” Benjamin Hong reflected on his family’s deeper connection to Buddhism: “When my uncle was diagnosed with cancer, our family sought ways to help him. This journey led us to encounter the true teachings of the Tathagata. Through the teachings of Namo Dorje Chang Buddha, we gained a profound understanding of what Buddhism truly is. It was this experience that helped our family through the toughest times and brought us to the path of Buddhism.”
At the conclusion of the Dharma assembly, Venerable Ru Hui Ru Zun blessed the congregation by sprinkling holy water for empowerment
This Dharma assembly beautifully honored the legacy of Namo Dipankara Buddha. It served as a living bridge between ancient wisdom and the contemporary aspirations of the Buddhist community, uniting all participants in a shared vision of enlightenment, peace, and harmony for the world.
The President of the Royal Academy of Arts, Brendan Neiland (center), and the Vice President of the Royal Academy of Arts, John Wilkins (right), present the Young Artist Award to Hang Kung Yee (left)
Born in February 1988 in Chengdu, China—familiarly known as the “Land of Abundance”—Hang Kung Yee comes from a family deeply rooted in tradition and intellect. His lineage is remarkable: his great-grandfather was one of the “Four Sages” in fishing, woodcutting, farming, and studying, honored as the Sage of Learning. His grandfather, Feng Chi, was a celebrated scholar in Sichuan, renowned for his deep knowledge of classical texts and the principles of medicine and the I Ching. Carrying forward this intellectual legacy, his father, Professor YungaoYi(H.H.Dorje Chang Buddha III), is a world-renowned scholar, a grandmaster of prajna (wisdom), an acclaimed Chinese painter, and the founder of Yun sculpting. These extraordinary achievements have been recognized and certified by prestigious international organizations. His mother, Dr. Wang, Yuhua , is a distinguished professor at a top American university.
From a young age, Hang Kung Yee was immersed in an environment that cultivated both moral character and artistic appreciation. Influenced by his father’s teachings, he developed a passion for literature, calligraphy, and painting, particularly in the styles of the Song, Yuan, Ming, and Qing dynasties. He devoted himself to studying the works of great masters such as Bada Shanren, Shitao, Shen Zhou, and Nantian, as well as his father, Master Yun Gao Yi(H.H. Dorje Chang Buddha III). Despite his diligence, his early works lacked cohesion, but that changed when he sought his father’s guidance. Professor Yungao Yi(H.H. Dorje Chang Buddha III) imparted to him the profound teachings of Buddhist wisdom and prajna, unlocking a higher level of artistry within him.
Through these teachings, Hang Kung Yee’s wisdom flourished, and his artistic skill evolved rapidly. His brushwork soon embodied the refined charm of literati painting, infused with fresh, creative elements. In line with the insights of the artist Huang Binhong, who said, “Though the form may seem simple, the structure is strict; even if the form is not complete, the principle of the subject is always present,” Hang Kung’s work exemplifies precision beneath an effortless exterior.
His art reflects a unique duality: the intention is present, even when the brush has not yet touched the canvas; the spirit flows, even before the ink arrives. His strokes are casual yet deeply profound, imbued with a childlike purity and a profound sense of wonder. Modesty defines him—he never flaunts his talents, choosing instead to remain humble and continually learn. Even after moving to the United States, he kept his artistic abilities concealed, even from his peers.
Chinese Ink painting: Western Lake
Chinese Ink Painting: Deep in the Mountains
Hang Kung Yee’s true mastery shines in his landscape art and sculptures. His creations blend natural elements with refined craftsmanship, producing works that are indistinguishable from nature itself. His landscapes, though rooted in real life, transcend it, evoking a dreamlike quality as if imbued with the mystical winds of a far-off fairyland. When photographing his sculpted landscapes, one would easily mistake them for real scenery. Even the most discerning artists would struggle to differentiate between his works and actual nature captured in photographs. At the young age of fifteen, the young artist Hang Kung Yee published his first hardcover collection of landscape art. His artistic achievements were recognized by the highest authorities in the global art world, with the President and Artistic Director of the Royal Academy of Arts signing an evaluation document on February 8, 2004. The document stated, ‘The young artist Hang Kung Yee is extremely creative, showcasing exceptional talent.’ The news sent shockwaves through the international art community.
