Hong Kong’s superstar Jacky Cheung has achieved numerous successes in the entertainment industry and is widely recognized as a superstar. However, few people know about his dedication to studying Buddhism. Jacky Cheung’s master is H.H. Dorje Chang Buddha III, an internationally acclaimed master in arts, philosophy, and culture. He was awarded the International Master of Arts and Culture by the World Cultural Conference, comprising experts from 48 countries and regions. Additionally, the Chinese government built a grand museum in his honor in Dayi County, Sichuan, highlighting his unique achievements and contributions.
Around 1995, at the earnest request of many disciples, including Jacky Cheung, H.H. Dorje Chang Buddha III composed a unique masterpiece called “Rare Supreme Chant.” The lyrics, composition, singing, and chanting were all personally handled by the master.
The song’s melody is rich, and its sound changes are exquisite, ranging from powerful and resonant to gentle and intricate. It includes lion’s roars, sacred chants, deep contemplations, and even modern rock and rap elements. The singing techniques transcend traditional vocal resonance, harmonizing with the cosmic realm. This “Rare Supreme Chant” not only broadens the listener’s auditory experience, allowing them to hear various sounds, but also elevates the mind, nurtures moral strength, and purifies body and soul through the blessings of H.H. Dorje Chang Buddha III’s voice.
According to those who provided musical accompaniment for H.H. Dorje Chang Buddha III, his lyrics and melodies are filled with ancient charm and profound knowledge. His voice is versatile and spontaneous, making it difficult to complement with our limited cultural and musical expertise. While they believe his unaccompanied voice is superior, they fear that without accompaniment, the music might be too challenging for listeners to appreciate, thus missing the compassionate intention behind its creation. Despite these challenges, they made an effort to provide accompaniment, hoping listeners would understand and appreciate the master’s work. Listeners are encouraged to attentively enjoy and experience the profound benefits of the music.
The Great Bright Six Syllable Mantra is a very popular Buddhist song, with many audiotapes and CDs distributed worldwide. However, His Holiness’s rendition of the Great Bright Six Syllable Mantra is entirely different from all others I have heard. It is in a powerful vajra style, and at the end of the song, His Holiness uses the lion’s roar voice, with a bursting energy that seems to penetrate the universe and awaken all living beings.
The great bright six syllable mantra
The song “Guo Ping Chang” describes the scenery and feelings of His Holiness passing through Ping Chang (a place in Sichuan).
The sound of the flute sends me across Pingqiang, The boat docks at Wuyou, filled with lantern-lit halls. The spring breeze warmly welcomes visitors, Mist colors the dusk, but the mountains remain evergreen.
This song was sung in an opera style. It has four lines of lyrics, which the Buddha sang using four different Peking Opera styles. This fully demonstrates the Buddha’s profound vocal skills, leaving listeners deeply moved and with a lasting impression.
Passing through PingQiang
H.H. Dorje Chang Buddha III, has even composed a unique masterpiece, in modern rock and rap style, the energetic and festive song “Chinese Dragon,” showcasing the dragon’s cultural significance. This song demonstrates the Buddha’s ability to effortlessly and masterfully handle any musical form.
Chinese Dragon
The Prajnaparamita Heart Sutra is a very important Buddhist scripture. The Buddha composed an elegant and beautiful yet powerful melody for this sutra. His voice is rich and clear, strong yet gentle, as if bringing the compassionate love of the Buddhas and Bodhisattvas to every sentient being.
“Scene of Xishuang Banna Life” is a Chinese ink-and-wash painting with a three-dimensional quality reminiscent of oil paintings, created by the renowned artist H.H. Dorje Chang Buddha III. The moment I laid eyes on it, I felt a profound sense of comfort and tranquility. The painting’s primary hue is light brown, and the varying depths of this color vividly depict the fresh, clear water and misty air weaving between the trees. A few girls are making waves, chatting, and enjoying themselves as they wash clothes by the riverside. The elegant and beautiful banyan trees stand majestically, with cobblestones naturally scattered around them.
The old banyan tree, with its peeling bark and exposed roots, stands as a silent testament to the passage of time. The raised roots extend in all directions, seemingly spreading the pulse of life to distant places, using their vitality to nurture the earth and rivers. The roots nestle against the smooth, round pebbles like inseparable companions. Over time, they have become so intertwined that no one notices whether they are roots or stones, much like an elderly couple who depend on each other and cannot be separated.
Around the tree roots, a misty white space, activated by detailed depictions, brings boundless imagination to people. In the white mist, there is a vast expanse of water, with soft sunlight illuminating the surrounding forest. The endless lakes and rivers nourish the sturdy old roots, supporting them through countless hardships and weathering the elements, ultimately creating a world of their own. The intertwined and winding roots, twisting and coiling across the scene, form the main structure of the composition along with the variously shaped stones, the sculptural massive trunk, and the other responding trees. The sparse leaves hanging from the old tree are adorned in light green, contrasting with the large brown trunk, evoking the philosophical sentiment of “the true essence remains after all embellishments fade, gold emerges after being sifted by great waves.”
Beneath the tree are three graceful women in different postures, enjoying the flowing stream under the water-colored sky. Some are combing their freshly washed hair, some are holding a delicate veil, and some are drawing clear water from the stream.
The banyan tree, the stream, and the sunlight, along with the beautiful women in traditional attire, compose a symphony of southern charm, making one feel as if they can hear the whispers of the gentle breeze: “My enchanting homeland is where my heart belongs…” The setting resembles the sweet childhood memories buried in my heart.
About fifty years ago, my family lived in a small village in the mountains. There were no cars, TVs, toys, phones, or any other modern luxuries. We lived a very simple and modest life. All the mothers washed vegetables and rice in the clean creek and cooked meals. Very often, they washed clothes in the river for the whole family while the kids played in the water, on the trees, or along the riverbanks. School was far away, and we could only go there when we were old enough. But we had the biggest classroom—nature itself. We studied everything we could find: trees, flowers, insects, stones, etc. Twigs were our pens, and tree trunks were our tables. The chirping of the birds and the rushing of the stream were our music. We had physical education class all day long. We went to bed when the sun set. What a simple, happy life!
This is the beautiful and pure spiritual space created by the great artist, H.H. Dorje Chang Buddha III. This painting, “Scene of Xishuang Banna Life,” opens a window to another dimension, allowing people to experience the joy of living in a paradise. People in cities increasingly yearn for natural landscapes akin to an earthly utopia. Fortunately, noble artists create pure lands for people’s hearts, showing us wonderful scenery, evoking warm emotions, and deeply touching us.
The pure land in our hearts is like a secluded utopia, free from the noise and disturbances of the mundane world. It carries the dreams of people. When darkness descends, the pure land within can emit a serene fragrance, helping people discard the suffering brought by worries, gently wipe away the dust, and infuse a bit of brightness.
The paintings of H.H. Dorje Chang Buddha III are like wordless songs, containing endless stories, ancient calls, and boundless compassion for all sentient beings.
Sister Sun Houfang has gone to the hospital for chemotherapy again. She suffers from leukemia, a disease that is almost a death sentence, but she has miraculously survived. She became a Buddhist disciple in July 2016 and often says, “Others with the same illness as mine have all died, but I am still alive. I want to thank Namo Dorje Chang Buddha III and all Buddhas and Bodhisattvas of the ten directions. I also want to bring those with affinity into Buddhism.” No one expected that her friends with affinity would be three Christian friends.
