At first glance, The Power of Flying and Whirling seems almost impossible to have been created with just a paintbrush. Its breathtaking composition and dynamic visual impact resemble digital artwork, as if only advanced computer graphics could achieve such a striking effect. Yet, the most astonishing fact is that this masterpiece was painted entirely by H.H. Dorje Chang Buddha using traditional techniques—without any digital assistance.
These impressionist paintings reach an extraordinary level of artistry. Each section of the painting, if isolated, could stand alone as a remarkable impressionist work, complete in its beauty and expression. The artwork conveys a dreamy, illusory state, where even the smallest fragment could be enlarged to reveal a mesmerizing, self-contained masterpiece.
By capturing movement with unparalleled skill, H.H. Dorje Chang Buddha has frozen the imagery in mid-air. This painting feels like a window to the heavenly realm, giving me a glimpse into the mysteries of paradise. The elegant arcs that sweep across the canvas pulse with energy, like a mighty tornado dispersing the shadows in our hearts. The swirling force in the painting seems to lift the viewer beyond the ordinary, reminding us of the limitless possibilities that exist when art and wisdom unite.
This painting is more than just a visual masterpiece—it is an invitation to embrace the unseen forces of inspiration, creativity, and transformation. It teaches us that true artistry is not bound by tools or techniques but flows from the depth of wisdom and an unshakable spirit.
May this extraordinary work inspire us to break through limitations, open our hearts to beauty, and find the power to uplift ourselves and others.
Nestled in the serene mountains of Qinghai Province, Dangkar Monastery stands as a sacred sanctuary of Tibetan Buddhism. Located in Qianjin Village, Jiegu Subdistrict, Yushu City, this revered monastery traces its origins back over 800 years to its founder, Bacha Daodai (the First Tumuchuje). As a spiritual stronghold of the Karma Kagyu lineage, it has long been a place of devotion, practice, and enlightenment.
A Monastery Born from Divine Signs
Dangkar Monastery is perched along the slopes of Zhazeng Dasa Mountain, its architectural design harmonizing with the natural landscape. The monastery’s structure is said to resemble Avalokiteshvara in a state of serene repose, with the lower part forming the mystical image of eight dragons coiling beneath, signifying divine protection and spiritual power.
The monastery’s foundation is deeply intertwined with auspicious omens. Following the guidance of his master, Dusum Khyenpa, Bacha Daodai ventured to the Gyeri mountains in Kham, where he meditated in the sacred Godtsang Karmo Cave. During the search for a suitable site to build the monastery, several miraculous signs emerged. One such event remains legendary—faced with a lack of water, Bacha Daodai plunged his staff into the earth, and from that very spot, a pure spring gushed forth. To this day, this sacred water source continues to flow, known as the nectar spring of Dangkar Monastery.
Trials of Destruction and the Path to Revival
The monastery has faced its share of hardships. Between 1958 and the Cultural Revolution, Dangkar Monastery suffered severe destruction, with all its buildings reduced to ruins. But in 1981, the 18th Dumu Quji Rinpoche embarked on a mission to restore this sacred site. The early days of reconstruction were fraught with difficulties—there was no funding, no infrastructure, and no resources. To finance the project, Rinpoche sold his sisters’ personal offerings, including dzi beads and coral, using the proceeds to procure wood from Suman Township, a region abundant in timber.
Transporting materials was an arduous journey, plagued by treacherous roads and unpredictable weather. Vehicles often became trapped in deep mud, forcing monks and workers to spend nights in the wilderness without food. When the timber finally arrived, another challenge arose—there was no accessible road to the monastery. Everything had to be manually carried up the mountain, plank by plank, through sheer human perseverance. After years of relentless effort, the first rebuilt assembly hall was completed. (Notably, the 17-pillared hall that stands today was built entirely by hand, using timber painstakingly transported from Suman Township.)
A Legacy of Spiritual Dedication
Despite financial constraints, Dumu Quji Rinpoche’s vow to serve sentient beings never wavered. Over the years, he oversaw the construction of essential facilities, including the Lama Institute, the Dharma Protector Hall, and two retreat centers. These retreat centers remain vital spaces for deep meditation—one dedicated to the Six Yogas of Naropa (Mahamudra) and the other to Dzogchen teachings, each accommodating up to 30 lamas.
In 1994, responding to an invitation from the Hong Kong Karma Kagyu Center, Rinpoche traveled to Hong Kong to spread the Dharma. His teachings soon reached disciples across Hong Kong, Xiamen, Shenzhen, Guangzhou, Huizhou, and Shanghai, drawing practitioners from all over China’s southern coastal regions.
A Thriving Spiritual Community
Over the past two decades, Dangkar Monastery has risen from the ashes of destruction to become a flourishing center of Buddhist practice. Under the compassionate guidance of Dumu Quji Rinpoche, the monastic community has grown to include approximately 200 lamas, making it one of the largest Karma Kagyu monasteries in the Yushu region.
