Category: Buddhist Town

A Ten-Day Grand Dharma Assembly in Las Vegas

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Listening Reverently to the Supreme Dharma Discourse and Celebrating the Holy Birthday of Namo Amitabha Buddha

From January 4 to January 13, the Las Vegas Charity Temple solemnly hosted a ten-day “Grand Prayer Dharma Assembly for Reverently Listening to the Dharma Discourse of Namo Dorje Chang Buddha III and Celebrating the Sacred Birthday of Namo Amitabha Buddha.”

The assembly respectfully invited Venerable Shih Zhèng Dá, Vice Chairman of the World Buddhism Headquarters, to preside over the ceremonies. Under his compassionate guidance, participants reverently listened to the Dharma Discourse of Namo Dorje Chang Buddha III and took part in a series of profound and auspicious events, including:

  • The Prayer Dharma Assembly in Celebration of Namo Amitabha Buddha’s Birthday
  • The Great Compassion Avalokiteshvara Blessing Dharma Assembly
  • The Universal Deliverance and Requiem Dharma Assembly for the Deceased
  • A One-Day Chan (Zen) Retreat
  • Group cultivation of the Vajra Yoga Perfected Practice
  • Acts of compassion such as life release, charitable donations, and aid for the poor

High-ranking monastics, rinpoches, respected community leaders, and devoted lay practitioners from across the United States, Canada, Thailand, Hong Kong, Taiwan, and other regions gathered to participate in this rare and殊勝 (supremely auspicious) event.

The Vast Resonance of the Buddha’s Voice, Blessing All Beings

At 9:00 a.m. on January 4, the Dharma Assembly for Reverently Listening to the Supreme Dharma Discourse of Namo Dorje Chang Buddha III officially commenced.

At the center of the mandala in the Grand Hall stood the sacred text “Explaining the Ultimate Truth through the Heart Sutra”, expounded by Namo Dorje Chang Buddha III. The altar was adorned with fresh flowers, the Eight Auspicious Offerings, colorful banners, incense, and lamps—radiating solemnity and auspiciousness.

Led by Venerable Zhèng Dá, dozens of monastics, rinpoches, and over a hundred distinguished guests and devotees respectfully welcomed the Buddha’s Dharma Discourse into the hall. Reverently listening to the Dharma Discourse of Namo Dorje Chang Buddha III formed the spiritual heart of the entire ten-day assembly and was complemented by in-depth study of the Collected Canon of Namo Dorje Chang Buddha III.

Venerable Zhèng Dá emphasized that true cultivation must follow the Buddha’s teachings through listening, contemplating, and practicing, integrating the Dharma into every detail of daily life. He encouraged participants to unite practice and understanding, allowing wisdom to arise naturally through consistent application.

After listening to the Buddha’s Dharma Discourse, many participants shared profound insights and transformative experiences. With sincere vows, they resolved to practice according to the Buddha’s teachings—
refraining from all evil, practicing all good, and benefiting all beings—
while jointly praying for world peace, national harmony, favorable weather, and the health and happiness of all sentient beings, so that wisdom and blessings may increase together.

Cultivating Body, Speech, and Mind—Receiving Great Benefit

During the assembly, Venerable Zhèng Dá also led group cultivation of the Vajra Yoga Perfected Practice and presided over the Great Compassion Avalokiteshvara Blessing Dharma Assembly. Many participants felt profound responses, sensing the compassionate presence of Namo Avalokiteshvara Bodhisattva at the mandala. Some experienced relief from illness, inner peace, and extraordinary joy.

The One-Day Chan Retreat was guided according to the Great Chan Meditation Practice transmitted by Namo Dorje Chang Buddha III. After completing ten meditation sessions, many participants reported physical healing, improved energy flow, enhanced concentration, and deep mental clarity. Some even experienced sacred meditative states without attachment, while the entire assembly was filled with the joy of Chan and Dharma bliss.

On January 13, as the Dharma listening sessions reached completion, participants engaged in a closing Dharma debate. The fourfold assembly divided into two groups, formulating questions and arguments based on Buddhist logic and authentic Dharma principles. Through reasoned discussion and lively exchange, participants demonstrated how daily cultivation leads to flexible understanding, deep insight, and genuine realization.

Releasing Life, Protecting Life—Dedicating All Merit Universally

This ten-day New Year Grand Prayer Dharma Assembly concluded in perfect auspiciousness. Acts of compassion—including life release and charitable donations to disaster-stricken areas—were carried out in succession, bringing the event to a wholesome and complete close.

Though more than ten days of intensive Dharma listening and group cultivation seemed to pass in an instant, the joy of the Dharma lingered in every heart. Participants made renewed vows to cultivate diligently, uphold the Buddha’s teachings, and bring benefit and happiness to all beings.

May the true Dharma of the Buddha spread throughout the world,
may sentient beings enjoy long life and increasing blessings,
may the winds and rains come in harmony, harvests be abundant,
may nations prosper, and
may lasting world peace prevail.

(This post is translated and adapted from a news report on 2026/01/15, originally published by the Las Vegas Chinese News Network. Translation by Linda Chang. For the original Chinese article, please see here.)

Source：Photos from Las Vegas Chinese News Network https://www.lvcnn.com/news.php?id=53597

Link:https://peacelilysite.com/2026/01/23/a-ten-day-grand-dharma-assembly-in-las-vegas/

A Delegation of Buddhist Town visited Bhutan

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At the invitation of Rev. Chandima of the Sri Lanka Cultural and Educational Foundation, members of Buddhist Town joined a delegation to Bhutan to participate in the Global Peace Festival, held in celebration of the 70th birthday of the Fourth King of Bhutan. The trip was co-organized by the Buddhist Town Community Association, with participating organizations including Fa Chan Temple, Macang Yuan, Holy Vajrasana Temple, and the Canadian Institute of Buddhist Studies, among others. In total, 68 representatives took part in this meaningful event.