On April 28, 2017, I visited Sister Sun at the hospital again. She was having lunch, so we chatted briefly. I learned that she was scheduled to start chemotherapy medication the next day, and her wardmate, Wei Wenwen, was to be discharged in the afternoon. I sincerely invited them to our Tantric Buddhist Center the next morning to participate in a blessing ceremony. I hoped that through the blessing, they would receive good fortune and have their suffering alleviated. Sister Sun immediately agreed to delay her medication by a day, and Wei Wenwen also wanted to delay her discharge. At this moment, the patient in bed 6, Lu Shaohua, spoke up. She said she was a Christian and did not dare to believe in Buddhism, fearing it would be against her faith. She also mentioned, “A few days ago, I couldn’t sleep at night after arriving here. It was very uncomfortable, and no matter how much I recited the Bible, I couldn’t fall asleep. Ms. Sun suggested I recite the Buddha’s name instead, and after doing so, I was able to sleep.” I said, “That’s great! It shows you have a deep connection with Buddhism. Each of us has our own karmic reasons for our religious beliefs, but regardless of the religion, the key is the benefit we receive from it. In fact, many people don’t know that the Virgin Mary is an incarnation of Avalokitesvara Bodhisattva.”
In the Dharma audio teachings of H.H. Dorje Chang Buddha III, there is a story about hundreds of Christian Taiwanese indigenous people converting to Buddhism. This took place in 1995 when H.H. Dorje Chang Buddha III, visiting Taiwan under the guise of an art delegation, was greeted by the chief of the indigenous group, a devout Christian. (There is a video recording on youtube for this event https://www.youtube.com/watch?v=Qxdaug7x9IU）
H.H. Dorje Chang Buddha III asked, “Have you ever seen the Virgin Mary? If you haven’t, I can invite her to come, and you can meet her.”
The chief responded, “Can I? Even our priest has never seen her!” H.H. Dorje Chang Buddha III said, “If I let you see her, will you then take refuge in Buddhism?”
The chief replied, “That would depend on the Virgin Mary’s approval. We have taken vows and been baptized.” H.H. Dorje Chang Buddha III said, “Let’s do it this way: let the Virgin Mary tell you what to do, and you can follow her guidance. How about that?” The chief agreed, saying, “Okay!”
At this moment, the chief began to recite the Bible and use his inner power. His Holiness told the chief, “That won’t work.” Then, His Holiness performed a Dharma practice, and the Virgin Mary suddenly appeared standing on a cloud, several dozen feet high, astonishing the chief on the spot!
The Virgin Mary said to the chief, “My child, although I am your Holy Mother, I am also a servant of the Buddha. I am learning Buddhism. You should immediately take refuge before this supreme Buddha, who represents the true Dharma of the Tathagata in this world.”
Hearing this, the chief prostrated himself in full devotion and immediately took refuge. Later, all nine tribes of the indigenous group came to take refuge in His Holiness as their chief king.
Photos from video in youtube
In the Universal Gate chapter of the Lotus Sutra, the Buddha tells the world that Avalokitesvara Bodhisattva will manifest in various forms and save sentient beings according to their different karmic conditions. Any worldly being in danger will be delivered instantly upon calling her name. Therefore, Guanyin has been worshipped and revered by all classes of people. As a compassionate divinity with countless virtues and merits, she is endowed with transcendental power. The Bodhisattva excels in skillful means, allowing the Bodhisattva to appear in whatever form is needed by sentient beings.
After hearing my story, Lu Shaohua seemed to understand something and expressed a willingness to explore Buddhism.
On the morning of April 29, two Christians, accompanied by their families, came to our Tantric Buddhist Center. After everything was prepared, the blessing ceremony began. As we chanted the Heart Sutra, I heard intermittent crying from the crowd.
After the ceremony, I noticed tears still on their faces, but their complexions looked much better than when they first arrived. I asked them, “Did you all cry? How do you feel?” Wei Wenwen said, “I really enjoyed listening to the Heart Sutra. I felt very comfortable and happy here, and I didn’t want to leave.” Lu Shaohua also said, “As soon as I heard it, I couldn’t help but cry. I don’t know why, but it felt like meeting a family member.”
From that moment on, the three Christians—Wei Wenwen, Huang Youyou, and Lu Shaohua—began to listen to the extraordinary Dharma teachings of Namo Dorje Chang Buddha III. Through listening to the Dharma, they understood some principles of karma, realized the impermanence of life, and the illusory nature of dreams and bubbles. They expressed their determination to stop killing, to practice releasing living beings, and to diligently study and practice Buddhism. They even took home Buddha statues to venerate and vowed to take refuge in Buddhism.
Although Buddhism is the teaching of perfect liberation, Christianity is also a good teaching. When Christians shed tears upon hearing Buddhist scriptures and find peace in reciting the Buddha’s name, it indicates their inherent karmic connection to Buddhism. The differences in religious beliefs among sentient beings arise from their various karmic roots and blessings accumulated over countless eons. All good teachings should coexist harmoniously and tolerate each other without rejection, as true good teachings all aim to free sentient beings from suffering and bring them happiness.
In the history of painting in China, many renowned artists have used Namo Avalokitesvara Bodhisattva as a subject for their works. These artistic images are beloved by the people because the Bodhisattva is a symbol of compassion. These exalted artistic images subtly influence the inner world of generations, inspiring and shaping the soul of the nation.
The Mogao Caves in Dunhuang are the largest and most well-preserved repository of Buddhist art in China and the world. Among the murals in the Mogao Caves, there are masterpieces of Namo Avalokitesvara Bodhisattva created by painters over the ages, including images of the Water-Moon Guanyin, the White-Robed Guanyin, and the Eleven-Faced Guanyin. It is said that this treasure trove of painting art contains works by masters like Gu Kaizhi and others from various dynasties.
In 1940 Zhang Daqian led a group of artists to the caves of Mogao (莫高) and Yulin (榆林) for the purpose of copying their Buddhist wall paintings. The group completed over 200 paintings, and the experience left Zhang with a repository of religious imagery. He was so captivated by these unparalleled treasures that his original plan to stay for three months extended to two years, during which he dedicated himself to studying and copying the artworks. Today, his paintings of Avalokitesvara Bodhisattva are acclaimed as rare and invaluable masterpieces.
The early Tang Dynasty portrait copied by Zhang Daqian is a national first-class cultural relic
Tang Dynasty murals copied by Zhang Daqian
Mid-Tang Dynasty portrait in the Mogao Caves, copied by Zhang Daqian
At International Art Museum of America, there is a painting of Namo Guan Shi Yin Bodhisattva by H.H. Dorje Chang Buddha III that left a profound impression on me. The portrait is stunningly beautiful, executed with fine brush strokes characteristic of traditional Chinese painting. The artist used very fine and intricate strokes, rendering every detail vividly and perfectly. I could clearly see the hair, the crown, the intricate jewelry, and even the delicate patterns of the flowing ribbons. These details express the painter’s portrayal of Guan Shi Yin Bodhisattva’s meticulous compassion and love for all living beings. The entire portrait appears lifelike, exuding infinite grace, and showcasing the artist’s extraordinary skill, which is beyond perfection.
In this meticulous painting, Namo Avalokitesvara Bodhisattva is depicted wearing white garments, with a serene and compassionate expression, seemingly walking gracefully accompanied by heavenly music. The Bodhisattva’s face is as delicate as powdered jade, with elegant eyebrows and red lips, and eyes that are reserved yet radiate a light of compassion.
The Bodhisattva’s jewelry, including jade pendants, appears to emit a pleasant chime, and the pink and dark green lotus flowers beneath the feet exude a fragrant aroma. The colorful ribbons on the clothing flutter and dance in the gentle breeze. The entire painting exudes an extraordinary and majestic aura. For hundreds of years, the children of China have dreamed countless times of Namo Avalokitesvara Bodhisattva, as if the Bodhisattva is walking toward us from the vast universe.
