YIDAM-DHARMA INITIATION MASTER OF THE 17TH KARMAPA: H.E. DHARMA KING GONGBAO DUMU QUJI

H.E. Dharma King Dumu Quji was conferred the title of “Buddha-Dharma National Master” by an emperor in the Ming Dynasty. The meaning of “Quji” is Dharma King. H.E. Dharma King Gongbao Dumu Quji XVIII is the Vajra Master of H.H. the 17 th Karmapa Great Jewel Dharma King. He performed the yidam dharma initiation for the 17 th Karmapa Great Jewel Dharma King. He is the only one of great holiness and virtue who cleansed through a ritual bathing the 17 th Karmapa and formally put the Great Jewel Dharma King robes onto the 17 th Karmapa. He did so at the respectful request of H.E. Tai Situ Rinpoche, who is one of the four great Dharma Princes. During the time H.H. Dharma King Gongbao Dumu Quji XVIII performed initiations for the Karmapa, he saw in a supernatural state the ancient, primordial Buddha—Dorje Chang Buddha—bless the Karmapa. That ancient Buddha manifested as H.H. Dorje Chang Buddha III. H.H. Dharma King Gongbao Dumu Quji XVIII wrote the following about this real experience: “H.H. Dorje Chang Buddha III is the highest refuge countless living beings can rely upon to attain liberation. I prostrate to H.H. Dorje Chang Buddha III.”

AFFIRMATION AND CONGRATULATIONS

With boundless gratitude, I prostrate to H.H. Dorje Chang Buddha III!

In this lifetime, I formally put the Great Jewel Dharma King robes on to the 17th Karmapa, Urgyen Trinley Dorje, and performed the yidam dharma initiation for him, which included transmitting dharma to him. A few days before I did that, I saw in a supernatural state the Buddha Vajradhara appear over the head of the Karmapa. The Buddha Vajradhara was radiating light that empowered the Karmapa. Very soon after that, the Buddha Vajradhara metamorphosed into one who was sitting down. He was wearing a yellow robe. His long hair was at shoulder level, and He looked dignified and imposing. Behind Him were high stones, a pool, rooms, red flowers, and green pines. Below Him was a wooden deck. At that time, I knew Dorje Chang Buddha had come to this world, but I did not see His exact whereabouts. During all these many years, I have constantly kept that scene in mind and have reviewed it.

I recently received the book H.H.  Dorje Chang Buddha III. This was probably the result of being blessed by the twenty-one Taras. When I turned to page twenty-one and saw that holy image of H.H.  Dorje Chang Buddha III, I was totally shocked. It was the exact image of Dorje Chang Buddha that I saw in that supernatural state. There was not the slightest difference between the two, including the setting that surrounded H.H. Dorje Chang Buddha III.

I now solemnly affirm and offer congratulations for the following: The karmic conditions of living beings to encounter dharma have matured, for they can now benefit from the brilliant wisdom of the Buddha as they had wished. H.H. Dorje Chang Buddha III is a precious book of true Buddha-dharma, a treasury that incorporates 84,000 dharma methods. It demonstrates accomplishments in the Five Vidyas unprecedented in the history of Buddhism. H.H. Dorje Chang Buddha III is the highest refuge countless living beings can rely upon to attain liberation.I prostrate to H.H. Dorje Chang Buddha III!

Gongbao Dumu Quji

February 28, 2010

Brief Introduction of H.E. Dharma King Dumu Quji

In the Tibetan region of Kham, the renowned 18th Do Mu Choktrul Rinpoche is a household name, widely revered for his immense compassion and kindness. Do Mu Rinpoche was born in 1945 in Palwug Village, near Babang Monastery in present-day Dege County, Sichuan Province, historically part of the Dege royal domain. His father, Chodro Yeshe Gyatso, was a prominent member of the Lukra Tsang family within the Dege royal lineage, and his mother, Genkyu Chudron, was the daughter of a key minister from the esteemed Lujang family of the Dege kingdom.

Before Rinpoche’s birth, his mother experienced an extraordinary vision: a bird appeared before her and presented her with a wisdom sword associated with Manjushri Bodhisattva. At the time of his birth, the household was bathed in an extraordinary radiance and auspicious energy. Remarkably, a bucket of milk in the home transformed into butter, and flowers bloomed profusely on the ground outside—a truly miraculous event.

At the age of three, the reincarnation search team from Dhonka Monastery identified him as the reincarnation of the previous Do Mu Choktrul Rinpoche. This recognition was later confirmed by the 16th Gyalwa Karmapa, Rangjung Dorje, who bestowed upon him the name Karma Shedrup Trinley Tenzin Palzangpo and granted him the empowerments of Amitayus and other teachings.

That same year, Rinpoche was ceremonially enthroned at Dhonka Monastery in a grand ceremony presided over by the 9th Sangye Nyenpa Rinpoche and the 8th Traleg Kyabgon Rinpoche. Following his enthronement, he began rigorous and specialized training under the guidance of dedicated spiritual masters.

In 1980, following the restoration of religious freedoms in China, Buddhist activities were officially permitted to resume.

In 1981, under Rinpoche’s leadership, Dhonka Monastery embarked on its reconstruction. Despite numerous challenges, the monastery was gradually restored to its former glory. Rinpoche personally led meditation retreats, upheld strict monastic discipline, delivered Dharma teachings, performed empowerments, and presided over Buddhist assemblies. His boundless compassion and tireless efforts brought immeasurable benefit to countless beings.

Throughout his life, Rinpoche’s Dharma activities remained uninterrupted, regardless of war or societal changes. Guided by profound wisdom and deep compassion, he tirelessly propagated the Buddha’s teachings across the Tibetan regions. Responding to requests from devotees in various areas, he traveled to remote mountain regions, often under arduous conditions, to conduct ordination ceremonies and share the Dharma. His footprints spanned the entirety of Kham and Tibet.

In recent years, auspicious connections enabled Han Chinese disciples to learn from Rinpoche as well. Cities such as Hong Kong, Beijing, Shanghai, Xiamen, Guangzhou, Shenzhen, and Huizhou became destinations for a steady stream of seekers coming to receive his teachings. Through his tireless efforts, Rinpoche brought the nectar of Dharma to both Han and Tibetan communities, profoundly benefiting countless beings.

