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A Hidden Buddhist Wonderland in China: Discover the 1,600-Year-Old Grand Buddha Temple of Xinchang

October 30, 2026October 30, 2026 linda changLeave a comment

Sometimes, the most unforgettable travel experiences begin with the simplest reasons.

I first became interested in visiting the Grand Buddha Temple in Xinchang (新昌大佛寺), Zhejiang Province, after watching several popular Chinese costume dramas, including Ninefold Purple (《九重紫》), Chasing Jade (《逐玉》), One and Only (《周生如故》), and Mysterious Lotus Casebook (《莲花楼》).

I was curious to see the beautiful locations where these dramas were filmed. But when I finally arrived, I was completely blown away!

I had expected to see some beautiful ancient buildings and filming locations. Instead, I discovered an extraordinary world of ancient Buddhist sculptures, mysterious caves, magnificent rock formations, waterfalls, peaceful gardens, and towering pagodas.

This was not simply an ancient temple. It felt like stepping into another world.

A Temple With More Than 1,600 Years of History

Located in Xinchang County, Shaoxing, Zhejiang Province, the Grand Buddha Temple dates back to the Eastern Jin Dynasty, around 345 AD. With a history spanning more than sixteen centuries, it is one of the important centers of Buddhist culture in the Jiangnan region of southeastern China.

According to historical accounts, an eminent monk named Tanguang (昙光) came to this beautiful mountainous area in the fourth century and established a small monastery. Over the centuries, the temple developed into an important center for Buddhist practice and scholarship.

The surrounding landscape is particularly beautiful. Ancient trees, green hills, rocky cliffs, winding pathways, and quiet valleys create an atmosphere that feels both peaceful and mysterious.

The temple is also famous for its extraordinary rock-carved Buddhist sculptures, earning it the nickname “The Dunhuang of Yue.” This comparison reflects the remarkable artistic and historical value of its Buddhist carvings.

Four Highlights You Should Not Miss

1. The Grand Buddha of Jiangnan – A Masterpiece Carved Into the Mountain

The most famous treasure of the temple is its magnificent stone Maitreya Buddha.

Carved directly into a natural rock cliff during the Southern Qi and Liang dynasties, between approximately 486 and 516 AD, this enormous statue stands about 16.3 meters tall.

The remarkable project took three generations of Buddhist monks and approximately thirty years to complete.

What makes this sculpture so extraordinary is not simply its size. Its serene expression, elegant proportions, and gentle smile convey a remarkable sense of compassion and wisdom.

Standing before this ancient Buddha, one cannot help but feel a sense of reverence. It is amazing to realize that this masterpiece was created more than 1,500 years ago, long before modern construction equipment and technology existed.

2. The Reclining Buddha – A Majestic Image of Nirvana

Another breathtaking attraction is the Reclining Buddha inside the Twin Pines Grottoes (双林石窟).

At approximately 37 meters long and 9 meters high, it is described as Asia’s largest indoor reclining Buddha.

Unlike the ancient rock-carved Maitreya Buddha, this impressive sculpture was created in modern times, using the natural cave environment as its setting.

The Buddha rests peacefully in the traditional reclining posture, representing the Buddha’s entry into Parinirvana.

The surrounding rock formations, stone carvings, pools, and waterfalls create an atmosphere that feels almost otherworldly.

It is easy to understand why filmmakers are attracted to this location. The combination of natural rock architecture, Buddhist imagery, and dramatic lighting makes the entire space feel like a scene from a fantasy world.

3. Buddha Heart Square and the Beautiful Jiangnan Corridor

Buddha Heart Square (佛心广场) is another popular destination.

Here, visitors can see a magnificent large Chinese character “佛” (Buddha), created by the renowned monk and artist Master Hongyi.

The nearby corridor, with its traditional yellow walls, dark tiled roofs, and beautiful “福” (fortune and blessings) character, is especially photogenic.

Walking through this corridor feels like stepping into an ancient Chinese painting.

It is also a wonderful place to photograph traditional Chinese clothing, especially Hanfu. The combination of yellow walls, traditional architecture, and surrounding greenery creates an elegant and timeless atmosphere.

4. The Ten Thousand Buddhas Pagoda – A Landmark in the Sky

The Ten Thousand Buddhas Pagoda (万佛宝塔), standing approximately 73 meters tall, is another spectacular landmark.

Its nine stories, traditional Chinese rooflines, and impressive height make it one of the most recognizable structures in the scenic area.

The pagoda has also appeared in several popular costume dramas, including Mysterious Lotus Casebook and Ninefold Purple.

Looking up at this magnificent structure, surrounded by mountains and traditional buildings, I could understand why filmmakers love this location.

If climbing the pagoda is permitted during your visit, it is worth checking whether you can enjoy the views from above.

5. Prajna Valley – A Mysterious Underground Buddhist World

One of the most surprising attractions is Prajna Valley (般若谷).

Unlike the traditional temple halls, this area was developed from an old Ming Dynasty quarry. Its dramatic rock walls, caves, waterfalls, and elaborate Buddhist sculptures create a fascinating underground-like landscape.

There are colorful relief sculptures depicting Buddhist history and important figures, as well as an impressive Guanyin statue.

Walking through the valley, surrounded by towering rock walls and flowing water, feels like entering a hidden Buddhist kingdom.

This is also one of the filming locations associated with Ninefold Purple. For fans of Chinese historical dramas, recognizing familiar scenes here makes the visit even more exciting.

Travel Tips: How to Make the Most of Your Visit

The scenic area is quite large, so I recommend allowing at least three to four hours. If you enjoy photography, exploring Buddhist art, or simply taking your time, you may want to spend half a day here.

A suggested sightseeing route is:

Buddha Heart Square → Release Pond (放生池) → Grand Buddha of Jiangnan → Thousand Buddha Zen Temple → Twin Pines Reclining Buddha → Prajna Valley.

You can also explore the Ten Thousand Buddhas Pagoda and other scenic spots along the way. Since the attractions cover a large area, wear comfortable walking shoes and be prepared for stairs and uphill paths.

Best Time to Visit

Spring and autumn are particularly pleasant seasons, when the weather is generally comfortable for walking and exploring.

Early morning is a wonderful time to arrive. There are usually fewer visitors, and the soft natural light makes the ancient buildings and mountain scenery especially beautiful.

If you enjoy photography, allow extra time to explore the corridors, gardens, and mountain pathways.

Getting There

The temple is located in Xinchang County, Shaoxing City, Zhejiang Province.

Visitors can travel by high-speed train to Shengzhou-Xinchang Railway Station (嵊州新昌站), then take a taxi or local public transportation to the temple.

If traveling from Hangzhou or Shaoxing, you can also consider a private car or a local tour.

Tickets and Opening Hours

Admission has been listed at approximately RMB 80 per adult, although prices and promotional policies may change.

The scenic area generally opens around 6:00 a.m. and closes between 5:00 and 5:30 p.m., depending on the season. Check the official scenic area’s latest announcements before visiting, especially if you plan to climb the pagoda.

What to Eat

You can enjoy vegetarian noodles inside the temple. When I visited, a bowl cost RMB 28. It was a simple, light, and refreshing meal.

Afterward, consider exploring Wozhou Street and trying some of Xinchang’s local specialties:

Xinchang fried rice cakes – a delicious local specialty.
Taro dumplings (芋饺) – chewy dumplings made with taro and filled with savory ingredients.
Guolatou (锅拉头) – a traditional local snack made with glutinous rice dough.

These local foods are a wonderful way to experience the culinary culture of the region.

More Than a Filming Location

What impressed me most about the Grand Buddha Temple was that its beauty went far beyond the scenes I had watched on television.

Popular dramas may bring people here, but the real treasures are the centuries of history, the extraordinary Buddhist sculptures, and the peaceful atmosphere that has been preserved through generations.

The ancient Maitreya Buddha, carved patiently into the mountain more than 1,500 years ago, reminds us of the devotion, determination, and artistic talent of those who came before us.

In our modern world, where everything moves so quickly, places like this invite us to slow down, look more carefully, and appreciate the beauty of history, art, nature, and spiritual culture.

I came here because of a television drama, but I left with something much more meaningful: a deeper appreciation of China’s remarkable Buddhist heritage.

Sometimes, a journey that begins with curiosity leads us to discover something truly extraordinary.

If you ever travel to Zhejiang, don’t miss the Grand Buddha Temple of Xinchang. It may surprise you, just as it surprised me.

Link：https://peacelilysite.com/2026/10/30/a-hidden-buddhist-wonderland-in-china-discover-the-1600-year-old-grand-buddha-temple-of-xinchang/

A Hidden Treasure in China: The Dazu Rock Carvings and a 31-Meter Reclining Buddha

October 22, 2026October 23, 2026 linda changLeave a comment

Beyond Chongqing’s dazzling skyline lies an extraordinary world of ancient Buddhist art, spiritual wisdom, and forgotten stories carved into stone.