Upon closer inspection, one can see that within the Bodhisattva’s hair, there is a small figure of Namo Amitabha Buddha, seated with a solemn and exquisite demeanor, wearing a red robe and sitting on a pink and white lotus platform.
The dark green lotus beneath the Bodhisattva’s left foot, the dark blue floral borders on the clothing, and the flowing black hair form a dynamic contrast with the light yellow-brown background and the white robe. The painting uses a large area of light yellow-brown as the background to highlight the pure and elegant clothing, with bright colors as decorative accents. This creates a composition that is both solemn and sacred, yet luxurious.
The Bodhisattva’s attire occupies a significant portion of the painting. If not handled well, it could make the painting appear empty and lifeless. However, the exceptional artist has seized this opportunity, infusing the clothing with a great amount of high-quality ink and brushwork while maintaining overall brightness. The lively and intricate lines are sometimes like flowing clouds and water, sometimes like gentle clouds, sometimes as soft as a summer breeze, and sometimes as powerful as a rushing waterfall. The interweaving lines, though densely packed, are orderly and harmonious. This extraordinary line drawing technique vividly captures the delicate texture of the gauzy fabric. Lines are the earliest form of language in the history of painting and the soul and framework of meticulous figure painting. As a vital expression in Chinese painting, “lines” have always been highly valued by painters throughout the ages.
H.H. Dorje Chang Buddha III‘s meticulous figure painting uses lines that are flexible and varied, not only vividly portraying the image of Namo Avalokitesvara Bodhisattva but also precisely conveying the Bodhisattva’s noble and pure spiritual essence. This technique of capturing the divine through form has been the artistic ideal that painters have longed for throughout history. Therefore, this great painting by Namo Qiang Buddha is destined to become a model for future generations to learn from and an immortal classic passed down through the ages.
This great artwork not only provides people with artistic enjoyment but also offers a profound spiritual experience. I stood in front of the painting for a long time, feeling as if I were leaving behind all worldly affairs and immersing myself in the Bodhisattva’s boundless compassion forever.
H.H. Dorje Chang Buddha III’s painting “Spring Rain in the Ancient City” creates a pure and exquisite inner world with extremely concise brushstrokes. Upon viewing it, one feels a sense of ethereal illusion, akin to gazing at the moon reflected in water, or the fresh and invigorating sound produced by pressing down a piano key. This artistry, which combines reality with the abstract and exudes a transcendent naturalness, enlightens the mind and often transports individuals to a realm of beauty and wonder.
With a stroke of the artist’s ingenious brush, the reality of the impermanent years and the philosophical insights contained within natural phenomena are presented on the canvas. The aesthetician, Zong Baihua, once said, “By focusing on the specifics of universal life, appreciating its colors, order, rhythm, and harmony, one glimpses the highest reflection of the self; transforming reality into the realm of the abstract, creating images as symbols, and concretizing the highest human spirit, embodying it physically – this is the realm of art.”
When admiring the Chinese painting “Spring Rain in the Ancient City,” my past painting ideas and perplexities suddenly melted away. The artistic conception in the artwork shook my inner being, and the marvelous composition deeply enlightened my mind. In the painting, a towering tree stands, firmly rooted and majestic, with branches reaching up to the sky. Through the spaces between the branches, one can see the lush greenery of trees lining the streets, exuding the freshness of spring. Above the canopy stretches the boundless sky, evoking the infinite implications of universal life. Beneath the crisscrossing branches lies the bustling city streets, where people hurry about their business. A sudden spring rain brings a new aesthetic perspective: under the vast sky, countless beings toil diligently in the wind and rain…
From the painting, we can observe that during that time in this ancient city, there weren’t many cars on the streets. People were either riding buses, bicycles, or walking. It portrays vivid, serene scenes, offering a soothing and comforting feeling to the heart.
This philosophical painting also reminds me of the verses from the poem “Nian Nu Jiao” by H.H. Dorje Chang Buddha III： “Abruptly entering the universe, The universe of a billion worlds, Stand firmly against all hardships and obstacles. Seeing through glory and riches, I simply smile. The rooster crows announcing the dawn, the morning bell hurries the moon, the whole Soha world is revealed everybody bustles about to survive,life, like smoke and snow, gone!….. “
The artist, with skillful brushstrokes and delicate ink, creates a realm that is subtle, almost mysterious. The shades of ink, varying in density and wetness, complement each other, resulting in a loose and unrestrained style, with a serene and unadorned visual essence. Whether in form, color, brushwork, or ink application, the painting breaks free from rigid constraints and embraces a sincere expression of artistic intention. Through subtle ink shades, it seeks to capture the essence beyond mere representation, embodying a style characterized by simplicity and refinement. There is no wild passion, no dramatic rhythm that sets the heart racing, and no dazzling colors. Even the composition seems to emerge effortlessly from the void. Everything is harmonious and natural, with the entire painting radiating a luminous brilliance, like jade coming to life.
This work skillfully combines the macro and micro perspectives. Through the delicate depiction of trees and leaves, it unfolds the vastness of the cosmos, as if to say, “Every stroke creates a marvelous realm.” This brushwork embodies profound Zen principles. Upon contemplation, the boundless wonders of the universe and life are revealed within this ethereal painting, inviting deep reflection.
The scenes depicted in the painting have long existed objectively within our familiar yet overlooked surroundings. The artist extracts them from everyday life and presents them anew, allowing us to view our own existence from a fresh perspective.
Just as when I first heard the violin concerto “Liang Shanbo and Zhu Yingtai,” the moment the poignant melody gently flowed out, I was immediately moved by the unfamiliar yet familiar notes. The unforgettable melody seemed like a long-lost acquaintance, evoking excitement and beauty as if meeting an old friend in a dream. This sense of beauty seems to have always existed deep within our souls, waiting to be discovered. The artist perceives this beauty and presents it to people in an appropriate form. Perhaps this is a commonality among all great and extraordinary art in the world, which is why art history refers to this type of art as the ideal reality.
Every year in May, the Bathing Buddha ceremony is held to commemorate the birth of Prince Siddhartha Gautama, who was born in northeastern India over 2500 years ago into the Shakya clan. Upon attaining enlightenment, the Prince became known as Shakyamuni Buddha. During the sacred celebration of Shakyamuni Buddha’s birthday, participants in the Dharma Assembly of Bathing the Buddha offer prayers and make offerings to establish a connection with the Buddhas, seeking their blessings and invoking peace and well-being. As they ritually bathe the image of the Buddha with auspicious water, they vow to purify their three karmas (body, speech, and mind) across past, present, and future.
While many of these assemblies are ordinary ceremonies without any extraordinary occurrences, a remarkable event took place on May 26th, 2004—the “Highest Form of Bathing the Buddha Dharma Assembly” in Los Angeles, on the Buddha’s birthday. Led by H.H. Wan Ko Yeshe Norbu (H.H. Dorje Chang Buddha III), the supreme leader of exoteric and esoteric Buddhism, this assembly was unlike any other. Gathered on the lawn of a religious site surrounded by majestic blue curtain screens forming a dignified mandala, renowned Rinpoches, Huo-Fos, Dharma Teachers, and laypersons from around the world came together. It was an unprecedented and extraordinary event, far removed from the usual temple ceremonies. During this assembly, the conductor must possess the realization of a Buddha or Great Bodhisattva to invoke holy supernatural phenomena. On that day, Buddha appeared, Dharma-protecting Bodhisattvas displayed sacred sights, and celestial dragons and other deities of the Dharma laughed in the sky. It was a grand assembly where various holy scenes, unimaginable to ordinary people, manifested. Led by Supreme Vajradhara H.H. Wan Ko Yeshe Norbu (H.H. Dorje Chang Buddha III), this assembly was conducted and practiced with utmost reverence and devotion.