Rinpoche exemplified the principle, “The Dharma exists in the world to awaken beings within it.” His compassionate wisdom was evident in numerous achievements, including the completion of Dhonka Monastery’s reconstruction, the establishment of retreat centers, the founding of Buddhist academies, the opening of nunneries, the initiation of charitable organizations, and the creation of the Karma Kagyu Research Institute. These efforts expanded the reach of Buddhism, integrating it into all aspects of life.

In addition to his spiritual leadership, Rinpoche also served as a government official, promoting the dissemination and practical application of Humanistic Buddhism. Through his work, he ensured that the teachings of the Dharma became an integral part of daily life, guiding people to treat one another with compassion, wisdom, and kindness.

Link:https://peacelilysite.com/2025/01/24/yidam-dharma-initiation-master-of-the-17th-karmapa-h-h-dharma-king-gongbao-dumu-quji/

The Benevolence Temple Celebrates the Renunciation of the Shakyamuni Buddha and the Anniversary of the Temple

Photo Courtesy: Benevolence Temple (The Benevolence Temple held a Dharma assembly to commemorate the Enlightenment Day of Shakyamuni Buddha. Jiaozun Zhengda, Vice President of the World Buddhism Association Headquarters presided over the Dharma assembly.)

The Benevolence Temple, located in Las Vegas, hosted a series of Dharma assemblies and retreats from January 2 to January 11 to commemorate the Enlightenment Day of Shakyamuni Buddha and the anniversary of the Temple. Jiaozun Zhengda, Vice President of the World Buddhism Association Headquarters, led the congregation in a group study of the teachings of H.H. Dorje Chang Buddha III, revered as the Pope of Buddhism. Hundreds of participants from around the world attended this significant event.

This ten-day celebration features a variety of Dharma assemblies and spiritual practices, including a group study of the teachings of H.H. Dorje Chang Buddha III, one-day Zen sessions, the Grand Diamond Gem Repentance Ceremony, and life release rituals. Each day’s program begins at 8:30 a.m. and concludes at 9:00 p.m., providing participants with an immersive experience of the Temple’s tranquility and a temporary escape from worldly concerns. Lay practitioners also participate in the Temple’s daily routines, such as morning and evening chanting and dining ceremonies, offering them a glimpse into the essence of temple life.

The special one-day Zen session took place on January 4, 2025. Prior to the session, all participants were required to study Announcement No. 40 of the Office of H.H. Dorje Chang Buddha III, which details the “Great Dharma of Zen Practice” taught by H.H. Dorje Chang Buddha III to a group of cultivators in March 2013. This Dharma provides a clear understanding of Zen’s standard and proper practice, addressing key questions such as: What is Zen used for? Why should one practice Zen? What is the ultimate goal of Zen practice? More than one hundred Venerables, Dharma Masters, Rinpoches, and lay practitioners from the United States, Canada, Germany, mainland China, Thailand, Taiwan, and other countries and regions participated in this transformative experience.

The event took place in the Mahavira Hall of the Temple and featured ten meditation sessions: five sitting and five walking meditation sessions. Each sitting meditation lasted thirty minutes and an hour, with walking meditation sessions interspersed to maintain balance and flow. This arrangement allowed practitioners to sustain a steady rhythm and deepen their daily mindfulness. Two key roles were essential to the success of the event: the host and the discipliners. The host guided participants through the schedule and explained Zen practices’ rules and key aspects. The discipliners, equipped with a disciplinary board, patrolled the venue to gently correct participants if they became drowsy, slouched, or caused unnecessary noise, ensuring the sanctity and focus of the practice were upheld.

Photo Courtesy: Benevolence Temple (The Benevolence Temple held one-day Zen sessions)

After attending the event, a university scholar shared that she traveled more than ten hours and took three flights to attend the blessing ceremony and participate in the grand event. Having never practiced group meditation before, she was initially worried that she would struggle to sit still for an extended period. However, the outcome was both unexpected and extraordinary.

Thanks to the supportive group atmosphere, nearly all participants completed all ten sessions, overcoming the physical discomfort of sore feet and backs. By the end of the day, many reported experiencing a profound sense of Dharma joy. Dharma Master Zheng Da expressed her delight with the positive feedback from attendees. She hinted that longer Zen retreats, ranging from three to seven days, may be organized to encourage deep meditation and personal growth.

Dharma Master Zheng Da also inspired the group with H.H. Dorje Chang Buddha III’s teachings: “No matter what Zen Dharma you practice, you cannot deviate from cultivation. That is why you must go online and learn Buddha Master’s teaching of ‘What Is Cultivation?’ Furthermore, you must carry out that teaching in your daily lives. Only then will your practice of Zen truly succeed.”

Photo Courtesy: Benevolence Temple (The walk session in the Benevolence Temple’s one-day Zen sessions)

In addition to the one-day Zen event, the group study of H.H. Dorje Chang Buddha III’s teachings offered clear guidance, helping disciples cultivate the correct views and understanding.
 
 
Published by Joseph T.

Soruce of the article : The Benevolence Temple Celebrates the Renunciation of the Shakyamuni Buddha and the Anniversary of the Temple

The Mystical Cat: A Masterpiece of Chinese Ink Painting

Among the finest expressions of Chinese ink artistry stands the extraordinary masterpiece, The Mystical Cat. This enchanting work features a mystical cat rendered in soft gray tones, brought to life with just a few expressive strokes. Its piercing eyes radiate spirit and depth, while a mysterious, subtle smile lingers—captivating and thought-provoking.

The cat’s fur, depicted with delicate and fluid brushwork, dances between the forms of flowing water and drifting clouds. The texture appears so soft and inviting that one feels compelled to reach out and touch it. Yet, upon closer examination, the illusion reveals itself—those masterful brushstrokes are undeniably the cat’s fur. The intricate variations and richness of detail make this artwork a visual marvel, leaving one to wonder: What extraordinary technique could produce such brilliance?

In terms of artistic style, this piece is truly unparalleled, belonging to the “Fangfa School” style created by the esteemed master H.H. Dorje Chang Buddha III. The fluid strokes around the cat’s neck echo the elegance of cursive calligraphy, with each brushstroke flowing like clouds and water—graceful, yet powerful. Perched steadily on a tree trunk, the cat exudes a sense of calm and quiet dignity, drawing the viewer into a state of serene contemplation.

The tree trunk itself, rendered with bold, sweeping strokes and vibrant hues, pulses with energy and rhythm, reminiscent of the stirring notes of a cello performance—uplifting and profound. Behind the cat, two slender branches interlace gracefully, adorned with delicate flower buds. They seem to sway like young maidens dancing in spring, infusing the composition with poetic charm.