When people visit Chongqing, China, they often come for its spectacular mountain cityscape, glowing skyscrapers, and famous spicy hot pot. But about a journey away in Dazu lies a treasure that deserves far more international attention: the Dazu Rock Carvings, one of China’s most remarkable collections of ancient religious art.

Here, along the cliffs of Baodingshan, thousands of figures tell stories of the Buddha, compassion, karma, filial devotion, and the consequences of our actions. Created mainly during the Song Dynasty, these remarkable sculptures have survived for centuries, preserving not only religious teachings but also glimpses of everyday Chinese life.

The Dazu Rock Carvings were inscribed on the UNESCO World Heritage List in 1999. Their artistic beauty lies not only in their scale and craftsmanship, but also in the way Buddhist, Taoist, and Confucian ideas come together in a uniquely Chinese expression of spiritual life.

The Dazu Rock Carvings are not a single cave or monument. They comprise more than 70 protected sites, with five principal groups: Baodingshan, Beishan, Nanshan, Shizhuanshan, and Shimenshan.

The carvings date mainly from the late ninth through the thirteenth century. Baodingshan, the focus of this visit, reached its artistic height during the Southern Song Dynasty, particularly under the direction of the Buddhist monk Zhao Zhifeng.

Walking along the great cliff at Baodingshan, visitors encounter an astonishing procession of sculpted figures. Buddhas sit in meditation, bodhisattvas offer protection, and heavenly beings fill elaborate niches. Some figures are monumental, while others are small details that reward a closer look.

Unlike a collection of isolated statues, the carvings form a connected visual narrative. Each scene has a purpose, inviting visitors to contemplate the Buddha’s teachings through images rather than words alone.

For people who love Buddhist history, this is a place where ancient stone seems to speak.

The Giant Reclining Buddha: A Vision of Peace

One of Baodingshan’s most extraordinary masterpieces is the monumental image of Shakyamuni Buddha entering parinirvana, the final passing of a fully enlightened Buddha beyond the cycle of rebirth.

The reclining Buddha measures approximately 31 meters in length. Yet one of the most ingenious features of the sculpture is that much of the figure remains concealed within the cliff. Only part of the Buddha’s body is visible, suggesting a vastness that extends beyond what the eye can see.

This is more than an impressive feat of ancient engineering. The image carries a profound spiritual meaning.

The Buddha lies peacefully on his side, his expression calm and composed. Around him, figures gather in response to his final passing. The scene invites us to reflect on impermanence: everything that comes into being will eventually change.

In Buddhist teaching, death is not simply an ending to be feared. It is a reminder to understand the nature of existence and to use the precious time we have wisely.

Standing before this enormous figure, we may find ourselves thinking less about how long we will live and more about how we choose to live.

Can we be kinder while we have the opportunity? Can we let go of unnecessary resentment? Can we bring more peace to the people around us?

Perhaps the Buddha’s quiet presence offers a lesson that no words could express more clearly.

The Thousand-Hand Guanyin: A Thousand Ways to Help

Another masterpiece at Baodingshan is the magnificent Thousand-Hand, Thousand-Eye Guanyin, the bodhisattva of compassion.

In Buddhist tradition, Guanyin (Avalokiteshvara) represents compassionate awareness of the suffering of sentient beings. The many hands symbolize the ability to reach out in countless ways, while the eyes represent the wisdom to recognize where help is needed.

The Baodingshan sculpture is especially remarkable. Its carved composition covers approximately 88 square meters and includes 1,007 hands and eyes. The gilded image, with its intricate details and radiant appearance, demonstrates the extraordinary skill of the artisans who created it.

Imagine the patience required to shape and decorate so many delicate details into a cliff face centuries ago, without modern machinery.

The work has also required care across generations. Because of its delicate condition, the sculpture underwent a major restoration completed in 2015, helping preserve this irreplaceable treasure for future visitors.

But its deepest beauty lies in its message.

Compassion is not merely feeling sorry for someone. It is recognizing suffering and responding when we can. Sometimes help means giving money; sometimes it means offering food, listening without judgment, or protecting a vulnerable being.

We may not possess a thousand hands, but we can each find small ways to make life easier for others.

Ancient Stone Tells Stories About How We Should Live

What makes Baodingshan especially fascinating is that its sculptures do not focus exclusively on Buddhas and heavenly beings. They also portray ordinary human experiences, making the teachings relevant to everyday life.

Some panels illustrate filial devotion and the sacrifices parents make for their children. Others portray farmers, herders, animals, and scenes from ordinary life.

The famous scenes associated with the Sutra on Parental Love remind viewers of the immense care and sacrifice involved in raising a child. These images invite reflection on gratitude toward our parents and the responsibilities we have toward those who have cared for us.

Other carvings illustrate Buddhist teachings about karma and the Wheel of Life. They show how actions have consequences and how ignorance, attachment, and harmful behavior can perpetuate suffering.

In traditional Buddhist depictions of the realms of suffering, the consequences of harmful actions are portrayed vividly. Such images were not simply intended to frighten people. They offered moral instruction to communities in which many people could learn through visual storytelling.

The cliffs function almost like an ancient illustrated book. Each carving presents a lesson about cause and effect, compassion, family responsibility, and the choices that shape our lives.

There is something remarkable about this approach to teaching. The artists transformed abstract philosophy into images that people could see, contemplate, and remember.

Ox herding story (scene 1–2), Niche 30, Dafowan, Mt. Baoding, Dazu. Southern Song Dynasty (photos: G41rn8, CC BY-SA 4.0)

Centuries later, the questions remain relevant. How do our actions affect others? How should we treat our parents, our neighbors, and animals? What kind of world are we helping to create through our daily choices?

A Quiet Encounter with History

One of the pleasures of visiting Baodingshan is the opportunity to experience the carvings at a slower pace.

Although the site can attract tour groups, it may feel quieter than China’s most famous grotto destinations, particularly outside peak travel periods. The path follows the sculpted cliff, allowing visitors to examine the works in sequence.

Instead of rushing from one photo opportunity to another, take time to notice the expressions on the statues’ faces, the folds of their robes, and the relationships between the figures in each scene.

Look for the small details. A single gesture may communicate reverence, compassion, fear, or devotion. A group of ordinary people carved into stone can reveal as much about the society that created the monument as a grand Buddha does.

Photography rules and access restrictions may vary around individual carvings, so follow the site’s instructions and avoid touching the sculptures.

For visitors interested in Buddhism, art, or Chinese history, Baodingshan offers a rare chance to experience these subjects together.

What to Eat in Dazu: A Taste of Local Chongqing

A visit to Dazu would not be complete without exploring the region’s food culture. Chongqing is famous for bold flavors, chili peppers, and the numbing fragrance of Sichuan peppercorns, but Dazu also has specialties of its own.

Dazu winter-preserved vegetables (Dazu dongcai)

If you try only one local specialty, consider Dazu dongcai. Made from local mustard greens and traditionally fermented for years, these preserved vegetables have a distinctive savory fragrance and deep flavor. They appear in dishes such as fried rice, noodles, steamed buns, and braised pork.

The traditional preparation is a recognized part of Dazu’s food heritage. It is a wonderful example of how local ingredients and preservation techniques can become part of a region’s identity.

Chongqing noodles

Photo from :https://www.sohu.com/a/741212639_100283037

For a quick, satisfying meal, try xiaomian, Chongqing-style noodles commonly served with chili oil, garlic, scallions, and other seasonings. They are especially popular for breakfast, though they can be enjoyed at any time of day.

If you prefer less spice, ask for a mild version. The chili oil and Sichuan peppercorns can be surprisingly intense for first-time visitors.

Youting crucian carp

For travelers who enjoy fish, Youting crucian carp is another regional specialty, often prepared with pickled ginger, chili, and fermented black beans. Its flavor combines freshness, spice, and the characteristic numbing sensation of Sichuan-style cooking. Hot pot and local street food

If you are continuing to Chongqing, save time for the city’s famous hot pot. Diners cook ingredients in a bubbling broth at the table, often choosing between a fiery spicy broth and a milder one.

One practical tip: many local dishes contain meat, fish, animal broth, or lard, even when vegetables are prominent. Vegetarian travelers should ask clearly about ingredients and request a vegetable-based broth when available.

Food is another way to understand a place. The ingredients, flavors, and cooking methods of Dazu tell a story of local agriculture, tradition, and the creativity of generations of cooks.

Shengshou Temple & Dazu Rock Carvings Museum

Travel Tips: Planning Your Visit

How much time should you allow?

Allow at least half a day for Baodingshan, including time to appreciate the major carvings without rushing. If you are particularly interested in Buddhist art, consider spending a full day in Dazu or adding another major carving site, such as Beishan.

How do you get there?