Lotus tub used to bathe the Buddha, 3 feet high, square, and weighed 700 pounds itself
The Dharma Assembly was divided into an internal mandala and external mandala. The internal mandala was the central area where the Buddha was bathed. The external mandala was the dharma realm of accomplishment. Eminent monastics and persons of great virtue attended the Dharma Assembly. Those who were part of the internal mandala included Akou Lamo Great Rinpoche, Zhaxi Zhuoma Rinpoche, Dharma Teacher Long Hui, Dharma Teacher Jue Hui, Dage Gongla Rinpoche, Bodi Wentu Rinpoche, Dharma Teacher Kui Zhi, Dharma Teacher Ruo Hui, layman Ciren Jiacuo (Gyatso), Dharma Teacher Miao Kong, Dharma Teacher Baolian, and others. Those who were part of the external mandala included Fuzang Wanghu Great Rinpoche, Yan Long Great Rinpoche, Awang Nuobu Great Rinpoche, Kang Qin Great Rinpoche, Xijao Zhibenge Rinpoche, Yixi Kanbu, Dharma Teacher Cikong, Dharma Teacher Fahai, Dharma Teacher Cixin, Dharma Teacher Haoling, and others.
The dharma stipulates that the purpose of a Highest Form of Bathing the Buddha Dharma Assembly is pouring dharma water that has been used to bathe the Buddha. The ability to pour such dharma water is based upon one’s true level of realization. Pouring such water bathes the celestial beings in the various heavenly realms. It shows that the Buddha blessed the celestial beings in the various heavenly realms, the dharma protecting deities, and the seven types of disciples. Thus, there must be a successful “pouring of water based upon one’s true realization.” Otherwise, it is not a Highest Form of Bathing the Buddha Dharma Assembly.
Additionally, at that Dharma Assembly all seven holy states were manifested. The seven types of holy states are: (1) Wind Celebrates the Mandala, (2) Flowers Rain from a Tree, (3) A Dharma Object Manifests Holiness, (4) A Cloud Provides an Umbrella-Like Covering, (5) Celestial Dragons Laugh Joyfully, (6) A Lama is Given a Sign, and (7) The Color of Dharma Water Is Received.
The successful “pouring of water based upon one’s true realization” is the most important part of such a Dharma Assembly. It is the key aspect of a Highest Form of Bathing the Buddha Dharma Assembly. It is why the name of such a Dharma Assembly contains the words “Highest Form.” Three to five thousand pounds of dharma water are used to bathe the Buddha. After the Buddha is bathed, this water is used to bathe the celestial beings in the various heavenly realms. When bathing the celestial beings, the dharma water must be poured down from the lotus tub used to bathe the Buddha into the tub used to bathe the celestial beings. During the pouring process, one cannot touch the dharma water with any part of one’s body, nor can one use any type of container to be filled with water. That is because the human body and containers are soiled by unclean dust and dirt. People are only allowed to tilt the entire lotus tub used to bathe the Buddha so that water is poured downward.
With such a heavy amount of dharma water in the lotus tub used to bathe the Buddha, how could anyone tilt that tub to pour the water down into the tub used to bathe the celestial beings? One must rely upon one’s Buddha-dharma state of realization. But no more than ten people can attempt to lift the lotus tub used to bathe the Buddha. Otherwise, it would not be regarded as the Highest Form of Bathing the Buddha Dharma Assembly. If the dharma water is not successfully poured into the tub used to bathe the celestial beings, then no matter what types of supernatural holy sights may appear at the Dharma Assembly, it cannot be called a “Highest Form of Bathing the Buddha Dharma Assembly.”
FLOWERS RAIN FROM A TREE
The atmosphere that day at the mandala to bathe the Buddha was holy and solemn. H.H. Wan Ko Yeshe Norbu (H.H. Dorje Chang Buddha III) wore his golden brocade and jeweled robe. His Holiness had an extremely dignified-looking appearance. A golden bronze statue of Dharma Prince Siddhartha stood in the mandala. In the middle of the mandala was a lotus tub used to bathe the Buddha that was 3 feet high, square, and weighed 700 pounds itself without water. Over the middle of that tub was a beautiful lotus flower about the size of a car wheel. Below and adjoining that lotus tub used to bathe the Buddha was a rectangular, one-foot high tub used to bathe the celestial beings. Ninety buckets of fragrant water were also placed in the mandala to be used to bathe the Buddha. The offering water in those buckets was light brown due to the sandalwood, eaglewood, saffron, and other scents that were boiled and added to the water.
At the beginning of the Dharma Assembly, His Holiness practiced Dharma according to Buddhist scriptures. As soon as the Buddha Master began practicing dharma, a tree full of jacarandas (a pale purple flower) immediately began raining flowers. The jacarandas drifted in the golden sunlight and fell all over the mandala and into the ninety buckets of water. Auspicious clouds rolled through the sky. It seemed that the mandala was no longer part of this world. Rather, it seemed like a holy Buddha-land. Flowers rained for more than three hours continuously, starting from the beginning of the Dharma Assembly. Those flowers floated down upon everyone. However, not one petal touched the Buddha Master. When the Dharma Assembly ended, the flowers instantly stopped raining.
A DHARMA OBJECT MANIFESTS HOLINESS
In order to express the unity of exoteric and esoteric Buddha Dharma, the Buddha Master did not select a highest-level practitioner of great virtue or a highest-level Great Rinpoche to announce and conduct the rituals and ceremonies of that Dharma Assembly. Rather, His Holiness selected Great Dharma Teacher Long Hui to announce the rituals and ceremonies. Great Dharma Teacher Long Hui is Han Chinese and is Chairperson of the International Buddhism Sangha Association. His Holiness also selected Great Dharma Teacher Jue Hui, Great Dharma Teacher Kui Zhi, Great Dharma Teacher Ruo Hui, and Dharma Teacher Miao Kong to conduct the rituals and ceremonies.
When Great Dharma Teacher Long Hui announced that all Buddhist disciples in attendance should pour fragrant water into the tub used to bathe the Buddha, all of the Rinpoches and Huo-Fos, Dharma Teachers, and laypersons in attendance quickly poured the ninety buckets of light brown fragrant water into the tub used to bathe the Buddha, filling it up completely. Everyone then returned to their seats and respectfully requested that His Holiness consecrate the fragrant water in the lotus tub. The Buddha Master was then seen holding a white Vajra Wheel.
During the Highest or Ultimate Form of Bathing the Buddha Dharma Assembly, some people saw the Vajra Dharma Wheel float up, sink down, and move around in the water. Some also saw the appearance of eight Dharma protecting deities. Additionally, some people saw two Dharma protecting deities, Mahakala and Sri-maha-devi, supernaturally change their forms. In an instant, the two Dharma protecting Bodhisattvas appeared. In an instant, they disappeared from the Vajra Wheel without a trace. In the photos, the Vajra Wheel turned into the shape of a lotus leaf floating on the water. From the size of the Vajra Wheel’s shadow, one can know the height of its position in the water.