As part of the visit, the delegation donated 500 sets of essential baby supplies, offering prayers for happiness, health, and well-being for every family. The donation ceremony was attended by the Director of Bhutan’s Ministry of Health, who officially received the supplies. Following the ceremony, the donated items were distributed on-site to pregnant women and mothers with newborns by members of the delegation.

The delegation jointly sponsored the offering of 3,000 butter lamps and respectfully invited Master Shin Zhengda Jaozun to preside over the 3,000 Butter Lamp Offering Ceremony at Kyichu Lhakhang, one of the oldest temples in Paro. The prayers were dedicated to world peace, the removal of obstacles, the averting of disasters, and the flourishing and propagation of the True Buddha Dharma.

Kyichu Lhakhang is one of the 108 demon-subduing temples built by King Songtsen Gampo. Established in 638 CE, it stands as one of Bhutan’s most sacred and historically significant temples.

Dasho Passang Dorji, former Speaker of the National Assembly of Bhutan, formally welcomed the Buddhist Town delegation at Paro International Airport. Following the reception, the delegation embarked on an inspiring journey to visit sacred sites associated with Guru Padmasambhava and to learn how Zhabdrung Rinpoche further propagated and established Guru Padmasambhava’s lineage teachings throughout Bhutan.

During the journey, the delegation visited many major temples and sacred sites, including the Buddha Dordenma in Thimphu (21st century), Punakha Dzong (17th century), the Druk Wangyal Chortens—also known as the 108 Stupas (21st century), Chimi Lhakhang (15th century), Khewang Lhakhang (15th century), and Gangtey Monastery (17th century), among others.

The final highlight of the journey was the ascent to the legendary Taktsang Monastery (8th century), dramatically perched at an elevation of 3,100 meters above sea level. According to tradition, Guru Padmasambhava flew to this sacred site, where he subdued negative forces and later spread Buddhism throughout Bhutan, becoming the foundational figure of Bhutanese Buddhism.

By Original: Nina R from AfricaDerivative work: UnpetitproleX – Paro Taktsang, BhutanThis file was derived from: Paro Taktsang, Bhutan (49694480001).jpg, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=163890881


With an elevation gain of more than 900 meters and steep mountain trails, the pilgrimage requires a 7–8 hour round-trip hike. Throughout the journey—visiting sacred sites, receiving blessings, paying homage to the Buddhas, and experiencing deep spiritual inspiration—the delegation was filled with immeasurable Dharma joy and boundless gratitude.

At every point along the path, it felt as though the land itself was gently reminding the delegation that all worldly phenomena are impermanent and ever-changing, and that only the true Dharma of the Buddha remains eternally unchanged.

Link: https://peacelilysite.com/2026/01/02/a-delegation-of-buddhist-town-visited-bhutan/

Source: https://lirp.cdn-website.com/9890f458/dms3rep/multi/opt/BT+Newsletter+EN+-+202511-1920w.png

Kumbum Monastery: The Sacred Birthplace of a Master and the “Three Wonders” of Tibetan Art

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In the southwestern suburbs of Xining, where the air grows thin and the spirit grows light, stands one of the most significant sites in the Buddhist world: Kumbum Monastery.

Known in Tibetan as Kumbum Jampa Ling, meaning “A Supreme Temple of a Hundred Thousand Lion’s Roar Buddha Images,” this sprawling complex is far more than just a collection of buildings. It is a living monument to Lama Tsongkhapa, the revered founder of the Gelug (Yellow Hat) sect of Tibetan Buddhism.

The Legend of the Golden Tree

Unlike many temples built to house statues, Kumbum was built to house a pagoda.

Legend tells us that Tsongkhapa was born here in 1357. When his mother cut his umbilical cord, drops of blood fell to the earth, and from that spot grew a miraculous sandalwood tree—the “Tree of Great Merit.” It is said this tree had 100,000 leaves, each bearing a natural image of the Buddha.

Years later, when Tsongkhapa was studying in Tibet, his mother sent a letter begging him to return. He replied that he could not leave his studies, but sent a self-portrait and a “Lion’s Roar” image, instructing her to build a pagoda over his birthplace. “Seeing this pagoda,” he promised, “is the same as seeing me.” In 1379, the Julian Pagoda was built, forming the sacred heart of what would become Kumbum Monastery.

Kumbum is world-renowned for its harmonious blend of traditional Tibetan and Chinese Han architectural styles.

1. The Eight Pagodas of Buddha Shakyamuni

Greeting visitors in the front square are eight gleaming white pagodas. Built in 1776, they commemorate the eight great merits and virtues of Buddha Shakyamuni. Each stands 6.4 meters tall, decorated with delicate Sanskrit scriptures and guardian lions, serving as a powerful symbol of the monastery’s spiritual authority.

2. The Grand Golden Tiled Hall

This is the soul of the monastery. With its gilded copper roof and emerald glazed-tile walls, the hall radiates a celestial glow. Inside, you will find an 11-meter-tall golden tower wrapped in white sandalwood and encrusted with jewels. At its peak sits a statue of Tsongkhapa. For pilgrims, meeting this tower is considered a direct meeting with the Master himself.

3. The Main Assembly Hall

Spanning nearly 2,000 square meters, this is the center of monastic life. Under a flat roof adorned with gilded bronze bells and “Aquarius” vases, hundreds of monks gather to recite sutras. The interior is a sensory masterpiece of colorful streamers and intricate carvings.

Dhammapala Hall

The “Three Artistic Wonders” of Kumbum

Kumbum is celebrated throughout Asia for its “Three Arts,” which represent the peak of Tibetan craftsmanship and devotion.