Dazu is part of Chongqing Municipality, but it lies outside the central urban area. From downtown Chongqing, the journey commonly takes around 1.5–2 hours by road, depending on traffic and your starting point.

You can travel by intercity bus or arrange a private car. High-speed rail services to the Dazu area may also be useful, but check the station and onward transportation carefully: a train station serving the district is not necessarily close to the rock-carving entrance. A taxi or prearranged transfer may be needed.

When is the best time to visit?

Spring and autumn are generally comfortable seasons for walking and sightseeing. Summer can be hot and humid, so bring water, sun protection, and comfortable shoes.

Arriving early can help you enjoy the main carvings before the busiest hours, although visitor numbers vary by day and season. Check the official opening hours and ticket arrangements before traveling.

Can you combine Dazu with Chongqing?

Absolutely. A two-day itinerary is a practical option:

Day 1: Explore Chongqing’s mountain-city streets, river views, Hongyadong, and local food.
Day 2: Travel to Dazu and spend the day discovering Baodingshan’s cliff carvings. If time permits, consider visiting Beishan as well.

If you have a deeper interest in Chinese Buddhist art, an overnight stay near Dazu can make the experience more relaxed.

A Treasure Worth Discovering

The Dazu Rock Carvings remind us that great works of art can be much more than beautiful objects. They can preserve a civilization’s beliefs, record the lives of ordinary people, and communicate moral lessons across centuries.

The 31-meter reclining Buddha invites us to contemplate impermanence. The Thousand-Hand Guanyin reminds us that compassion must find expression in action. The scenes of family life and everyday labor encourage us to consider gratitude, responsibility, and the consequences of our choices.

These teachings remain meaningful regardless of where we come from or what faith we follow.

If your travels take you to Chongqing, consider setting aside time for Dazu. Beyond the city’s dazzling skyline lies a quieter world where stone preserves the wisdom, artistry, and aspirations of generations long gone.

Some treasures are not discovered by looking up at the tallest buildings. They are found by slowing down, looking closely, and listening to the stories history has left behind.

Link：https://peacelilysite.com/2026/10/22/a-hidden-treasure-in-china-the-dazu-rock-carvings-and-a-31-meter-reclining-buddha/

Hidden in the Himalayas: The Untamed, Scientific Mystery of the Valley of Flowers

July 20, 2026July 20, 2026 linda changLeave a comment

Deep within the Himalayan range of Uttarakhand, India, lies one of the most vibrant and mesmerizing sanctuaries on Earth—the Valley of Flowers National Park.

Unlike traditional wildlife safaris, you won’t find lions or elephants roaming here. Instead, this park guards a different kind of wild wonder: a breathtaking ocean of alpine wildflowers that bursts into life for just a few weeks every summer. With over 500 species of high-altitude flowers blooming simultaneously, the entire valley is transformed into a living, breathing canvas of colors—a natural phenomenon that scientists have still not been able to fully replicate or explain.

Perched at an altitude ranging from 3,200 meters to 6,700 meters and stretching across 87 square kilometers, the valley spends most of the year buried under thick snow. But when the winter blues melt away between June and September, the magic happens.

Almost overnight, hundreds of alpine species wake up. Himalayan blue poppies, fiery red rhododendra, golden marigolds, and deep purple gentians carpet the valley floor so densely it looks as though someone spilled a giant bucket of watercolors right into the mountains.

What makes the Valley of Flowers truly extraordinary—and highly elusive—is its erratic blooming schedule. The peak floral explosion lasts for only a few fleeting weeks, and the exact timing and sequence of the blossoms change every single year.

While scientists believe this unpredictable display is tied to shifting snowmelt patterns, temperature changes, and precise humidity levels, they have yet to successfully build a predictive model for it. Local villagers, however, have a much simpler explanation: they believe the valley is a sacred blessing from the mountain gods, far beyond the reach of human science.

The outside world first caught a glimpse of this paradise in the 1930s, thanks to the renowned British botanist Frank Kingdon-Ward. Having explored the rugged Himalayas for decades, Kingdon-Ward finally stepped into the valley in 1939 and was completely awestruck. He later wrote:

“Never have I seen such a dense, such a colorful sea of alpine flowers.”

Mesmerized by its ecological value, he championed its protection. Thanks to his efforts, the Indian government declared it a national park in 1982, and in 2005, it officially became a UNESCO World Heritage Site.

Planning a journey to this remote Himalayan wonderland requires some preparation. Here is everything you need to know to execute the perfect trip:

🗺️ The Standard 4-Day Trekking Route

Most travelers start their journey from major transit hubs in Uttarakhand like Dehradun, Haridwar, or Rishikesh.

Day 1: The Mountain Drive (Rishikesh/Dehradun to Govindghat): A highly scenic but long 10-to-12-hour drive up winding mountain roads along the Alaknanda River. You will overnight at Govindghat or Joshimath to adjust to the altitude.
Day 2: The Journey to Base Camp (Govindghat to Ghangaria): A short drive takes you to the village of Pulna, where the actual trek begins. From Pulna, you will hike about 9 to 10 kilometers uphill through lush forests and waterfalls to reach Ghangaria, the bustling base camp village.
Day 3: Into the Valley (Ghangaria → Valley of Flowers → Ghangaria): You will head out early to pass the forest checkpoint. The trek from Ghangaria into the valley is about 3.7 to 4 kilometers one-way. Because camping inside the park is strictly prohibited, you must explore during the day and hike back to Ghangaria before evening.
Day 4: The Descent: Hike back down to Pulna/Govindghat and begin your drive back to the lowlands.

⏱️ Park Timings & Rules

Opening Hours: The park gates open daily at 7:00 AM.
Last Entry: The last entry allowed past the forest checkpoint is 12:00 PM, and all visitors must exit the valley by 4:00 PM to allow the ecosystem to rest and ensure safety before dark.

🎫 Permits & Entry Fees

You don’t need to apply months in advance; entry permits are easily obtained on the spot at the Forest Department checkpoint just outside Ghangaria.

Pass Validity: The entry permit is a 3-day pass.
Cost: Around ₹200–₹250 for Indian nationals and ₹650–₹850 for foreign nationals (with nominal fees for each additional day). Be sure to carry a valid government photo ID.

🎒 Packing Essentials

Footwear: Sturdy, broken-in trekking shoes with excellent grip are mandatory—the trails can get incredibly slippery from rain and loose rocks.
Weather Protection: The valley’s blooming season coincides with the Indian monsoon. A high-quality raincoat or a heavy-duty waterproof poncho is essential.
Layer Up: Even during peak summer, temperatures at 3,000+ meters hover around a crisp 10°C (50°F) and can plummet quickly if it rains. Pack thermal layers and windcheaters.
Porters & Mules: If the uphill trek feels daunting, porters and mules can be hired at Pulna to carry your heavy luggage up to Ghangaria. However, mules are not permitted inside the actual Valley of Flowers to protect the terrain, meaning you must be able to walk the final stretch into the flowers yourself!

Link:https://peacelilysite.com/2026/07/20/hidden-in-the-himalayas-the-untamed-scientific-mystery-of-the-valley-of-flowers/

Pilgrimage to Bhutan (Part 3): Audience with the Je Khenpo and the Ascent to Tiger’s Nest

February 5, 2026February 5, 2026 linda changLeave a comment

By Gongjue Tuji

View of Taktsang Monastery on the cliff face, taken from the cafeteria viewpoint halfway up the trail. — The goal of the ascent in sight: Taktsang Monastery is perched high on the steep cliff face

On a pilgrimage to holy places, one rarely follows a rigid plan. Rather, one engages with a flow of events. Our last days in Bhutan reminded us how valuable it is to let go of expectations. We learned that special doors often open exactly when one is ready to leave the original path.

Change of Plans in Punakha: Trusting the Flow of Things

The sixth day showed us this very clearly. Actually, we had a fixed plan: We wanted to drive from Punakha back to Paro. There, we had donated 3,000 butter lamps which we wanted to light ceremonially in a temple.

But then we received news on short notice that an audience with His Holiness the Je Khenpo, the highest religious head of the country, would be possible. Such an opportunity is a great blessing. However, there was a restriction: Our entire travel group was simply too large for this spontaneous audience.

So we had to split up in Punakha. One part of the group drove directly on to Paro, while the other part drove to Thimphu, where His Holiness the Je Khenpo was staying at the time. I traveled with this group.

Scenic panoramic view over the green Thimphu Valley, with the distinctive Buddha Dordenma statue visible in the distance atop the mountain. — View of Thimphu with the Buddha Dordenma statue in the background

Thangton Dewachen Nunnery: Legacy of the Iron Bridge Monk

Arriving in Thimphu, we still had some time before the appointment. We visited the Thangton Dewachen Duthop Nunnery. It is the only one of its kind in the capital and goes back to the legendary Thangtong Gyalpo. He was a fascinating personality: A great Mahasiddha and at the same time an ingenious engineer who lived in the 15th century. He is famous as the “Iron Bridge Monk,” as he built dozens of suspension bridges made of iron chains throughout the Himalayas to allow pilgrims and travelers to cross raging rivers. Many of his constructions withstood the centuries. We were welcomed very warmly at this place: We were served tea in the courtyard of the monastery, and we could enjoy the peaceful atmosphere for a moment before we had to leave.