His Holiness approached the lotus tub used to bathe the Buddha and placed that Dharma object (i.e. the Vajra Wheel) into the water. That dharma object is half as thick as a coin and as large as the palm of the hand. The Buddha-dharma stipulates that only a Supreme Vajradhara Dharma King may possess such a Vajra Wheel. After the Supreme Vajradhara Dharma King’s empowerment, the dharma protecting Bodhisattvas in the sky descended upon that dharma object. That dharma object can move around in the dharma water used to bathe the Buddha. It can rise up in the water and sink down into the water. After it does this, the practice of the Highest Form of Bathing the Buddha Dharma Assembly may begin.
Everyone surrounded the lotus tub to see that dharma object. One or two minutes later, everyone indeed saw the Vajra Wheel moving in the water. No one touched the lotus tub. While in the water, that dharma object moved forward and backward, to the left and the right, all on its own. One moment, it sank downward; the next moment it floated to the surface of the water. When the Vajra Wheel was approaching the bottom of the water, many saw red light emanate from the bottom of the Vajra Wheel. That red light was the true fire of samadhi. Many people saw eight dharma protecting bodhisattvas standing on that dharma object. There were also those who saw Mahakala and Sri-maha-devi supernaturally change their forms on that Vajra Wheel. Everyone present was full of dharma joy.
WIND CELEBRATES THE MANDALA
After a dharma object manifested holiness, everyone began to respectfully recite the invocation text. Suddenly, a strong wind began blowing from the west. Trees began to sway and things began to shake in the once peaceful mandala. Jacarandas flew through the air. Everyone was amazed. Indescribable and auspicious dharma joy filled the entire assembly. The world-honored Buddha had arrived in the sky above the mandala to manifest the dharma! Everyone chanted a mantra in unison to respectfully welcome the arrival of the Buddha. That strong wind from the west blew for a period of time and then abruptly stopped. The quietude of the mandala was restored.
An auspicious atmosphere filled the mandala. Amid the sound of everyone chanting a mantra, the holy ritual of bathing the Buddha formally began. Great Dharma Teacher Kui Zhi respectfully lifted the statue of Dharma Prince Siddhartha off the altar and put it on the lotus flower in the middle of the lotus tub. Everyone then respectfully requested that H.H. Wan Ko Yeshe Norbu bathe the Buddha. After His Holiness bathed the Buddha and practiced Dharma, each of the attendees bathed the Buddha three times. Great Dharma Teachers Jue Hui and Ruo Hui wiped dry the statue of the Buddha with a white silk scarf, put a robe on the statue of the Buddha, and placed it back on the altar.
POURING OF WATER BASED UPON ONE’S BUDDHA DHARMA REALIZATION
After the Buddha is bathed, according to the rules and rituals of the Buddha-dharma, it is time to pour fragrant water from the lotus tub used to bathe the Buddha into the lower tub used to bathe the celestial beings. At that time, His Holiness must practice dharma to bathe the celestial beings. According to fixed dharma, the bathing of celestial beings must take place in order for it to be a real Highest Form of Bathing the Buddha Dharma Assembly. Otherwise, the words “Highest Form” should not be used. This is the key factor in determining whether the Dharma Assembly will be completely successful.
Dharma Teacher Long Hui announced the ritual and requested that everyone attempt to lift the lotus tub used to bathe the Buddha so that its fragrant water would pour into the tub used to bathe the celestial beings. All of the attendees stepped forward one after another and attempted to lift it in groups of ten. However, no matter how hard they tried, they could not lift that lotus tub. Later, in violation of the rules, fourteen strong men together attempted to lift that tub. They assumed various postures and used all of their strength to tilt that lotus tub while shouting out a mantra. In the end, their faces turned red, they became exhausted, and they gave up in frustration. They were not able to move that lotus tub one bit. With awkward smiles on their faces, they went back to their seats.
That lotus tub used to bathe the Buddha weighs more than seven hundred pounds. When 90 buckets of fragrant water used to bathe the Buddha were added to this weight, the total weight was 4,260 pounds. Only a large crane could lift that tub. Even world-class musclemen would have no chance of lifting it.
Everyone looked at the lotus tub and felt the situation was hopeless. Great Dharma Teacher Long Hui did not know whether to cry or laugh. She could not announce that the ritual was successfully completed. Under these circumstances, the Dharma Teacher thought of a disciple of His Holiness by the name of Akou Lamo Rinpoche. That Rinpoche is from Tibet and can cause a mani stone to fly through the air. Great Dharma Teacher Long Hui asked Akou Lamo Rinpoche to test her strength and attempt to lift the lotus tub. Akou Lamo Rinpoche said, “I want to select someone to assist me.” She then invited an elder layman who lives in the Unites States, Ciren Jiacuo, to step forward and assist her. Elder layman Ciren Jiacuo has realized the state of prajna emptiness. He constantly abides in the dharmakaya state. His state of realization is extraordinary. He is a person of great accomplishment spoken of in the tapes contained in the silver box.
Bathing Buddha ceremony is annually performed to honor the birth of Prince Siddhartha Gautama who was born in north-eastern India over 2500 years ago of the Shakya clan. The Prince, upon enlightenment, became Shakyamuni Buddha. On the holy birthday of Shakyamuni Buddha, followers who participate in the Dharma Assembly of Bathing the Buddha make offerings to establish their karmic conditions with the buddhas and also to wholeheartedly beseech the empowerment of the buddhas and to pray for peace and well being. While bathing the image of the Buddha with auspicious water, they vow to cultivate themselves in attaining the purity of their three karmas (body, speech, and mind) in the past, present, and future. However most of these assembly are ordinary ceremony, there were no holy states appearing.
Akou Lamo and Ciren Jiacuo each held one side of the lotus tub. Upon Akou Lamo’s uttering the mantra “Ong Ah Hong,” they lifted their shoulders. With a roaring sound of cascading water, the lotus tub tilted upward. Holy water used to bathe the Buddha was poured into the tub used to bathe the celestial beings. Upon another uttering of the mantra “Ong Ah Hong,” the two of them again lifted the lotus tub. Like a silver pillar, dharma water poured into the tub used to bathe the celestial beings.
All of the attendees were astonished! They sat there dumbfounded. Fourteen men using all their strength in concert could not move that more than four thousand-pound lotus tub. However, to everyone’s surprise, a young woman and an elderly man seventy years old exhibited their states of realization and lifted that lotus tub for all to see! What a wonderful expression of the true Buddha-dharma, of the power of Vajra! Neither of them has any innate spiritual powers. Under Holiest Tathagatha Wan Ko Yeshe Norbu, they have practiced and learned the true Dharma and have reached a high level of Buddha-dharma realization. That is why they were able to successfully complete the key ritual of the Dharma Assembly— pouring water based upon one’s Buddha-dharma realization. All of the attendees were surprised and praised the two of them highly. Everyone was moved and joyful. That Highest Form of Bathing the Buddha Dharma Assembly was successful precisely because of this holy event.
CELESTIAL DRAGONS LAUGH JOYFULLY
After pure water used to bathe the celestial beings was successfully poured, the His Holiness began practicing the dharma to bathe the celestial beings. As soon as all of the attendees chanted in unison one time the verses relating to bathing the celestial beings, suddenly, a strong wind began swirling. The curtain screens began to bulge and rumble. The tankas hanging on the curtain screens flew upward in a ninety-degree angle from the ground. The poles holding up those curtain screens creaked in the wind as if they were about to break. Even the sandbags used to anchor the curtain screens were turned over and moved by the wind. Two-thirds of the people there heard very loud, low and deep dragon’s roars explode in the air accompanied by the clap of rolling thunder. One-third of the people there only heard the sound of the wind but did not hear the sound of thunder. This all the more proves the magnificence of the Buddha-dharma, since different karmic states manifested at the same time.
