Master Milarepa Manifested the True Meaning of Emptiness in Heart Sutra

Milarepa was the most famous disciple of the Kagyu lineage patriarch, Great Master Marpa, in Tibetan Buddhism. Renowned for his ascetic practices, Milarepa was celebrated as a prominent yogi, master of tantra, ascetic monk, and poet.

Milarepa was born in 1052 in Gongtang, Tibet, with the secular name Milarepa Tönpa. His family was very wealthy. However, at the age of seven, his father passed away due to illness, and the family’s estate was seized by his uncle and aunt, plunging them into poverty. Milarepa, his mother, and his three-year-old sister were treated as slaves by his relatives, going from being wealthy to destitute beggars, subjected to the cold stares of former friends and relatives.

This turn of events filled his mother with resentment. When Milarepa grew older, she sent him to learn sorcery for revenge. After mastering his skills, at his uncle’s wedding feast, Milarepa used sorcery to cause the house to collapse, killing 35 people, including his enemies. Later, he also summoned hailstorms that destroyed the crops of his uncle and the entire village. However, instead of finding satisfaction in revenge, Milarepa felt deep remorse for his actions, experiencing sleepless nights filled with regret. Eventually, he vowed to seek liberation through studying Buddhist teachings.

Later on, guided by others, Milarepa sought out Marpa as his teacher. To test Milarepa’s resolve to repent and to help him cleanse his negative karma, Marpa intentionally subjected him to various forms of arduous labor as a form of “torture.”

Marpa Lotsawa repeatedly instructed Milarepa to build houses on different mountains, and all the building materials—stones and wood—had to be carried by Milarepa himself. Then, intentionally, when the houses were nearly completed, Marpa would order them to be demolished, and all the materials had to be carried back to their original places. Due to the prolonged carrying of stones, Milarepa’s back was rubbed raw, covered with scars that would heal and then be rubbed raw again.

The arduous labor caused Milarepa immense suffering, but due to his intense desire for teachings, he continued to obey his teacher’s orders with gritted teeth. During this time, whenever Milarepa sought teachings, he would often be scolded by his master, which left him feeling hopeless. Yet, it was in this seemingly painful torment that Milarepa’s karmic obstacles were gradually purified.

About six years later, Milarepa finally received teachings from his master and, following his instructions, began to meditate in a mountain cave. Having learned the technique of “Tummo Concentration” from his master, Milarepa could withstand the cold wearing only a single piece of cloth in winter. Hence, people called him “Milarepa,” meaning “the one from the Mila family who wears a cloth garment.” After nine years of austere meditation in a mountain cave, Milarepa finally attained enlightenment. He became a highly acclaimed practitioner of actual realization in the snowy plateau of Tibet.

At that time, there was a venerable master who had been lecturing on scriptures and teachings in a temple for many years. Upon hearing the revered name of Milarepa, this master was unimpressed and insisted on inviting Milarepa to come for a debate.

Milarepa said, “Let’s not debate yet. Do you understand what emptiness is?” The master immediately began eloquently explaining various theories of emptiness. At that moment, Milarepa pointed to a pillar in the temple and sighed, “All that you are saying is theoretical. Tell me, is this pillar empty or substantial?” The master replied, “The pillar is substantial; how could it be empty?” Milarepa responded, “You say it’s substantial, but I say it’s empty.” With that, he used his hand to gesture through the pillar as if the pillar didn’t exist at all. The master was astonished.

Milarepa then pointed to the empty space and asked the master, “Is this empty space substantial or empty?” The master quickly answered, “It’s empty.” However, Milarepa countered, “I say it’s substantial,” and proceeded to walk into the empty space to demonstrate. He confidently walked step by step as if on solid ground, moving around in the empty space effortlessly.

The master was at a loss for words, feeling deeply ashamed of his arrogance and ignorance.

This encounter helps us understand that theoretical discussions or worldly-wise understandings of emptiness are entirely different from the realized emptiness of the enlightened beings. There is a fundamental distinction. Whether one can demonstrate the realm of “form is emptiness, emptiness is form” signifies the difference between the sacred and the mundane. Milarepa, revered as a great saint who realized emptiness, established the profound wisdom of “form is emptiness, emptiness is form” based on actual realization of the unity of appearance and emptiness.

The Venerable Milarepa has long departed this world, and we are unable to personally receive his teachings. However, we are incredibly fortunate to have witnessed the emanation of the primordial Buddha – Dorje Chang Buddha III, who descended to this saha world, bringing forth the correct and unbiased true Dharma for all sentient beings.

H.H. Dorje Chang Buddha III expounded the Dharma with profound clarity and precision. “The Supreme and Unsurpassable Mahamudra of Liberation” and “The Absolute Truth Through the Heart Sutra” represent the first appearance of such excellent treasures of Buddhist scriptures, the supreme essence classics, in thousands of years of Buddhist history.

“The Absolute Truth Through the Heart Sutra” elucidates the teachings based on the phrases and principles of the Heart Sutra, as expounded by H.H. Dorje Chang Buddha III. It clarifies the relationship between mind, Buddha, and sentient beings, explaining the definitions of the impermanent and non-impermanent nature of life, the universe, and sentient beings, as well as the truth of form, dwelling, decay, and emptiness. What is a Buddha? What is the connection between sentient beings and Buddhas? What does liberation from birth and death entail?

The Buddha Dharma spoken by H.H. Dorje Chang Buddha III is presented in the most direct, accessible language, elucidating the profound truths of the Buddha Dharma for everyone to understand. During the inaugural empowerment ceremony for “The Absolute Truth Through the Heart Sutra,” Buddhas manifested in the empty sky and bestowed three-colored nectar, confirming that this teaching is the true Dharma spoken by the Tathagata. Those who sincerely practice “The Supreme and Unsurpassable Mahamudra of Liberation” and thoroughly understand “The Absolute Truth Through the Heart Sutra” can truly embark on the swift path to liberation and accomplishment.

Link:https://peacelilysite.com/2024/04/19/master-milarepa-manifested-the-true-meaning-of-emptiness-in-heart-sutra/

Source: https://www.jinbodhi.org/cn/67702

80. FEAR MAKER AND LITTLE ARCHER [SELF-DECEPTION]

80. FEAR MAKER AND LITTLE ARCHER [SELF-DECEPTION]

Some say that the world comes into being, disappears, and comes into being … over and over, throughout time. In one of these previous worlds, countless years ago, Truth was unknown and the Five Training Steps were practiced by only a few. Even the Enlightenment Being — the Bodhisatta — did not know Truth, and had not yet discovered the Five Training Steps.

Once upon a time in that long ago world, there was a king named Brahmadatta. Like many other kings of that name, he ruled in the place known today as Benares.

The Bodhisatta was born in a rich high class family in a market town, also in northern India. He happened to be a dwarf, bent over and partly hunchbacked. When he became a young man he remained short and stooped. Many people found him unpleasant to look at.

He studied under a very outstanding teacher. He learned all there was to know at that time, about the two great branches of knowledge — religion and science. He also learned how to use a bow and arrow better than anyone else in India. For this reason his teacher called him ‘Little Archer’.

Like most new graduates he was quite clever. He thought, “Many people judge by appearance alone. If I go to a king and ask for a job, he’ll probably ask, ‘Having such a short body, what can you possibly do for me?’ Therefore it would be better if I can team up with a front man — someone who is handsome in appearance, tall and well-grown in body, and strong in personality. I will provide the brains, but remain out of sight behind his shadow. In this way we can earn a good living together.”

One day he was walking in the district where the weavers live and work. He happened to see a big, strong looking man. He greeted him and asked his name. The weaver said, “Because of my appearance, people call me Fear Maker.”

“With such an impressive name.” said Little Archer, “and being so big and strong looking, why do you have such a low paying job?” “Because life is hard,” he replied.

“I have an idea.” Said the dwarf “In all India there is no one as skilled with a bow and arrow as I am. But I don’t look the part! If I asked a king for work he would either laugh or get angry at me. He would not believe that a hunchbacked little dwarf could be the greatest archer in India!

‘But you look perfect. And your name helps too. Therefore, let us go together to the king. You will be the front man and do all the talking. The king will hire you immediately. Meanwhile I will remain as if hidden underneath your shadow. I will be the real archer and we will prosper and be happy. You just have to do whatever I tell you.”

Thinking he had nothing to lose, Fear Maker agreed, saying, “It’s a deal, my friend!”

The two partners went off to Benares to see the king. When they entered the throne room, they bowed respectfully to the king. He asked them, “Why have you come here?”

Fear Maker stood in front and did all the talking. He answered, “I am the great archer known as Fear Maker. There is no one in all India who understands the science of archery as well as I do. I wish to be in your service, your majesty.”