I. Vivid Yak Butter Sculptures

In the freezing depths of winter, when fresh flowers were unavailable for offerings, monks began carving flowers from yak butter. This evolved into a sophisticated art form. In the Yak Butter Sculpture Hall, you can see entire landscapes, pavilions, and deities crafted with impossible detail. To keep the butter from melting while they work, monks must dip their hands in ice water—a true testament to their endurance and faith.

II. Imaginative Barbola (Embroidered Appliqué)

Barbola is a unique form of 3D silk embroidery. By layering silk and cotton, artists create raised patterns that give the figures of Buddhas and animals a lifelike, three-dimensional appearance. The “Sixteen Disciples of Buddha” housed in the Main Assembly Hall are considered national treasures.

III. Exquisite Murals

The walls of Kumbum are alive with color. Using special mineral pigments that remain vibrant for centuries, these murals depict the life of Shakyamuni and scenes from the sutras. During the Sutra-viewing Festival, a massive 30-meter-long Buddha scroll is unfurled on the hillside, a breathtaking sight known as the “Great Buddha Exhibition.”

Kumbum Monastery hosts four major Dharma assemblies annually, held during the first, fourth, sixth, and ninth months of the lunar calendar. These gatherings are a blend of traditional festivals and grand religious events unique to the monastery. During these times, the temple comes alive with sacred activities, including monastic debates, mask dances, and sutra chanting.

A highlight of these fairs is the Cham Dance, where monks wear ornate masks and vibrant costumes, using dramatic gestures to express profound Buddhist teachings to the rhythm of cymbals and suonas (traditional horns). One of the most awe-inspiring sights is the Giant Thangka Unveiling, where a massive, delicate image of Tsongkhapa is unfurled down the mountainside. For the faithful, witnessing this Thangka is considered a direct and holy encounter with the Master himself.

Thangka Exhibition during the Buddha Festival

In July 2006, this sacred temple issued its formal recognition and congratulations to H.H. Dorje Chang Buddha III

United International World Buddhism Association Headquarters:

Under auspicious circumstances, we were happy to learn of the publication of A Treasury of True Buddha-Dharma—Complete Proficiency in Exoteric and Esoteric Buddhism and Perfect Mastery of the Five Vidyas about the Buddha Vajradhara, H.H. Master Yangwo Wan Ko Yeshe Norbu. His Holiness’s outstanding accomplishments are unprecedented. We respectfully send this letter of congratulations and joyfully offer our praise.

His actions and mind are pure, and His good fortune and wisdom are limitless.
He benefits myriad living beings, and His willpower never tires.
His powerful virtue is widespread, and His appearance is completely dignified.
He truly abides in peace and His accomplishments are perfect!

Qinghai Skuvbum Monastery
An auspicious day in July of 2006

Below is the original copy of the recognition letter in Chinese:

Link:https://peacelilysite.com/2025/12/26/kumbum-monastery-the-sacred-birthplace-of-a-master-and-the-three-wonders-of-tibetan-art/

Source: https://www.chinadiscovery.com/qinghai/xining/kumbum-monastery.html

The Enlightened Woodcutter: The Story of Huineng, the Sixth Patriarch of Zen

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In the annals of spiritual history, few figures are as revolutionary as Huineng (慧能), the Sixth Patriarch of Zen (Chan) Buddhism. His life story is a profound testament to the idea that enlightenment is not reserved for the elite or the scholarly, but is the inherent birthright of every human being.

Known for the iconic verse you mentioned—“Bodhi originally has no tree”—Huineng transformed Zen from a complex Indian philosophy into the direct, spontaneous practice we recognize today.

Huineng’s journey did not begin in a monastery. He was born into a poor family in 7th-century China and worked as an illiterate woodcutter to support his widowed mother.

His life changed in an instant when he overheard a traveler reciting the Diamond Sutra. Upon hearing the line, “Depending upon nothing, the mind arises,” Huineng experienced a sudden moment of clarity. This “sudden awakening” became the hallmark of his future teachings.

Driven by this experience, he traveled to the Dongshan Monastery to seek guidance from the Fifth Patriarch, Hongren.

Huineng’s status as an illiterate outsider meant he was initially assigned to the kitchen to hull rice. When the time came for the Fifth Patriarch to choose a successor, he asked his disciples to write a “mind-verse” to demonstrate their understanding.

The lead disciple, Shenxiu, wrote a verse emphasizing constant, diligent practice:

“The body is the Bodhi tree; the mind is like a bright mirror on a stand. Take care to wipe it always, and let no dust collect.”

Huineng, hearing the verse, realized it missed the ultimate truth of emptiness. He dictated his now-famous response to be written on the wall:

“Bodhi originally has no tree. The bright mirror on a stand is also not real. From the beginning, not a single thing exists. Where, then, can dust collect?”

Hongren recognized Huineng’s superior realization and secretly passed him the robe and bowl—the symbols of the Patriarchy—in the middle of the night, instructing him to go into hiding until the time was right to teach.

Huineng eventually emerged from hiding and began teaching at Nanhua Temple. His impact on Buddhism was so immense that his teachings were recorded in the Platform Sutra of the Sixth Patriarch. This is the only Buddhist scripture not spoken by a Buddha to be officially granted the title of a “Sutra.”

His major achievements include:

  • The Southern School of Zen: He founded the “Southern School,” which emphasizes “Sudden Enlightenment” (Dunwu) over gradual study.
  • Democratizing Wisdom: He taught that the “Buddha-nature” is present in everyone, regardless of literacy or social status.
  • The Foundation of Zen: Nearly all surviving Zen lineages (including Japanese Zen and Korean Seon) trace their ancestry back to Huineng.