Landscape Art: The Lush Spring of Xishuangbanna
Landscape Art: “Dreamscape Melody of Lake and Sky”
Landscape Art: Mysterious Dream Lake
Mirror-like Lake
The Bond Between Humans and Animals in the Snowy Village of Banna
Rainbow Under the Morning Sun
The Lion in the Swamp Forest
The Flower Marten in the Snow and Ice
Hang Kung Yee’s vision is to offer eternal beauty to humanity. His name, meaning “Eternity for the Public,” reflects this deep desire to share his creations with the world, hence his title “Hang Kung.” Ever humble, he downplays his expertise in art, attributing his rapid ascent into the higher realms of artistic mastery to his father’s guidance. He also speaks of his 12-year-old sister, Jinba Rinpoche, who, although not yet versed in art, will soon receive their father’s wisdom teachings, propelling her to artistic mastery in a matter of months.
For Hang Kung Yee, gratitude is central. He acknowledges the profound influence of his father, the support of fellow artists, the inspiration of nature, and the guidance of teachers and family members in shaping his artistic journey. Without these sources, he admits, he would never have reached his current artistic heights. As he continues to evolve, Hang Kung believes that art, much like his name, is boundless. “Yee” symbolizes the universal principles, while “Hang Kung” stands for “eternity for the public.” His aspiration is simple yet profound: to bring beauty, joy, and inspiration to all living beings through his art.
During the Buddha’s lifetime, there was a time when he was teaching on the far side of a river. Eager to hear his wisdom, many monks wished to cross the river, but there was only one boat available. The boatman warned them, “My boat is very old, and with so many of you on board, it could be dangerous!” Yet, in their eagerness to reach the Buddha, the monks ignored the boatman’s caution and all climbed aboard. Reluctantly, the boatman set sail.
As they reached the middle of the river, the monks noticed water seeping into the bottom of the boat, and panic began to spread. The boatman calmly said, “I told you this boat is old, but you didn’t listen. Now, if you can’t stay calm, the boat will sink even faster.”
Upon hearing this, the monks stilled themselves and did not dare move. Thankfully, the boatman’s experience guided them safely to the other shore.
When the monks arrived and recounted the incident to the Buddha, he offered this teaching: “When you were in the boat, you feared for your safety. But in daily life, you fail to realize that danger is ever-present. Many people worry about the uncertainty of the future, yet neglect the most important thing — being mindful of the present moment. Focus on this life, this moment. Pay attention to your thoughts and purify your mind of the five poisons: greed, anger, ignorance, pride, and doubt.”
The Buddha continued, “Our bodies are like that old, leaky boat. We must reduce its burden, and the heaviest load is the weight of greed, anger, ignorance, pride, and doubt. Just like in the boat, if we don’t repair our minds and lighten our burdens, we risk sinking. Only by addressing these burdens can we safely reach the other shore.”
“Do not be preoccupied with the thought of being reborn in the Western Pure Land in your next life. Instead, focus on your present condition. Are you free from afflictions in this very moment? Do you act with an open heart? Can you humble yourself in the eyes of others? These are the true questions we must face in life.”
The contemporary Buddha H.H. Dorje Chang Buddha III has also imparted timeless wisdom on cultivation. His Holiness teaches that true cultivation stems from the depths of your heart, from your bodhicitta — the awakened mind of compassion. Be genuinely friendly and loving to your spouse, your brothers, and your sisters. Foster harmony with your friends, act cooperatively with others, and extend care and help to all sentient beings. Apply the Four Limitless States of Mind — loving-kindness, compassion, joy, and equanimity — and cultivate bodhicitta in every action. Constantly reflect on yourself: How do you treat others with your words? With your thoughts? With your actions?
The conduct of Buddhas and great Bodhisattvas is marked by complete disregard for personal gain. When interests conflict, they give way to others, willingly taking fewer benefits or even none. You must remind yourself, “When others harm or slander me, I will not be disturbed. Even to those who harm me, I will wish them well, sincerely hoping for their happiness. Furthermore, I will take practical steps to help them, even offering financial aid — without letting them know that I am doing so.”
By living in accordance with these teachings, we become holy ones at the causal stage. Without a doubt, such cultivation leads to the perfection of wisdom and virtue. Achieving liberation and accomplishment becomes as simple as turning over one’s hand!
Peace LiLy 