The king was quite impressed. He asked, “What shall I pay you?” “I will serve you for 500 pieces of money per week your majesty,” he replied.

Nodding, the king noticed the silent dwarf stooping behind him, almost out of sight. “Who is this little man?” he asked. “What does he do for you?” “He’s my little assistant,” said Fear Maker. ‘Very well,” said King Brahmadatta, “the job is yours.”

In this way Fear Maker was accepted into the king’s service, but it was Little Archer who did all the work.

Before long, news came to the palace that there was a ferocious tiger living in the jungle next to the king’s highway. He ambushed travellers, and then killed and ate them. Many began to avoid the king’s highway out of fear of the man-eater.

The king summoned Fear Maker and asked, “Can you capture this rampaging tiger, young man?” “Your majesty,” he answered, “I am known as your best archer. Why wouldn’t I be able to capture a tiger?” Hearing this, the king gave him an extra sum of money and sent him out to catch the tiger.

Fear Maker went home and told all this to his partner. “All right,” said Little Archer, “be on your way!” “Aren’t you coming too?” asked the surprised Fear Maker. “No, I won’t go,” he replied, “but I will give you a perfect plan. You must do exactly as I say.” “I will, my little friend. Please tell me,” said the big front man.

The clever little dwarf said to his friend, “Go to the district of the tiger, but don’t rush straight to his home by yourself. Instead, gather together a thousand local villagers and give them all bows and arrows. Take them directly to the tiger’s home. But then you must let them go on ahead while you hide in the underbrush.

‘The local villagers will be very afraid of the tiger. When they see him they will surround him and beat him. Being so terrified, they won’t stop beating him until he’s dead!

“Meanwhile you must cut a piece of vine with your teeth. Then come out of hiding and approach the dead tiger, holding the vine in your hand. When you see the tiger’s body, shout at the people, ‘Hey! Who has killed the tiger? I was going to capture him with this vine and lead him like a bull to the king. That’s why I’ve been searching in the jungle. Now tell me who has killed the tiger before I could get here with my vine.’

“The villagers will be easily frightened by this. They will say, ‘Lord Fear Maker, please don’t tell the king! Then they will give you a big bribe to be quiet. Thinking you have killed the dangerous tiger, King Brahmadatta will also reward you greatly.” This was the tricky plan of the clever Little Archer.

Fear Maker did exactly as he had been instructed. The man-eating tiger was killed, and fear was removed from that part of the king’s highway. Followed by a big crowd he returned to the king and said, “Your majesty, I have killed the tiger and made the jungle safe for people again.” The king was pleased and gave him a huge reward.

Before long there were similar complaints about a buffalo who threatened another royal road. Again the king sent Fear Maker. Following Little Archer’s strategy he did exactly as before. He took credit for killing the buffalo and was greatly rewarded again by the grateful king.

By this time Fear Maker had become a very rich and powerful nobleman. All the wealth and praise, which he didn’t really deserve, soon went to his head. He became intoxicated with his own conceit and began thinking he was a ‘big man’ in his own right. He even looked down on Little Archer and ignored his advice. He said to him, “You think this is all because of you. But I don’t need you. I can do all this without you!” He had come to believe the appearance created by Little Archer’s plan.

Then it happened that an enemy king attacked. He surrounded the city of Benares with his army. He sent a message to King Brahmadatta that he must either surrender his kingdom or wage war. The King of Benares ordered his greatest hero, Fear Maker, to go out and fight the enemy.

Fear Maker was dressed in full military armour. He mounted the mightiest armoured war elephant. Little Archer knew that the ungrateful conceited braggart, called Fear Maker was really scared to death underneath. So he too mounted the elephant and sat behind Fear Maker. The mighty elephant walked through the city gates towards the battlefield, followed by a big crowd.

When Fear Maker heard the huge noise made by the war drums, he began trembling with fear. To keep him from falling off the elephant and being killed, Little Archer tied a rope around him and held him with it.

When Fear Maker saw the field of battle he was overwhelmed by the terrible fear of death. So much so, that he couldn’t help but release his bowels and urinate at the same time — all over the back of the poor brave war elephant!

The Enlightenment Being said, “Before you bragged and spoke roughly like a big man. But now, the only big thing you do is make a filthy mess all over this elephant’s back! Your present actions prove your past appearance was false.”

Fear Maker had embarrassed himself. Little Archer had humbled him by speaking the truth. But he couldn’t help feeling sympathy for him. He said, “Don’t be afraid anymore, my friend. With me to protect you, your life is safe. Climb down from the elephant and go home and take a bath.”

Alone atop the great elephant, the Enlightenment Being thought, “Now is the time to show what is in the heart of this hunchbacked little dwarf!” Shouting mightily as he rode he charged into the field of battle. Without killing any men or animals, he crashed through the enemy’s defences. He broke into the king’s camp, captured him, and took him back as prisoner to the King of Benares.

King Brahmadatta was delighted with Little Archer’s great victory. He rewarded him with wealth and fame. He became known throughout all India as ‘Little Archer the Wise’. He sent his friend Fear Maker back to his home village and supported him with monthly payments.

Little Archer the Wise practiced generosity and other meritorious deeds. When he died he was reborn as he deserved.

The moral is: “Appearances can be deceiving.”

80. Fear Maker and Little Archer [Self-deception]

Link: https://hhdorjechangbuddhaiiiinfo.com/2024/04/16/80-fear-maker-and-little-archer-self-deception/

#Buddhisttalesforyoungandold #Buddhiststories #storiesforkids #moralstories #Buddha #Jatakastories #PansiyaPanasJataka

Iron Man of Bhutan

Great Bodhisattva H.E. Tangtong Gyalpo

H.E. Tangtong Gyalpo , the iron man of Bhutan, the Leonardo da Vinci of the Himalayas, the king of empty fields, artisan, engineer, composer, poet, soldier, merchant and more. He is a repertoire matched only by his own achievements. He is none other than H.E. Tangtong Gyalpo, the great wandering scholar and accomplished yogi saint- and all the above.

Perhaps the most enigmatic of Buddhist saints,H.E. Tangtong Gyalpo is the most renowned as the builders of iron bridges. In his many visits to Bhutan he built 8 iron bridges and 2 temples, the Dumtseg lhakhang in Paro and the Tachog Lhakhang . These are the top places to visit in Bhutan

Dumtsek Lhakhang at Paro

If any imminent personage has fired the imagination of later day chronicles, scholars and devotees, none can compare to that of H.E. Tangtong Gyalpo. From the scandalously rogue antics of Drukpa Kuenley, the divine madman, to the menacingly airborne Milarepa, the legacy of Thang Tong Gyalpo is solid iron, literally so.

Personality

H.E. Tangtong Gyalpo is most revered and remembered for the numerous iron bridges that he built, accomplishments that begat him the more popular title  Chazampa(iron bridges). For his eccentricity and unconventional behavior he was called Lungton Nyonpa, the madman of an empty village. What was generally accepted was that he was Drubthob, the realized and accomplished one. He was so, in every sense of the word.

Iron Bridge at Tacgogang Lhakhang Built by H.E. Tangtong Gyalpo

His Birth

A popular and interesting but apocryphal legend has it that H.E. Tangtong Gyalpo was born as an old man. His parents, fearing that they had given birth to a freak abandoned him in the fields. He was then brought up by the wild animals and hence his name Tangtong Gyalpo. It translates as King of the open fields.

The more accurate accounts are that he grew up a child prodigy who has mastered the scriptures and the arts at a young age. In this context the name has been interpreted as the one with incomparable excellence in meditation. He is also known for steadfast and immobile from the plains (thang) of concentration. The name is also explained as indicative of his vast and supreme views on the nature of emptiness. 

His Reincarnation

His life is one of progression. The avatars as manifold as the names and their interpretations. He is at once a militia conscript who rose rapidly through the ranks to become a commander. He has captured several forts by way of nonviolent strategy. In his youth, he was a very successful merchant who gave up his wealth and profits to a local ruler to save the lives of several unknown people from execution. 

It is hardly surprising from this incident that he was considered an active emanation of Chenrezig, the bodhisattva of compassion. Additionally, several of his sadhanas such as Avalokiteshvara sadhana ‘For The benefit of All Beings Pervading Space” was composed by him after he received the transmission of this practice directly from Chenrizig. Chenrizig Nyungnye was also said to be a practice that he did throughout his life.

His Youth

H.E. Tangtong Gyalpo lived for a time in Lhasa, at the court of  the Deb Desi and was under the patronage of the daughter of the Desi. 