Gongjue Tuji in traditional robes standing in the sunny courtyard of the Thangton Dewachen nunnery next to a tall Dharma pillar, while a dog sleeps peacefully in front. — Visiting the Thangton Dewachen Duthop Nunnery

Kalachakra Initiation: Encounter with H.H. the Je Khenpo

After lunch, we made our way to the stadium. There, H.H. the Je Khenpo was leading the conclusion of the Kalachakra initiation. The crowds were immense. The stadium itself was packed to capacity, but that was far from enough. Countless people had also gathered on the grounds outside to partake in the event. It was a very impressive image. The ceremony was also being broadcast live on Bhutanese television. We initially had to wait before the gates until we were allowed into the stadium.

After some time, we were able to enter and were led to a separate waiting area inside the stadium. During this time, a chance but wonderful encounter occurred. We met the young Vairochana Rinpoche (Ngawang Jigme Jigten Wangchuk). He is a highly revered Tulku and the son of Her Royal Highness Princess Sonam Dechan Wangchuk. He is revered as the reincarnation of the great translator Vairochana from the 8th century, one of the most important disciples of Guru Padmasambhava.

Following this, we were granted an audience with H.H. the Je Khenpo. Filled with gratitude, we presented him with a Khata (white scarf) as a token of our deep respect. In this special setting, we also had the opportunity to present His Holiness with information regarding the ‘Holy Heavenly Lake Buddhist Town’ project. Each of us then received a personal blessing, and upon our departure, he presented us with a text of the Amitabha Sadhana for our own practice.

Group photo of the Buddhist travel group after the special audience with H.H. the Je Khenpo at the Thimphu stadium following the Kalachakra initiation. — Our group after the audience with H.H. the Je Khenpo

After the meeting with the Je Khenpo, a further great honor was completely unexpectedly offered to us: Actually, we were supposed to meet the young Vairochana Rinpoche and the Queen Mother for an official audience afterwards. But when the Kalachakra initiation ended, thousands of people streamed out of the stadium at the same time. Traffic in Thimphu came to a complete standstill. There was no getting through, and we could not reach the agreed location in time. Such are the karmic conditions sometimes. But we did not quarrel with fate: After everything we had experienced that day and the blessing we were allowed to receive, we felt richly gifted.

The Tiger’s Nest: Ascent to Guru Rinpoche’s Cave

On the last day of our trip, November 15th, the arguably most famous landmark of Bhutan was on the agenda: Paro Taktsang, widely known as the Tiger’s Nest. It is not only architecturally deeply impressive, but one of the holiest sites in the entire Himalayas.

The famous Tiger's Nest Monastery (Paro Taktsang), clinging spectacularly to a sheer cliff face in the Paro Valley of Bhutan, set against a blue mountain backdrop. — Paro Taktsang Monastery (Tiger’s Nest)

We set off very early to reach the base camp, the parking lot at 2,300 meters. From there, it is about 800 vertical meters up to the monastery, which sits at 3,120 meters. For visitors who do not quite trust themselves with the steep climb, there is generally the option to be carried by a horse or mule for the first part of the route. Our group, however, decided to cover the entire path on foot under our own power.

The ascent took just under three hours. The path is beautiful, but also demanding. It leads through a dense pine forest where rhododendrons grow and the trees are draped with moss. Again and again, prayer flags flutter in the wind. Halfway up, we took a short rest at a café. From there, you already have a first, breathtaking view of the monastery, which literally clings to the steep rock.

Impressions (in order): Resting horses at the starting point, fluttering prayer flags against the mountain backdrop, pack animals on the dusty trail, the first distant view of the cliffside monastery, the moss-covered mountain forest, and Tsa-Tsa offerings in a rock niche.

The history of this place is closely connected to Guru Rinpoche, the great Master Padmasambhava. He is revered by the Bhutanese as the “Second Buddha,” as he brought and firmly established Tantric Buddhism, the Vajrayana, in Bhutan in the 8th century. He manifested his supernatural powers and flew to this very spot on the back of a tigress to subdue a demon. Some say that the tigress was his tantric consort Yeshe Tsogyal in a transformed state. In the cave known as Taktsang Senge Samdup, around which the monastery was later built, he then meditated for exactly three years, three months, three weeks, and three days.

Once at the top, we had to hand in our cameras and bags at the entrance, as photography inside is strictly forbidden. We visited several small temples within the complex. In a special room that is guarded around the clock, I lit a butter lamp. This is the only place in the monastery where open fire is still permitted after a devastating fire destroyed large parts of the complex in the past. In Buddhism, lighting these lamps is a meritorious central ritual.

Gongjue Tuji and Venerable Master Shi Zheng Da standing with Dharma siblings in front of the sacred waterfall near the entrance to Paro Taktsang (Tiger's Nest). — With Venerable Master Shi Zheng Da in front of the Taktsang Waterfall

Farewell in Paro: A Promise to Return

Back at the hotel in Paro, a special guest awaited us in the evening: Dasho Passang Dorji, the former Speaker of the National Assembly of Bhutan. He had been instrumental in organizing the official appointments and came by personally to apologize politely that the meeting with the King had not taken place due to the commotion. He promised us: “Next time I will arrange, this time the King and the Queen have been too busy.”

Ceremonial exchange of gifts between Venerable Master Shi Zheng Da and Dasho Passang Dorji in the hotel lobby at the conclusion of the trip. — Exchange of gifts with Dasho Passang Dorji

In a very friendly atmosphere, an exchange of gifts took place. The Venerable Master Shi Zheng Da presented him with a special art object, a luminous three-dimensional picture of a Yun sculpture designed by H.H. Dorje Chang Buddha III. In return, he gave the Master a large golden Shakyamuni Buddha statue. It was a worthy moment of connection.

Scenes from the performance (in order): The famous Drametse Ngacham (Dance of the Drums), a solo dancer bowing deep, the performers of the yak scene, the humorous interaction of the yak with the audience, the women’s dance group in red garments, and finally a traditional performance with bows and arrows combining song and dance.

Afterwards, we watched a cultural performance together with Dasho Passang Dorji. There were traditional dances and songs whose gentle, flowing movements radiated great calm and peace. There were also humorous interludes, like the dance of a yak, where the performers visibly had fun. Even though I did not understand the language, the joy was contagious. After this show, we all gathered for a large group photo to capture this beautiful final evening.

Large farewell group photo of the entire travel group together with Dasho Passang Dorji and the Bhutanese guides on the illuminated steps of the hotel. — Our entire group with Dasho Passang Dorji and our guides

The next morning, November 16th, it was time to say goodbye. From the hotel, we could look directly at the airport. We had arrived to make a contribution with our donation and our plans. But as I boarded the plane now, I felt that we ourselves were taking away far more than we had given. I took with me not only memories of the mighty mountains and venerable monasteries, but the feeling of a deep connection with our travel group and the people in Bhutan. I return with much inspiration and a heart full of gratitude for the blessing I was allowed to experience in this country.

Link:https://peacelilysite.com/2026/02/05/pilgrimage-to-bhutan-part-3-audience-with-the-je-khenpo-and-the-ascent-to-tigers-nest/

Pilgrimage to Bhutan (Part 2): Over the Dochu La into the Valley of the Cranes

January 30, 2026January 30, 2026 linda changLeave a comment

The highest point of the leg: The Dochu La pass at 3,100 meters

By Gongjue Tuji

With many impressions from Thimphu and a feeling of gratitude, we continued our pilgrimage. Before leaving the busy capital behind for good to drive deeper into the mountains, however, we spent another day in its surroundings. After all, Bhutan is not only defined by its holy temples and deeply rooted Buddhism. The landscape itself also holds enormous power. We were looking forward to traveling to places where the country’s history and the powerful nature form a very special unity.

Semtokha Dzong: The Palace of Secret Mantras

On the third day, our path first led us about six kilometers south of Thimphu to Semtokha Dzong. This place also bears the meaningful name “Sangak Zabdhon Phodrang,” which translates to “Palace of the Profound Meaning of Secret Mantras.”

The massive white walls and typical Bhutanese fortress architecture of the Semthoka Dzong under a bright blue sky. — Semtokha Dzong

Historically, this is a milestone: The Dzong was built between 1629 and 1632 by Shabdrung Ngawang Namgyal, the legendary unifier of Bhutan. He introduced something completely new here, namely the combination of a monastery and an administrative center under one roof. This innovative concept worked so well that it later became the model for all other major fortresses in the country, such as in Paro or Punakha. This historical significance mixed with a very present joy on the day of our visit. Since the entire country was honoring the fourth King’s birthday, a particularly festive mood could be felt everywhere.