Stepping into the grand assembly hall, visitors are greeted by majestic Buddha statues and the resonant echoes of sacred chants that purify the soul. The atmosphere exudes an aura of deep serenity and divine presence, inspiring all who enter to contemplate the path to enlightenment.
H.E. Dharma King Dumu Quji was conferred the title of “Buddha-Dharma National Master” by an emperor in the Ming Dynasty. The meaning of “Quji” is Dharma King. H.E. Dharma King Gongbao Dumu Quji XVIII is the Vajra Master of H.H. the 17 th Karmapa Great Jewel Dharma King. He performed the yidam dharma initiation for the 17 th Karmapa Great Jewel Dharma King. He is the only one of great holiness and virtue who cleansed through a ritual bathing the 17 th Karmapa and formally put the Great Jewel Dharma King robes onto the 17 th Karmapa. He did so at the respectful request of H.E. Tai Situ Rinpoche, who is one of the four great Dharma Princes. During the time H.H. Dharma King Gongbao Dumu Quji XVIII performed initiations for the Karmapa, he saw in a supernatural state the ancient, primordial Buddha—Dorje Chang Buddha—bless the Karmapa. That ancient Buddha manifested as H.H. Dorje Chang Buddha III. H.H. Dharma King Gongbao Dumu Quji XVIII wrote the following about this real experience: “H.H. Dorje Chang Buddha III is the highest refuge countless living beings can rely upon to attain liberation. I prostrate to H.H. Dorje Chang Buddha III.”
AFFIRMATION AND CONGRATULATIONS
With boundless gratitude, I prostrate to H.H. Dorje Chang Buddha III!
In this lifetime, I formally put the Great Jewel Dharma King robes on to the 17th Karmapa, Urgyen Trinley Dorje, and performed the yidam dharma initiation for him, which included transmitting dharma to him. A few days before I did that, I saw in a supernatural state the Buddha Vajradhara appear over the head of the Karmapa. The Buddha Vajradhara was radiating light that empowered the Karmapa. Very soon after that, the Buddha Vajradhara metamorphosed into one who was sitting down. He was wearing a yellow robe. His long hair was at shoulder level, and He looked dignified and imposing. Behind Him were high stones, a pool, rooms, red flowers, and green pines. Below Him was a wooden deck. At that time, I knew Dorje Chang Buddha had come to this world, but I did not see His exact whereabouts. During all these many years, I have constantly kept that scene in mind and have reviewed it.
I recently received the book H.H. Dorje Chang Buddha III. This was probably the result of being blessed by the twenty-one Taras. When I turned to page twenty-one and saw that holy image of H.H. Dorje Chang Buddha III, I was totally shocked. It was the exact image of Dorje Chang Buddha that I saw in that supernatural state. There was not the slightest difference between the two, including the setting that surrounded H.H. Dorje Chang Buddha III.
I now solemnly affirm and offer congratulations for the following: The karmic conditions of living beings to encounter dharma have matured, for they can now benefit from the brilliant wisdom of the Buddha as they had wished. H.H. Dorje Chang Buddha III is a precious book of true Buddha-dharma, a treasury that incorporates 84,000 dharma methods. It demonstrates accomplishments in the Five Vidyas unprecedented in the history of Buddhism. H.H. Dorje Chang Buddha III is the highest refuge countless living beings can rely upon to attain liberation.I prostrate to H.H. Dorje Chang Buddha III!
In the Tibetan region of Kham, the renowned 18th Do Mu Choktrul Rinpoche is a household name, widely revered for his immense compassion and kindness. Do Mu Rinpoche was born in 1945 in Palwug Village, near Babang Monastery in present-day Dege County, Sichuan Province, historically part of the Dege royal domain. His father, Chodro Yeshe Gyatso, was a prominent member of the Lukra Tsang family within the Dege royal lineage, and his mother, Genkyu Chudron, was the daughter of a key minister from the esteemed Lujang family of the Dege kingdom.
Before Rinpoche’s birth, his mother experienced an extraordinary vision: a bird appeared before her and presented her with a wisdom sword associated with Manjushri Bodhisattva. At the time of his birth, the household was bathed in an extraordinary radiance and auspicious energy. Remarkably, a bucket of milk in the home transformed into butter, and flowers bloomed profusely on the ground outside—a truly miraculous event.
At the age of three, the reincarnation search team from Dhonka Monastery identified him as the reincarnation of the previous Do Mu Choktrul Rinpoche. This recognition was later confirmed by the 16th Gyalwa Karmapa, Rangjung Dorje, who bestowed upon him the name Karma Shedrup Trinley Tenzin Palzangpo and granted him the empowerments of Amitayus and other teachings.
That same year, Rinpoche was ceremonially enthroned at Dhonka Monastery in a grand ceremony presided over by the 9th Sangye Nyenpa Rinpoche and the 8th Traleg Kyabgon Rinpoche. Following his enthronement, he began rigorous and specialized training under the guidance of dedicated spiritual masters.