The princess commissioned several major works of sculpture and paintings; most notable among them the exquisite gold sculpture of Milarepa. He also crafted several life-sized statues of Chenrezig, Tsepame and Drolma from conch shell, coral and turquoise that were destroyed in 1959.

chenrezig
Chenrezig

H.E. Tangtong Gyalpo’s creativity and ingenuity were not limited to art but even extended to developing numerous medicines and treatments including some longevity pills. Perhaps through strange coincidence, the Chakpori hilltop where H.E. Tangtong Gyalpo lived near Lhasa later became the site for the first formal Tibetan medicinal institute built in the 17th century.

His Inspiration

H.E. Tangtong Gyalpo’s engineering feats, particularly with regard to bridge building, were reportedly inspired after he was refused passage on a ferry because of his ferocious and unkempt outward appearance. He was thrown unceremoniously into the water only to emerge with an insatiable zest for building bridges and ferry points. 

Tachogang village , connected by iron bridge
Tachogang Village , Connected By iron Bridge

The new found vocation was intended to inter-link remote and inaccessible villages and propagate the Buddhist faith. His early attempts suffered many set backs, the primary one being the lack of funds. This did not deter or faze H.E. Tangtong Gyalpo and he is said to have come up with an innovative idea to compose and organize performances of the first ever Tibetan Opera, the Achi Lhamo to finance his passion. 

Acheivement

Both bridge building and the opera were great successes. H.E. Tangtong Gyalpo went on to build something like 58 iron bridges and an equal number of wooden bridges, and over hundred ferry crossings all over the Himalayas including 8 iron bridges in Bhutan. None of the bridges are known to be standing. However, parts and pieces of iron still stand the taste of time at the national museum in Paro and at Duksum near Trashiyangtse, in eastern Bhutan. 

National Museum in Paro
National Museum in Paro

The Achi Lhamo opera, with the starting troupe of seven sisters who worked on the saint’s bridges, is still performed and enjoyed hugely to these days during the new year celebration and on festive occasions. 

Achi Lhamo Opera Still Prevalent in Bhutan
Achi Lhamo Opera Composed by H.E. Tangtong Gyalpo Still Prevalent in Bhutan

Places he visited

H.E. Tangtong Gyalpo traveled widely and is said to have visited SIkkim, Ladakh, Assam, Arunachal Pradesh and Bhutan in search of iron ore. He is a celebrated figure in this region and his exploits and compositions live on in the local folk songs and lore. He is also credited with composing many of the work songs sung in the villages of the region, including in Bhutan. Numerous stories and songs also extol his miracles and his enlightened activities and one song tells of him using the yeti as his porter. 

Living Temple of Thang Tong Gyalpo in Bhutan

H.E. Tangtong Gyalpo’s passage in Bhutan stands enshrined in the temples of Tachoggang and Dumtse in Paro that he built.

Dumtseg Lhakhang Paro

The biography of Lochen Gyurmey Dechen narrates that the blacksmith of Paro once manufactured seven thousand chain links for H.E. Tangtong Gyalpo. These he took to Tibet in 1400 carrier loads. During his frequent and long sojourns to bhutan he took a consort Drubthob Zangmo, the aunt of Great Terton Pema Lingpa from whom he had several sons whose descendants live on at the Tachogang monastery. 

The Depictions of H.E. Tangtong Gyalpo

Depictions of H.E. Tangtong Gyalpo are easily identifiable given his unusual appearances as in the manner of Maha siddhas. He has the signature iron chain link held in his right hand. The saint’s body complexion is dark reddish- brown, described in some cases as having the hue of “wet liver”.

Thangtong Gyalpo

He is said to belong to the descendent of the famed and legendary king Gesar. Seated on an antelope skin in the relaxed posture, he holds a  tsebum or vase of long life in his left hand which rests on his lap in the dhyani mudra. The saint’s tsebum links him to tsepame, the bodhisattva of infinite life. He had also discovered the sacred dharani  as a terma hidden by Guru Rinpoche. Special H.E. Tangtong Gyalpo drupchens of long life are still very popular..

His Countenance

H.E. Tangtong Gyalpo is depicted with his hair in a turban-like knot. He sports a long beard and long logs up to his shoulders which may be either black or white depending on whether he is depicted as an old man or in his prime. His image in Dumtse Lhakhang near the entrance is perhaps the youngest depiction. 

Thangtong Gyalpo

Clothed  in a white garment in this particular and unusual depiction, he maintains a goatee, short hair and holds his hand in the bhumisparsa mudra. The iron chain links are not held in the hands as usual but lie at the edge of the throne, barely discernible under the folds of his garments. In contrast, the huge main statue of the saint in the ZIlukha Drubthob nunnery above the Tashichho Dzong shows him at a ripped old age with long white flowing locks and beard. A pot belly and perhaps a gentler expression on his face. Numerous slate carvings of the saint holding his iron chain and vase are found in the Dzong and monasteries all around Bhutan. In many of these slate carvings the face is embellished with gold paint. 

H.E. Tangtong Gyalpo was also famous throughout Tibet for his great strength and engineering skills. He is a great Bodhisattva known and respected by one and all in Tibet. H.E. Tangtong Gyalpo was the supreme leader of four esoteric sects within India, Bhutan, Sikkim, Mongolia, and Eastern Tibet. He possessed teachings from many dharma lineages, the most remarkable of which were the lineage to extend one’s life and the lineage to bring in wealth and change one’s fortune. H.E. Tangtong Gyalpo was a great terton, or discoverer of hidden teachings called terma, who both revealed and concealed terma for future generations. His main practice was that of Chenrezig. A young incarnation of this great master is currently living in Bhutan.

In year 2005, H.H. Dorje Chang Buddha III accepted H.E. Tangtong Gyalpo as one of his disciples who is on the level of a great venerable one and performed an initiation for him, at HuaZangSi Temple in San Francisco.

He later learned that the book A Treasury of True Buddha-Dharma about the H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata was about to be published. He thereupon organized many rinpoches to practice the Kuan Yin Dharma one billion times as an offering to His Holiness Dorje Chang Buddha III. He also sent his written congratulations stating that His Holiness is the master of Buddhas, the magnificence of His Holiness is supreme and that in this world no other holy being in history can compare with His Holiness.

Iron Man of Bhutan

Link:https://peacelilysite.com/2024/04/12/iron-man-of-bhutan/

#DorjeChangBuddhaIII#HHDorjeChangBuddhaIII#HuaZangSi #Buddha #Buddhism #buddhist #Temple#GuanYinBodhisattva#BuddhismTemple#SanFrancisco#TangtongGyalpo #Buthan #Tibet

Source: https://www.bhutaninbound.com/blog/2022/06/11/thang-tong-gyalpo-iron-man-of-bhutan/#:~:text=Thang%20Tong%20Gyalpo%20is%20most,title%20Chazampa(iron%20bridges).

The Transformative Encounter: King Ajatasattu and the Buddha’s Teachings

King Ajatasattu, in order to seize the throne, murdered his own father, King Bimbisara. Afterwards, he felt constant pain and fear in his mind and body, seeking help from various physicians and religious experts but to no avail. Finally, at the urging of a monk named Jivaka, he went to seek the Buddha.

At that time, the Buddha was residing in a grove with a thousand monks. King Ajatasattu entered the assembly hall and saw a thousand monks sitting peacefully around the Buddha, not even the sound of rustling robes could be heard. King Ajatasattu had only briefly encountered the Buddha before, as he had never attended any of the Buddha’s teachings with his father. The Buddha invited them to sit down, and after bowing, the king said, “World-Honored One, I remember hearing you speak when I was young in the palace. Now I have a question for you: what practice can lead thousands of people to renounce worldly life and seek enlightenment?”

The Buddha asked if he had asked the same question to other teachers. King Ajatasattu said he had asked many different teachers, including Devadatta, but had never received a satisfactory answer. The Buddha said, “Your Majesty, tonight the Tathagata will explain to you the fruits of the true Dharma, some of which can be enjoyed in the present and some of which can be harvested in the future. You do not need to seek lofty answers; you just need to see clearly the mango you hold in your hand. Your Majesty, let me give you an analogy: a servant who obeys his master’s every command from morning till night. One day, he asks himself, ‘Why should I willingly be enslaved by my master?’ This servant decides to renounce his servitude and become a monk. He lives a life of celibacy, diligence, and mindfulness, eating only one meal a day, practicing walking and sitting meditation. His demeanor exudes peace and dignity in his actions and speech; he becomes a virtuous and respected monk. Although you know he was once a servant, when you see him now, would you say to him, ‘Come here, boy, I want you to serve me from morning till night, obeying all my orders’?”

King Ajatasattu said, “Certainly not, World-Honored One. I would never speak to him in such a manner. I would respectfully bow to him, offer him food, and ensure he receives the legal protections due to a monk.”

The Buddha said, “Your Majesty, this is the first fruit of the monk’s practice: he has liberated himself from prejudices of race, society, and class, and he has regained the dignity of being a human being.”