A Living Legacy: The Whole-Body Relic

Perhaps the most miraculous aspect of Huineng’s story is his physical departure from this world. In 713 AD, Huineng entered Nirvana, but his body did not decay.

To this day, his whole-body relic (mummy) is enshrined and preserved at Nanhua Temple in Shaoguan, Guangdong Province. For over 1,300 years, devotees have traveled to the temple to pay respects to the Sixth Patriarch. His physical presence remains a powerful symbol of the “Diamond Body”—the incorruptible nature of a truly enlightened mind.

Huineng reminds us that we do not need to look outside ourselves for wisdom. As he famously taught, our original nature is pure, and enlightenment is simply the act of seeing through the “dust” to the emptiness that was there all along.

Link：https://peacelilysite.com/2025/12/25/the-enlightened-woodcutter-the-story-of-huineng-the-sixth-patriarch-of-zen/

Zhenru Chan Temple: Where Chan Practice Lives in Mountains and Daily Life

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Zhenru Chan Temple is nestled on the southwestern slopes of Yunju Mountain in Jiangxi Province. Surrounded by peaks said to resemble unfolding lotus petals, the landscape is poetically described as “lotus peaks clustering around Huatai.” Huatai, the mountain’s central peak, anchors this natural harmony. Here, architecture, terrain, and spiritual intention merge seamlessly, creating a setting that feels both grounded and quietly transcendent.

Even before understanding its history, one senses that this is a place shaped not to dominate nature, but to listen to it.

The name Zhenru (真如) means “True Suchness”—a fundamental concept in Chan Buddhism that points to ultimate reality as it is, beyond words, labels, or conceptual thinking. It is not something to be grasped intellectually, but something to be directly experienced.

Founded during the Tang Dynasty (806–810), Zhenru Chan Temple is regarded as the cradle of the Caodong School of Chan Buddhism, which later spread to Japan as the Soto Zen tradition. Revered as one of China’s three great model Chan monasteries, the temple has long been a center for authentic practice. Though the present structures were rebuilt in the 1950s, they preserve the simplicity and elegance of traditional Chinese monastic architecture.

Chan in Action: Meditation and Farming as One Path

One of Zhenru Temple’s defining characteristics is its embodiment of the Chan principle that “agriculture and meditation are equally emphasized.” Monks here did not retreat from life; they engaged it fully.

Alongside meditation, monks cultivated tea fields and farmed the land. This was not merely practical—it was spiritual. Farming ensured self-sufficiency in the remote mountains, freeing the monastery from reliance on external donations. More importantly, working the soil was understood as a form of Chan practice: repetitive, mindful, intimate with the rhythms of nature.

In the Caodong tradition, there is no division between the sacred and the ordinary. Plowing a field is no less sacred than chanting a sutra. The monks alternated between sitting meditation and physical labor, living out the Chan maxim:

“A day without work is a day without food.”

This principle is traditionally attributed to the Tang-dynasty Chan master Baizhang Huaihai (720–814), a disciple of Mazu Daoyi and a key figure in establishing Chan monastic regulations. His teaching reminds us that awakening is not found apart from daily life, but revealed within it.

Master Xu Yun: Reviving the Living Dharma

Zhenru Chan Temple is also inseparably linked to Master Xu Yun (1840–1959), one of the most revered Chan masters of modern China, often described as a rare master who embodied and transmitted the lineages of five Chan schools in a single lifetime.

When Master Xu Yun arrived at Zhenru in the early 20th century, the temple lay largely in ruins. With unwavering resolve, he led an extensive restoration—rebuilding halls, pagodas, and monastic quarters with the support of disciples and lay donors. More than physical reconstruction, he revived strict monastic discipline and rigorous meditation practice, restoring the temple’s spiritual vitality.

Zhenru ultimately became the place where Master Xu Yun passed away, completing a life devoted to the Dharma.

Earlier in his life, Master Xu Yun experienced a profound awakening during intensive meditation at Gaomin Temple in Yangzhou at the age of fifty-six. In his autobiography, he described the experience with clarity and restraint:

“In the purity of my single-mindedness, I forgot my body entirely. After twenty days, my illness disappeared. From that moment on, my practice continued day and night without interruption… One evening after meditation, I opened my eyes and saw a brightness like broad daylight, in which everything inside and outside the monastery was clearly visible.”

Yet what makes his account especially powerful is what followed. Master Xu Yun did not cling to the experience. He recognized it as a mental state—not an ultimate attainment—and continued his investigation with humility and perseverance, asking relentlessly:

“Who is mindful of the Buddha?”

Later, he commemorated a moment of deep insight triggered by the simple sound of a teacup breaking in the Chan hall, capturing Chan’s direct and unadorned wisdom in a verse:

A cup fell to the ground,
The sound rang clear and sharp.
Space itself shattered—
The restless mind came to rest.

This is primarily a video demonstration of the moving meditation practiced at Zhen Ru Chan Temple. 

Zhenru Chan Temple is more than a historical site. It is a living reminder that Chan practice is not confined to silence or retreat, but woven into how we walk, work, and meet the ordinary moments of life.

Here, mountains teach stillness.
Labor teaches humility.
Meditation teaches clarity.

And together, they point quietly back to true suchness—not somewhere else, but right where we are.

Click here for more details about Gaomin Temple Chan meditation

Link:https://peacelilysite.com/2025/12/19/zhenru-chan-temple-where-chan-practice-lives-in-mountains-and-daily-life/

Xiaoxitian Temple: A Masterpiece Carved into the Mountain

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Xiaoxitian, originally known as Qianfo’an (The Hermitage of a Thousand Buddhas), was founded in the second year of the Chongzhen reign of the Ming Dynasty (1629). It stands atop Phoenix Mountain, about one kilometer west of Xixian County in Linfen, Shanxi Province.