In 1980, following the restoration of religious freedoms in China, Buddhist activities were officially permitted to resume.
In 1981, under Rinpoche’s leadership, Dhonka Monastery embarked on its reconstruction. Despite numerous challenges, the monastery was gradually restored to its former glory. Rinpoche personally led meditation retreats, upheld strict monastic discipline, delivered Dharma teachings, performed empowerments, and presided over Buddhist assemblies. His boundless compassion and tireless efforts brought immeasurable benefit to countless beings.
Throughout his life, Rinpoche’s Dharma activities remained uninterrupted, regardless of war or societal changes. Guided by profound wisdom and deep compassion, he tirelessly propagated the Buddha’s teachings across the Tibetan regions. Responding to requests from devotees in various areas, he traveled to remote mountain regions, often under arduous conditions, to conduct ordination ceremonies and share the Dharma. His footprints spanned the entirety of Kham and Tibet.
In recent years, auspicious connections enabled Han Chinese disciples to learn from Rinpoche as well. Cities such as Hong Kong, Beijing, Shanghai, Xiamen, Guangzhou, Shenzhen, and Huizhou became destinations for a steady stream of seekers coming to receive his teachings. Through his tireless efforts, Rinpoche brought the nectar of Dharma to both Han and Tibetan communities, profoundly benefiting countless beings.
Rinpoche exemplified the principle, “The Dharma exists in the world to awaken beings within it.” His compassionate wisdom was evident in numerous achievements, including the completion of Dhonka Monastery’s reconstruction, the establishment of retreat centers, the founding of Buddhist academies, the opening of nunneries, the initiation of charitable organizations, and the creation of the Karma Kagyu Research Institute. These efforts expanded the reach of Buddhism, integrating it into all aspects of life.
In addition to his spiritual leadership, Rinpoche also served as a government official, promoting the dissemination and practical application of Humanistic Buddhism. Through his work, he ensured that the teachings of the Dharma became an integral part of daily life, guiding people to treat one another with compassion, wisdom, and kindness.
In the art of calligraphy, elegance and style are the two pillars that define a work’s greatness. Elegance (格) refers to the depth and quality of a piece, embodying its refinement and profoundness. Style (調), on the other hand, captures its unique rhythm, flavor, and aesthetic character. These two elements are inseparable, for elegance without style lacks charm, while style without elegance lacks depth and significance. Together, they form the soul of a calligraphic masterpiece.
Every artistic creation—whether it leans toward the refined or the mundane—reflects the inner cultivation and moral integrity of its creator. Particularly in calligraphy, the harmonious blend of elegance and style is a mirror of the artist’s breadth of knowledge and depth of character. A calligrapher’s scholarly cultivation and virtuous practice are indispensable, as they directly influence the work’s final presentation and enduring value.
The piece Lofty Virtue (格高) exemplifies this union of strength and grace. Its bold and vigorous brushstrokes radiate immense inner power while maintaining an outward lightness and agility. The work captures the grandeur of commanding mountains and rivers, coupled with the serene qualities of introspection and tranquility. Strength and flexibility coexist harmoniously, creating a presence that is both majestic and gracefully refined. Floating clouds seem to glide effortlessly, and cranes soar gracefully between pines. This is artistry at its zenith—a realm of understated brilliance, silent dignity, and profound essence.
The calligraphy of H.H. Dorje Chang Buddha III transcends the boundaries of traditional artistry. Each work embodies the pinnacle of calligraphic achievement, uniting profound thought with unparalleled elegance. The pieces flow naturally, free of constraint, exuding majestic momentum and subtle charm. Their beauty is unadorned yet extraordinary, merging the strengths of various schools into a singular, masterful expression.
If one seeks the soaring of dragons and the dancing of phoenixes, it is present.
If one desires the piercing power to shatter gold and stone, it is evident.
If one yearns for the interplay of gentleness and strength, it is there.
If one wishes for the innocent spirit of a child within the heart of an elder, it is expressed.
If one demands a unique elegance and distinct charm, it is inherent.
Crane Dance
Tiny (Xiao bu dian)
Holy (Sheng)
In summary, these works epitomize perfection, returning to simplicity and authenticity—the calligraphy of the Buddha!
A distinguishing feature of H.H. Dorje Chang Buddha III’s calligraphy is the extraordinary frame that accompanies the work Lofty Virtue. The frame is crafted from the artist’s “White Jade Ginkgo Root” sculptures. Beyond showcasing the natural patterns, colors, and textures of ginkgo roots, the frame possess the pure and crystalline qualities of genuine white jade. The harmonious union of art and sculpture elevates the calligraphy to an unparalleled realm of aesthetic and spiritual resonance.
The calligraphy of H.H. Dorje Chang Buddha III is more than art; it is a testament to the unity of profound thought, moral integrity, and artistic mastery. It invites us to experience the boundless elegance and style that can only emerge from a heart imbued with wisdom and compassion—a true reflection of the Buddha’s teachings. Visit the International Art Museum of America to immerse yourself in the extraordinary artworks of H.H. Dorje Chang Buddha III.