The Buddha continued, “Your Majesty, a person’s dignity is just the first fruit. A monk who observes the two hundred and fifty precepts can reside in a state of tranquility. Those who do not observe precepts are more prone to stray from the path; they may commit sins such as deception, intoxication, adultery, theft, or even murder. Such actions bring terrible punishments to their bodies and minds, and they may face severe penalties when caught. A monk who observes the precepts of non-killing, non-stealing, chastity, truthfulness, abstinence from intoxicants, and over two hundred other precepts finds it easier to live a psychologically freer life than ordinary people. This is another fruit that can be enjoyed in the present.

The Buddha continued, “Your Majesty, a monk possesses only three robes and an alms bowl. He never fears robbery nor needs to guard against thieves at night. He can sleep under a tree without worry. The freedom released from fear is the greatest joy. This is another fruit attained through practice. A monk’s life is very simple; although he eats only one meal a day, the food in his bowl comes from thousands of different households. He does not pursue fame or profit; he only uses what he truly needs, seeking nothing else. Dwelling in such unfettered freedom is a fruit that can be enjoyed at this moment.

King Ajatasattu said, “Truly remarkable, World-Honored One! Please continue.”

The Buddha said, “Your Majesty, if you understand how to cultivate mindfulness and contemplation of breathing, you can experience the joy of those who walk the path of practice. That is the bliss of meditation. A monk observes the six senses to overcome the five hindrances of desire, anger, delusion, sloth, and doubt. He attentively observes the breath to create joy nourishing body and mind, which helps him progress on the path to enlightenment. The pleasure derived from sensory experiences cannot compare with the joy obtained through meditation. The joy of meditation permeates body and mind, dispelling all anxieties, sorrows, and grief, allowing the practitioner to experience the true wonder of life. Your Majesty, this is one of the most important fruits of practice that can be enjoyed at this moment.”

The Buddha continued, “Your Majesty, because a monk consistently maintains mindfulness and adheres to the precepts, he can develop right concentration and insight into all phenomena. Through this insight, he sees the impermanent and selfless nature of all phenomena, thus no longer being bound by worldly affairs. He can then sever all entanglements of afflictions such as greed, anger, desire, sloth, doubt, attachment to views, speculative views, distorted views, and mistaking wrong views for right ones. After cutting off all these entanglements, the monk can attain liberation and freedom.”

“Your Majesty, liberation is true happiness and one of the greatest fruits of practice. Some of the monks sitting here tonight have already attained this fruit. Your Majesty, this is a fruit that can be realized in this very life.”

King Ajatasattu exclaimed, “Excellent, World-Honored One! I hope you can say more.”

The Buddha said, “Your Majesty, by illuminating the true nature of all phenomena, a monk knows that all phenomena are neither born nor extinguished, neither defiled nor pure, neither increasing nor decreasing, neither one nor many, neither coming nor going. With this understanding, a monk no longer discriminates; he regards all phenomena with equanimity, without hindrance. He rides the waves of birth and death to rescue sentient beings from the sea of suffering. He introduces sentient beings to the Great Way, allowing them to taste the joy of liberation. Your Majesty, helping others to break free from the maze of greed, anger, and delusion is the greatest joy. This joy extends from the present into the future as the supreme fruit of practice.

Your Majesty, in all his interactions, a monk never forgets the responsibility to guide others towards virtue and liberation. Monks do not engage in politics; they only contribute to the peace, morality, and happiness of society. The fruits of practice are not only for the benefit of monks; they are also the legacy that can be inherited by the people of the country.

The king stood up, sincerely clasping his hands together. He said, “Most Honored Teacher! World-Honored One! With your simple words, you have enlightened me, showing me the true value of the Dharma. World-Honored One, you have helped me rebuild what was shattered, revealed what was concealed. You have guided me back to the right path in my confusion, turning darkness into light. I beseech you, World-Honored One, to accept me as your disciple, just as you accepted my parents in the past.”

The king prostrated himself before the Buddha, who nodded in acceptance. He asked venerable Shariputra to teach king Ajatasattu the Three Refuges.

The meeting between the Buddha and King Ajatasattu was beneficial for all present, greatly alleviating the king’s mental torment. That night, he dreamt of his father smiling at him, healing all the wounds of the past. The king’s disposition completely changed, bringing infinite joy to his subjects. From then on, the king often visited the Buddha privately, no longer arriving on an elephant and without any guards. He climbed the meticulously carved stone steps up the mountain as his father had done in the past. In these conversations, King Ajatasattu confessed his innermost thoughts to the Buddha and repented for his past sins. The Buddha regarded him as his own son and advised the king to associate with virtuous people.

Link:https://peacelilysite.com/2024/03/28/the-transformative-encounter-king-ajatasattu-and-the-buddhas-teachings/

Brief Introduction to Great Bodhisattva H.E. Tangtong Gyalpo Bodhisattva

A Great Disciple of H.H. Dorje Chang Buddha III

H.E. Tangtong Gyalpo is a greatly accomplished person within Tibetan esoteric Buddhism who attained the rainbow body. He is a great Bodhisattva known and respected by one and all in Tibet.

He is also an extremely holy person who has made huge contributions to the Tibetan people. It was this great Bodhisattva who was the father of medicine, ferryboats, bridges, and operas in Tibet. He has brought to the living beings of Tibet limitless blessings. To this day, Tibetan temples and families continue to worship H.E. Tangtong Gyalpo Bodhisattva.


The first Tangtong Gyalpo left the household life to become a monk when he was very young. He studied the sutras and treatises and became good at debating the sutras. Although he possessed the Five Vidyas, he remained modest, simple, and down-to-earth. In order to provide a model of self-cultivation, H.E. Tangtong Gyalpo followed and learned under many people of great virtue.

He also engaged in solitary, quiet cultivation for a long period of time at the Eri Temple. Later, he received teachings directly from Dakini Niguma and became a person greatly accomplished in the dharma. People praised H.E. Tangtong Gyalpo with the following words: “In the vast realm of emptiness, there is a yogi who intensively studies emptiness and who is like the King of Fearlessness. His name is Tangtong Gyalpo.” He has also been respectfully called Zhibai Wangxiu Tangtong Gyalpo, which means the accomplished, free and unhindered Tangtong Gyalpo!

During a certain year in history, there was a serious drought and famine in Tibet. H.E. Tangtong Gyalpo conducted a Dharma Assembly in front of the Sakyamuni Buddha statue in the Jo-khan Temple in Lhasa. At that Dharma Assembly, he wrote “A Prayer to Eliminate Famine.” Many people then saw Kuan Yin Bodhisattva in the sky disseminating various grains. The famine ended not long after that.


There was another time when war and chaos occurred in the Muya district of Kham in Tibet, causing people to leave their homes and wander about. H.E. Tangtong Gyalpo made a vow and wrote “A Prayer to End War and Chaos.” People in that area very soon after that ended their mutual hatred and instead treated one another in a peaceful, friendly, and loving manner. There was another year when a pestilence broke out in a large area covering a religious site of the Sakya sect, causing countless deaths. The chanting of mantras and the offering of sacrifices could not end the pestilence. Thus, H.E. Tangtong Gyalpo again practiced dharma and wrote “A Prayer to End the Disaster of Illness.” As a
result, the pestilence disappeared forthwith. In previous times in Tibet, it was very difficult for people to cross rivers. The river waters mercilessly took away people’s lives as they attempted to cross the rivers. Thus, H.E. Tangtong Gyalpo made improvements to ferryboats and began building bridges. In that lifetime, he built fifty iron-chain bridges, sixty wooden bridges, and many temples. One of those temples was the Tangge Lakong (the Tangtong Gyalpo Temple), which was the first temple in the Derge region. With respect to medicine, H.E.Tangtong Gyalpo established the Medicine King Temple at Jiabori in Lhasa, invented a white pill that cured all kinds of internal medical diseases, and invented a red pill that cured epidemic diseases. Thus, he became the founder of Tibetan medicine. That white pill and red pill are used in Tibetan medicine even to this very day to relieve the sufferings of living beings.

This 600 year old bridge crosses the Paro Chhu (Paro River) and was traditionally restored in 2005 after being washed away during a 1969 flood. The bridge was originally built by the legendary Thangtong Gyalpo
Dungtse Lhakhang, a temple in form of a chörten near Paro in Bhutan was built by Thangtong Gyalpo. The roof construction is made of iron.


H.E. Tangtong Gyalpo Bodhisattva also wrote many Tibetan operas and established the Ache Lhamo opera troupe, the members of which acted out Tibetan historical stories through song and dance and pioneered Tibetan operas. The Achi Lhamo opera, with the starting troupe of seven sisters who worked on the saint’s bridges, is still performed and enjoyed hugely to these days during the new year celebration and on festive occasions. 

