Category: H.H. Dorje Chang Buddha III Cultural and Art Museum

Vincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III Compared. Whose Artwork is the Best?

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Forwarded Article-- Vincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III Compared. Whose Artwork is the Best?

Vincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III Compared. Whose Artwork is the Best?

Please see below the answer of whose work is the best amongVincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III

I have spent more than 60 years of my professional life in the field of painting. During the many decades of practice and experiences, I have come to know many famous painters. That is especially the case since I became the Head Consultant for authenticating paintings and calligraphy at the National Museum of China in Beijing. As an appraiser and authentication officer of paintings and calligraphy, the bulk of my work is to verify the authenticity of Eastern and Western paintings. I have reviewed tens of thousands of famous paintings, especially the rare and precious works of the maestro Vincent van Gogh of the Netherlands, and those of the champion of Eastern paintings, Qi Baishi of China.

Both Van Gogh and Qi Baishi were great world-renowned masters in art. One represented the apex of Western art and the other was a master of an extreme class in the field of Eastern paintings. Both artists had drawn from the essence of the classical traditions of their respective cultures. They created new styles of art and new ways of seeing the universe. They broke new grounds and became pioneers of new eras, each becoming a creative guru of his time, developing a distinct style of his own and leading new trends that inspired later generations. Their works reflect the different essences of the Eastern and Western traditions. To what extent can their works influence the artistic civilization of the world? What kind of artistry did they achieve that made them upright monuments in art history and admired by so many people?

Vincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III Compared. Whose Artwork is the Best?

Some art critics compared the works of Van Gogh and Qi Baishi to see which of them reached a higher level of accomplishment. They concluded that both have their own merit, both are undefeated champions in the art and both reached the pinnacle of artistry. Recently, some art critics also brought up the oil painting Sunflowers and the ink-wash painting Sunflowers, both created by H.H. Dorje Chang Buddha III, and gave them rave reviews. They went on to compare the works by Vincent van Gogh and Qi Baishi with the works by H.H. Dorje Chang Buddha III, trying to establish which of the three artists is the champion of the champions. The result of comparing the works by Van Gogh, Qi Baishi and H.H Dorje Chang Buddha III is tremendously inspiring.

Ever since the Renaissance, Western artists had placed emphases on rational analysis and the realist portrayal of forms. They used light, texture and details to present the realistic, three-dimensional perspective. A few centuries later, Van Gogh rejected the monotony of such use of light and shadow and the realistic portrayal of figures.  He pioneered the movement of impressionism that suited him well by applying a mix of colorful, brilliant, splendid and vigorous brushstrokes. He became a great master of his time and his name was forever etched onto the monument of Western civilization and art.

Whenever people think of Van Gogh, they think of his unique character, the sparkles in his eyes that emit lightning, his vigor and his incessant pursuit of inspiration in art without any regard to external hardships. Van Gogh was an artist by birth. He was of exceptional confidence and was somewhat neurotic. Having such traits, he pursued the art that he loved without any reservation or hesitation. He loved his works and regarded everything else with disdain. He preferred to be a loner in the world and did not care to make acquaintance of other painters of his time. His works are full of luminous colors, the brushstrokes are like rising winds and racing clouds in the sky. In his art, he depicted pasture, figures, flowers and other subject matters with brisk colors. Every brushstroke was transformed from his inner emotions. Such emotions were fully and colorfully captured in his Self-Portrait as well as in the transcendental Sunflowers that he painted. These works contain an animated spirit that is deeply moving.

From Van Gogh’s artistic spirit and intent, we can detect that he was profoundly knowledgeable about Chinese ink-wash paintings. Precisely because of this, while depicting forms and applying colors, he employed the skills of using the center tip of the brush and parallel brushstrokes. His Still Life with Bible was created with parallel brushstrokes. In his Self-Portrait, he portrayed his face filled with lines and plaques that are extraordinary. It is not hard for us to discover that he drew inspirations from the substance and essence of Chinese painting in those brushstrokes. That is why Van Gogh is such a distinguished, unparalleled artist of his time and his works are superior to those by the other Western oil painters such as Cezanne, Gauguin or Picasso of the same era.