Photo Courtesy: Benevolence Temple (The Benevolence Temple held a Dharma assembly to commemorate the Enlightenment Day of Shakyamuni Buddha. Jiaozun Zhengda, Vice President of the World Buddhism Association Headquarters presided over the Dharma assembly.)
The Benevolence Temple, located in Las Vegas, hosted a series of Dharma assemblies and retreats from January 2 to January 11 to commemorate the Enlightenment Day of Shakyamuni Buddha and the anniversary of the Temple. Jiaozun Zhengda, Vice President of the World Buddhism Association Headquarters, led the congregation in a group study of the teachings of H.H. Dorje Chang Buddha III, revered as the Pope of Buddhism. Hundreds of participants from around the world attended this significant event.
This ten-day celebration features a variety of Dharma assemblies and spiritual practices, including a group study of the teachings of H.H. Dorje Chang Buddha III, one-day Zen sessions, the Grand Diamond Gem Repentance Ceremony, and life release rituals. Each day’s program begins at 8:30 a.m. and concludes at 9:00 p.m., providing participants with an immersive experience of the Temple’s tranquility and a temporary escape from worldly concerns. Lay practitioners also participate in the Temple’s daily routines, such as morning and evening chanting and dining ceremonies, offering them a glimpse into the essence of temple life.
The special one-day Zen session took place on January 4, 2025. Prior to the session, all participants were required to study Announcement No. 40 of the Office of H.H. Dorje Chang Buddha III, which details the “Great Dharma of Zen Practice” taught by H.H. Dorje Chang Buddha III to a group of cultivators in March 2013. This Dharma provides a clear understanding of Zen’s standard and proper practice, addressing key questions such as: What is Zen used for? Why should one practice Zen? What is the ultimate goal of Zen practice? More than one hundred Venerables, Dharma Masters, Rinpoches, and lay practitioners from the United States, Canada, Germany, mainland China, Thailand, Taiwan, and other countries and regions participated in this transformative experience.
The event took place in the Mahavira Hall of the Temple and featured ten meditation sessions: five sitting and five walking meditation sessions. Each sitting meditation lasted thirty minutes and an hour, with walking meditation sessions interspersed to maintain balance and flow. This arrangement allowed practitioners to sustain a steady rhythm and deepen their daily mindfulness. Two key roles were essential to the success of the event: the host and the discipliners. The host guided participants through the schedule and explained Zen practices’ rules and key aspects. The discipliners, equipped with a disciplinary board, patrolled the venue to gently correct participants if they became drowsy, slouched, or caused unnecessary noise, ensuring the sanctity and focus of the practice were upheld.
Photo Courtesy: Benevolence Temple (The Benevolence Temple held one-day Zen sessions)
After attending the event, a university scholar shared that she traveled more than ten hours and took three flights to attend the blessing ceremony and participate in the grand event. Having never practiced group meditation before, she was initially worried that she would struggle to sit still for an extended period. However, the outcome was both unexpected and extraordinary.
Thanks to the supportive group atmosphere, nearly all participants completed all ten sessions, overcoming the physical discomfort of sore feet and backs. By the end of the day, many reported experiencing a profound sense of Dharma joy. Dharma Master Zheng Da expressed her delight with the positive feedback from attendees. She hinted that longer Zen retreats, ranging from three to seven days, may be organized to encourage deep meditation and personal growth.
Dharma Master Zheng Da also inspired the group with H.H. Dorje Chang Buddha III’s teachings: “No matter what Zen Dharma you practice, you cannot deviate from cultivation. That is why you must go online and learn Buddha Master’s teaching of ‘What Is Cultivation?’ Furthermore, you must carry out that teaching in your daily lives. Only then will your practice of Zen truly succeed.”
Photo Courtesy: Benevolence Temple (The walk session in the Benevolence Temple’s one-day Zen sessions)
In addition to the one-day Zen event, the group study of H.H. Dorje Chang Buddha III’s teachings offered clear guidance, helping disciples cultivate the correct views and understanding.
In a world of endless distractions and relentless challenges, Carl Jung’s reflections on life’s most essential lessons remain profoundly relevant. In his later years, Jung observed that accepting all aspects of life is not just important—it is the cornerstone of a meaningful existence. His insights offer a timeless guide for navigating the complexities of modern society.
Jung poignantly recalled how people often try to escape the realities that life presents, whether in the form of suffering, challenges, or existential questions. This avoidance, he argued, only deepens pain and confusion. By evading suffering and placing blame on external circumstances or personal shortcomings, individuals reject the price of truly living. Such resistance, rather than shielding us from discomfort, births an even greater torment: the isolation and repression of the human spirit.
In today’s fast-paced world, where instant gratification and superficial solutions abound, Jung’s warning is especially pertinent. Modern society often encourages us to numb our struggles—whether through technology, consumerism, or escapism—but this path leads not to fulfillment, but to emptiness.