Achi Lhamo Opera Composed by Thang Tong Gyalpo Still Prevalent in Bhutan

H.E. Tangtong Gyalpo was the supreme leader of four esoteric sects within India, Bhutan, Sikkim, Mongolia, and Eastern Tibet. He possessed teachings from many dharma lineages, the most remarkable of which were the lineage to extend one’s life and the lineage to bring in wealth and change one’s fortune.
Everyone in Tibet, no matter what sect he or she belonged to, believed in and practiced such lineages and scriptures. Countless disciples of H.E. Tangtong Gyalpo became accomplished in the dharma under his teachings and attained great supernatural powers, wisdom and great compassion. More than one hundred disciples of his attained the rainbow body or the transformation rainbow body. All Tibetan people know that H.E. Tangtong Gyalpo is truly a great patriarch of Tibetan esoteric Buddhism and a great Bodhisattva. Later, each time H.E. Tangtong Gyalpo incarnated into this world. He was a great patriarch who spread the dharma, liberated living beings, and pervasively benefited people.

Thang Tong Gyalpo Present Reincarnation


H.E. the sixteenth Tangtong Gyalpo Bodhisattva (Thangtrul Rinpoche) took birth in Bhutan. His physical appearance resembles that of Guru Padmasambhava. Even when he sleeps, his eyes remain open. He saw H.H. Wan Ko Yeshe Norbu (Dorje Chang Buddha III) during a Dharma Assembly that took place in 2005 at Hua Zang Si in San Francisco, U.S.A. In a supernatural state of samadhi, he instantly saw that H.H. Dorje Chang Buddha, the highest ancient Buddha in the dharma realm, had already come to this world again. He at once formally acknowledged H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu as his master. H.H. Dorje Chang Buddha III asked him, “Did you follow and learn dharma under Guru Padmasambhava? Why have you come here?”H.E. Tangtong Gyalpo answered
that he had received teachings directly from Guru Padmasambhava and from H.H. Sakya Trizin who is the nirmanakaya of Manjushri Bodhisattva. He also said that he had come to request the highest dharma in order to save living beings. H.H. Dorje Chang Buddha III immediately snapped His fingers, and a dharma bowl manifested awesome power. H.H. Dorje Chang Buddha III then accepted H.E. Tangtong Gyalpo as one of his disciples who is on the level of a great venerable one and performed an initiation for him. H.E. Tangtong Gyalpo took that dharma bowl back to his home country.


He later learned that the book A Treasury of True Buddha-Dharma about the H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata was about to be published. He thereupon organized many rinpoches to practice the Kuan Yin Dharma one billion times as an offering to His Holiness Dorje Chang Buddha III. He also sent his written congratulations stating that His Holiness is the master of Buddhas, the magnificence of His Holiness is supreme and that in this world no other holy being in history can compare with His Holiness.

H.H. Dorje Chang Buddha III accepted H.E. Tangtong Gyalpo as his disciple at Hua Zang Si temple San Francisco

#DorjeChangBuddhaIII#HHDorjeChangBuddhaIII#HuaZangSi #Buddha #Buddhism #buddhist #Temple#GuanYinBodhisattva#BuddhismTemple#SanFrancisco#TangtongGyalpo #Buthan #Tibet


Link:https://peacelilysite.com/2024/03/22/brief-introduction-to-great-bodhisattva-h-e-tangtong-gyalpo-bodhisattva/

Source: https://www.rigpawiki.org/index.php?title=Thangtong_Gyalpo, https://www.nwrafting.com/international/thangtong-gyalpo-tachog-lhakhang, https://www.bhutaninbound.com/blog/2022/06/11/thang-tong-gyalpo-iron-man-of-bhutan/

Dharma Master Tonghui —- Great Achievers

Dharma Master Tonghui —- Great Achievers-图片2

Dharma master Tonghui

Venerable Dharma Teacher Tonghui (1922-2013) served as the Abbot of Longju Temple, renowned for Jiangxi Mazu. A devoted disciple of H.H. Dorje Chang Buddha III, he immersed himself in the teachings and practices of dharma. Also known as Elder Monk Tonghui, he transcended the ordinary, attaining the revered status of a holy monk.

Venerable Master Tong Hui, born Tang Zhenbang on March 5, 1922, in Penglai town, Suining City, Sichuan Province, belonged to the Han ethnicity. Renowned for his intelligence from a young age, he adhered to a vegetarian diet and practiced abstinence, following his parents’ guidance. In 1931, he entered monkhood under Master Pu Jing at Jinwen Temple in Pengxi. Full ordination followed in 1940, under Venerable Master Miaoneng at Baoguang Temple, and further studies in Chengdu’s Jingci Temple under Master Nenghai in 1941. Residing at Longju Temple with Master Miaoneng in 1942, he served during the transmission of the Great Precepts by Master Nenghai. Master Nenghai was one of the most eminent monks in last century.

Post-liberation, Longju Temple faced dispersion, confiscation of properties, and occupation during the Cultural Revolution. As the warehouse keeper, Venerable Master Tong Hui personally bore the repercussions of stolen food, enduring imprisonment to spare innocent people. False accusations regarding the team’s beekeeping further led to additional years in prison. His unwavering compassion and selflessness epitomized the Buddhist spirit.

Reopened by the government on December 16, 1986, Longju Temple underwent extensive renovations under the venerable master’s guidance. The Arhat Hall, Main Hall, Scripture Hall, and Accommodation Building were constructed, while the main gate, Ksitigarbha Hall, Hall of Heavenly Kings, and Bell Tower were restored. The restoration of large Buddha and Bodhisattva statues, as well as Arhat statues, showcased the venerable master’s dedication. Numerous instances of his awe-inspiring virtue were evident, such as his ability to attract dharma-protecting deities and revive a withered ginkgo tree with Bodhi Holy Water.

Front Entrance of Longju Temple

Grand Hall in Longju Temple

Moreover, Venerable Master Tong Hui made significant contributions to Buddhism by bringing back Buddha and Bodhisattva statues made of Burmese jade from temples in Dayi County and Daying County.

A legendary story recounts Master Tonghui’s visit to Burma in 1992. Venerable Dharma Teacher Tonghui went to Burma to respectfully receive and take back with him a Jade Statue of the Buddha. The night before the Dharma teacher arrived, many people in Burma suddenly dreamed that he was a golden Arhat and would soon come to Burma. The next day when he arrived in Burma, hoards of people made offerings to him. In Hinayana Buddhism, Arhats are praised in the same way that Bodhisattvas who attained the marvelous fruit of enlightenment are praised. It is clear that Venerable Dharma Teacher Tonghui was an amazing and great sage.

Venerable Dharma Teacher Tonghui peacefully passed away on February 26, 2013, at the age of 92. His preserved body, following ancient Buddhist rituals, was respectfully opened three years later on June 12, 2016, revealing a full and jade-colored flesh body in the urn. This sacred event reaffirmed the authenticity and practicality of true Buddha Dharma.

The flesh body of Venerable Dharma Teacher Tonghui is now enshrined in Longju Temple for people to respectfully admire.

Dharma master Tonghui — Great Archivers

Link:https://peacelilysite.com/2024/02/16/dharma-master-tonghui-great-achievers/

#Buddhist #BuddhaDharma #LonjuSiTemple #MasterTonghui #DorjeChangBuddhaIII  #HHDorjeChangBuddhaIII

A Beautiful Love Story Carved in the Dunhuang Grotto China

Prince Sunwoo ventured into the sea in search of treasures

In the ancient Dunhuang Grottoes of China, a mesmerizing love story unfolds, delicately captured in murals that have withstood the test of time. Let us immerse ourselves in this enchanting tale of kindness, courage, and wisdom.

Once upon a time, in the Kingdom of Polo, a joyous occasion marked the birth of a prince named Sunwoo. Born to the noble king and queen after twelve years of fervent prayers, the young prince brought immense happiness to the royal family.

As Sunwoo grew, so did his wisdom and kindness. His presence was a beacon of light, radiating love and compassion. However, alongside him was a stepbrother, an evil friend, whose heart harbored jealousy and resentment towards the virtuous prince.

The tale takes an unexpected turn when Sunwoo, driven by a desire to alleviate the suffering of his people, embarks on a perilous journey to seek treasures from the sea. His selflessness touches the hearts of many, but it also ignites the envy of his malevolent stepbrother.

Prince Sunwoo accompanied by 500 volunteers to search for treasur

Guided by an elderly instructor and accompanied by 500 volunteers, Sunwoo reaches Haizhou Jumbo Island. As he ventures further, facing challenges and loss, he encounters the benevolent Dragon King, who grants him the priceless Ruyi pearl.