Van Gogh’s artistic style was closely linked not only to Chinese civilization in the East, but also to the classical Renaissance art, Pointillism, German Expressionism, and Impressionism in the West. Toward the end of his life, he came into oneness with the universe and immersed himself in a carefree state of mind to “follow wherever nature might lead.” As such, he was no longer aware of his own existence. In his mind, there was only the art and the universe. “Following where the nature may lead” is the essence of the ideology of the Chinese philosopher Laozi. Van Gogh cut off his ear with a knife. He lost himself completely in painting. That was his unspoken resentment and rejection of the unfair treatment imposed on him by the society.

Qi Baishi was profoundly knowledgeable about impressionist, fauvist, and realist paintings. By adopting the essence of Western painting and incorporating the traditional spirit of Eastern art, he developed his unique style and became the master of Chinese painting of the twentieth century. His brushstrokes were solid and poised, evincing a sense of power that went all the way through the paper. Using sheep-hair brushes, he elicited calligraphic skills to create his paintings. Qi Baishi’s lines are bold and robust, embodying a forceful spirit that can move mountains. At the same time, these lines are flexible, sturdy and round, with similar qualities to the lines of wire-drawing. His compositions emerged naturally from the spontaneous movement of the brushes. Such compositions are accompanied by vigorous calligraphy resembling the strength, power and fluidity of stone inscriptions.

The artistic concept of spontaneously “following where nature may lead” is precisely derived from Laozi’s philosophy and the artistic civilization of the Chinese ethnicity. Qi Baishi favored the use of white space in his paintings. The white space in black-and-white Chinese ink-wash paintings is considered a solid color. Ink can be differentiated in nine shades (or five shades according to ancient Chinese text.) That is to say, the white of the paper per se and the black of the ink are all considered as colors. There is a sense of meticulous precision in the artworks by Qi Baishi. He depicted insects such as grasshoppers, mantises and butterflies in meticulous and vividly colorful ways. In some of his artworks, the artist was able to express his ideas by putting down just a few brushstrokes without any conscious intent, while arriving at a state of oblivion of his own existence.  Anything depicted by his brushes was vivid and vibrant, with the subject matter coming alive on the paper. There is an aura that moves our heart and soul. All in all, Qi Baishi’s paintings were executed with a confident brushwork that naturally achieved a kind of childlike charm.

Recently, some people compared the works by Van Gogh and Qi Baishi with the works by H.H. Dorje Chang Buddha III to see whose works are more superior and outstanding, or will have a broader and more far-reaching influence on later generations. I have viewed quite a lot of the artworks by Van Gogh, Qi Baishi and H.H. Dorje Chang Buddha III. I started the study and appreciation of the paintings by Qi Baishi under the enlightening guidance of my teacher when I was 9, and when I was 14, I began to study and appreciate the works by Van Gogh. It has since been several decades!

At the same time, since I have admired the art of H.H. Dorje Chang Buddha III for a long time, to satisfy my desire and wishes I flew from New York to San Francisco to visit the International Art Museum of America, and to Los Angeles to visit the H.H. Dorje Chang Buddha III Cultural and Art Museum in order to see their collections. I was profoundly impressed by the architecture of both museums which is grand and dignified. Both museums have a collection of the authentic works by H.H. Dorje Chang Buddha III. There are various artworks that are created with different kinds of material. Some are bold and forthright, some are charmingly meticulous and astounding. The oeuvre is not made up of just one single style.

Yet, the only artwork that was not available for viewing is the Sunflowers painted by H.H Dorje Chang Buddha III. When I hear that some art critics are comparing the works by Van Gogh and Qi Baishi with the works by H.H. Dorje Chang Buddha III, I naturally feel, from my experience of having studied the works by Van Gogh and Qi Baishi for a number of decades, that although their artistry are similar in levels, it is possible to say who is the best if we are just to compare the sunflowers painted by the three artists, when we include in the compositions, colors, brushwork, lines, vitality, spirit and so on. With all these elements in consideration, it is possible to do the comparison and conclude who painted the best, or in other words, whose works can bring the most joy and delight to people, or whose art will be most influential to the philosophy, artistic concept and entire civilization of this world.