The most captivating feature, however, remains the cat’s eyes. With just two elegantly curved strokes, the artist has infused the cat’s gaze with a sense of life and spiritual depth. When meeting the cat’s eyes, one feels as though the feline is speaking directly to the soul, its wisdom and elegance unmistakable. It transcends the ordinary, radiating a sense of profound spirituality rarely captured in art.

This small yet profound piece not only showcases extraordinary technical mastery but also offers a transformative visual and spiritual experience. It transports the viewer beyond the material world, leaving an indelible impression on the heart and mind. Many are left to wonder—who could create such an extraordinary work of art?

The Mystical Cat is the work of the revered artistic master H.H. Dorje Chang Buddha III. Created in 1991, it belongs to the “Fangfa School” style, one of sixteen unique painting styles founded by the Buddha Himself. This technique, blending profound wisdom and artistic expression, remains unmatched in the art world. Apart from Him, no artist has been able to replicate such divine craftsmanship.

What sets this piece apart is its miraculous charm within a two-dimensional form—impossible to replicate through mere technical skill. The art emerges from a realm of wisdom and enlightenment, far surpassing the ordinary. The minimalistic background, created with a few well-placed strokes, echoes the elegance of ancient inscriptions while preserving a harmonious balance between form and spirit. It represents the pinnacle of ink conservation and calligraphic mastery—a true summit of artistic achievement.

The rarity of The Mystical Cat is beyond comparison. Since creating this piece, H.H. Dorje Chang Buddha III has sealed this divine style, ensuring that such masterpieces will not be produced again. This fact alone transforms the artwork into a priceless, limited edition treasure of the highest order.

The painting’s extraordinary value was confirmed at the Christie’s Chinese Treasures Christmas and New Year Auction hosted by the New York GianGuan International Auction Company on December 9, 2012. A reproduction of The Mystical Cat sold for an astonishing $253,000 USD, achieving the highest recorded price for a reproduction painting per square foot.

The Mystical Cat is not just a painting—it is a gateway to a realm where art, wisdom, and spiritual depth converge. A true testament to the artistic genius of H.H. Dorje Chang Buddha III, this masterpiece stands as an eternal symbol of artistic perfection and spiritual transcendence.

This beautiful artwork is part of the permanent exhibition at the International Art Museum of America, located in downtown San Francisco.

Link:https://peacelilysite.com/2025/01/17/the-mystical-lynx-a-masterpiece-of-chinese-ink-painting/

BRIEF INTRODUCTION TO H.H. DHARMA KING TRULSHIK

H.H. Dharma King Kyabje Trulshik Chokyi Lodro is one of the most accomplished masters of the Nyingma sect in the present age. He is also one of the few remaining great masters of Tibetan Buddhism who has real and extensive knowledge, real training, and true cultivation. He is a lineage holder of many important dharma lineages. He is a great dharma king who does not distinguish among the various sects of Buddhism. H.H. Dharma King Trulshik and the most magnificent modern dharma kings of Buddhism, such as the H.H. Dudjom Dharma King and H.H. Dharma King Dilgo Khyentse, have been masters and disciples of one another. H.H. Dharma King Trulshik also taught the dharma of many lineages to the 16th Karmapa. He is a personal master of H.H. the Dalai Lama as well as a master of the most recent reincarnation of the H.H. Dudjom Dharma King, H.H. Dharma King Dilgo Khyentse, and H.E. Dharma King Tulku Ugyen.

Many Rinpoches had different views concerning which great Bodhisattva H.H. Dharma King Trulshik was the incarnation of. Thus, the International Buddhism Sangha Association held an unprecedented Drawing Lots From a Golden Vase Ceremony to affirm the true reincarnated identity of H.H. Dharma King Trulshik and others. There were ten possible identities recognized by various rinpoches. One lot was drawn from among 120 lots to affirm the true reincarnated identity of H.H. Dharma King Trulshik. That drawing affirmed that H.H. Dharma King Trulshik is the nirmanakaya of Maitreya Bodhisattva, which is the reincarnated identity that H.H. Dorje Chang Buddha III recognized before that lot was drawn.

In history, H.H. Dharma King Trulshik incarnated as Thonmi Sambhota, who created the Tibetan written language. Later, he incarnated as the great translation master Bairotsana, who was one of the twenty-five major disciples of Guru Padmasambhava. H.H. Dharma King Trulshik will be the next Buddha of this Good Eon (Bhadra-kalpa) of one thousand Buddhas. At that time, all of his disciples who heard him expound the Buddha-dharma will attain accomplishment in the dharma.

The dharma king was born on September 10, 1924, the year of the wooden rat, which was the exact birthday of Guru Padmasambhava. He was born in Wengre Cave, which is a holy place of cultivation in southern Tibet. Many auspicious phenomena appeared at the time of his birth. The father of the dharma king, Dianjin Queda, was a practitioner of yoga. His mother, Jiangyang Wangmu, was a descendent of Zhangba Jialei, who was the first Drukpa Dharma King and founder of the magnificent Drukpa lineage.

The dharma king was extraordinary ever since childhood, especially with respect to his deep self-cultivation. When he was four years old, his master, Zhachu Rinpoche (who was a disciple H.H. Dharma King Trulshik personally taught in his previous life as Trulshik Dongak Lingpa), invited him to the Zhalongpu Monastery in the Latuo Xueka District. At that time and place, memories of his prior life spontaneously welled up in the mind of the dharma king. He recounted in detail past events of that prior lifetime. Zhachu Rinpoche had personally witnessed those past events of his former master. Zhachu Rinpoche wept as he orally corroborated each of those events without exception. Zhachu Rinpoche was truly astonished by this and firmly believed that this boy must be the incarnation of Trulshik Dongak Lingpa. After the rinpoche practiced the Selection of Karmic Affinity Dharma, he affirmed that the boy was undoubtedly the incarnation of Trulshik Dongak Lingpa.