Built entirely in harmony with the mountain, the temple unfolds in layers, as if it had grown naturally from the slope itself. Stone steps lead visitors upward, passing through courtyards divided by arched cave-like gateways. The upper, middle, and front courtyards are connected yet distinct, creating a spatial rhythm that is winding, intimate, and quietly profound. As one walks through the complex, footsteps instinctively slow, and time itself seems to soften.

The architecture of Xiaoxitian is restrained rather than ostentatious, yet its mastery reveals itself everywhere. Painted beams are elegant and dignified, and many of the halls are ingeniously built as two-story structures, creating a rich sense of vertical space within the limited mountain terrain. The bell and drum towers stand in stillness, inviting the imagination to wander back to an age when morning bells and evening drums echoed through the valley.

Stepping into the Mahavira Hall is a moment of sudden awe. Nearly the entire interior is filled with suspended polychrome sculptures—more than 1,900 figures, layered from floor to ceiling. From towering Buddhas over three meters high to figures no larger than a thumb, the sculptures are densely arranged yet never chaotic, solemn yet vibrantly alive. In that instant, one understands why Xiaoxitian is revered as the “Museum of Chinese Hanging Sculpture Art.”

Unlike many Buddhist temples that draw attention primarily to their principal Buddhas, the Mahavira Hall at Xiaoxitian is celebrated for the immersive world it creates as a whole. At its core stand the Medicine Buddha, Amitabha, Shakyamuni, Vairocana, and Maitreya, but surrounding them unfolds an entire celestial realm: the Ten Great Disciples, six young novices, the Ten Wisdom Kings, the Six Desire Heavens, and countless heavenly musicians dancing through the air.

Most unforgettable are the celestial musicians suspended within the tiered “sky pavilions” above the altars. Their figures are light and graceful, sleeves flowing as if caught in an eternal breeze, frozen in a moment of unending heavenly music. Some play the pipa, others hold flutes, while some seem to dance midair. One pipa-playing figure, leaning slightly forward with fingers poised on the strings, radiates such focus and elegance that one can almost hear the melody drifting across centuries.

Looking up toward the roof, the tri-colored glazed chiwen ornaments—yellow, green, and blue—gleam softly in the light. Their refined brilliance reflects the unmistakable aesthetic of the Ming Dynasty. Here, architecture, sculpture, and color merge seamlessly, and one forgets that this is a mountain temple at all. It feels instead like stepping into a floating Buddha realm, suspended between earth and sky.

That these sculptures have survived nearly four hundred years in such vivid detail inspires deep reverence. They represent not only the pinnacle of craftsmanship, but also a profound devotion—to faith, to beauty, and to a harmonious vision of the cosmos.

Perhaps what truly moves the heart at Xiaoxitian is not only the astonishing number of its hanging sculptures or the rare Ming Yongle Northern Buddhist Canon once preserved here, but something more enduring: a spiritual presence that has remained vibrant across centuries. It quietly reminds us that beyond the noise of the modern world, there still exists a place of serenity and dignity—carefully upheld by time itself.

Link:https://peacelilysite.com/2025/12/17/xiaoxitian-temple-a-masterpiece-carved-into-the-mountain/

The Buddhist Precepts

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By Barbara O’Brien

Most religions have moral and ethical rules and commandments. Buddhism has Precepts, but it’s important to understand that the Buddhist Precepts are not a list of rules to follow.

In some religions, moral laws are believed to have come from God, and breaking those laws is a sin or transgression against God. But Buddhism doesn’t have a God, and the Precepts are not commandments. However, that doesn’t exactly mean they’re optional, either.

The Pali word most often translated as “morality” is sila, but sila has many connotations that go beyond the English word “morality.” It can refer to inner virtue such as kindness and truthfulness as well as the activity of those virtues in the world. It can also refer to the discipline of acting in a moral way. However, sila is best understood as a kind of harmony.

Being in Harmony

The Theravadin teacher Bikkhu Bodhi wrote,

“The Buddhist texts explain that sila has the characteristic of harmonizing our actions of body and speech. Sila harmonizes our actions by bringing them into accord with our own true interests, with the well-being of others, and with universal laws. Actions contrary to sila lead to a state of self-division marked by guilt, anxiety, and remorse. But the observance of the principles of sila heals this division, bringing our inner faculties together into a balanced and centered state of unity.” (“Going for Refuge and Taking the Precepts “)

It is said that the Precepts describe the way an enlightened being naturally lives. At the same time, the discipline of upholding the Precepts is part of the path to enlightenment. As we begin to work with the Precepts we find ourselves “breaking” or defiling them over and over. We can think of this as something like falling off a bicycle, and we can either beat ourselves up about falling—which is disharmonious—or we can get back on the bicycle and start pedaling again.

The Zen teacher Chozen Bays said, “We just keep on working, we are patient with ourselves, and on and on it goes. Little by little our life comes more into alignment with the wisdom that gives rise to the precepts. As our minds get clearer and clearer, it’s not even a matter of breaking or maintaining the precepts; automatically they are maintained.”

The Five Precepts

Buddhists don’t have just one set of Precepts. Depending on which list you consult, you might hear there are three, five, ten, or sixteen Precepts. Monastic orders have longer lists.

The most basic list of Precepts is called in Pali the pañcasila, or “five precepts.” In Theravada Buddhism, these Five Precepts are the basic precepts for lay Buddhists.

Not killing
Not stealing
Not misusing sex
Not lying
Not abusing intoxicants

A more literal translation from the Pali for each of these would be “I undertake to observe the precept to abstain from [killing, stealing, misusing sex, lying, abusing intoxicants].” It’s important to understand that in maintaining the Precepts one is training oneself to behave as a buddha would behave. It’s not just a matter of following or not following rules.