At that time, the hot sun was high in the sky. It seemed as if the joyful roars of the celestial dragons shook the sun so that it shined even more brilliantly! The dharma protecting deities came to the mandala where the Buddha was bathed and received a dharma bathing bestowed by the Buddha! At this time, people remembered that a few days before the Dharma Assembly when the curtain screens and dharma altar were being erected, the Buddha Master personally arrived. His Holiness repeatedly instructed everyone to fasten well the foundational support for the dharma altar and curtain screens so that the altar and screens would not be blown over by the wind. A layperson whose last name is Hsu said to the Buddha Master, “The weather station forecasted that there will be no rain or wind for the next seven or eight days.” His Holiness then told everyone, “At the Dharma Assembly, of course it will not rain. However, when I practice the Dharma, a strong wind will blow. There will be strong gusts of wind, especially when all of the Dharma protecting deities arrive and manifest their powerful spirits. Therefore, the foundational support must be fastened firmly.” It is very fortunate that the buddha Master made such a prediction. On the day of the Dharma Assembly, the dharma protecting deities joyfully laughed in the sky. Although there were strong gusts of wind, the dharma altar and curtain screens did not fall.
A RINPOCHE IS GIVEN A SIGN
After the Buddha Master practiced dharma to bathe the celestial beings and the dharma protecting deities, His Holiness instructed everyone to look inside the water to see whether the Vajra Wheel was moving. People were amazed to see that even though those two people with holy virtue and high states of realization lifted the lotus tub and thereby poured Dharma water from a tub weighing more then 4,000 pounds downward into the tub used to bathe the celestial beings, the Vajra Wheel surprisingly did not move in the slightest. The Vajra Wheel remained in its original position. Many people saw eight dharma protecting bodhisattvas standing on that dharma object blowing air upward.
At this time, a rinpoche who weighs 280 pounds beseeched the Vajra Wheel to manifest its powers and eliminate his remaining karmic hindrances. His Holiness agreed to this request and put the Vajra Wheel on that rinpoche ’s chest. At first, that rinpoche felt that the temperature of the Vajra Wheel was cool. His Holiness then began intoning a mantra. With his fingers pointing to the sky, His Holiness lightly snapped his fingers. That rinpoche suddenly let out a miserable scream. He was in such pain his face turned pale. Like the power the Incantation of the Golden Hoop had over the Monkey King in Journey To The West, the Buddha Master’s mantra caused the solemn face of the rinpoche to become distorted from pain he could not endure. It seemed that the rinpoche could not endure the pain. As a result of His Holiness practicing a certain dharma, the Vajra Wheel emitted the true fire of samadhi. Its temperature quickly rose to an extremely high degree. Of course, that rinpoche could not endure such heat.
H.H. Wan Ko Yeshe Norbu(H.H. Dorje Chang Buddha III) then snapped his fingers again, and the true fire of samadhi instantly disappeared. The Vajra Wheel suddenly became cold. That rinpoche immediately returned to his normal condition. He was not injured in the least. However, there remained an imprint of the Vajra Wheel on his chest. His Holiness predicted that after one week a three-dimensional dharma object in relief would grow out of the imprint on that rinpoche ’s chest. That rinpoche was full of dharma joy and thanked His Holiness for eliminating his karmic hindrances. That rinpoche then vowed to do his utmost to benefit living beings.
A CLOUD PROVIDES AN UMBRELA-LIKE COVERING
From the beginning of the Dharma Assembly all the way to its end, a beautiful cloud continuously floated in the sky above the mandala. The shadow of that cloud continuously covered the bronze statue of Dharma Prince Siddhartha. The Dharma Assembly lasted more than three hours. The sun moved westward. That cloud moved together with the sun. It was like an umbrella that served to block the sunlight from the statue of Dharma Prince Siddhartha. However, the sun continued to shine upon the area of the dharma altar only two or three inches from the statue of Dharma Prince Siddhartha.
THE COLOR OF DHARMA WATER IS RECEIVED
The Dharma Assembly ended solemnly. Everyone took some dharma water from the tub used to bathe the Buddha and the tub used to bathe the celestial beings. Suddenly, someone said in a surprised manner, “The Dharma water is changing!” Everyone rushed over to see. They discovered that the ninety buckets of light-brown fragrant Dharma water taken from the tub instantly became clear water. The Buddha and the celestial beings received the merit of that fragrant water. The merit of the Dharma Assembly was wonderful and complete. All of the attendees prostrated and uttered words of praise.
H.H. Wan Ko Yeshe Norbu (H.H. Dorje Chang Buddha III) conducted this Highest Form of Bathing the Buddha Dharma Assembly, a respected event in the history of Buddhism. His Holiness practiced the dharma during this assembly. All seven holy states were manifested. Water was poured based upon the states of realization of those who poured it. Those two people thereby exhibited their extraordinary powers. The Buddhas and Bodhisattvas and the heavenly dharma protecting deities personally arrived at the mandala and received bathing water bestowed by the Buddha. Various holy states of the Buddha-dharma appeared one after the other. Only this type of magnificent Bathing the Buddha Dharma Assembly is a true Bathing the Buddha Dharma Assembly as stipulated in the dharma. This grand event in Buddhism took place as a result of the good fortune of living beings.
After the Dharma Assembly, one of the two persons with high states of realization who lifted that lotus tub, Akou Lamo Great Rinpoche, requested that the holy lotus tub used to bathe the Buddha be transported to Tibet so that it could serve as an offering in furtherance of Tibetan Buddhism. Great layperson Ciren Jiacuo requested that it be kept in the United States as an offering. In order to be fair, His Holiness had everyone vote on the matter. Akou Lamo Great Rinpoche lost the vote by a ratio of three to two. The United International World Buddhism Association Headquarters will keep that lotus tub used to bathe the Buddha. It will be kept in the United States as an offering. The tub is currently stored at Hua Zang Si Temple at San Francisco.
In the course of benefiting sentient beings in this world, H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata has inadvertently revealed His state of virtue and realization. This has profoundly enriched our understanding of the realization, boundless compassion, enlightenment, and sublime conduct of a Buddha. Sacred phenomena manifest wherever H.H. Dorje Chang Buddha III goes. These phenomena occur during His Holiness’s initiation ceremonies for esteemed monastics, rinpoches, dharma kings, and even renowned Bodhisattvas. They also arise when His Holiness delivers discourses on the dharma to His disciples or when He bestows blessings upon sentient beings to enhance their fortune and wisdom.
In this post, I would like to share some examples.
Dragon-Fish Stand Straight Up on the Surface of the Water and Pay Respect to H.H. Dorje Chang Buddha III by Bowing to His Holiness
On November 6th, 1999, at Puttamonton, Thailand, a group of around thirty people accompanied H.H. Dorje Chang Buddha III. After prostrating before the holy image of Sakyamuni Buddha, they gathered under a bodhi tree beside a serene lake, where H.H. Dorje Chang Buddha III sat. One of the Rinpoches respectfully beseeched H.H. Dorje Chang Buddha III to give a discourse on how an Arhat can realize the state of a Bodhisattva, how a Bodhisattva can attain the supreme and complete enlightenment of a Buddha, and why a Buddha must rely on saving sentient beings to attain Buddhahood.
At that moment, various birds flew over from all directions and perched themselves on the tree, while different types of wild fish in the lake swam over to them. Two wild dogs even approached and joined the group in front of H.H. Dorje Chang Buddha III’s seat, creating an extraordinary scene.