Dharma King Dilgo Khyentse Rinpoche (right) and his main Dharma heir, the Fifth Dharma King Trulshik Rinpoche (left)
The Gelug sect’s Dalai Lama invited the Nyingma sect’s Dharma King Trulshik to transmit the supreme Dharma

At the Mindrolling Monastery, the dharma king engaged in extensive learning. He received all of the monk precepts from his precept masters Cuikenqiong Rinpoche and Mindrolling Kenqian Khyentse Norbu according to the “Formal Pronouncement on Precepts” lineage passed down from Laqian Qianba Lasa. Present-day dharma kings unanimously agree that H.H. Dharma King Trulshik is one of the most important lineage-holders of this lineage. H.H. Dharma King Trulshik holds three types of precepts that are on different levels: the Pratimoksa precepts, the Bodhisattva precepts, and the precepts for tantric masters. The dharma king is one who truly wears a golden precept robe. Not only does he abide by the precepts for monks, he also completely abides by all of the Hinayana, Mahayana, and Vajrayana precepts. That is why he deserves to be called a “holder of the Vajra Three Secrets Vows.” H.H. Dharma King Trulshik is the main transmitter of the monastic vows within the Nyingma lineage.

The dharma king has received teachings on the sutras and tantras, as well as other teachings. He has visited famous masters in many places to learn Buddha-dharma, including over thirty famous masters who belong to ancient and modern sects of esoteric Buddhism. The dharma king has studied all of the dharma teachings of these important lineages and has put them into practice. He still learns assiduously even after he completed a strict three-year retreat. Accepting the request of Zhachu Rinpoche, the dharma king became the khenpo of the Zhalong Dongga Qielin Monastery, where he is responsible for upholding, protecting, and spreading the dharma.

Throughout his whole life, the dharma king has wholeheartedly cultivated himself in retreat. Every day he abstains from speaking until 10:00 in the morning. Each year the dharma king goes into retreat in his own temple for as much as nine months. All of the great Tibetan rinpoches acknowledge that as a master of masters, the dharma king has the greatest abilities and power to clearly point out the way leading to realization of one’s original nature. That is why extremely virtuous masters send their capable disciples to the dharma king in order to seek teachings and empowerment.

H.H. Dharma King Trulshik has vast and profound learning. His practice is solid and flawless. He is unassuming and amiable. No one in today’s world can match his profound experience, training, and realization. Many practitioners of the various sects regard him as a venerable Dharma King Master with limitless wisdom and vast supernatural powers. H.H. Dharma King Trulshik has recognized the identities of the person who is the incarnation of H.H. Dharma King Dilgo Khyentse, the person who is the incarnation of H.E. Dharma King Tulku Ugyen, and persons who are incarnations of other important rinpoches. He has also transmitted dharma to and performed initiations for such people. The dharma king is a magnificent practitioner of the Great Perfection Dharma and a magnificent accomplished one in our current age. He is a model master of this century with disciples spread all over the world.

After H.H. Dharma King Trulshik saw who His Holiness Dorje Chang Buddha III Wan Ko Yeshe Norbu is through the limitless omniscience displayed in A Treasury of True BuddhaDharma, he stated that His Holiness Wan Ko Yeshe Norbu has reached the highest state of Buddhahood in the few-thousand-year history of Buddhism, having truly attained complete. Dharma King Trulshik wrote a respectful congratulation letter.

RESPECTFUL CONGRATULATIONS
His Holiness Buddha Vajradhara (Dorje Chang Buddha) Yangwo Wan Ko Yeshe Norbu:
I recently learned that the book about you, A Treasury of True BuddhaDharma, was published a long time ago. The content of that book includes
the traditional Tibetan five major vidyas and five minor vidyas. In terms of modern branches of learning, the book involves more than thirty different branches of learning. Thus, I entered samadhi and visualized the Three Jewels the Buddha, the dharma, and the sangha. I pervasively spread bodhicitta and
wished that all living beings would realize the supreme, absolute truth and
Buddhahood. May the propagation of A Treasury of True Buddha-Dharma be
the karmic condition whereby living beings in the three spheres leave the sufferings of reincarnation and obtain the fruit of wonderful happiness. It will become the cause whereby each sentient being who has descended into the abyss of the six realms of reincarnation leaves suffering and attains happiness.
I hereby specially convey my respectful congratulations!


Buddhist monk Ngawang Chokyi Lodro,
having the undeserved name of Khenpo
Zhalong Trulshik Shatrul
Written on the auspicious day of June 28, 2007

Link:https://peacelilysite.com/2025/01/16/brief-introduction-toh-h-dharma-king-trulshik/

Source: H.H. Dorje Chang Buddha III A TREASURY OF TRUE BUDDHA – DHARMA

BRIEF INTRODUCTION TO THE SUPREME LEADEROF JONANG SECT H.H. DHARMA KING JIGME DORJE

Within Tibetan Buddhism, the Jonang sect has been known around the world for the true practice of its followers. There currently are two dharma kings who are in charge of the dharma teachings of the Jonang sect. One of them is the head of the Zangwa Monastery, H.H. Dharma King Jigme Dorje. The other is H.H. Dharma King Ngagwang Pedma Namgyal Palzangpo of the Longshijia Monastery. There is also a young future sect leader, Jianyang Lezhu Rinpoche, who is vice-head of the Zangwa Monastery.

When Shakyamuni Buddha lived in the world, H.H. Dharma King Jigme Dorje Rinpoche was already a great Bodhisattva in that lifetime. H.H. Dharma King Jigme Dorje was born in 1944 accompanied by various amazing auspicious signs that cannot be fully described. As a child, he never did anything to upset his parents, such as crying or acting in a common, childish way. He was very much different from other children. The masters of a monastery, as well as the monastics and laypersons in that monastery who handled monastery matters, all praised the child as being the incarnation of a wonderful Bodhisattva who had come back to this world voluntarily. Later, he went to the headquarters of the Jonang sect, the Zangwa Monastery in Rangtang, where he worshipped the Buddhas. His uncle, the Sai Rinpoche by the name of Awang Genga Phuntsok who lived at the Zangwa Monastery, saw that this child was the incarnation of a holy being. In accordance with the dharma, Awang Genga Phuntsok Rinpoche recognized that the child was the true reincarnation of a rinpoche who had been the head of the Zangwa Monastery. In accordance with the dharma rules, Lama Danba Daji from Xiayan, Lama Aguoba from Hongtu, and others practiced the dharma, entered holy supernatural states, and confirmed the accuracy of Awang Genga Phuntsok Rinpoche’s conclusion. They then made their formal pronouncements concerning the identity of H.H. Jigme Dorje. Moreover, the International Buddhism Sangha Association held an unprecedented Drawing Lots From a Golden Vase Ceremony to affirm the true reincarnated identity of H.H. Dharma King Jigme Dorje and others. There were ten possible identities recognized by various rinpoches. One lot was drawn from among 120 lots to affirm the true reincarnated identity of H.H. Dharma King Jigme Dorje. That drawing affirmed that H.H. Dharma King Jigme Dorje is the incarnation of Shambhala King Suchandra, which is the reincarnated identity that H.H. Dorje Chang Buddha III recognized before that lot was drawn.