The Value of Acceptance
Jung’s philosophy centers on the idea that life’s true value lies in accepting one’s destiny, no matter how daunting it may seem. He acknowledged the inevitability of suffering but believed that such pain should stem from our authentic choices and realities, not from a refusal to face life’s responsibilities. Staying true to oneself and living authentically, Jung suggested, is the most profound response to life. As he put it:
“I have always remained true to myself, doing everything I could to the best of my knowledge and ability. As for whether I was right or wrong, I cannot say.”
This philosophy calls on us to embrace the fullness of life, including its struggles, as a path to authenticity and wholeness.
One of Jung’s most profound insights is the intergenerational impact of avoiding one’s destiny. He reflected on the heavy psychological burdens he inherited from his parents, describing them as unfulfilled responsibilities that weighed on his life like a snail’s shell—inescapable and ever-present. Jung warned that when we refuse to confront our challenges, we inadvertently pass these unresolved burdens to the next generation.
In the modern era, this serves as a powerful reminder of the importance of addressing our inner conflicts. By facing our struggles head-on, we not only free ourselves but also spare our children from carrying the weight of our unfinished business.
Jung believed that avoiding life’s essence severs us from our inner selves. While it may seem that evading certain troubles brings temporary relief, such avoidance also cuts us off from the vitality and richness of life itself. Ultimately, the deepest regrets arise not from the joys we never experienced, but from the moments we failed to embrace.
This insight is especially relevant in an age where disconnection has become commonplace. Whether through the overuse of technology or the prioritization of material success over personal growth, many people find themselves estranged from their true selves. Jung’s call to embrace life fully offers a powerful antidote to this modern malaise.
A Path to Wholeness
Jung’s enduring wisdom reminds us that the worth of a human being lies in taking responsibility for their own debts. This is not merely a duty but a journey toward completeness. As he said:
“The worth of a human being lies in taking responsibility for their debts—not just as a duty but as a path to wholeness.”
This profound philosophy encourages us to accept life, embrace our true selves, and confront our challenges with courage and authenticity. In doing so, we reconnect with our inner selves and pave the way for a more meaningful existence.
Jung’s reflections offer a timeless guide for navigating the complexities of modern life. By rejecting avoidance, accepting life’s realities, and living authentically, we can overcome the spiritual isolation that plagues our era. His philosophy is a call to action for anyone seeking to live a life of depth, connection, and purpose.
As we face the uncertainties of today’s world, let us carry forward Jung’s legacy and strive to embrace all aspects of life. In doing so, we honor his profound insights and open the door to a richer, more fulfilling human experience.
Among the finest expressions of Chinese ink artistry stands the extraordinary masterpiece, The Mystical Cat. This enchanting work features a mystical cat rendered in soft gray tones, brought to life with just a few expressive strokes. Its piercing eyes radiate spirit and depth, while a mysterious, subtle smile lingers—captivating and thought-provoking.
The cat’s fur, depicted with delicate and fluid brushwork, dances between the forms of flowing water and drifting clouds. The texture appears so soft and inviting that one feels compelled to reach out and touch it. Yet, upon closer examination, the illusion reveals itself—those masterful brushstrokes are undeniably the cat’s fur. The intricate variations and richness of detail make this artwork a visual marvel, leaving one to wonder: What extraordinary technique could produce such brilliance?
In terms of artistic style, this piece is truly unparalleled, belonging to the “Fangfa School” style created by the esteemed master H.H. Dorje Chang Buddha III. The fluid strokes around the cat’s neck echo the elegance of cursive calligraphy, with each brushstroke flowing like clouds and water—graceful, yet powerful. Perched steadily on a tree trunk, the cat exudes a sense of calm and quiet dignity, drawing the viewer into a state of serene contemplation.
The tree trunk itself, rendered with bold, sweeping strokes and vibrant hues, pulses with energy and rhythm, reminiscent of the stirring notes of a cello performance—uplifting and profound. Behind the cat, two slender branches interlace gracefully, adorned with delicate flower buds. They seem to sway like young maidens dancing in spring, infusing the composition with poetic charm.
The most captivating feature, however, remains the cat’s eyes. With just two elegantly curved strokes, the artist has infused the cat’s gaze with a sense of life and spiritual depth. When meeting the cat’s eyes, one feels as though the feline is speaking directly to the soul, its wisdom and elegance unmistakable. It transcends the ordinary, radiating a sense of profound spirituality rarely captured in art.
This small yet profound piece not only showcases extraordinary technical mastery but also offers a transformative visual and spiritual experience. It transports the viewer beyond the material world, leaving an indelible impression on the heart and mind. Many are left to wonder—who could create such an extraordinary work of art?
The Mystical Cat is the work of the revered artistic master H.H. Dorje Chang Buddha III. Created in 1991, it belongs to the “Fangfa School” style, one of sixteen unique painting styles founded by the Buddha Himself. This technique, blending profound wisdom and artistic expression, remains unmatched in the art world. Apart from Him, no artist has been able to replicate such divine craftsmanship.