But something else left a deep impression on me. In the temple rooms, the distinct scent of butter lamps hung in the air. It is a very unique smell that we would encounter again and again at other places, and which for me is now inseparably linked to the atmosphere of these holy sites.

Impressions (in order): View into the courtyard, the magnificent entrance area, water bowls as offerings, the corridor with prayer wheels, myself inside, and our group on the entrance stairs.

Takin Preserve: The Creation of Drukpa Kunley

Bhutan is deeply rooted in its spiritual traditions, where the power of the Dharma also manifests in nature. We visited the Royal Preserve to see the national animal: the Takin. It is a fascinating creature, unique to the Himalayas, with an appearance that resembles a cross between a cow and a goat.

Its existence traces directly back to the miraculous activity of Drukpa Kunley, also known as the “Divine Madman.” In the 15th century, people asked him to perform a miracle to prove his realization. He requested to be served a cow and a goat. After consuming both, he placed the goat’s head upon the cow’s skeleton. With his supernatural powers, he brought this new being to life. This event stands as a powerful testament to the Master’s unconventional teaching methods and his ability to act beyond ordinary concepts.

Impressions (in order): The spacious forest area of the preserve, a resting Takin in the shade, and an animal by the stream.

Dochu La: Commemoration at the 108 Chortens

On the fourth day, we left the capital heading towards Punakha. The road led us over the Dochu La, a pass at an altitude of about 3,100 meters. Although a few clouds obscured the view of the very big ice giants of the Himalayas, gaps opened up again and again, through which we could see the snow-covered peaks.

The 108 Druk Wangyal Chortens on the Dochu La Pass set against a dense backdrop of clouds that partly obscures the panoramic view of the Himalayas on this day. — The 108 Druk Wangyal Chortens against the backdrop of the Himalayas

Up on the pass stand the 108 Druk Wangyal Chortens. They are an important place of remembrance. They were not built to celebrate a military victory in 2003, but to commemorate the fallen. It is characteristic of the culture here that triumph is not put in the foreground, but rather compassion and remembrance.

Chimi Lhakhang: The Legacy of Drukpa Kunley

In the Punakha district, the legacy of the “Divine Madman,” Drukpa Kunley, is ever-present. Even in the surrounding villages, we noticed the many houses painted with phallic symbols. What may initially seem unusual to foreign eyes is regarded here as a powerful symbol of protection.

Wide panoramic view over the green rice terraces and hills of the Punakha Valley in Bhutan, marked by a tall prayer flag in the foreground. — View into the Punakha Valley

Our next destination was Chimi Lhakhang. The path there leads very picturesquely right through green rice fields. The temple itself stands exactly at the spot where the great master Drukpa Kunley manifested his power to subdue a demon that had taken the form of a dog. He did so with his “flaming thunderbolt of wisdom.” This also explains the paintings on the houses, as they represent this victorious thunderbolt. At the place of this subjugation, a small black stupa still stands today. Also, statues of the master can often be recognized by a dog lying at his feet. Today, the place is mainly known as the Temple of Fertility, to which couples from all over the world make pilgrimages. We used the peaceful atmosphere there to chant together under a large Bodhi tree in front of the temple.

Impressionen (der Reihe nach): Der Chimi Lhakhang Tempel mit der schwarzen Stupa, eine schlafende Tempelkatze, junge Mönche beim Üben der Dharma-Instrumente und unsere Gruppe beim gemeinsamen Chanten unter dem großen Bodhi-Baum.

Punakha Dzong: Palace of Great Bliss

Afterwards, we continued to Punakha Dzong. It is situated very picturesquely right where the Pho Chhu (Father River) and the Mo Chhu (Mother River) meet. Its full name is Pungtang Dechen Photrang Dzong, which translates to “Palace of Great Happiness.” The building is not only huge but also historically of enormous importance. It was built as early as 1637 and for a long time formed the center of the then winter capital Punakha.

The majestic Punakha Dzong (Palace of Great Happiness) sits picturesquely at the confluence of the Mo Chhu and Pho Chhu rivers against a green mountain backdrop. — Punakha Dzong

Even today, the monastic community moves here during the cold months. Moreover, it is a historic place for the monarchy, as the first King of Bhutan was crowned here in 1907. Inside rest the mortal remains of the state founder Shabdrung Ngawang Namgyal. However, this area is strictly protected. Only the King and the Je Khenpo, as well as two guardian lamas, are allowed to enter the room with the relics.

A monk in conversation in front of the white walls and dark roof of an outbuilding within the spacious grounds of the Punakha Dzong.

Impressions (in order): Conversations in front of white walls, roosters on the intricate roof ledge, and the entrance to the sacred temple area (Machen Lhakhang), where the relics of the state founder are kept.

Wangdue Phodrang: Rebuilding a Landmark

In the morning of the next day, we stopped at Wangdue Phodrang Dzong. This place has a moving history. It was founded in 1638 by Shabdrung Ngawang Namgyal under the auspicious name “Palace of the Four Cardinal Directions.” It sits strategically on a ridge that resembles a sleeping elephant and overlooks the confluence of two rivers.

The imposing Wangdue Phodrang Dzong sits majestically on a ridge against a green landscape, while visitors climb the entrance stairs. — Wangdue Phodrang Dzong

For a long time, it was considered the only Dzong that had never fallen victim to a fire in its almost 400-year history. But on June 24, 2012, fate struck: A technical defect triggered a fire in the early morning, and fueled by strong winds, the proud fortress burned out completely within a few hours.

But what we saw was not a place of mourning, but of hope. The reconstruction, which began in 2014, is an impressive testament to Bhutanese unity, but also to the deep friendship with neighboring India. Through close cooperation and generous support from India, this massive project could be realized. It wonderfully shows how modern engineering and cross-border solidarity are used not only to preserve traditional culture but to literally let it rise anew from the ashes.

Impressions (in order): Intricate carvings at the portal, colorful wall murals of guardian deities, the spacious courtyard, a monk at the staircase, and our group photo in front of the Dzong.

Drive through the Black Mountains

With this image of a new beginning in mind, we continued our journey towards the Phobjikha Valley. The drive was scenically very impressive. Our bus wound its way up the Black Mountains curve after curve. We had perfect weather. The sun was shining and allowed us a clear view that reached further with every meter of altitude. The road snaked along the partly steep mountain slopes in tight serpentines until we crossed the pass and finally drove down into the valley.

Phobjikha Valley: Winter Home of the Black-Necked Cranes

The Phobjikha Valley is a very special retreat. It serves as the wintering ground for the rare Black-necked Cranes from Tibet. There is a nice observation about this. When the birds arrive, they circle the local Gangtey Monastery three times. And apparently, they do the same when they leave again. Even the animals seem to have a connection to the Dharma here. We were lucky and some of us saw the first cranes that had already arrived.

Wide panoramic view of the golden-yellow plains of the Phobjikha Valley in Bhutan, framed by green mountains and a blue sky. — Phobjikha-Tal

Our lunch was organized for us in an open field right in front of Khewang Lhakhang. We enjoyed it with a wide view into the valley. Afterwards, we visited the temple itself. Inside are still the original statues, which at a good 500 years old are as ancient as the building itself. One of these statues is particularly well-known, as it is said to have spoken twice already.

Front view of the historic Khewang Lhakhang temple in the Phobjikha Valley featuring traditional windows and a white facade situated on a meadow. — Khewang Lhakhang

I especially remember the story that’s connected to this place: A demon had taken the form of a young woman to deceive a young man. When the man died, the demon wanted to bring the body into the temple. But the Buddha statue spoke and denied him entry. The demon had to move on and was finally defeated by the deceased’s real girlfriend. A small stupa still stands at this spot today. Such events are not just fairy tales here; they are part of the living spiritual landscape.

Gangtey Goenpa: Spiritual Center of the Nyingmapa

The crowning conclusion of this day was Gangtey Goenpa. It sits on a ridge above the valley and is far more than just a beautiful building. It is the largest and most important Nyingmapa monastery in western central Bhutan and is considered the spiritual heart of the entire region.

The history of this place goes back a long way and begins with a vision. The great “Treasure Finder” (Terton) Pema Lingpa visited the valley in the late 15th century. He looked at the ridge and prophesied that one of his descendants would build a monastery there one day. This prophecy was fulfilled in 1613 when his grandson Rigdzin Pema Thinley founded the monastery.

The imposing frontal view of the main temple of Gangtey Goenpa featuring magnificent hand-carved wooden balconies and traditional Bhutanese architecture. — Gangtey Goenpa

Architecturally, it is fascinating. At first glance, it looks like a Dzong, meaning one of the mighty fortresses we had seen before. But if you look closely, you notice a crucial difference. The military elements are missing. There are no arrow slits and no defensive walls. It was designed purely as a place of peace and practice. I was particularly impressed by the elaborate wood carvings visible everywhere, testifying to the high level of craftsmanship.