After the formal enthronement ceremony for H.H. Jigme Dorje Rinpoche was performed at Saige Monastery in Aba County and the celebration of the enthronement ceremony was performed at Zhuoge Monastery, the rinpoche returned to Zangwa Monastery. The intelligence of the rinpoche is extraordinary. He was able to thoroughly learn and recite the scriptures, treatises, and rituals without having to exert himself. He later served as a disciple under his root master, Awang Gongqiu Daji, who was the Vajra Master of the Zangwa Dazang Monastery and the 44th Kalachakra Dharma King of the Jonang sect. Under H.H. Awang Gongqiu Daji, the rinpoche learned and practiced the five preliminary practices of the Jonang sect and the generation and completion stages of the Kalachakra Vajra the Six Yogas. He reached perfect merit in every dharma he practiced.

When the rinpoche was eight years old, he succeeded to the throne of the head of the Zangwa Monastery. However, at this time, his uncle, the Sai Rinpoche, and H.H. Dharma King Awang Gongqiu Daji predicted to H.H. Jigme Dorje Rinpoche that changes in the world situation would occur that would be disadvantageous to Buddhism. They told the rinpoche to go back to Aba County and that in the future, when the world situation stabilizes, he should return to the Zangwa Monastery and teach the dharma. Afterward, the Sai Rinpoche passed away and later H.H. Dharma King Awang Gongqiu Daji passed away as well. H.H. Jigme Dorje Rinpoche then went to Aba County, where he requested and received the complete precepts from Lama Tujihua of Sai. He later served as a disciple under another root master, Lama Kesang, who is the nirmanakaya of the Eleven-Faced Kuan Yin Bodhisattva. Under Lama Kesang, the rinpoche learned all of the initiation and lineage teachings. During this time period, he both herded goats and cultivated himself in caves, tree holes, and other places while traveling from mountain to mountain. He realized the state of viewing all phenomena as equal and the state where the mind is not affected by the situation one encounters. Thus, he became a free and unhindered person of great accomplishment in the dharma. He then lived in a cave, where he continued his practice of the dharma.

After the restraints on religion were slightly eased, the supreme leader of the Jonang sect, H.H. Dharma King Yundan Sangbu of the Zangwa Monastery in Rangtang, twice dispatched people to the cave at the Zilang Monastery in Aba County (that was the cave in which Maji Lazun practiced the Xiduan Dharma) where the rinpoche was staying. H.H. Dharma King Yundan Sangbu did so based upon the formal pronouncements of certain great masters of the past. When those dispatched arrived, they invited H.H. Jigme Dorje Rinpoche to go to the Zangwa Monastery and lead the teaching of the Buddha-dharma. There was a third visit when H.H. Dharma King Yundan Sangbu himself went to that cave at the Zilang Monastery, bringing with him a kharda (white silk scarf). When the two venerable ones met, they praised each other. H.H. Dharma King Yundan Sangbu repeatedly urged H.H. Jigme Dorje Rinpoche to follow the formal pronouncements of those great masters of the past by going to the Zangwa Dazang Monastery, by leading the teaching of the Buddha-dharma of the Jonang sect at that monastery, and by being the monastery’s retreat lineage Vajra Master. H.H. Jigme Dorje Rinpoche then gave his response to the formal pronouncements of those three masters of the past (H.H. Dharma King Gongqiu Daji, the Sai Rinpoche, and Lama Kesang) that he must go to the Zangwa Monastery in Rangtang. He respectfully said to H.H. Dharma King Yundan Sangbu, “Your merit and cultivation are like those of my father. You are my master. I will carry out your instructions well!”

After H.H. Jigme Dorje Rinpoche returned to the Zangwa Monastery at Rangtang, he helped H.H. Dharma King Yundan Sangbu restore the monastery and build Buddhist statues. The rinpoche performed initiations and dharma transmissions at regular intervals and guided those on retreat. He perpetuated the dharma teachings of the Jonang sect in this human world and propagated such teachings around the world.

In accordance with the rules handed down by the historical masters, H.H. Dharma King Yundan Sangbu personally handed over to H.H. Jigme Dorje Rinpoche in 1998 certain precious objects passed down through the generations by past masters, such as a vajra bell, a vajra, and the writing called “Guiding Text You Will Know Its Meaning When You See It.” He also formally conferred upon H.H. Jigme Dorje Rinpoche the positions of 47th dharma throne holder of the Jonang Kalachakra lineage and 11th Vajra Master of the Zangwa Dazang Monastery. After H.H. Dharma King Yundan Sangbu passed away, H.H. Dharma King Jigme Dorje became the supreme leader of the Jonang sect.

After H.H. Dharma King Jigme Dorje saw who His Holiness Dorje Chang Buddha III Wan Ko Yeshe Norbu is through the limitless omniscience displayed in A Treasury of True BuddhaDharma, he stated that His Holiness Wan Ko Yeshe Norbu has reached the highest state of Buddhahood in the few-thousand-year history of Buddhism, having truly attained complete.

CONGRATULATIONS
United International World Buddhism Association Headquarters:
On behalf of the Jonang sect, I hereby respectfully congratulate H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu for directly propagating in this world the teachings of Buddhism. Such teachings have benefited countless living beings in their practice of the dharma and have caused countless living beings to obtain deep blessings and wisdom. The book A Treasury of True Buddha-Dharma especially shows this Buddha’s complete proficiency in exoteric and esoteric Buddhism and perfect mastery of the Five Vidyas. Such superlative accomplishments are truly unprecedented in the past few thousand years, outshining the accomplishments of all others, both ancient and modern. His Holiness is a shining paragon among Buddhas. May this inexhaustibly mighty light and power of compassion continue so that His Holiness forever teaches the dharma and forever remains in the world. I place my palms together and respectfully praise His Holiness.