Therefore, without any ambiguity, we concluded. In terms of character and morality, Van Gogh would be the last of the three. In terms of level of skills, Qi Baishi would also be ahead of Van Gogh, who is, however, already the cream of the crop in western civilization. Being the Buddha living in the current century, H.H. Dorje Chang Buddha III saves living beings with great loving compassion. He is not embodied in an ordinary being. Needless to say, the level of cultivation of the Buddha is superior to that of Van Gogh and Qi Baishi. In terms of creativity and painting skills, how can any ordinary being even hold a candle to the Buddha? In this way, the comparison result is immediately determined.

When those art critics carried out the detailed research of the Sunflowers by Van Gogh and Qi Baishi as well as H.H. Dorje Chang Buddha III, they copied the artworks by all three artists. After copying the works by Van Gogh and Qi Baishi, they felt deeply that through hands-on practice, they indeed gained more understanding of their works. It would not be easy but not so difficult either for one to really reach their artistic level. As for the Sunflowers by H.H. Dorje Chang Buddha III, they found it rather difficult to copy.  Even though they tried many times, they had a hard time just copying the form, let alone the spirit.

The Sunflowers by H.H. Dorje Chang Buddha III clearly show the artist’s solid foundation and prolific skills in the Eastern and Western painting traditions. They comprise the essences in both traditions and display a brushwork, sentiment and colors that are one of a kind. The color tones and brushstrokes are rich, dense, soothing and elegant. Lively brushwork paints an animated charm that is whole, evincing a miraculous and expansive spirit and aura as well as a strong vitality. As for the Sunflowers oil painting in which H.H. Dorje Chang Buddha III depicted some flowers inside a vase, the artistry is extraordinary and full of variations; the composition is simple yet abstruse. The flowers are natural and gracious, such that they give an impression of unpredictability, reaching a state of oneness with the universe and emanating a sharp animated spirit.

The ink-wash painting Sunflowers by H.H. Dorje Chang Buddha III has an uninhibited, natural, and spontaneous brushwork that is dense, bold, and robust, but also elegant and agile. It exhibits a charm that is like stone and bronze inscriptions. Overall, the whole painting manifests a harmonious and moving imagery, naturally emanating a lively vivaciousness and a carefree, spirited aura.

In comparing the works by Van Gogh of the Western civilization, Qi Baishi of the Eastern culture, and H.H. Dorje Chang Buddha III, we can see the artists are distinguished in their unique own ways owing to their different cultures. However, only the artist who can continue to influence the world two to three hundred years from now will be the everlasting monument.  There is a saying, “Talents emerge in every era and they all will each have 500 years of fame!”  For people of the present day, the one whose work you like the best would be the one that is the most extraordinary!

Please see the contrast of six paintings below:

Sunflowers by Van Gogh (1)
Sunflowers by Van Gogh (1)
Sunflowers by Van Gogh (2)
Sunflowers by Van Gogh (2)
Sunflowers by Qi Baishi (1)
Sunflowers by Qi Baishi (1)
Sunflowers by Qi Baishi (1)
Sunflowers by Qi Baishi (1)
Ink-wash Painting Sunflowers by H.H. Dorje Chang Buddha III
Ink-wash Painting Sunflowers by H.H. Dorje Chang Buddha III
Oil Painting Sunflowers by H.H. Dorje Chang Buddha III
Oil Painting Sunflowers by H.H. Dorje Chang Buddha III

Jiguang Lin

October 26, 2018

Vincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III Compared. Whose Artwork is the Best?

Link: https://dharma-hhdorjechangbuddhaiii.org/vincent-van-gogh-qi-baishi-and-h-h-dorje-chang-buddha-iii-compared-whose-artwork-is-the-best/

#DorjeChangBuddhaIII #VincentVanGogh #QiBaishi #Art #ArtComparison #MasterArtists #ChinesePainting #WesternArt #ArtHistory #HighValueArt

Museum Celebrates Unprecedented “A Rock of Horizontal Charm” Display with Complimentary Admission

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West Covina, CA (PRWEB) June 01, 2017

The H.H. Dorje Chang Buddha III Cultural and Art Museum is pleased to announce its exhibition of “A Rock of Horizontal Charm“, a masterpiece of Yun Sculpture that embodies the spirit of art in a truly dis-tinctive way. In honor of this extraordinary form of art, the museum is offering free admission to the public for a limited time.