What sets this piece apart is its miraculous charm within a two-dimensional form—impossible to replicate through mere technical skill. The art emerges from a realm of wisdom and enlightenment, far surpassing the ordinary. The minimalistic background, created with a few well-placed strokes, echoes the elegance of ancient inscriptions while preserving a harmonious balance between form and spirit. It represents the pinnacle of ink conservation and calligraphic mastery—a true summit of artistic achievement.
The rarity of The Mystical Cat is beyond comparison. Since creating this piece, H.H. Dorje Chang Buddha III has sealed this divine style, ensuring that such masterpieces will not be produced again. This fact alone transforms the artwork into a priceless, limited edition treasure of the highest order.
The painting’s extraordinary value was confirmed at the Christie’s Chinese Treasures Christmas and New Year Auction hosted by the New York GianGuan International Auction Company on December 9, 2012. A reproduction of The Mystical Cat sold for an astonishing $253,000 USD, achieving the highest recorded price for a reproduction painting per square foot.
The Mystical Cat is not just a painting—it is a gateway to a realm where art, wisdom, and spiritual depth converge. A true testament to the artistic genius of H.H. Dorje Chang Buddha III, this masterpiece stands as an eternal symbol of artistic perfection and spiritual transcendence.
Within Tibetan Buddhism, the Jonang sect has been known around the world for the true practice of its followers. There currently are two dharma kings who are in charge of the dharma teachings of the Jonang sect. One of them is the head of the Zangwa Monastery, H.H. Dharma King Jigme Dorje. The other is H.H. Dharma King Ngagwang Pedma Namgyal Palzangpo of the Longshijia Monastery. There is also a young future sect leader, Jianyang Lezhu Rinpoche, who is vice-head of the Zangwa Monastery.
When Shakyamuni Buddha lived in the world, H.H. Dharma King Jigme Dorje Rinpoche was already a great Bodhisattva in that lifetime. H.H. Dharma King Jigme Dorje was born in 1944 accompanied by various amazing auspicious signs that cannot be fully described. As a child, he never did anything to upset his parents, such as crying or acting in a common, childish way. He was very much different from other children. The masters of a monastery, as well as the monastics and laypersons in that monastery who handled monastery matters, all praised the child as being the incarnation of a wonderful Bodhisattva who had come back to this world voluntarily. Later, he went to the headquarters of the Jonang sect, the Zangwa Monastery in Rangtang, where he worshipped the Buddhas. His uncle, the Sai Rinpoche by the name of Awang Genga Phuntsok who lived at the Zangwa Monastery, saw that this child was the incarnation of a holy being. In accordance with the dharma, Awang Genga Phuntsok Rinpoche recognized that the child was the true reincarnation of a rinpoche who had been the head of the Zangwa Monastery. In accordance with the dharma rules, Lama Danba Daji from Xiayan, Lama Aguoba from Hongtu, and others practiced the dharma, entered holy supernatural states, and confirmed the accuracy of Awang Genga Phuntsok Rinpoche’s conclusion. They then made their formal pronouncements concerning the identity of H.H. Jigme Dorje. Moreover, the International Buddhism Sangha Association held an unprecedented Drawing Lots From a Golden Vase Ceremony to affirm the true reincarnated identity of H.H. Dharma King Jigme Dorje and others. There were ten possible identities recognized by various rinpoches. One lot was drawn from among 120 lots to affirm the true reincarnated identity of H.H. Dharma King Jigme Dorje. That drawing affirmed that H.H. Dharma King Jigme Dorje is the incarnation of Shambhala King Suchandra, which is the reincarnated identity that H.H. Dorje Chang Buddha III recognized before that lot was drawn.
After the formal enthronement ceremony for H.H. Jigme Dorje Rinpoche was performed at Saige Monastery in Aba County and the celebration of the enthronement ceremony was performed at Zhuoge Monastery, the rinpoche returned to Zangwa Monastery. The intelligence of the rinpoche is extraordinary. He was able to thoroughly learn and recite the scriptures, treatises, and rituals without having to exert himself. He later served as a disciple under his root master, Awang Gongqiu Daji, who was the Vajra Master of the Zangwa Dazang Monastery and the 44th Kalachakra Dharma King of the Jonang sect. Under H.H. Awang Gongqiu Daji, the rinpoche learned and practiced the five preliminary practices of the Jonang sect and the generation and completion stages of the Kalachakra Vajra the Six Yogas. He reached perfect merit in every dharma he practiced.