The Ten Grand Precepts

Mahayana Buddhists generally follow a list of Ten Precepts that are found in a Mahayana Sutra called the Brahmajala or Brahma Net Sutra (not to be confused with a Pali sutra of the same name):

  1. Not killing
  2. Not stealing
  3. Not misusing sex
  4. Not lying
  5. Not abusing intoxicants
  6. Not talking about others’ errors and faults
  7. Not elevating oneself and blaming others
  8. Not being stingy
  9. Not being angry
  10. Not speaking ill of the Three Treasures

The Three Pure Precepts

Some Mahayana Buddhists also vow to uphold the Three Pure Precepts, which are associated with walking the path of a bodhisattva. These are:

  1. To do no evil
  2. To do good
  3. To save all beings

The Pali words usually translated as “good” and “evil” are kusala and akusala. These words can also be translated “skillful” and “unskillful,” which takes us back to the idea of training. Very basically, “skillful” action takes oneself and others closer to enlightenment, and “unskillful” action leads away from enlightenment.

To “save all beings” is the bodhisattva’s vow to bring all beings to enlightenment.

The Sixteen Bodhisattva Precepts

You will sometimes hear of the Bodhisatva Precepts or the Sixteen Bodhisattva Vows. Most of the time, this refers to the Ten Grand Precepts and Three Pure Precepts, plus the Three Refuges:

I take refuge in the Buddha.
I take refuge in the Dharma.
I take refuge in the Sangha.

The Eightfold Path

To fully understand how the Precepts are part of the Buddhist path, begin with the Four Noble Truths. The Fourth Truth is that liberation is possible through the Eightfold Path. The Precepts are connected to the “ethical conduct” part of the Path—Right Speech, Right Action and Right Livelihood.

Source: https://www.learnreligions.com/the-buddhist-precepts-450107

The Thousand-Year Wonder: Fengguo Temple and Its Eternal Great Hall

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Hidden in the quiet county of Yixian in northern China, Fengguo Temple has stood for over a thousand years as a living testament to ancient Chinese wisdom and spiritual devotion. Its magnificent Mahavira Hall, the largest single-story wooden structure of its time, houses seven colossal clay Buddhas that have miraculously survived the centuries. This temple is not only an architectural marvel but also a sacred symbol of harmony, resilience, and faith that continues to inspire all who visit.

A Thousand Years of Faith and Architecture

Beyond the Shanhai Pass, in the northern part of Jinzhou City, Liaoning Province, stands the quiet county of Yixian, home to one of China’s most magnificent ancient temples — Fengguo Temple. This remarkable site, founded over a millennium ago, is not only a masterpiece of Liao Dynasty Buddhist architecture but also a living testament to the extraordinary ingenuity of ancient Chinese builders and the enduring power of faith.

In 2020, Fengguo Temple celebrated its thousandth anniversary. Through a thousand years of wind, snow, wars, and earthquakes, its grand Mahavira Hall still stands tall — a miracle in both architecture and spirituality.

The Majestic Great Hall

The heart of Fengguo Temple is its Mahavira Hall (Great Buddha Hall), one of the Eight Great Structures of the Liao Dynasty. Built in 1020 CE, it measures 49.5 meters wide, 26.6 meters deep, and 19.9 meters high, covering an area of 1,317 square meters. Standing on a 3.2-meter-high platform, the hall is the largest single-story wooden structure of ancient China — magnificent, solemn, and breathtaking.

Ingeniously designed, the hall uses a “reduced-column” method to maximize interior space while maintaining perfect stability. Ancient builders applied advanced techniques known as “side-foot” and “rising beam”, ensuring the building’s balance and graceful proportions. The massive bracket sets under the eaves are bold yet refined, exuding strength and elegance.

Thanks to its precise structural mechanics, the Great Hall has remained perfectly upright for a thousand years, without any sign of warping or tilting — an unparalleled achievement in the history of wooden architecture.

The Seven Buddhas: Eternal Clay Sculptures

Inside the Great Hall, seven colossal clay Buddha statues, each about nine meters tall, sit side by side upon a brick platform. From east to west, they are:
Kashyapa Buddha, Krakucchanda Buddha, Sikhin Buddha, Vipashyin Buddha, Visvabhu Buddha, Kanakamuni Buddha, and Shakyamuni Buddha.

These are the “Seven Buddhas of the Past” mentioned in Buddhist scriptures, symbolizing the eternal cycle of enlightenment in our world. Each Buddha exudes solemn dignity, with serene expressions and graceful postures, reflecting the Liao Dynasty’s continuation of Tang-style Buddhist artistry. Two bodhisattvas stand beside each Buddha, adding vitality and compassion to this sacred tableau.

This magnificent ensemble is the oldest and largest group of colored clay Buddha statues in the world. Despite being made of fragile clay, they have miraculously survived for over a thousand years, their colors still soft and luminous. This endurance is nothing short of a miracle — a union of artistic mastery and the blessings of faith.

The Legend of the Buddha Catching a Shell

During the Liaoshen Campaign in the late 1940s, Yixian became a battlefield. Amid the chaos, a shell pierced through the roof of the Great Hall and fell directly into the right hand of the Shakyamuni Buddha statue. Miraculously, the shell did not explode.

Locals still tell this story as “The Buddha Caught the Shell with His Hand.” Whether fact or legend, it adds an aura of mystery and divine protection to the temple’s long history — as if the Buddhas themselves were silently safeguarding their sacred home.

The Flying Devas of Liao

The beams and rafters inside the Great Hall are adorned with over 4,000 square meters of original Liao Dynasty murals. Among them, the heavenly maidens — the Flying Devas — are the most enchanting. With radiant faces and flowing ribbons, they drift gracefully through clouds, offering flowers and fruits to the Seven Buddhas below.