Prince Sunwoo and his team sailed across the ocean

Meanwhile, back in the Kingdom of Polo, Sunwoo’s absence is keenly felt. His parents, yearning for his return, send a white goose as a messenger. The devoted goose delivers a letter revealing the Prince’s dire circumstances.

As Sunwoo’s journey unfolds, his evil stepbrother, fearing Sunwoo’s increased popularity upon return, decides to sabotage him. The malicious act blinds Sunwoo, leaving him vulnerable and alone.

In his darkest hour, a compassionate cowherd boy comes to Sunwoo’s aid. Unaware of his royal identity, the boy rescues Sunwoo and becomes his loyal companion, leading him back to the kingdom.

The love story takes an unexpected twist when the blind Sunwoo, reduced to a beggar, meets a kind princess during his wanderings. The princess was very touched by Sunwoo’s music. Her genuine affection and determination to marry him, despite societal norms, lead to a grand wedding.

In a poignant moment, the princess, deeply in love, makes a solemn vow. She promises to restore Sunwoo’s sight if her love is true and vows to take away her own eyes if she ever betrays him. Miraculously, her unwavering love restores one of Sunwoo’s eyes.

The narrative weaves through twists and turns, revealing the complex interplay of good and evil, karma, and ultimate redemption. Sunwoo’s evil stepbrother, realizing the consequences of his actions, repents and reveals the hidden Ruyi pearl.

In a grand reunion, Sunwoo’s parents regain their sight, and the entire kingdom is bathed in prosperity. The murals in Dunhuang and Kaihua Temple immortalize this timeless love story, showcasing not only the artistic brilliance of ancient China but also the enduring power of kindness and virtue.

As we reflect on this captivating tale, may it inspire us to embrace compassion, navigate life’s challenges with wisdom, and believe in the transformative power of love and redemption. The Dunhuang Grottoes stand as a testament to the rich tapestry of human stories etched in history, inviting us to cherish the enduring lessons embedded in their ancient walls.

Link:https://peacelilysite.com/2024/02/08/a-beautiful-love-story-carved-in-the-dunhuang-grotto-china/

#DunhuangGrottes #Murals #AcientArts

Source: photos from http://m.news.cctv.com/2020/08/09/ARTIoQSmgcAEjtx5j0cLVoos200809.shtml, https://www.sohu.com/a/334453850_120259260#google_vignette

Journey to Tranquility: Exploring the Wonders of Usnisa Palace at Niushoushan

The Usnisa Palace, also known as Foding Palace, is situated in the Niushoushan Cultural Tourism Zone, Jiangning District, Nanjing City. This architectural marvel, characterized by its deep pit structure, serves as the long-term sanctuary for the Foding relic bone. Spanning 220 meters in length, 160 meters in width, and towering at an overall height of 89.3 meters, with a total building area of approximately 136,000 square meters, the palace is a testament to grandeur. The external space is subdivided into three components: the large dome, small dome, and Foding cliff. Internally, it comprises nine layers – three above ground and six underground – housing the Zen Grand View, Relic Hall, and Relic Treasury. Foding Palace not only serves as the primary repository for the Buddha’s crown relic bones and a place of worship for believers but also functions as a cultural exhibition space showcasing relic culture and global Buddhist culture through various artistic mediums.

Niushoushan stands as one of China’s renowned Buddhist mountains and is the birthplace of Niutou Zen Buddhism, a significant sect of Chinese Zen Buddhism. It houses the world’s only Buddha’s Parietal Relic – the skull of Shakyamuni. This complete skull, with a circumference of 35 cm and a diameter of 10 cm, is adorned with yellow-and-black hues and features clear hair holes distributed throughout.

The Buddha’s Parietal Relic was unearthed in the Ashoka Pagoda within the underground palace of Bao’en Temple in Qinhuai District, Nanjing. It stands as the sole surviving true parietal relic of the Buddha globally.

The external space is ingeniously divided into three sections: the large dome, small dome, and Buddha Grottoes. The large dome, shaped like a Buddha’s cassock and stretching 120 meters in length, covers the small dome palace, symbolizing the boundless blessings of the Buddha. The small dome, resembling the Buddha’s hair bun, is composed of thousands of small units, representing the offerings made by thousands of believers. The base of the small dome takes the form of a lotus throne, featuring 56 flying Bodhi gates symbolizing Buddha’s infinite wisdom and 56 cloud gate wishful pillars symbolizing good luck and fortune.

Usnisa Palace : Large Dome and Small Dome

Within Foding Palace, the design deviates from a singular dome to an atrium-style space connecting upper and lower levels directly. The central reclining statue of the Buddha in Nirvana is a captivating focal point, visible from various angles. Using the four sights of birth, old age, sickness, and death, the Buddha imparts guidance and enlightenment to sentient beings. In Buddhism, “Nirvana” signifies a state of eternal and serene tranquility without birth or death. As the Buddha speaks, heavenly beings scatter flowers. Tradition holds that in the Buddha’s pure land, day and night witness the auspicious occurrence of raining flowers. During the Buddha’s Nirvana, offerings such as incense, flowers, and precious banners are made.

Upon entering Foding Palace, visitors traverse a long corridor adorned with paintings depicting sacred scenes. Four small palaces within the passage illustrate wonders of the four natural elements: earth, fire, water, and wind. The journey provides an opportunity to contemplate the painted stories of the Buddha’s eightfold path to enlightenment, featuring extraordinary phenomena related to earth and fire, such as thousands of small Buddha niches and a thousand heart lamps.

To approach Foding Palace, one ascends using a water elevator, marking the third wonder – the purification of the three realms through water. Depicting these natural phenomena through a meditative design, the top floor of Foding Palace awaits, featuring a towering space and exquisite dome. The celestial ambiance, with stars seemingly within reach, fosters a sense of unity between heaven and earth. This intentional design aims to allow individuals to grasp Buddhist stories and appreciate nature’s wonders before encountering the Buddha’s relic. This preparatory “journey” facilitates entry into Foding Palace with a tranquil and peaceful mindset, reminiscent of a meditative experience.

The internal space encompasses nine floors – three above ground and six underground – housing the Zen Grand View, Relic Hall, and Relic Palace.

Relic Hall

The Relic Hall comprises the Thousands Buddhas Hall and the Ten Thousands Buddha Corridor. The Thousand Buddhas Hall, adorned in red, yellow, and dark gold, features a vault-shaped layout corresponding to the Hua Zang Buddhist World. The central focus is the 21.8-meter-high Relic Pagoda, imitating the Ashoka Pagoda where the Buddha’s Parietal Relic was found. The Ten Thousands Buddha Corridor spans the 3rd, 4th, and 5th underground floors, showcasing Chinese Buddhism culture, seven-sided lacquer paintings depicting Indian Buddhist teachings, and Buddha’s relic and relic culture, including videos, porcelain paintings, ancient pagodas, and historical relics.

Thousand Buddha Hall
Ten Thousands Buddha Corridor

Relic Palace

Also known as the Buddha’s Treasure Palace, the Relic Palace exudes a solemn and mysterious atmosphere with its dark color scheme. It serves as a sacred space for housing the Buddha’s Parietal Relic and a place for Buddhist worship and meditation. At its center is the 7-meter-high Relic Treasure Pagoda adorned with exquisite golden decoration. Inside the pagoda is a hexagonal and intricate lotus stupa, housing the sealed glass box containing the Buddha’s Parietal Relic. The pagoda is equipped with fireproof and explosion-proof features, along with a constant temperature and humidity system to ensure the optimal environment for the relic. Surrounding the relic pagoda are eight unparalleled marble mosaics depicting the life of the Buddha.

Corridor of the Relic Palace
Relic Palace

Zen Grand View

The Zen Grand View spans 112 meters from north to south and 62 meters from east to west, with a total height of 46.5 meters. Its oval shape encompasses an area exceeding 6000 square meters, with a core focus on Zen culture. Comprising Buddha’s Birth, Buddha’s Enlightenment, and the Lotus Theater in the middle, the Zen Grand View narrates the life story of the Buddha.

Lotus Buddha Theatre – Not-to-miss Visual Feast

The Lotus Buddha Theatre hosts a daily “Song of the Lotus Buddha” Zen Buddhism culture ceremony and stage multimedia show from 10:00 to 11:30 in the morning and from 13:30 to 15:00 in the afternoon. This 30-minute visual feast combines ceremonial performance with burning lamps, praying, offering flowers to the Buddha, large-scale dancing, and more. During the performance, the Sleeping Buddha descends slowly from the air, accompanied by a rising stage, actors, and 16-meter-high lotus petals. The Sleeping Buddha, a copper statue of Sakyamuni, with a length of 7.5 meters and a surface made of white marble, can rotate 360 degrees, expressing the Buddha’s peaceful moment of Nirvana.