I respectfully prostrate to H.H. Dorje Chang Buddha III, Wan Ko Yeshe Norbu!
Supreme Dharma King of the Jonang Sect
Jigme Dorje
May 8, 2007

Link:https://peacelilysite.com/2025/01/10/brief-introduction-to-the-supreme-leaderof-jonang-sect-h-h-dharma-king-jigme-dorje/

Source: A Treasury of True Buddha Dharma


The Story Behind Dharma Discourse: The Dharma of Concentration and Visualization Essential for Enlightenment

Vajravārāhī

By Yang Zong Da Wa Rinpoche

Pamu has been seriously ill for three months. She is often in a state of unconsciousness, with sores all over her body. Since she can only intake a small amount of liquid food, her body is as dry and thin as rattan. Her once youthful and solemn face has already become like that of a 100-year-old lady, with spots and deep wrinkles. She often says:

“Time does not wait for anyone. Everything is changing. Everything is in a state of impermanence. You should use this as a lesson. After you have read the books I have written, you should put into practice the principles contained in those books. Otherwise, you will not be able to end the cycle of birth and death.”

We used all kinds of medicine and thought of all kinds of methods, yet we could not cure her illness. Thus, on March 29 of this year, Sang Ba Kun Jue Rinpoche and I returned to Lalong-gegan. On the fifth day after our return, we made our way to Lhasa. We went to the Zu Pu Temple to worship, make offerings, and pray for Pamu’s swift recovery. Due to time constraints, we stayed there for only three days and then rushed back to our meditation cells.

Vajrasattva

Sang Ba Kun Jue and I together practiced the Wu Xiu Yoga Samadhi. We decided to go to the Tusita Heaven to ask Maitreya Bodhisattva to save Pamu. In my state of concentration, I arrived at the inner palace of the Tusita Heaven and paid my respects to Maitreya Bodhisattva. After prostrating myself, I suddenly saw Vajrasattva and Pamu each sitting on a lotus throne, discussing the Dharma with Maitreya Bodhisattva.

At this time, Maitreya Bodhisattva said to me:

“Yang Zong Da Wa, go back and tell those good men and women that Amang Nopu Pamu is the magnificent Buddha Mother of wisdom.”

I joined my palms in front of my heart and asked, “If people ask me how she is magnificent, how should I answer them?”

Maitreya Bodhisattva replied:

“When looking at the history of Buddhism in the human realm, which Buddha Mother in the earthly world has been able to master the Tripitaka and write so many commentaries by the age of 20? Her Dharma water can cause a beard that has stopped growing to grow again rapidly. This is the true Vajravarahi. Have you seen any Buddha Mother who simply saves living beings without accepting any offerings? Her magnificence fills infinite space and cannot be completely expressed to living beings with words. You should quickly go back. Your Pamu will at once return to the earthly world to preach ‘The Dharma of Concentration and Visualization Essential for Enlightenment.’ If you do not quickly leave, you will miss this class.”

I again joined my palms in respect and said to Maitreya Bodhisattva:

“Greatly Honored Maitreya Mahasattva, Pamu is now ill. Why is she here with you? I will go back together with Pamu.”

Maitreya Bodhisattva smiled but did not speak. Vajrasattva then said:

“Do not say anything more. Such deep Dharma is so seldom heard in the world. Quickly go back to the human realm.”

I hurriedly prostrated before Pamu, Vajrasattva, and Maitreya Bodhisattva and bid farewell to them. Through my state of samadhi, I returned to the human realm.

After I emerged from my concentration, three months and six days had already passed. Without even thinking about washing myself, I hurriedly went to pay my respects to Pamu. When I saw her, she still looked so old. She was in the sacred state of having only a faint breath of life left.

Pamu said: “You entered that state of concentration for a few months. I was waiting for you to return. I will soon give discourses on the essential Dharma for practicing concentration and visualization.”

Representing all living beings, I hurriedly prostrated myself before Pamu, joined my palms in respect, and asked:

“Most kind Pamu, when did you return?”

Pamu replied:

“Return from where? With such a serious illness, I did not go anywhere.”

I said, “I clearly saw you in the inner palace of the Tusita Heaven.”

Pamu rejoined:

“This is what you viewed in your state. Do not speak nonsense. Things of the world are all impermanent. One must make the best use of one’s time to benefit living beings.”

As soon as we obtained Pamu’s kind approval, we took a few photographs of her virtuous face. After the film was developed, one photograph showed a young, solemn appearance, while another showed an aged appearance. These two photographs were taken within a few seconds of each other but were totally different. This is truly unbelievable.

We immediately took the photographs to Pamu and asked her to explain the causative factors surrounding this. When we entered the door, everyone was startled. Pamu could hardly speak. Her face was shriveled and had no color. The Great Rinpoches all began to cry.

The next day, when everyone was terribly sad and hopeless, Pamu got up from her seat. My heavens! After only one night, she who was sitting before us was not an old lady about to die but our young and solemn Pamu! All who witnessed this were stupefied. The sound of crying mixed with laughter filled the room.

Pamu then said:

“Do you think I can mysteriously change myself? In fact, you are mistaken! You were not able to see clearly since there was medicine on my face and I was under the lamplight. I only have a heart of humility. How could I have such great skills? You must realize that everything is impermanent and always changing.”

The next day, Pamu formally ascended her throne to give a discourse. The subject was the Dharma of concentration and visualization. With utmost sincerity, I am telling everyone that this is the transcription of the discourses of Amang Nopu Pamu Rinpoche, the greatest and most outstanding Holy Mother in the history of Buddhism. She has never accepted any offerings, silently contributing to the benefit of living beings throughout the three spheres of existence.

This lesson of Dharma practice was given after Pamu returned from the inner palace of the Tusita Heaven. No other Buddha Mother or Dakini can compare with her loftiness and magnificence. We should prostrate ourselves before and feel grateful to the Great Jewel Amang Nopu Rinpoche Holy Mother, appreciating the empowerment of the Buddhas and Bodhisattvas abiding in the ten directions.

Link:https://peacelilysite.com/2025/01/04/the-story-behind-dharma-discourse-the-dharma-of-concentration-and-visualization-essential-for-enlightenment/

Source: Dharma that every Buddhist must follow by Amang Nopu Pamu, translated by Bodi Wentu Rinpoche. This post is an excerpt from the original article, taken from the preface of The Dharma That Every Disciple Must Follow, pages 55 to 58, by the great Rinpoche Yang Zong Da Wa.

Hair Sariras of H.H. Dorje Chang Buddha III

In Buddhist scriptures, relics are broadly classified into two types. The first type, known as Dharma-body relics, refers to the teachings and scriptures spoken by the Buddha, representing his spiritual essence and wisdom. The second type, physical relics, comprises the solid remains left after the Buddha’s cremation. These physical relics are traditionally described as being of three kinds: white bone relics, red flesh relics, and black hair relics. They are noted for their luminous, pristine appearance, unbreakable nature, and incomparable beauty, far surpassing worldly jewels.