“A Rock of Horizontal Charm” was created by the world-renowned and internationally-revered highest leader of Buddhism, H. H. Dorje Chang Buddha III. The Yun Sculpture is a piece of original artwork that expresses a unique set of qualities. Various art experts and professors who have viewed the sculpture art say it has surpassed natural beauty and represents a level of perfection that extends well beyond what can be described as superb craftsmanship or inspired artistry.

The H.H. Dorje Chang Buddha III Cultural and Art Museum is exhibiting A Rock of Horizontal Charm, an unparalleled masterpiece of Yun Sculpture. For a limited time, visitors can receive free admission to the museum and witness the unsurpassed natural beauty of the superb sculpture art first hand.

When viewed from different angles, the Yun Sculpture’s colors, structure, and atmosphere change completely, inexhaustibly transforming in unpredictable ways. Furthermore, it possesses multidimen-sional spatial structures that are complex yet delicate and intricate, and exquisite to the utmost. In addi-tion, its colors—kaleidoscopic and majestic, yet mature and assured—manifest a supernatural, visionary beauty. “A Rock of Horizontal Charm“, alone, is so endlessly variegated that it provides thousands of beautiful vistas.

The astounding beauty of this amazing sculpture art goes far beyond mere words. Therefore, it is no surprise that it has distinguished itself as the “emperor” of the four great Yun Sculptures. In fact, the creation of “A Rock of Horizontal Charm“ is considered to be a miracle in human history because no craftsman in the ancient or modern world—or even high technology—has been able to devise such ex-traordinary works of divine art. Consequently, this original artwork has been designated a “peerless treasure” that cannot be replicated, and the museum has named the room in which it is being displayed, Peerless Treasure.

“Even the “He Shi Bi (the Jade Disc of He) “, recorded in history as a treasure of monumental value, does not fit the title of ‘peerless treasure,’ since it is completely replicable—and if it can be replicated, it is not unique; if it is not unique, it is not peerless,” states the museum’s website. “In fact, any master sculptor’s magnum opus can be recreated; thus, only “A Rock of Horizontal Charm“ is the true peerless treasure.”

Despite an invitation to create an identical replica Yun Sculpture for a $50 million prize, no human sculpture master or technology has successfully duplicated “A Rock of Horizontal Charm“. From this, one can see how H.H. Dorje Chang Buddha lll’s artistic level has far exceeded the summit of sculptural art in human history.

The exhibit featuring “A Rock of Horizontal Charm“ will allow visitors to experience the divine charm of H.H. Dorje Chang Buddha lll’s original artwork in person. The unreplicatable sculpture exudes an inex-plicable amalgamation of color, motion, energy and spirit. “A Rock of Horizontal Charm“ has transcend-ed the category of highest human sculptural attainment and entered into the enjoyments of a mystical world.

Located in Covina in East Los Angeles, the H.H. Dorje Chang Buddha III Cultural and Art Museum is housed in a building with a 117-year history. The structure was renovated in 2014 and transformed into the cultural and art museum that occupies the space today. Since then, the museum’s world-class, un-matched treasures have attracted a steady stream of culture and art lovers from around the globe.

The mission of the cultural and art museum is to promote the exceptional accomplishments of an Amer-ican with outstanding talent—H.H. Dorje Chang Buddha III—by displaying his achievements in culture, literature, philosophy, art, science, technology, and other fields. Visitors to the museum can learn about the noble ethics and morality of H.H. Dorje Chang Buddha III and the holy character of this magnificent, selfless Buddha who altruistically contributes to society through his vast achievements and who advances world peace as well as the happiness of people. In addition, visitors can be guided by the teachings of H.H. Dorje Chang Buddha III and model themselves after him to elevate their own moral character and benefit the public.

For more information about “A Rock of Horizontal Charm“ or the cultural and art museum, visithttp://www.hhdcb3cam.org or call (626) 281-6378.