When the rinpoche was eight years old, he succeeded to the throne of the head of the Zangwa Monastery. However, at this time, his uncle, the Sai Rinpoche, and H.H. Dharma King Awang Gongqiu Daji predicted to H.H. Jigme Dorje Rinpoche that changes in the world situation would occur that would be disadvantageous to Buddhism. They told the rinpoche to go back to Aba County and that in the future, when the world situation stabilizes, he should return to the Zangwa Monastery and teach the dharma. Afterward, the Sai Rinpoche passed away and later H.H. Dharma King Awang Gongqiu Daji passed away as well. H.H. Jigme Dorje Rinpoche then went to Aba County, where he requested and received the complete precepts from Lama Tujihua of Sai. He later served as a disciple under another root master, Lama Kesang, who is the nirmanakaya of the Eleven-Faced Kuan Yin Bodhisattva. Under Lama Kesang, the rinpoche learned all of the initiation and lineage teachings. During this time period, he both herded goats and cultivated himself in caves, tree holes, and other places while traveling from mountain to mountain. He realized the state of viewing all phenomena as equal and the state where the mind is not affected by the situation one encounters. Thus, he became a free and unhindered person of great accomplishment in the dharma. He then lived in a cave, where he continued his practice of the dharma.
After the restraints on religion were slightly eased, the supreme leader of the Jonang sect, H.H. Dharma King Yundan Sangbu of the Zangwa Monastery in Rangtang, twice dispatched people to the cave at the Zilang Monastery in Aba County (that was the cave in which Maji Lazun practiced the Xiduan Dharma) where the rinpoche was staying. H.H. Dharma King Yundan Sangbu did so based upon the formal pronouncements of certain great masters of the past. When those dispatched arrived, they invited H.H. Jigme Dorje Rinpoche to go to the Zangwa Monastery and lead the teaching of the Buddha-dharma. There was a third visit when H.H. Dharma King Yundan Sangbu himself went to that cave at the Zilang Monastery, bringing with him a kharda (white silk scarf). When the two venerable ones met, they praised each other. H.H. Dharma King Yundan Sangbu repeatedly urged H.H. Jigme Dorje Rinpoche to follow the formal pronouncements of those great masters of the past by going to the Zangwa Dazang Monastery, by leading the teaching of the Buddha-dharma of the Jonang sect at that monastery, and by being the monastery’s retreat lineage Vajra Master. H.H. Jigme Dorje Rinpoche then gave his response to the formal pronouncements of those three masters of the past (H.H. Dharma King Gongqiu Daji, the Sai Rinpoche, and Lama Kesang) that he must go to the Zangwa Monastery in Rangtang. He respectfully said to H.H. Dharma King Yundan Sangbu, “Your merit and cultivation are like those of my father. You are my master. I will carry out your instructions well!”
After H.H. Jigme Dorje Rinpoche returned to the Zangwa Monastery at Rangtang, he helped H.H. Dharma King Yundan Sangbu restore the monastery and build Buddhist statues. The rinpoche performed initiations and dharma transmissions at regular intervals and guided those on retreat. He perpetuated the dharma teachings of the Jonang sect in this human world and propagated such teachings around the world.
In accordance with the rules handed down by the historical masters, H.H. Dharma King Yundan Sangbu personally handed over to H.H. Jigme Dorje Rinpoche in 1998 certain precious objects passed down through the generations by past masters, such as a vajra bell, a vajra, and the writing called “Guiding Text You Will Know Its Meaning When You See It.” He also formally conferred upon H.H. Jigme Dorje Rinpoche the positions of 47th dharma throne holder of the Jonang Kalachakra lineage and 11th Vajra Master of the Zangwa Dazang Monastery. After H.H. Dharma King Yundan Sangbu passed away, H.H. Dharma King Jigme Dorje became the supreme leader of the Jonang sect.
After H.H. Dharma King Jigme Dorje saw who His Holiness Dorje Chang Buddha III Wan Ko Yeshe Norbu is through the limitless omniscience displayed in A Treasury of True BuddhaDharma, he stated that His Holiness Wan Ko Yeshe Norbu has reached the highest state of Buddhahood in the few-thousand-year history of Buddhism, having truly attained complete.
CONGRATULATIONS United International World Buddhism Association Headquarters: On behalf of the Jonang sect, I hereby respectfully congratulate H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu for directly propagating in this world the teachings of Buddhism. Such teachings have benefited countless living beings in their practice of the dharma and have caused countless living beings to obtain deep blessings and wisdom. The book A Treasury of True Buddha-Dharma especially shows this Buddha’s complete proficiency in exoteric and esoteric Buddhism and perfect mastery of the Five Vidyas. Such superlative accomplishments are truly unprecedented in the past few thousand years, outshining the accomplishments of all others, both ancient and modern. His Holiness is a shining paragon among Buddhas. May this inexhaustibly mighty light and power of compassion continue so that His Holiness forever teaches the dharma and forever remains in the world. I place my palms together and respectfully praise His Holiness.
I respectfully prostrate to H.H. Dorje Chang Buddha III, Wan Ko Yeshe Norbu! Supreme Dharma King of the Jonang Sect Jigme Dorje May 8, 2007
In this exquisite artwork, the slightly reddish small animal depicted is an extraordinarily rare and precious creature known as the red panda, also referred to as the small panda. H.H. Dorje Chang Buddha III, with His masterful artistic techniques, brings this delicate creature to life in a way that captivates the viewer’s heart.