It is also believed that Bodhisattvas and Arhats may leave behind similar relics. According to Buddhist teachings, relics naturally crystallize in those who have achieved enlightenment and sincerely practiced devotion to the Buddha. They are considered extraordinary and unattainable by ordinary individuals.

H.H. Dorje Chang Buddha III is recognized as the true reincarnation of the Primordial Buddha. His Holiness has demonstrated extraordinary miracles, including the manifestation of hair sariras. Below are authentic accounts from Buddhist disciples detailing their experiences and discoveries of the hair sariras of H.H. Dorje Chang Buddha III.

Hair Sariras (1)

H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata usually cuts His own hair. However, there have been several occasions when I respectfully accompanied His Holiness to a barber shop. Each time, out of reverence, I carefully swept away the floor and removed other people’s hair before the haircut began. After the Buddha Master’s haircut was finished, I would gather His hair from the floor, wrap it carefully in paper, and place it on my Buddhist altar upon returning home. Gradually, I began collecting and keeping some of the hair.

I still remember what happened on June 1, 2003. On that day, I took out several unopened paper packs and organized them, intending to wash the hair. Because the individual hairs were very fine, I had paid special attention and placed them on a screen. While soaking them in water, I saw three small round red beads among the hair. The entire cleaning process was handled by me, and I did not touch anything else during that time. I felt this to be very strange and wondered where those red beads came from. I intended to press them with my finger to see if they were hard or soft and even took a magnifying glass to carefully exam them. Suddenly, a thought occurred to me. Could they be sariras? I realized if I did this, it would be too disrespectful.
Hurriedly, I placed the three small beads in a small white box and took them to H.H. Dorje Chang Buddha III to inquire of their origin. I asked, “May I know what these things are?” The Buddha Master said, “Where did you get these? These are sariras!” Afterwards, the Buddha Master practiced dharma and chanted mantras to prove the authenticity of those sariras. I reported to the Buddha Master that they were wrapped in paper and appeared from the cut hair of His Holiness.

Later, the Buddha Master gave us a special discourse in which His Holiness stated, “This has happened because of conditions and the level of fortune of all sentient beings. It does not matter where they come from. Perhaps they originated from the empowerment of the Buddhas and Bodhisattvas. It actually does not matter what the disciples think concerning how or where they come from. If they can appear out of nothing, then they can disappear out of nothing. The important thing is the cultivation of each one of us and the need to live in accordance with the teachings and abide by the principles of Buddhism.”
That night, I carefully placed those three red sariras in a small tightly covered Tibetan box and cushioned them with white cotton. The next day, a fellow disciple requested to view them. I thought about placing the sariras in a crystal bottle that I had just bought. When I opened the small box and looked inside–how could it be that there were only two sariras left? I did not touch any other things anymore! I shredded and tore the cotton, but could only find two sariras. It was really upsetting! This proves and corresponds to what H.H. Dorje Chang Buddha III previously expounded: “If they can
appear out of nothing, then they can disappear out of nothing.”

This extraordinary occurrence reminded me of a fellow disciple’s personal testimony of witnessing sariras falling from the Buddha Master. This time, I experienced it firsthand, and it was truly a wonderful and auspicious sign.

Everything I have recounted above is true and authentic. If there are any falsehoods, may I suffer all evil retribution. If they are genuine facts, may living beings receive the dharma teachings of H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata, be liberated from the cycle of life and death, and attain wisdom and good fortune.

Buddhist disciple,
Hsuan Hui

(This is a complete translation of the Chinese text that follows, originally written and signed by Hsuan Hui.)

Hair Sariras (2)

I established a Buddhist altar in my home in Thailand on January 16, 2005. On that day, a fellow disciple brought me a small glass bottle containing several individual strands of the hair sariras of my Buddha Master, Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata. Each strand was approximately one centimeter long. Out of reverence, I placed a blue semi-precious stone inside the bottle and set it on my altar.

A few months later, I decided to replace the glass bottle with a Venetian crystal one. When I opened the glass bottle, I noticed something astonishing: the originally short hairs had grown longer. Although surprised, I did not dwell on it initially. However, the hairs continued to grow, and recently the change has become undeniable. Some strands have grown to five or six times their original length, now measuring five or six centimeters. Remarkably, some of the hairs, pinned down on both ends by the stone, have grown in their middle sections, forming loops. How truly extraordinary!

From a scientific perspective, hair cells die once cut, making it inexplicable how short, severed hairs could continue to grow. Let this miraculous phenomenon strengthen our faith and conviction. It is a genuine manifestation of the power of the Buddha-dharma!

Buddhist disciple,
Shu-Hui Chen

(This is a complete translation of the Chinese text that follows, originally written and signed by Shu-Hui Chen.)

Link:https://peacelilysite.com/2024/12/06/hair-sariras-of-h-h-dorje-chang-buddha-iii/

Source: https://www.tpcdct.org/sites/default/files/media/194.pdf

The Supernatural Beauty of the Yun Sculptural Art by H.H. Dorje Chang Buddha III: Yellowstone National Park

Amid the vibrant colors of mountains, rocks, canyons, and rivers lies a land shaped by tectonic shifts, creating countless graceful ridges and valleys. The limestone formations add a kaleidoscope of colors to the earth’s surface. In the valleys, there is a crystal-clear emerald hot spring, sparkling and serene. Shrouded in a faint mist, the scene resembles a silent dreamland, nurturing boundless hope and vitality in its tranquil beauty.

Perhaps responding to the aspirations of all beings, the world witnessed the emergence of a cultural giant embodying both philosophy and art. This visionary introduced a groundbreaking art form that symbolizes the truth of the universe: the sculptural art of H.H. Dorje Chang Buddha III. These magnificent and mysterious creations, enveloped in auspicious mist, exude an expansive breath that resonates with the cosmos.

This Yun Sculpture is an extraordinary creation by H.H. Dorje Chang Buddha III, a testament to the seamless fusion of artistic mastery and spiritual depth. Made from fiberglass-reinforced plastic—an unforgiving medium that hardens within moments—the work demands incredible precision. Yet, within this fleeting time frame, H.H. Dorje Chang Buddha III creates mountains, springs, peaks, and stones with unparalleled detail, capturing the essence of nature itself.

Every element appears as if naturally formed, devoid of any artificial touch. The brilliance lies not only in the execution but in the profound wisdom and authentic Buddha Dharma infused within the process. It feels as though time stretches infinitely during its creation, allowing for the sculpted forms and vivid colors to come alive with divine elegance.