As H.H. Dorje Chang Buddha III began expounding the highest wondrous dharma, waves suddenly surged from the calm waters of the lake, accompanied by a loud sound. A black dragon transformed into a large black and gold fish, emerging vertically from the water’s surface and bowing its head toward H.H. Dorje Chang Buddha III after each movement.
This remarkable display lasted about twenty seconds, with other fish, both white and black, also emerging to pay their respects to H.H. Dorje Chang Buddha III.
Witnessing this unprecedented spectacle, the disciples were filled with wonder, understanding that these fish were dragon-spirits transformed to receive the dharma and pay homage. H.H. Dorje Chang Buddha III, however, remained humble, stating, “This is a response evoked by the Buddha-dharma. One should practice the Buddha-dharma with a heart of humility. Amazing feats are like dreams and illusions, like clouds and smoke that pass in an instant. One must not be attached to them. They are not worth mentioning.”
Indeed, when great saints expound the wondrous dharma, both humans and non-humans pay their respects, a testament to the merit and realization of a Buddha.
A Wild Squirrel Offered Avocadoes to H.H. Dorje Chang Buddha III
In the afternoon of April 24th, 2000, disciples Long Zhi and Juehai walked along the swimming pool in the outer area of the mandala with H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata. H.H. Dorje Chang Buddha III pointed to an avocado tree and said, “I want everyone to try the fruits.” So H.H. Dorje Chang Buddha III instructed Long Zhi to get a fruit catcher. Long Zhi searched but couldn’t find one. H.H. Dorje Chang Buddha III then said, “We have to pick some avocados.”
Moments later, a brown squirrel descended from an old pine tree. H.H. Dorje Chang Buddha III instructed everyone, “Don’t chase the squirrel away. It came to help.” The squirrel skillfully climbed the avocado tree, searching for ripe fruit. Jumping from branch to branch and sometimes hanging upside down, it located the avocados hidden amidst the dense foliage. Within minutes, the squirrel retrieved six avocados. H.H. Dorje Chang Buddha III deemed it sufficient.
Addressing the squirrel, Long Zhi said, “Hey, squirrel, you have worked diligently. Your offering has accumulated ample merit. It is enough.” The squirrel paused on a branch, holding its paws together, acknowledging H.H. Dorje Chang Buddha III. These six avocados were offerings to H.H. Dorje Chang Buddha III from the squirrel.
As H.H. Dorje Chang Buddha III prepared to leave, the squirrel performed one prostration before the Buddha Master and then departed slowly. Since then, the nuns residing at the holy mandala have observed squirrels climbing the avocado tree but no longer witness avocados being offered as offerings.
The Buddhas Praise H.H. Dorje Chang Buddha III’s Discourse; Buddha Light Blessing Illuminates the Lecture Hall
In April 2006, the Buddha Master was in the lecture hall delivering a discourse on “What Is Cultivation” in response to a question from Zhaxi Zhuoma Rinpoche. As the Buddha Master began, a beam of sparkling iridescent light suddenly appeared, circling the indoor lecture hall with the force of lightning. The sight was dazzling and auspicious! Throughout the discourse, this radiant Buddha light appeared and illuminated the hall as many as five times.
Approximately twenty Rinpoches and masters were present, witnessing the phenomenon. However, not all disciples perceived the same colors and number of Buddha lights due to their varying levels of cultivation and karmic conditions. Some witnessed Buddha lights appearing six times, while others saw them twice. The colors varied as well, with some seeing red, others white, and still others witnessing iridescent Buddha lights sparkling in the hall. The Buddha Master’s discourse on the Buddha-dharma, along with the praise and blessings of the Buddhas and Bodhisattvas, filled all present with joy.
These Buddha lights were special manifestations with underlying causes. They appeared when the Buddha Master discussed the karmic conditions behind the publication of the book “A Treasury of True Buddha-Dharma.” Dazzling Buddha lights flashed in the mandala, as the Buddhas and Bodhisattvas used them to celebrate the birth of this book, which would provide countless beings in the earthly realm with a path to practice the true dharma. As proclaimed by many great dharma kings and rinpoches, the karmic conditions for beings to experience good fortune have matured!
H.E. Queji Jiangyang Qingzhen was a disciple of H.H. Dorje Chang Buddha III who truly manifested realization. This Sakya rinpoche of great holiness had white hair and a youthful complexion. His silver beard extended below his belly, and a heavenly eye opened between his eyebrows. Through his practice he attained the state in which his whole body was semi transparent. Thus, his three channels and five chakras could be vaguely seen. He realized a state of true longevity equal to that of heaven. The rinpoche was able to fly through the air, coming and going anywhere with total ease and control.
When he received from H.H. Dorje Chang Buddha III an inner-tantric initiation in the holy form called Drawing Lots From a Golden Vase, the lot landed upon the Xian Liang Great Perfection mandala. The Buddha Master transmitted to him the Lion Vajra Dharma and the highest great dharma called the Xian Liang Great Perfection Dharma. Right then and there H.E. Queji Jiangyang Qingzhen realized the rainbow-body perfection state.
Witnessing the Manifestation of Supernormal Power by H.E. Queji Jiangyang Qingzhen
One day, a gathering of highly virtuous laypersons and esteemed Rinpoches convened at the Pici Vajra Castle. Their purpose was to welcome the imminent arrival of H.E. Queji Jiangyang Qingzhen, a revered Dharma King and rinpoche of the Sayka sect, who, at more than one hundred years old, commanded great respect. In anticipation of his arrival, meticulous preparations had been made, including the arrangement of white silk hadas and offerings to honor him.
Shortly after midnight, at around 12:30, a wondrous phenomenon unfolded. A vibrant rainbow light appeared, encircling the sky, accompanied by celestial music. Gradually, the luminous rainbow expanded in size, descending gracefully until it settled atop the seven-story building housing our Buddhist altar. As the spectacle unfolded, a figure descended from above.
It was none other than H.E. Great Dharma King Jiangyang Qingzhen, gracing us with his presence.
We paid our respects and presented offerings to him with profound admiration, expressing our deepest reverence through our actions. While tales of centenarians ascending into the skies are often recounted in Tibetan scriptures, never before had we been blessed with the opportunity to witness such an extraordinary event firsthand. It was truly a manifestation of the boundless fortune we have accrued through countless lifetimes. How could one not be moved to tears by such a profound occurrence?
Truly, we stood assembled in the concrete courtyard below, with an uninterrupted view of the elder Dharma King’s descent from the sky to the rooftop. Although our sight was briefly obscured by the building’s roof, within moments, we beheld the elder Dharma King’s graceful descent from the top of the seven-story building to the ground below. His descent, with arms outstretched and legs slightly bent, resembled the elegant flight of an eagle—a spectacle beyond the capabilities of an ordinary person.
The following day, the Dharma King of the Sayka sect bestowed teachings upon us and initiated us, imbuing us with profound compassion. During the initiation ceremony, as we held a one-foot-long vajra in our hands, we experienced its boundless and awe-inspiring power, unable to control its movements. The ensuing mandala states were marvelously magnificent.
As the initiation ceremony drew to a close, the sound of ringing bells suddenly filled the air, and an attendant announced the arrival of ‘His Holiness the Great Master.’ In response, H.E. Dharma King Jiangyang Qingzhen promptly descended from his dharma seat and prostrated himself on the ground. Although we were initially uncertain about the significance of this auspicious moment, we followed suit, believing it might herald the arrival of Guru Padmasambhava. However, upon raising our heads, we beheld not Guru Padmasambhava but H.H. Master Wan Ko Yee (H.H. Dorje Chang Buddha III). Sensing our confusion, H.E. Dharma King Jiangyang Qingzhen reassured us, declaring, “Do not harbor doubts. H.H. Master Yee is the illustrious Buddha Vajradhara Great Dharma King—His Holiness Wan Ko Yeshe Norbu Holiest Tathagata (H.H. Dorje Chang Buddha III).”