Lotus Buddha Theatre

Journey to Tranquility: Exploring the Wonders of Usnisa Palace at Niushoushan

Link:https://peacelilysite.com/2024/01/19/journey-to-tranquility-exploring-the-wonders-of-usnisa-palace-at-niushoushan/

#UsnisaPalace #Buddha #Travel #Nanjing #TravelChina #Lotus #BuddhaRelic #ZenBuddhism

Source: https://www.chinadiscovery.com/jiangsu/nanjing/niushoushan.html, https://baike.baidu.com/item/%E4%BD%9B%E9%A1%B6%E5%AE%AB/18723834

The Debate of King Milinda – Nagasena Bhikkhu Sutra

The twelfth among the Eighteen Arhats is recognized as Nagasena in Sanskrit, meaning “Dragon Army.” Often referred to as “Bhikshu Nagasena,” he was a Buddhist theoretical philosopher who received full ordination at the age of twenty and eventually attained the state of Arhat. Bhikshu Nagasena journeyed to the ancient kingdom of Shakyadesha in northwestern India to engage with King Milinda. Responding to the king’s inquiries, Nagasena eloquently expounded on the impermanence of life, the law of karma, and various facets of Buddhist practice, employing metaphors to convey profound insights. This discourse is encapsulated in the “Nagasena Bhikshu Sutra,” representing a comprehensive exposition of fundamental Buddhist teachings.

Below are excerpts from conversations between Nagasena and King Milinda, where the king poses questions and Nagasena responds with profound wisdom and intelligence.

First Question

Once, King Milinda intentionally sought to challenge Bhikkhu Nagasena and questioned him, saying, “You did not live in the same era as the Buddha, and you never met Siddhartha Gautama. How can you be sure that the Buddha actually existed?”

Wise Bhikkhu Nagasena responded by asking, “Great King, how did you inherit your throne?”

“It was passed down to me by my father,” replied the king.

“And from whom did your father receive the throne?” Nagasena inquired.

“From his father, my grandfather.”

“And your grandfather’s throne, from whom did he receive it?”

“From his forefather, my great-grandfather!”

Nagasena continued, “If we trace this lineage generation by generation, do you believe that there was an original founder of your kingdom?”

King Milinda replied with certainty, “Certainly, I believe so!”

“Have you ever seen this founder?” Nagasena asked.

“No, I haven’t.”

“How can you believe in someone you haven’t seen?” Nagasena questioned further.

The king explained, “Our founding monarch established laws, systems, and regulations, all of which are recorded in history. Though I haven’t seen him, I believe in his existence because there are historical records.”

Smiling, Bhikshu Nagasena nodded and said, “In the same way, we believe that the Buddha indeed existed. In Buddhism, there is the Triple Gem of Buddha, Dharma, and Sangha, along with scriptures, Vinaya (monastic rules), and Abhidharma (philosophical teachings). The Buddha’s ethical guidelines and historical events are not fabrications; they are as real as your founding monarch in historical terms!”

Second Question:

Unable to find fault with Bhikkhu Nagasena in the first question, King Milinda, using his wit, posed another challenging query. He asked, “Buddhists often speak of the ultimate happiness being the realization of Nirvana, attaining a state beyond birth, death, and cessation. Bhikshu Nagasena, have you attained Nirvana?”

Bhikshu Nagasena humbly replied, “I’m ashamed to admit that I haven’t.”

King Milinda, feeling triumphant, questioned, “If you haven’t experienced it yourself, how do you know about the state of Nirvana?”

If this question were posed to you, how would you respond?

Rather than directly answering, Bhikshu Nagasena turned the question back to King Milinda, asking, “Great King, if I were to take a large knife and cut off your arm right now, would it be painful?”

King Milinda’s expression changed, and he said, “Certainly, it would be painful! How could having one’s arm cut off not be painful?”

Nagasena pressed on, “But your arm has never been cut off before, so how do you know it would be painful?”

The king replied, “I have seen others experience the pain of having their arms cut off, so I know it would be painful!”

Smiling, Bhikshu Nagasena respectfully remarked, “Great King, just as you can understand the pain of losing an arm by witnessing others, I, too, have seen the joy of those who have realized Nirvana. Hence, I am certain about the sublime nature of the Nirvana state!”

Third Question:

King Milinda, persisting in his skepticism, attempted a third inquiry, asking, “Monastics are supposed to embrace compassion. How do you forgive your enemies?”

Bhikshu Nagasena smiled and replied, “Great King, if you had a festering wound on your leg, would you chop off your entire leg?”

“No, I wouldn’t,” answered the king.

Nagasena continued, “So, what would you do?”

“I would carefully clean it, apply medication, and with time, the wound would heal,” explained the king.

Bhikshu Nagasena stated, “Exactly! Enemies and wrongdoers are like festering wounds. If not taken care of and treated, they will spread and worsen. Therefore, one must use the water of dharma to cleanse them, encouraging them to abandon wrongdoing and turn towards righteousness. This principle is similar to how you, Great King, nurture and care for the wound on your leg!”

Fourth Question:

King Milinda nodded in acknowledgment but remained unconvinced. After contemplating, he posed another question, “You often advise people to accumulate merits for the next life. Since you haven’t experienced death, how do you know there is life after death?”

Bhikshu Nagasena responded with a simile, “It’s similar to a mandarin orange. When the fruit ripens and falls to the ground, the flesh rots away. However, the seed remains buried in the soil. When the time is right, it sprouts, grows, and becomes a robust mandarin orange tree. The human body is just a temporary aggregation of the four elements. When the illusion shatters, the body dies. Yet, the karmic consciousness continues the cycle of birth and death. It is like the seed of the mandarin orange, persistently reincarnating in the six realms, not just once but countless times, with an endless cycle of rebirths.”

Fifth Question:

Despite King Milinda’s lingering dissatisfaction, he presented a fifth question, each one more challenging than the last. However, Bhikshu Nagasena, wise and composed, continued to respond with a smile.

King Milinda asked, “Do monastics love their own bodies?”

Bhikshu Nagasena replied, “The body is merely a temporary confluence of the four elements and five aggregates. Monastics do not have attachment to it.”

King Milinda, feeling confident, cleverly countered, “Oh! You claim not to love your body, but monastics still dress, eat, and sleep. Isn’t that a way of protecting the physical form? If you say you don’t love it, isn’t that a contradiction?”

Bhikshu Nagasena smiled and offered a different perspective, “Great King, if you had a boil on your body, would you love it?”

“A boil? Such a dirty and unpleasant thing! Who would like it?” exclaimed the king.

“If you dislike it, why bother cleaning it, applying medication, and taking constant care to prevent it from worsening? Checking on it every day to see if it’s improving. If you claim not to like the boil, isn’t that contradictory behavior?” Nagasena questioned.

King Milinda, somewhat defiantly, argued, “I do it for the health of my body!”

Bhikshu Nagasena chuckled and said, “Exactly! Monastics may not love this body, but for the purpose of cultivating the spiritual path, they still have to care for this illusory form.”

Sixth Question:

King Milinda, undeterred by previous responses, continued with his inquiries, asking, “Can Siddhartha Gautama, the Buddha, know the causes and effects of the past, present, and future?”

“Buddha possesses great supernatural powers, and indeed, he can know the past, present, and future!” answered Nagasena.

“If that’s the case, why doesn’t he teach all of you those supernatural powers? Then, disciples could instantly know the past, present, and future karmic obstacles, and everyone would attain enlightenment quickly. Why go through gradual training?” questioned the king.

The clever Nagasena, handling the question with ease, asked in return, “Great King, if you were a physician, wouldn’t you know about various medicinal herbs?”

“Of course! A physician needs to know the properties of different herbs and their healing abilities,” replied the king.

“Since a physician knows about numerous medicinal herbs, can he prescribe all of them to a single patient?” Nagasena asked.

King Milinda, dismissing the idea, responded, “Certainly not! Treating an illness requires targeted medications, gradual adjustments, and specific remedies tailored to the patient’s condition. Haphazard prescriptions won’t cure the patient; it needs careful consideration!”

Seizing the opportunity, Nagasena continued, “Likewise, the Buddha imparts the Dharma based on individual capacities, tailoring the teachings to each disciple’s unique qualities. Gradual instruction is necessary, adapting to the disciples’ diverse capacities, to guide them step by step on the path to enlightenment. Otherwise, trying to rush the process might lead to unintended consequences!”