This sublime work transcends human limitations, leaving viewers in awe of the spiritual and artistic depth it embodies. It stands as a testament to the boundless possibilities of enlightenment and creativity.

Yun Sculpture, a groundbreaking form of art stands unmatched in the annals of history. Since its inception, the world has borne witness to an artistic phenomenon that defies replication. 

Unlike the sulfur-heavy hot springs of this earthly realm, this spring reflects the compassionate and gentle heart of a great artistic mind. It is as delicate as floral mist, as fleeting as morning dew, capturing the universe in its palm while transcending time and space.

This sacred spring of warmth and clarity carries a message of hope, embedding itself into the memory of life. It invites the steaming warmth and tears of repentance to wash away primal desires and inner shadows, extinguishing the fire of ignorance in the heart. In this way, springtime appears radiant, summer breezes refresh the soul, the autumn moon shines with unparalleled clarity, and winter snow unites heaven and earth in a crystal-pure sanctity.

Link:https://peacelilysite.com/2024/11/29/the-supernatural-beauty-of-the-yun-sculptural-art-by-h-h-dorje-chang-buddha-iii-yellowstone-national-park/

Source: https://www.toutiao.com/i6628378035835896324/

Yaqing Monastery: A Sacred Haven for Female Practitioners

Yaqing Monastery, located in Achang Township, Chatai District, Baiyu County, Sichuan Province, is a prominent monastery of the Nyingma tradition in Tibetan Buddhism. Established in 1985 by Jamyang Lungtok Gyaltsen Rinpoche (Achuk Lama), this spiritual sanctuary is nestled in the tranquil Changqu River Valley, surrounded by verdant mountains. The Changqu River divides the monastery, creating “Nuns’ Island,” the world’s largest monastic community exclusively for female practitioners, known as chömos (nuns).

Achuk Lama, a revered Nyingma master, revitalized the lineage through profound teachings, especially the Dzogchen Great Perfection practice. Concerned about the lack of spiritual opportunities for women in Tibetan Buddhism, he established Yaqing Monastery as a space for equality and enlightenment. His efforts granted chömos a platform for rigorous training, embodying the compassionate and egalitarian principles of the Buddha’s teachings.

Achuk Dharma King

Yaqing Monastery is renowned for the intense dedication of its practitioners. The chömos are celebrated for their strict retreats, such as the famed “Hundred-Day Retreat,” where they meditate in small wooden huts with minimal provisions, focusing entirely on spiritual purification and self-realization. This disciplined way of life reflects their unwavering devotion and sets Yaqing Monastery apart as a beacon of spiritual depth and discipline.

Though young in its establishment, Yaqing Monastery has become a vital site for Tibetan Buddhism. Its unique role as a center for female monastics and its connection to the profound teachings of the Great Perfection have drawn pilgrims and practitioners from across the globe. Achuk Lama’s wisdom and compassion, coupled with the exceptional spiritual commitment of the chömos, have elevated Yaqing Monastery into a symbol of devotion, equality, and spiritual excellence.

Through its rich history, natural beauty, and spiritual depth, Yaqing Monastery continues to inspire countless individuals on their path to enlightenment, offering a sacred space where the wisdom of the Nyingma lineage flourishes.

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On the slopes near Nuns’ Island, there are small huts known as “matchbox houses,” created from single wooden boxes just large enough for one person to sit inside. These structures are scattered across the hills and serve as meditation spaces for monks and nuns during the winter “Hundred-Day Retreat,” a period of intense spiritual practice and seclusion.

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Each practitioner here embodies solitude and quiet perseverance. Every morning at sunrise, the lamas and chömos of Yaqing Monastery walk towards the surrounding mountains, beginning their daily practice of kora—circumambulation. Their steps are unwavering, driven by their devotion to the Buddha. From sunrise to sunset, their journey is not just a physical one but a spiritual pilgrimage, symbolizing the pursuit of liberation and the transformation of future lives.

Yaqing Monastery, with its unique geographical setting, profound spiritual significance, and the compassionate aspirations of Achuk Rinpoche, provides humanity with a sacred haven filled with light and hope for the soul.

Link:https://peacelilysite.com/2024/11/29/yaqing-monastery-a-sacred-haven-for-female-practitioners/

Souce: https://www.wforum.com/news/outdoors/2024/06/07/445816.html

Photos from:  https://www.yeeyi.com/news/details/2542667/

Blue Ice World: A Masterpiece of Chinese Ink Painting by H.H. Dorje Chang Buddha III

The allure of Chinese ink painting lies in its ability to convey profound emotions and philosophies through simplicity and elegance. Blue Ice World, a remarkable creation by H.H. Dorje Chang Buddha III, exemplifies this artistic mastery. At first glance, its understated composition might suggest simplicity, but a closer examination—and especially any attempt to replicate it—reveals the unparalleled depth and complexity woven into every brushstroke.

In this ink-and-wash painting, the mountains, trees, and sky are unified through a harmonious tonal palette, creating an otherworldly, almost surreal charm. The work effortlessly blends the captivating theme with its palette, presenting a seamless interplay of form and color. Each stroke flows with such grace and precision that it feels like a natural extension of the artist’s spirit.

H.H. Dorje Chang Buddha III’s profound insight is evident in every aspect of the composition. With a keen, refined perception, He not only captured the soul of the scene but also brought it to life in a way that resonates deeply with viewers. Through dense brushstrokes and meticulous gradients, the painting achieves a striking sense of contrast. This dynamic quality imbues the piece with vitality, yet there is not the slightest trace of artifice.

The balance between realism and abstraction in Blue Ice World is a marvel in itself. The deliberate interplay between the tangible and the intangible creates a surprising and mesmerizing beauty, inviting viewers to explore both the external landscape and their inner world. Its sacred and dreamlike undertones leave a lasting impression, captivating all who have the privilege of experiencing it.

Blue Ice World is more than just a painting—it is a testament to the profound artistic vision and spiritual depth of H.H. Dorje Chang Buddha III. Through this masterpiece, He elevates Chinese ink painting to a realm where technique meets transcendence, leaving an indelible mark on the art world.

This painting is at the permanent exhibition housed at The International Art Museum of America, located in downtown San Francisco.

Link:https://peacelilysite.com/2024/11/22/blue-ice-world-a-masterpiece-of-chinese-ink-painting-by-h-h-dorje-chang-buddha-iii/