Their movement contrasts beautifully with the Buddhas’ stillness, creating a breathtaking scene of divine harmony and devotion. The surrounding walls also preserve Yuan and Ming dynasty murals depicting ten Buddhas, eight Bodhisattvas, and the Eleven-Faced Avalokiteshvara, adding even more layers of spiritual and artistic richness to this timeless sanctuary.

A Thousand Years of Wonder

Standing before this majestic hall — a wooden structure that has endured a millennium — and gazing upon the clay Buddhas whose serene faces have survived a thousand winters, one cannot help but wonder:

How can a wooden palace withstand ten centuries of storms and wars? How can clay sculptures remain whole and radiant after a thousand years?

Is it the wisdom of the ancients? The strength of art? Or the blessing of the Dharma itself?

Perhaps the answer lies within every beam, every brushstroke, and every tranquil smile of the Buddhas.

May the Buddhas and Bodhisattvas bless all beings with peace, compassion, and happiness.
Namo Amitabha.

Link：https://peacelilysite.com/2025/10/23/the-thousand-year-wonder-fengguo-temple-and-its-eternal-great-hall/

Source： https://www.hzfxy.net/detail_1020_10154.html， https://zhuanlan.zhihu.com/p/721178084

The World’s Largest Buddhist Temple: Borobudur, Indonesia

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In the heart of Central Java’s fertile Kedu Valley, embraced by volcanic peaks and emerald landscapes, rises a monument unlike any other—Borobudur, the world’s largest Buddhist temple and a UNESCO World Heritage Site. Built more than 1,200 years ago, this colossal stone mountain is not just an architectural wonder, but a spiritual journey carved in stone.

A Monument Born of Devotion

Borobudur was constructed in the 8th and 9th centuries under the Sailendra Dynasty. Without a drop of mortar, two million volcanic stone blocks were precisely interlocked like a massive puzzle, forming a structure that has endured centuries of nature’s tests. From above, its shape is breathtaking—a giant mandala, the sacred geometric symbol of the Buddhist cosmos.

The temple rises in three tiers, each representing one of the realms of Buddhist cosmology:

  • Kamadhatu – The Realm of Desire: The base, adorned with reliefs that portray the karmic law and the cycle of birth and death.
  • Rupadhatu – The Realm of Form: Five square terraces lined with intricate reliefs and 504 serene Buddha statues.
  • Arupadhatu – The Realm of Formlessness: Three circular platforms crowned with 72 bell-shaped stupas, each sheltering a meditating Buddha. At the summit stands the great central stupa, symbolizing ultimate enlightenment.

A Living Story in Stone

Walking through Borobudur is like entering a vast storybook. The temple’s bas-reliefs, stretching across 2,500 square meters, are the most complete ensemble of Buddhist reliefs in the world. They illustrate tales from the life of Shakyamuni Buddha, Jataka stories, and profound teachings, guiding pilgrims step by step upward—from worldly desires to spiritual liberation.

Buried, Forgotten, and Found Again

Despite its grandeur, Borobudur fell silent between the 10th and 14th centuries, likely due to political shifts and the spread of Islam in Java. Nature reclaimed it—volcanic ash and thick jungle hid the monument from the world’s eyes. For centuries, it slumbered, until 1814, when Sir Thomas Stamford Raffles, the British governor of Java, was informed of a “buried hill.” Excavations revealed not a hill, but a hidden treasure of human devotion.

From Restoration to Reverence

In the 20th century, Borobudur was painstakingly restored with UNESCO’s support, safeguarding its stones against further decay. In 1991, it was declared a World Heritage Site, recognized as both a cultural and spiritual masterpiece.

Today, Borobudur is not just a monument of the past—it is alive with faith. Each year, thousands of Buddhists from across Indonesia and beyond gather here for Vesak Day, celebrating the birth, enlightenment, and passing of the Buddha under the full moon. Lanterns rise into the night sky, echoing the timeless aspiration for wisdom and compassion.

Borobudur is more than stone, stupas, and statues. It is a meditation frozen in time, a pilgrimage for both the feet and the heart. For travelers, standing atop Borobudur at sunrise—watching the mist lift from the valley as the first rays of light kiss the central stupa—is an experience beyond words.

This temple is not just Indonesia’s pride; it is humanity’s shared treasure, reminding us of the enduring power of faith, art, and the human spirit.

Travel Guide: Planning Your Visit

If Borobudur is on your travel list, here are some helpful tips:

📍 Location

  • Situated in Magelang, Central Java, about 25 miles (40 km) northwest of Yogyakarta.
  • Easily accessible by car, bus, or organized tour from Yogyakarta (1–1.5 hours).

🕰 Best Time to Visit

  • Sunrise tours are especially popular. Watching the first light illuminate the misty valley and stupas is unforgettable.
  • The dry season (April–October) offers clearer skies and comfortable weather.

🎟 Tickets

  • General admission is separate for local and international visitors.
  • Sunrise access often requires booking through official operators.
  • Combination tickets are available if you also wish to visit Prambanan Temple, another UNESCO site nearby.

👟 What to Bring

  • Comfortable walking shoes (you’ll be climbing many steps).
  • A hat, sunscreen, and water—the tropical sun can be intense.
  • A respectful outfit: shoulders and knees covered, as Borobudur is a sacred site.

🛕 Nearby Attractions

  • Prambanan Temple – A magnificent Hindu temple complex about an hour away.
  • Mendut Temple – A smaller Buddhist temple with a giant Buddha statue, often part of the Vesak procession.
  • Yogyakarta City – Known for its royal palace, batik art, and vibrant street food scene.