The Debate of King Milinda – Nagasena Bhikkhu Sutra

Link:https://peacelilysite.com/2024/01/11/the-debate-of-king-milinda-nagasena-bhikkhu-sutra/

Source: https://hk.aboluowang.com/2020/0519/1453067.html

Dazu Rock Carvings – The Last Monumental Works in the History of World Grotto Art

Detail of reclining Buddha, Parinirvana of Shakyamuni attended by bodhisattvas, Mt. Baoding, Southern Song Dynasty, Dazu, China, 102′ long (photo: Mulligan Stu, CC BY 2.0)

With a history spanning over 1,300 years, the Dazu Rock Carvings represents the pinnacle of grotto art worldwide from the ninth to the thirteenth century. The exquisite and varied cliff-side sculptures at Dazu caves provide outstanding proof of the harmonious fusion of Buddhism, Taoism, and Confucianism in civil. In 1999, the Dazu Rock Carvings was inscribed on the World Heritage List by UNESCO.

Enjoying a comparable reputation with the top four grottoes in China (Mogao Grottoes, Yungang Grottoes, Longmen Grottoes, and Maijishan Grottoes) and being rated as one of the eight grottoes in the world, the Dazu Rock Carvings (“大足石刻” in Chinese), also known as Dazu Caves or Dazu Grottoes, located 167km from the city center of Chongqing. It is the one and only UNESCO World Cultural Heritage Site in Chongqing municipality. The Dazu Rock Carvings consists of 75 cave temple sites, including more than 50,000 statues, being protected for their historical, artistic, and scientific values at different levels, representing the pinnacle of Chinese cave temple art between the 9th and 13th centuries. Among them, rock carvings of Baodingshan (宝顶山), Beishan (北山), Nanshan (南山), Shimenshan (石门山), and Shizhuanshan (石篆山) are exquisitely sculpted with the most distinctive style.

The Dazu Rock Carvings started in the early Tang Dynasty, went through the late Tang Dynasty and the Five Dynasties, and then experienced its golden time in the Northern and Southern Song Dynasty. At the time when cave art in northern China fell into decay, the Dazu Rock Carvings undoubtedly created another peak in the history of Chinese cave art, extending the history of Chinese cave art for more than 400 years. Since then, there have been no such large-scale rock carving events in China or even in the world. Therefore, the Dazu Rock Carvings are also known as the last monument and swan song in the history of the world’s grotto art.

UNESCO Stele of the Dazu Rock Carvings

Differing from famous royal grottoes in the north, the religious cliff inscriptions in Dazu show distinctive features of nationalization, secularization, and everyday life, reflecting the remarkable development and changes in folk religious beliefs. Thus, the Dazu caves have the irreplaceable historical, artistic, scientific, and connoisseurship values of grottoes of the previous generations. Another highlight that has to be mentioned is that the statues there provide outstanding evidence of the harmonious synthesis of Tantric Buddhism, Taoism, and Confucianism. Visitors can see separate stone carvings as well as the unity caves reflecting the three religions’ confluence and ruling together. Moreover, thanks to the southern hinterland location of the Dazu Rock Carvings, this cultural heritage stays far away from man-made sabotage, retaining the integrity of the statues, the original characteristics and values of the period when the carvings were created.

Rock carvings in Dazu are mainly located across five mountains, each containing distinct sets of grottoes, among which the cliff-side sculptures on Baodingshan and Beishan are best known and considered to be the model of the late Chinese grottoes statue art. The pictures of the Dazu rock carvings that we commonly find online were mostly taken at the Baodingshan Scenic Area, which is also the must-visit site for a Dazu Rock Carvings tour.

Baodingshan Rock Carvings (Baodingshan Scenic Area)

Fifteen kilometers northeast from Dazu center, Baodingshan Rock Carvings was constructed by the famous monk Zhao Zhifeng in the Song Dynasty for more than 70 years. As one of the most famous Tantric Buddhist shrines in China, there is an old saying that goes like “Go North, climb the Emei Mountain; Go South, reach the Baoding Mountain.” The centerpiece of the Baodingshan rock carvings is the U-shaped Grant Buddha Bay, also known as Dafowan (“大佛湾” in Chinese). Nearly ten thousand statues are carved along the east, north, and south cliffs, which are approximately 500 meters in length and 8-25 meters high. Like a picture scroll with endless photographs, the content of Baodingshan rock carvings is mainly Buddhist scripture stories, each niche related to the other but not identical.

Dazu Rock Carvings – Buddhist Wheel of Life

Avalokitesvara with Thousand Hands

The Buddha statues at Baodingshan are novel in conception, skillful in carving, and rich in secular characters. Religious treasures come one after another, including the representative work – Niche of Sakyamuni Entering Nirvana, one of the wonders of Buddhist art in the world – Avalokitesvara with Thousand Hands, striking image of Buddhist Wheel of Life, scientific designs of Three Saints of Huayan School of Buddhism and Cave of Full Enlightment showed craftsmans’ ingenuity.

In addition, niche content and their expression approach are striving to visualize reality. For instance, Niche of Parental Love Sutra contains ten groups of carvings, including scenes like begging for a son, carrying a child, and going into labor, etc., depicting parental love in bringing up children with plots linking to each other as a picture-book. These carvings are vivid and impressive. They were the outcome after Buddhism had been localized in China.

The ox herding story

Located at the eastern end of the Great Buddha Bend, the ox herding tableau, shows a herdsman taming a disobedient ox—a traditional metaphor for the path to self-enlightenment and a popular theme among Ch’an Buddhist monks and painters in the Song Dynasty. The tableau is made up of eleven vignettes arranged horizontally along a 27-meter cliff wall.

Ox herding story (scene 1–2), Niche 30, Dafowan, Mt. Baoding, Dazu. Southern Song Dynasty (photos: G41rn8, CC BY-SA 4.0)

The first three vignettes each depict a lively interaction between a herdsman and an ox in a landscape setting. The herdsman represents the Buddhist practitioner while the ox refers to the practitioner’s potential to become a Buddha. As the ox turns its body away, the stocky herdsman uses force, grass, and a stick to tame the ox. The verses accompanying the scenes further recount these struggles. 

Herdsmen embracing in the ox herding story (scene 5), Niche 30, Dafowan, Mt. Baoding, Dazu. Southern Song Dynasty (photos: G41rn8, CC BY-SA 4.0)

In the fourth and fifth vignettes, the ox is finally brought under control. The herdsman, featuring a wide, joyful smile, wraps his arms around his fellow herdsman while holding on to the ox with the rope in his hands.

In addition to the uncanny quality of grottoes’ masterpieces at Grant Buddha Bay (Dafowan), there are also many highlights you can’t miss while visiting Baodingshan Scenic Area:

  • Watch a 4K film with English subtitles to learn about the history and development of Dazu rock carvings, and enjoy an 8D view of spectacular grottos at the dome theater
  • Take a leisure stroll at Dazu Rock Carvings Museum (大足石刻博物馆) to gain insights into the whole thread of world cave temple art and the basic characteristics of Dazu Rock Carvings
  • Visit Shengshou Temple (圣寿寺) to admire the exquisite temple architecture, which was rebuilt at the Ming and Qing Dynasties.
Shengshou Temple & Dazu Rock Carvings Museum

Beishan Rock Carvings

1.5km north to Longgang Town of Dazu, with an altitude of 545.5m, Beishan is also called Longgang Mountain in the past. Beishan Rock Carvings is the initial of Dazu Rock Carvings. They were first created by Wei Junjing, prefect of Changzhou, in 892 A.D. of the late Tang Dynasty. Until 1162 A.D. of the Southern Song Dynasty, the existing scale of Beishan Rock Carvings was formed, and it centered around Fowan. The rock carvings are numbered and divided into two sections: No.1 ~ No.100 are in the south section, while No.101 ~ No. 290 are in the north section. There are over 5,000 statues on a 500m long cliff, with a height of 7 to 10 meters. The grottoes are very dense, just like a hive, and all of them are delicate and carved with high sculpture skills.

Avalokitesvara with a Rosary

The crowning jewels of Beishan rock carvings are the statues of Avalokitesvara. They are ornamental and artistic, with diverse looks and postures. The most emblematic ones are the Avalokitesvara with a RosaryAvalokitesvara Watching the Moon Reflection in the Water, and Thousand-armed and Thousand-eyed Avalokitesvara, etc.

Beishan rock carvings can be visited both during the day and at night. An additional visual experience is provided by the scenic spot’s usage of colored light to illuminate the stone statues. Besides, if you have enough time and stamina, don’t forget to follow the downhill trail to visit the Duobao Pagoda (多宝塔) to see the giant cliff statues of Beishan, the Two Buddhas of the North Pagoda.

Dazu Rock Carvings – The Last Monumental Works in the History of World Grotto Art

Link:https://peacelilysite.com/2024/01/04/dazu-rock-carvings-the-last-monumental-works-in-the-history-of-world-grotto-art/

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Source:https://www.chinadiscovery.com/chongqing/dazu-rock-carvings.html, https://smarthistory.org/mt-baoding-dazu-rock-carvings/