Impressions (in order): Wall mural of Dharmapala Gyalpo Pehar in the entrance area, the view up to the intricate wooden architecture, and the sunny courtyard.

Today, the monastery is a very lively place and acts as the seat of the Pema Lingpa tradition as well as the seat of the master’s ninth reincarnation. About 140 monks live here. Together with the nearby Shedra, the Buddhist college, they ensure that the teaching is not only preserved here but actively studied and lived.

I had a special experience inside the temple. We had gone in to pay our respects to the Buddhas and chant together. Scarcely had we entered the hall when the power went out and it became pitch dark instantly. In the light of our phones, we looked for a place to sit. For about ten minutes, we chanted in this darkness, illuminated only by the faint flickering of a few butter lamps. That created a very unique mood. Suddenly the light came back on. Only at that moment did I see what was directly on the wall opposite me. My gaze fell on a beautiful mural of the 21 Taras. That was an unexpected and deeply moving moment for me.

Actually, we had a specific hope in our hearts for our return to Thimphu and Paro: We wanted to try to get an audience with the King. But as so often in life, plans do not always go in a straight line. Karmic conditions had intended another encounter for us, which we had not expected in this way.

I will tell you about that and our ascent to the famous Tiger’s Nest in the next part.

About Author: Gongjue Tuji

As a committed Buddhist and initiator of the Xuanfa Dharmazentrum, Gongjue Tuji has made it his mission to help other people integrate the teachings of Buddhism into their daily lives. In this blog, he regularly provides insights into his experiences, current news and highlights fascinating aspects of the Buddha-Dharma.

Link:https://peacelilysite.com/2026/01/30/pilgrimage-to-bhutan-part-2-over-the-dochu-la-into-the-valley-of-the-cranes/

Pilgrimage to Bhutan (Part 1): Arrival in the Land of the Thunder Dragon

January 23, 2026January 23, 2026 linda changLeave a comment

View from an airplane window over a dense cloud layer towards the snow-capped Himalayan mountain range. In the foreground, the aircraft wing with its characteristic yellow tip is visible. — View of the Himalayas and Kanchenjunga during the approach to Paro

By Gongjue Tuji

In November 2025, I went on a very special trip. Together with 66 Dharma brothers and sisters, I set off for Bhutan. Being the only German in this group from the USA, China, Taiwan, and Sri Lanka, I felt at home right away. We were a wonderful mix of monks, nuns, Rinpoches, and lay Buddhists. We all met in Thailand first to travel on to Paro together.

Our goal was more than just a visit. We came to honor the holy sites of this country and to dive into Bhutan’s deep-rooted Buddhist tradition. Of course, we were also excited to get to know the land and its people. Dedicated members of our group took care of the entire organization. Thanks to their excellent planning and the great local guides, everything ran smoothly. We also owe the fact that this trip was possible in this special way to the Venerable Dr. Chandima from Sri Lanka. Through his personal connections to the Kingdom of Bhutan, doors opened for us that might otherwise have remained closed. Having the Venerable Master Shi Zheng Da with us was also especially valuable.

We brought two matters close to our hearts with us. First, it was important to us not to arrive empty-handed. We had collected donations within the group to directly support the hospital in Thimphu and the expectant mothers there. Second, it was our spiritual mission to represent the Buddha Dharma as we learned it from H.H. Dorje Chang Buddha III. Connected to this was the wish to share news of the “Holy Heavenly Lake Buddhist Town” project, which is planned to provide space for over 30 Buddhist centers from all over the world.

Arrival in Paro & the Journey to Thimphu

We landed in Paro on November 9th. From there, we took a bus about 40 kilometers through the valley to Thimphu. What I noticed immediately was that the entire road was decorated with five-colored banners. Our guide told us that this was the welcome greeting for the international guests of the “Global Peace Prayer Festival.”

Colorful Buddhist prayer flags and banners lining the road from Paro to Thimphu in Bhutan as a welcome for the Global Peace Prayer Festival, set against a rocky mountain backdrop. — Five-colored flags and pennants along the route

Thimphu itself was incredibly busy. Several events were happening at once: alongside the festival and the King’s upcoming birthday, Indian Prime Minister Narendra Modi was also expected for a state visit. You have to know that Thimphu is the only capital city in the world without traffic lights. Despite the crowds and the resulting traffic chaos, everyone remained calm. No one pushed, and people were patient and respectful. This relaxed attitude really impressed me.

National Memorial Chorten: The Spiritual Heart of Thimphu

After checking into our first hotel, we visited the National Memorial Chorten. This is a large, white stupa in the middle of the city, built in 1974 for the third King. For the locals, this is an important place in everyday life. Many go there to walk around the stupa and spin the prayer wheels.

As at all holy sites, photography is not allowed inside. A simple rule applies: as soon as the shoes come off, the camera stays off. This allowed us to soak in the atmosphere without any distractions. The interior houses larger-than-life statues of wrathful deities in Yab-Yum posture and murals of Guru Rinpoche (Padmasambhava), Shakyamuni Buddha, and Ngawang Namgyal, the unifier of Bhutan. Colorful sculptures stand in all four directions. There are also mandalas, shrines for the third King, and images of Vajrakilaya.

Blick auf die goldene Spitze des National Memorial Chorten in Thimphu, während Gläubige die Stupa im Uhrzeigersinn umrunden.

Impressions (in order): The white Memorial Chorten, pilgrims at the prayer wheels, the sea of lights from the butter lamps, believers performing prostrations, and our group in front of the stupa.

Our group took the opportunity to chant on the square in front of the stupa, led by the Venerable Master Shi Zheng Da. It was a beautiful experience to do this at such a place.

Authentic Bhutanese Crafts Bazaar: Traditional Arts and Crafts

In the evening, I took the chance to stroll along Norzin Lam. That is where the Authentic Bhutanese Crafts Bazaar is located, which you enter through a distinct red gate. Behind it, many small huts are lined up where local artisans display their goods. There was really a lot to discover. Besides handmade textiles, jewelry, wood carvings, and thangkas, you can also find nice souvenirs to remember the trip by.

The distinctive red entrance gate to the Authentic Bhutanese Crafts Bazaar on Norzin Lam in Thimphu, illuminated at night. — Entrance to the Authentic Bhutanese Crafts Bazaar

Global Peace Prayer Festival: Shared Prayers for Peace

Official program poster for the Global Peace Prayer Festival in November 2025 in Thimphu, Bhutan, featuring details on Jabshi Gyap and Kalachakra.

November 10th was all about the Global Peace Prayer Festival. Since the stadium was within walking distance of our hotel, we went there on foot. Even on the street, we could feel how many people were flocking to this event. Once inside the stadium, we showed our respect through prostrations before the Venerables present. Afterwards, we were given a spot on the side where we could join in the peace prayers.

From there, we watched the program on the main stage, where various Buddhist traditions took turns with their recitations. Between the prayer sessions, there were traditional dances and songs. I was deeply impressed by how many people came together there peacefully. It was simply a good feeling to be right there among them.

Buddha Dordenma: The Golden Statue Above the Valley

After noon, we continued to the Buddha Dordenma statue in Kuensel Phodrang Nature Park. This is an impressive, 51-meter-high statue of the seated Shakyamuni Buddha. It is made of bronze and completely gilded. By the way, it was built to celebrate the 60th birthday of the fourth King, Jigme Singye Wangchuck.

The massive frontal view of the Shakyamuni Buddha (Buddha Dordenma) in Kuensel Phodrang Nature Park under a brilliant blue sky. — Buddha Dordenma Statue

Inside the building beneath the statue, there are over 100,000 small Buddhas, also made of bronze and gold. Every single one was donated. There is also a large meditation hall with many more beautiful Buddha statues. Various relics are kept in these rooms, which we were allowed to see during our visit.

Side view of the 51-meter tall, gilded Buddha Dordenma statue in Thimphu, majestically towering over the valley, surrounded by pilgrims.

Impressions of the Buddha Dordenma statue: The gigantic seated statue in side view, ritual structures featuring traditional thread crosses (Namkha/Mdos) on the plaza, the view up to the Buddha’s face, a relief of a blue elephant on the golden base, and the view over the square featuring golden Dakini statues.

What made this visit special was not just the statue itself. Right there, the conclusion of the Jabshi Gyap ritual was taking place. This is a major, multi-day ceremony intended to purify negative karma and bring healing. Thousands of devotees, monks, and Rinpoches were gathered. We learned that this ritual was done specifically for world peace. It was our good fortune that we could be there at exactly that moment.

A Matter of the Heart: Support for Expectant Mothers

We had collected money in advance to support 500 expectant mothers with care packages. For this reason, we gathered at the end of the day for a ceremonial handover at the hospital in Thimphu.