Karma, in Sanskrit known as ‘karma,’ is the creator of deeds of body, speech, and mind, producing both good and evil without forgetting. It is also like the causes created by the three activities, which manifest as their results.
The force of karma leads to the consequences of suffering or happiness based on its nature, whether good or evil. Therefore, there is also the doctrine of karma and its consequences. Karma accumulated in the past is referred to as past karma; karma in the present is referred to as present karma.
The law of karma is a special instance of the law of cause and effect, according to which all our actions of body, speech and mind are causes and all our experiences are their effects. Certainly, perhaps some people might ask, “This ‘karma’ you speak of, I can neither see it nor touch it. Does it really exist?”
The law of karma explains why each individual has a unique mental disposition, a unique physical appearance and unique experiences. These are the various effects of the countless actions that each individual has performed in the past. We cannot find any two people who have created exactly the same history of actions throughout their past lives, and so we cannot find two people with identical states of mind, identical experiences or identical physical appearances. Each person has different individual karma. Some people enjoy good health while others are constantly ill. Some people are seen as very beautiful while others are seen as very ugly. Some people have a happy disposition that is easily pleased while others have a sour disposition and are rarely delighted by anything. Some people easily understand the meaning of spiritual teachings while others find them difficult and obscure.
Master Milarepa was renowned for his profound spiritual practice amidst the snowy plateaus of Tibet.
In his youth, Milarepa engaged in regrettable actions that resulted in negative karma. He resorted to sorcery, causing a house to collapse and resulting in the deaths of 35 people, including his adversaries. Additionally, he summoned hailstorms that devastated his uncle’s crops and the entire village.
There are accounts of Master Milarepa experiencing the consequences of his actions. In the later stages of spreading the Dharma for the benefit of all beings, a monk observed the reverence and admiration directed towards Venerable Milarepa by the crowd. Although outwardly respectful, the monk harbored intense jealousy and disdain, viewing the Venerable as understanding nothing and merely a hypocritical, arrogant, and conceited individual.
Once when the Venerable Milarepa fell seriously ill, this monk, pretending to be concerned, went to visit him and said:
“A great master like you who has attained enlightenment should not be so gravely ill, yet here you are sick! If there were a way to share this illness, to distribute some of it among your disciples. If there were a method to transfer it, for example, I could share some of it, but unfortunately, there seems to be no solution. What can be done?”
The Venerable smiled gently and replied, “I should not be ill by nature, but illness is beyond my control.”
The monk continued, “If only I knew the cause of your illness. I suppose no reason can be found? If it could be transferred, I would willingly take on some of it.”
The Venerable responded, “I could indeed share some of this illness with you, but you would not withstand it even for a moment. Therefore, it’s better not to transfer it.”
The monk thought to himself that perhaps the illness couldn’t be transferred, so he persisted more earnestly, saying, “Please, in any case, transfer the illness onto me!”
The Venerable then said, “Very well, but you will not bear it.”
Subsequently, the Venerable transferred the illness onto the door of the silent room, causing the door to creak and shake as if it were about to collapse. Despite this display, the monk remained skeptical, wondering if it was all an illusion, and he once again requested, “This is truly extraordinary! Please transfer it onto me.”
The Venerable agreed, warning him, “You will not endure it.”
He then withdrew the illness from the door and transferred it onto the monk. Instantly, the monk collapsed in pain, unable to move, breathe, or nearly fainting. Seeing this, the Venerable quickly withdrew the illness back, telling the monk, “I only transferred half of the illness to you.”
At that moment, the monk felt profound remorse and sincerely placed the Venerable’s feet on his forehead, tears streaming down in genuine emotion…
Thus, in the realm of karma, distinctions of wealth, poverty, status, or identity dissolve; there are only individuals confronting the unfiltered repercussions of their actions, whether virtuous or malevolent. Like an ever-present shadow, karma unfailingly trails behind, and when it matures, one experiences the consequences firsthand, feeling both its warmth and coldness.
Every action we perform leaves an imprint, or potentiality, on our very subtle mind, and each imprint eventually gives rise to its own effect. Our mind is like a field, and performing actions is like sowing seeds in that field. Virtuous actions sow seeds of future happiness and non-virtuous actions sow seeds of future suffering. These seeds remain dormant in our mind until the conditions for them to ripen occur, and then they produce their effect. In some cases, this can happen many lifetimes after the original action was performed.
The compassionate teachings of the contemporary Buddha, H.H. Dorje Chang Buddha III, instruct us to accumulate wholesome karma and avoid unwholesome karma; through practice, we can transform causes and effects. Only in this way can we allow our good karma to ripen first, keep evil deeds at bay, break free from the bondage of karmic forces, and truly escape the ocean of suffering. The supreme practice method taught by the Buddha, in “What is cultivation“, when followed diligently, brings boundless benefits.
Therefore, only through genuine repentance from the heart and earnest adherence to the teachings, can we eliminate karmic obstacles and allow the fruits of our wholesome actions to mature swiftly. Conversely, if we do not follow this path, we will only confirm the truth of the saying “We can’t take anything with us, only karma accompanies us,” and thus cycle endlessly in samsara.
In life, the journey towards success often mirrors the growth of bamboo and the emergence of cicadas. These natural phenomena teach us valuable lessons about perseverance, endurance, and the importance of staying committed to our goals.
Imagine the bamboo, taking four long years to grow just three centimeters above the ground. For those initial years, its roots were quietly spreading underground, preparing a strong foundation for future growth. Then, in the fifth year, something remarkable happens—bamboo shoots skyward at an astonishing rate of thirty centimeters per day, eventually reaching a towering height of fifteen meters in a mere six weeks. This phenomenal growth was not sudden; it was the result of years of patient root development. (Photo by Daniel Klein)
Success, like the bamboo’s rapid growth, often appears sudden to others but is actually the culmination of persistent effort and preparation over time. Every day contributes to the foundation upon which monumental achievements are built.
Similarly, consider the cicada, a creature that spends seventeen years underground, feeding on tree roots in utter darkness and solitude. When the time is right—after enduring years of dormancy and patiently waiting for optimal conditions—the cicadas emerge. They climb the branches, shed their old shells, and bask in the sunlight, announcing their triumph over the long period of darkness. （Right: Chinese Ink painting Song of Cicada by H.H.Dorje Chang Buddha III)
The story of the cicada reminds us that endurance and patience are vital virtues on the path to success. Just as the cicada breaks through the darkness to embrace the light, so too must we persevere through challenging times and wait for our moment to shine.
In contrast, those who stray from their goals or give up prematurely are akin to individuals who prefer the comfort of their current situation over the potential for growth and self-improvement.
People without perseverance may never exceed the three-centimeter mark of bamboo growth or endure the seventeen years of darkness like cicadas. However, those with determination and resilience can remain focused, establish strong roots, and steadily accumulate progress towards their goals.
It’s essential to recognize that achieving greatness requires either the perseverance of a snail or the strength of an eagle. The snail advances slowly but steadily towards its destination, while the eagle soars to great heights with sheer strength. Both approaches teach us that success comes to those who are determined and resolute in their pursuit.
Let the stories of bamboo and cicadas inspire us to persevere through challenges, endure periods of darkness, and stay committed to our aspirations. Success may take time, but with unwavering determination and patience, we can break through obstacles and reach new heights in our lives.
Peace LiLy 