Link: https://peacelilysite.com/2025/09/12/the-worlds-largest-buddhist-temple-borobudur-indonesia/

Ancient Buddha relics returned to India

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A joyous day for our cultural heritage! It would make every Indian proud that the sacred Piprahwa relics of Bhagwan Buddha have come home after 127 long years. These sacred relics highlight India’s close association with Bhagwan Buddha and his noble teachings. It also illustrates our commitment to preserving and protecting different aspects of our glorious culture. #VikasBhiVirasatBhi Source: https://x.com/narendramodi/status/1950483627323670760

The following article was published by the BBC News, Soutik Biswas, July 31, 2025:

Auction house Sotheby’s has returned a set of sacred jewels believed to be linked to the Buddha’s remains in India, after facing mounting pressure from the Indian government and global Buddhist leaders.

The Piprahwa Gems – described by archaeologists as one of the most astonishing finds of the modern era – were due to be auctioned in Hong Kong in May. But the sale was called off following diplomatic intervention and threats of legal action from Delhi.

The Mumbai-based conglomerate Godrej Industries Group has acquired the jewels, Sotheby’s said.

Sotheby’s said it was “delighted” to facilitate the return, following two months of negotiations involving the owner, the new buyer and the Indian government. The relics will now go on permanent public display in India, the auction house said.

Photo of William Claxton Peppé, an English estate manager, excavated the stupa and found the jewels. courtesy of the Peppé family.
William Claxton Peppé, an English estate manager, excavated the stupa and found the jewels. courtesy of the Peppé family.

Indian Prime Minister Narendra Modi announced the return on Wednesday, calling it a “proud and joyous moment” and a victory for the country’s cultural heritage. The relics, he said on X, were coming home after 127 years.

Godrej Industries Group, the buyer of the jewels, serves over 1.1 billion consumers worldwide across sectors including consumer goods, real estate, agriculture, finance, and chemicals, according to its website. Many of its products are household names in India.

“We are deeply honoured to contribute to this historic moment. The Piprahwa gems are not just artifacts – they are timeless symbols of peace, compassion, and the shared heritage of humanity,” Pirojsha Godrej, Executive Vice Chairperson of Godrej Industries Group, was quoted as saying in a government press statement.

Unearthed in 1898 by English estate manager William Claxton Peppé from a stupa in Piprahwa in northern India, near the Buddha’s birthplace, the cache included nearly 1,800 pearls, rubies, sapphires and gold sheets – buried alongside bone fragments identified by an inscribed urn as belonging to the Buddha himself.

Photo of The jewels were unearthed from this stupa in Piprahwa, northern India in 1898, Icon Films.
The jewels were unearthed from this stupa in Piprahwa, northern India in 1898, Icon Films.

Peppé eventually handed most of the gems, relics and reliquaries to the colonial Indian government: the bone relics went to the Buddhist King of Siam (Rama V). Five relic urns, a stone chest and most other relics were sent to the Indian Museum in Kolkata – then the Imperial Museum of Calcutta.

Photo of Four containers made of steatite (a type of stone) and one made of rock crystal were found inside a sandstone box at the Piprahwa stupa, courtesy of Peppe family.
Four containers made of steatite (a type of stone) and one made of rock crystal were found inside a sandstone box at the Piprahwa stupa, courtesy of Peppe family.

For over a century, the rest of the dazzling jewels remained largely hidden in a British private collection.

A set of 300 gems held by the Peppé family was publicly displayed at Sotheby’s Hong Kong in February and May. Over the past six years, the gems have appeared in major exhibitions, including The Met in 2023. The family has also launched a website to share their research.

Historians consider the relics the shared heritage of the Buddha’s Sakya clan and Buddhists worldwide. The bone fragments have since been distributed to countries like Thailand, Sri Lanka, and Myanmar, where they remain objects of veneration.

Photo of The jewels are considered among the most extraordinary archaeological finds of all time, courtesy of Sotheby's.
The jewels are considered among the most extraordinary archaeological finds of all time, courtesy of Sotheby’s.

The planned sale of the Buddha relics by Sotheby’s in Hong Kong had sparked widespread ethical concerns, with scholars and Buddhist leaders questioning whether sacred objects – especially those linked to human remains – should be treated as commodities.

Critics challenged the seller’s authority to auction the relics, while defenders said a transparent sale was the fairest way to transfer custody. For many Buddhists, the jewels are inseparable from the sacred remains and meant to be venerated, not sold.

“Are the relics of the Buddha a commodity that can be treated like a work of art to be sold on the market?” Naman Ahuja, a Delhi-based art historian, had told the BBC in May. “And since they aren’t, how is the seller ethically authorised to auction them?

“Since the seller is termed the ‘custodian’, I would like to ask – custodian on whose behalf? Does custodianship permit them now to sell these relics?”

Chris Peppé, great-grandson of William, had told the BBC in May that the family looked into donating the relics, but all options presented problems and an auction seemed the “fairest and most transparent way to transfer these relics to Buddhists”.

He said that in all the monasteries he had visited “no Buddhists regard these as corporeal relics”.

“A few Buddhist academics at Western universities have recently offered a convoluted, fact-defying logic whereby they may be regarded as such. It’s an academic construct that is not shared by Buddhists in general who are familiar with the details of the find,” he said.

On 7 May, Sotheby’s postponed the auction of the jewels following media reports and concerns raised by the Indian government, citing the need for further discussions. A week later, it confirmed ongoing talks with India to find a mutually agreeable resolution.

This week, confirming the return of the jewels, Sotheby’s said it was “grateful to the Peppé family for having safeguarded the gems and for having worked with us – and with the Government of India – in good faith to achieve this historic outcome”.

Link:https://peacelilysite.com/2025/09/05/ancient-buddha-relics-returned-to-india/