The Buddhist travel group and official representatives at the ceremonial presentation of donation packages to expectant mothers at the hospital in Thimphu. — Handing over the donation at the hospital

In addition to our travel group, hospital staff, the Secretary to the Health Minister, and some mothers also took part. We had the opportunity to personally hand over the first packages to the mothers present.

With that, the first days in the capital were over. Next, the journey would take us out of the city, to ancient Dzongs and into nature.

Source: https://xuanfa-dharmazentrum.de/en/blog-en/pilgrimage-bhutan-1-thimphu/

Link:https://peacelilysite.com/2026/01/23/pilgrimage-to-bhutan-part-1-arrival-in-the-land-of-the-thunder-dragon/

A Delegation of Buddhist Town visited Bhutan

January 2, 2026January 2, 2026 linda changLeave a comment

At the invitation of Rev. Chandima of the Sri Lanka Cultural and Educational Foundation, members of Buddhist Town joined a delegation to Bhutan to participate in the Global Peace Festival, held in celebration of the 70th birthday of the Fourth King of Bhutan. The trip was co-organized by the Buddhist Town Community Association, with participating organizations including Fa Chan Temple, Macang Yuan, Holy Vajrasana Temple, and the Canadian Institute of Buddhist Studies, among others. In total, 68 representatives took part in this meaningful event.

As part of the visit, the delegation donated 500 sets of essential baby supplies, offering prayers for happiness, health, and well-being for every family. The donation ceremony was attended by the Director of Bhutan’s Ministry of Health, who officially received the supplies. Following the ceremony, the donated items were distributed on-site to pregnant women and mothers with newborns by members of the delegation.

The delegation jointly sponsored the offering of 3,000 butter lamps and respectfully invited Master Shin Zhengda Jaozun to preside over the 3,000 Butter Lamp Offering Ceremony at Kyichu Lhakhang, one of the oldest temples in Paro. The prayers were dedicated to world peace, the removal of obstacles, the averting of disasters, and the flourishing and propagation of the True Buddha Dharma.

Kyichu Lhakhang is one of the 108 demon-subduing temples built by King Songtsen Gampo. Established in 638 CE, it stands as one of Bhutan’s most sacred and historically significant temples.

Dasho Passang Dorji, former Speaker of the National Assembly of Bhutan, formally welcomed the Buddhist Town delegation at Paro International Airport. Following the reception, the delegation embarked on an inspiring journey to visit sacred sites associated with Guru Padmasambhava and to learn how Zhabdrung Rinpoche further propagated and established Guru Padmasambhava’s lineage teachings throughout Bhutan.

During the journey, the delegation visited many major temples and sacred sites, including the Buddha Dordenma in Thimphu (21st century), Punakha Dzong (17th century), the Druk Wangyal Chortens—also known as the 108 Stupas (21st century), Chimi Lhakhang (15th century), Khewang Lhakhang (15th century), and Gangtey Monastery (17th century), among others.

The final highlight of the journey was the ascent to the legendary Taktsang Monastery (8th century), dramatically perched at an elevation of 3,100 meters above sea level. According to tradition, Guru Padmasambhava flew to this sacred site, where he subdued negative forces and later spread Buddhism throughout Bhutan, becoming the foundational figure of Bhutanese Buddhism.

By Original: Nina R from AfricaDerivative work: UnpetitproleX – Paro Taktsang, BhutanThis file was derived from: Paro Taktsang, Bhutan (49694480001).jpg, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=163890881

With an elevation gain of more than 900 meters and steep mountain trails, the pilgrimage requires a 7–8 hour round-trip hike. Throughout the journey—visiting sacred sites, receiving blessings, paying homage to the Buddhas, and experiencing deep spiritual inspiration—the delegation was filled with immeasurable Dharma joy and boundless gratitude.

At every point along the path, it felt as though the land itself was gently reminding the delegation that all worldly phenomena are impermanent and ever-changing, and that only the true Dharma of the Buddha remains eternally unchanged.

Link: https://peacelilysite.com/2026/01/02/a-delegation-of-buddhist-town-visited-bhutan/

Source: https://lirp.cdn-website.com/9890f458/dms3rep/multi/opt/BT+Newsletter+EN+-+202511-1920w.png

Kumbum Monastery: The Sacred Birthplace of a Master and the “Three Wonders” of Tibetan Art

December 26, 2025December 26, 2025 linda changLeave a comment

In the southwestern suburbs of Xining, where the air grows thin and the spirit grows light, stands one of the most significant sites in the Buddhist world: Kumbum Monastery.

Known in Tibetan as Kumbum Jampa Ling, meaning “A Supreme Temple of a Hundred Thousand Lion’s Roar Buddha Images,” this sprawling complex is far more than just a collection of buildings. It is a living monument to Lama Tsongkhapa, the revered founder of the Gelug (Yellow Hat) sect of Tibetan Buddhism.

The Legend of the Golden Tree

Unlike many temples built to house statues, Kumbum was built to house a pagoda.

Legend tells us that Tsongkhapa was born here in 1357. When his mother cut his umbilical cord, drops of blood fell to the earth, and from that spot grew a miraculous sandalwood tree—the “Tree of Great Merit.” It is said this tree had 100,000 leaves, each bearing a natural image of the Buddha.

Years later, when Tsongkhapa was studying in Tibet, his mother sent a letter begging him to return. He replied that he could not leave his studies, but sent a self-portrait and a “Lion’s Roar” image, instructing her to build a pagoda over his birthplace. “Seeing this pagoda,” he promised, “is the same as seeing me.” In 1379, the Julian Pagoda was built, forming the sacred heart of what would become Kumbum Monastery.

Kumbum is world-renowned for its harmonious blend of traditional Tibetan and Chinese Han architectural styles.

1. The Eight Pagodas of Buddha Shakyamuni

Greeting visitors in the front square are eight gleaming white pagodas. Built in 1776, they commemorate the eight great merits and virtues of Buddha Shakyamuni. Each stands 6.4 meters tall, decorated with delicate Sanskrit scriptures and guardian lions, serving as a powerful symbol of the monastery’s spiritual authority.

2. The Grand Golden Tiled Hall

This is the soul of the monastery. With its gilded copper roof and emerald glazed-tile walls, the hall radiates a celestial glow. Inside, you will find an 11-meter-tall golden tower wrapped in white sandalwood and encrusted with jewels. At its peak sits a statue of Tsongkhapa. For pilgrims, meeting this tower is considered a direct meeting with the Master himself.

3. The Main Assembly Hall

Spanning nearly 2,000 square meters, this is the center of monastic life. Under a flat roof adorned with gilded bronze bells and “Aquarius” vases, hundreds of monks gather to recite sutras. The interior is a sensory masterpiece of colorful streamers and intricate carvings.

The “Three Artistic Wonders” of Kumbum

Kumbum is celebrated throughout Asia for its “Three Arts,” which represent the peak of Tibetan craftsmanship and devotion.

I. Vivid Yak Butter Sculptures

In the freezing depths of winter, when fresh flowers were unavailable for offerings, monks began carving flowers from yak butter. This evolved into a sophisticated art form. In the Yak Butter Sculpture Hall, you can see entire landscapes, pavilions, and deities crafted with impossible detail. To keep the butter from melting while they work, monks must dip their hands in ice water—a true testament to their endurance and faith.

II. Imaginative Barbola (Embroidered Appliqué)

Barbola is a unique form of 3D silk embroidery. By layering silk and cotton, artists create raised patterns that give the figures of Buddhas and animals a lifelike, three-dimensional appearance. The “Sixteen Disciples of Buddha” housed in the Main Assembly Hall are considered national treasures.

III. Exquisite Murals

The walls of Kumbum are alive with color. Using special mineral pigments that remain vibrant for centuries, these murals depict the life of Shakyamuni and scenes from the sutras. During the Sutra-viewing Festival, a massive 30-meter-long Buddha scroll is unfurled on the hillside, a breathtaking sight known as the “Great Buddha Exhibition.”

Kumbum Monastery hosts four major Dharma assemblies annually, held during the first, fourth, sixth, and ninth months of the lunar calendar. These gatherings are a blend of traditional festivals and grand religious events unique to the monastery. During these times, the temple comes alive with sacred activities, including monastic debates, mask dances, and sutra chanting.

A highlight of these fairs is the Cham Dance, where monks wear ornate masks and vibrant costumes, using dramatic gestures to express profound Buddhist teachings to the rhythm of cymbals and suonas (traditional horns). One of the most awe-inspiring sights is the Giant Thangka Unveiling, where a massive, delicate image of Tsongkhapa is unfurled down the mountainside. For the faithful, witnessing this Thangka is considered a direct and holy encounter with the Master himself.