The red panda, native to the eastern Himalayas and southwestern China, is known for its striking reddish-brown fur, bushy ringed tail, and expressive face. H.H. Dorje Chang Buddha III skillfully captures these natural features, emphasizing the panda’s endearing innocence and elegance. The slightly upturned tail, adorned with subtle yet distinct spots, adds a dynamic sense of movement and charm. This tail gracefully echoes the surrounding elements of nature, blending harmoniously with the drooping round leaves of the willow branches. The careful balance between the animal and its environment enhances the visual poetry of the piece.
A particularly remarkable aspect of this painting is the technique used to depict the panda’s face. H.H. Dorje Chang Buddha III employs a calligraphic brushstroke style, reminiscent of traditional Chinese ink painting, to portray the panda’s features with simplicity yet profound expressiveness. The crystal-clear, soulful eyes seem to glisten with life, while the velvety black fur is rendered with such fluidity and precision that it conveys both softness and texture.
Through masterful control of brush pressure, ink flow, and color layering, H.H. Dorje Chang Buddha III achieves a perfect balance of realism and artistic interpretation. Each stroke reveals deep insight into both the subject’s physical form and its spiritual essence, a hallmark of true artistic mastery.
The meticulous attention to detail and the profound artistic wisdom evident in this painting reflect H.H. Dorje Chang Buddha III’s extensive experience and unparalleled skill. This artwork is not merely a visual delight but a spiritual expression, reminding viewers of the beauty and fragility of life and the interconnectedness between all living beings and nature. It stands as a testament to the profound depth of both artistic technique and compassionate vision embodied in the works of H.H. Dorje Chang Buddha III.
Life is fleeting, a truth echoed by philosophers across history. Human existence is undeniably intertwined with suffering. To counterbalance this suffering, people often seek meaning through achievements or temporary relief in material pleasures. When conflicts arise, modern psychology offers positive thinking strategies to ease distress, yet it seldom explores the deeper essence of life, offering only superficial comfort rather than lasting resolution.
A lifetime passes in the blink of an eye. Pause for a moment and reflect: If you were to gather all the joyful moments of your life, how many days would they truly account for? And how many days were instead consumed by pain, worry, resentment, frustration, or helplessness? For most, the latter dominates.
Everything in this world is impermanent. Our loved ones, our wealth, the children we raise, and even our own bodies—none can remain with us forever. Eventually, all things return to dust. Life is like a passing guest, reminding us that the most vital truth is to seize the present moment while we can.
The ancient Greek philosopher Epictetus taught: “For things beyond our control, we should remain optimistic and confident. For things within our control, we should stay cautious and restrained.” Anxiety and fear cannot alter tomorrow’s outcomes, but they can ruin today. True wisdom lies in accepting what we cannot change and acting mindfully where we can.
Life’s path is unpredictable. No one knows what the next moment holds. Beyond treasuring the present, we can only strive to be our best selves. Do not wait until happiness slips away to feel regret. Treasure each effort and every connection, for what is lost may never return.
Nature’s cycles remind us of renewal—flowers bloom after withering, grass sprouts anew with the seasons. Yet human life is different. We are not like flowers or grass; our lives come but once. Once this life ends, it will not return. This truth makes it even more crucial to cherish each moment and live with purpose.
A beautiful Russian poem reminds us of life’s brevity:
“A day is short, so brief that before you can embrace the morning, dusk has already arrived. A year is short, so fleeting that before you can savor the vibrant reds and greens of spring, autumn frost is already setting in. A lifetime is short, so brief that before you can fully enjoy your youthful days, old age has already arrived.”
Among the most precious blessings in life is not what we have lost or seek to gain but the ability to treasure the present. As taught in Buddhism:
“The human body is rare and difficult to obtain, yet we have attained it. The Dharma is difficult to encounter, yet we have heard it. If we do not seek liberation in this lifetime, in which lifetime shall we seek it?”
In this rare and precious life, we have not only obtained a human body but also the extraordinary opportunity to encounter the true Buddha — H.H. Dorje Chang Buddha III and hear the sacred teachings. The Buddha’s Dharma voice purifies the heart, and when we apply these teachings in our daily conduct, it is like donning armor that shields us from suffering and empowers us with boundless blessings and wisdom.
For those beginning their spiritual journey, the safest and most effective path to rapid growth is to purify and fortify the mind with the authentic teachings of H.H. Dorje Chang Buddha III. His words offer a beacon of guidance, cleansing karmic obstacles and illuminating the path to liberation.
When this precious human life ends, if we remain trapped in the endless cycle of reincarnation, where will we seek the path to liberation? The opportunity is now. As Buddhist disciples, we must cherish this rare blessing, dedicating our lives to listening to the Dharma, studying the sacred teachings, and aligning our actions with the truths taught by the Buddha.
To cherish the H.H. Dorje Chang Buddha III‘s Dharma voice is, ultimately, to cherish our own lives. Let us not delay but strive for liberation in this very lifetime.
Peace LiLy 