**Thangka Exhibition during the Buddha Festival**

In July 2006, this sacred temple issued its formal recognition and congratulations to H.H. Dorje Chang Buddha III

United International World Buddhism Association Headquarters:

Under auspicious circumstances, we were happy to learn of the publication of A Treasury of True Buddha-Dharma—Complete Proficiency in Exoteric and Esoteric Buddhism and Perfect Mastery of the Five Vidyas about the Buddha Vajradhara, H.H. Master Yangwo Wan Ko Yeshe Norbu. His Holiness’s outstanding accomplishments are unprecedented. We respectfully send this letter of congratulations and joyfully offer our praise.

His actions and mind are pure, and His good fortune and wisdom are limitless.
He benefits myriad living beings, and His willpower never tires.
His powerful virtue is widespread, and His appearance is completely dignified.
He truly abides in peace and His accomplishments are perfect!

Qinghai Skuvbum Monastery
An auspicious day in July of 2006

Below is the original copy of the recognition letter in Chinese:

Link:https://peacelilysite.com/2025/12/26/kumbum-monastery-the-sacred-birthplace-of-a-master-and-the-three-wonders-of-tibetan-art/

Source: https://www.chinadiscovery.com/qinghai/xining/kumbum-monastery.html

Xiaoxitian Temple: A Masterpiece Carved into the Mountain

December 17, 2025December 17, 2025 linda changLeave a comment

Xiaoxitian, originally known as Qianfo’an (The Hermitage of a Thousand Buddhas), was founded in the second year of the Chongzhen reign of the Ming Dynasty (1629). It stands atop Phoenix Mountain, about one kilometer west of Xixian County in Linfen, Shanxi Province.

Built entirely in harmony with the mountain, the temple unfolds in layers, as if it had grown naturally from the slope itself. Stone steps lead visitors upward, passing through courtyards divided by arched cave-like gateways. The upper, middle, and front courtyards are connected yet distinct, creating a spatial rhythm that is winding, intimate, and quietly profound. As one walks through the complex, footsteps instinctively slow, and time itself seems to soften.

The architecture of Xiaoxitian is restrained rather than ostentatious, yet its mastery reveals itself everywhere. Painted beams are elegant and dignified, and many of the halls are ingeniously built as two-story structures, creating a rich sense of vertical space within the limited mountain terrain. The bell and drum towers stand in stillness, inviting the imagination to wander back to an age when morning bells and evening drums echoed through the valley.

Stepping into the Mahavira Hall is a moment of sudden awe. Nearly the entire interior is filled with suspended polychrome sculptures—more than 1,900 figures, layered from floor to ceiling. From towering Buddhas over three meters high to figures no larger than a thumb, the sculptures are densely arranged yet never chaotic, solemn yet vibrantly alive. In that instant, one understands why Xiaoxitian is revered as the “Museum of Chinese Hanging Sculpture Art.”

Unlike many Buddhist temples that draw attention primarily to their principal Buddhas, the Mahavira Hall at Xiaoxitian is celebrated for the immersive world it creates as a whole. At its core stand the Medicine Buddha, Amitabha, Shakyamuni, Vairocana, and Maitreya, but surrounding them unfolds an entire celestial realm: the Ten Great Disciples, six young novices, the Ten Wisdom Kings, the Six Desire Heavens, and countless heavenly musicians dancing through the air.

Most unforgettable are the celestial musicians suspended within the tiered “sky pavilions” above the altars. Their figures are light and graceful, sleeves flowing as if caught in an eternal breeze, frozen in a moment of unending heavenly music. Some play the pipa, others hold flutes, while some seem to dance midair. One pipa-playing figure, leaning slightly forward with fingers poised on the strings, radiates such focus and elegance that one can almost hear the melody drifting across centuries.

Looking up toward the roof, the tri-colored glazed chiwen ornaments—yellow, green, and blue—gleam softly in the light. Their refined brilliance reflects the unmistakable aesthetic of the Ming Dynasty. Here, architecture, sculpture, and color merge seamlessly, and one forgets that this is a mountain temple at all. It feels instead like stepping into a floating Buddha realm, suspended between earth and sky.

That these sculptures have survived nearly four hundred years in such vivid detail inspires deep reverence. They represent not only the pinnacle of craftsmanship, but also a profound devotion—to faith, to beauty, and to a harmonious vision of the cosmos.

Perhaps what truly moves the heart at Xiaoxitian is not only the astonishing number of its hanging sculptures or the rare Ming Yongle Northern Buddhist Canon once preserved here, but something more enduring: a spiritual presence that has remained vibrant across centuries. It quietly reminds us that beyond the noise of the modern world, there still exists a place of serenity and dignity—carefully upheld by time itself.

Link:https://peacelilysite.com/2025/12/17/xiaoxitian-temple-a-masterpiece-carved-into-the-mountain/

Miao New Year: A Grand Celebration of Harvest, Heritage, and Harmony

November 14, 2025November 14, 2025 linda changLeave a comment

Among China’s many vibrant ethnic cultures, few festivals shine as brilliantly as the Miao New Year — the most important and joyous celebration of the Miao people.
It marks the end of a year’s hard work and the beginning of a season filled with gratitude, reunion, and hope.

Since ancient times, the Miao people have followed their own lunar calendar, considering the tenth month of the traditional Chinese lunar year as the beginning of a new year. In Leishan County of Guizhou Province, the Miao New Year usually falls on the Mao Day during the first half of the tenth lunar month, which is roughly equivalent to Chinese New Year’s Eve. The festivities typically last from three to nine days, turning the Miao villages into a sea of song, dance, and laughter.

The Miao New Year carries deep layers of meaning. It is not only a celebration of the harvest but also a time to honor their ancestors and deities, and to commemorate Chi You, the legendary ancestor of the Miao people who perished in tribal wars over five thousand years ago. Through ceremonies and offerings to nature — sacred trees, bamboo groves, rocks, and wells — the Miao express their respect and gratitude toward the forces that sustain life.

In the valleys of the Qingshui River and Duliu River in Guizhou, the Miao New Year is the highlight of the year.
The Miao calendar differs from the Han Chinese lunar calendar, and the beginning of the Miao year is determined through communal discussions so that different villages celebrate at different times. This ensures that every year, one village becomes the center of a grand regional celebration, while neighboring communities come to join in.

After the autumn harvest and the completion of farm work, the Miao New Year marks both an ending and a joyful beginning. During the festival, villagers visit relatives and friends, slaughter pigs, make sticky rice cakes, worship their ancestors, share reunion feasts, and exchange cups of homemade rice wine.

Traditional activities include bullfighting, bird fighting, and singing contests, each bringing a unique charm to the celebration. One village’s festivities flow seamlessly into another’s, creating a continuous wave of joy that sometimes lasts until the early spring “Drum-Turning Festival” in February.

The Grand Parade and Thrilling Bullfights

The opening day of the Miao New Year is marked by a spectacular parade. People from the eight main Miao branches put on their most elaborate traditional attire — shimmering silver headdresses, embroidered costumes, and ornaments that glisten in the sun. Through music and dance, they showcase their unique local traditions and the living heritage of Miao culture, offering visitors from across China and beyond an unforgettable feast of color and rhythm.

Among the most popular events is the bullfighting competition, a traditional custom symbolizing courage and vitality. Two strong water buffaloes face off, locking horns in a contest of strength and spirit. Thousands gather around the arena to cheer, and the air is electric with excitement. With generous prizes for the winners, the event attracts participants and spectators from far and wide, adding a thrilling edge to the festive atmosphere.

The Long Table Banquet: Sharing Joy, Building Connection

If there’s one experience that perfectly embodies the hospitality of the Miao people, it’s the Long Table Banquet.
This grand feast, dating back to ancient times, is more than just a meal — it’s a powerful symbol of unity, friendship, and celebration.

In Danzhai County’s Wanda Town, whenever guests arrive from afar, locals line the streets with long tables stretching as far as the eye can see. Each table is filled with Miao specialties such as smoked pork, sour fish soup, and sticky rice. Hundreds of people sit together, strangers becoming friends over shared food, laughter, and conversation.

The air fills with the tangy aroma of sour soup and the joyful clinking of cups. Everyone, regardless of origin or language, becomes part of one big family — a living expression of the Miao New Year’s spirit: warmth, generosity, and togetherness.

The Miao New Year is far more than a festive occasion — it is a heartfelt tribute to life, nature, and ancestry.
Through its rituals, music, and communal joy, it reflects the Miao people’s enduring gratitude for the land, their reverence for their roots, and their love of harmony.

As the lush hills echo with the sound of lusheng flutes and the silver ornaments sparkle under the sun, one realizes that the Miao New Year is not only the celebration of a people — it is a celebration of humanity itself, reminding us all of the beauty of connection, gratitude, and joy.

Link：https://peacelilysite.com/2025/11/14/miao-new-year-a-grand-celebration-of-harvest-heritage-and-harmony/

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