About H.H. Dorje Chang Buddha III
H.H. Dorje Chang Buddha III has been recognized by the most highly realized practitioners of Buddhism as the third incarnation of the original Buddha, Dorje Chang Buddha. His accomplishments transcend religion, healing and art. As the first in history to manifest real accomplishments in the five vidyas, He meets the highest standard of Buddhism. He is recognized for his devotion to a wide scope of cultural and religious activities, which enrich the lives of people from communities throughout the world. His Holiness has mastered 16 unique painting styles or schools, representing an unprecedented pioneering achievement in the history of art. Additionally, He is the pioneer of a new class of artwork that cannot be duplicated by any living being: Yun Sculpture. Experts predict that His paintings and sculptures will become increasingly valuable.

For the original version on PRWeb visit: http://www.prweb.com/releases/2017/06/prweb14390138.htm 

Link: https://dharma-hhdorjechangbuddhaiii.org/museum-celebrates-unprecedented-a-rock-of-horizontal-charm-display-with-complimentary-admission/

#DorjeChangBuddhaIII #HHDorjeChangBuddhaIIICulturalandArtMuseum #YunSculpture #RockOfHorizontalCharm #Art #ArtExhibition #SpiritualSculpture #ArtMuseum #SacredArt #PeerlessTreasure

H.H. Dorje Chang Buddha III: Teaching People to Attain Wisdom Through Compassion, Especially in These Uncertain Times

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One recognition certificate from a sect can make the status of a rinpoche, while being recognized as the reincarnation of a Buddha requires confirmation from multiple Dharma kings of all different sects.

Generally, when a rinpoche reaches significant status, they are also recognized by more than one of the eminent monastics. H.H. Dorje Chang Buddha III, who has been recognized by over 100 Dharma kings, regent Dharma kings, great rinpoches, and top leaders of various Buddhist sects, is the first person in Buddhist history to receive this many recognitions.

It is the belief of all of these powerful individuals that H.H. Dorje Chang Buddha III is the true reincarnation of the Primordial Buddha, Dorje Chang Buddha. For over 1,000 years, this system has been used by numerous sects in order to recognize their reincarnated Buddhist practitioners.

Based on Buddhist principles, a “Buddha” has attained the supreme level of wisdom and enlightenment, and there is no one above a Buddha. So it goes without saying that a Buddha is the highest leader in the world when it comes to that religion and culture. That makes H.H. Dorje Chang Buddha III the highest leader of Buddhism in today’s world.

Building on the Foundation of Compassion

As H.H. Dorje Chang Buddha III works with others and makes his way in the world, he remains unaffected by awards and fame, and by those who would seek to slander him. His goal is only to contribute to the world, and to teach Buddhism to people, so the world can have more peace and happiness in it.

The cultivation of Buddha Dharma is what H.H. Dorje Chang Buddha III focuses on, rather than his standing and status as the reincarnation of a Buddha. Buddhist teachings are based on causality, peace, harmony, and compassion, and these are the main tenets that H.H. Dorje Chang Buddha III lives by. As he shares his compassion with others, he is able to change lives.

At the very beginning of the COVID-19 pandemic outbreak, His Holiness Dorje Chang Buddha III took the lead, donating equipment and materials for personal protection. This equipment for fighting the pandemic was donated to police departments, hospitals, and other public service institutions. His Holiness the Buddha also told people publicly:

“The emergence of the pandemic is a result from causality. Throughout the history of mankind and society, there have been occurrences of many pandemics of different types and forms. The COVID-19 pandemic is a type of contagious plaque, which is just infection through popular contact.

The symptoms would transform based on the changes in one’s physical conditions and the climate and spread to others. But people will also generate antibodies in response. However, this disease is not going to become extinct. Yet vaccines can provide very significant protecting effects to people.

Therefore, all of you should not be under pressure or become worried. Rather, all should follow the exhortation of the government and obey the government regulations.

Have yourself vaccinated. That will protect yourself and also others. Furthermore, the pandemic will not cause a closure to people. In the end, it will be opened up everywhere because our country will not allow closure to happen, and the world will not allow closure to happen.”

Living simply and focusing on humility rather than material rewards, he has never been concerned with his own well-being. He lives for the service and well-being of others, and to teach them the Buddha Dharma that will bring them enlightenment and liberation.

The more people who have this understanding, the more people will continue to show that understanding to others, to help others and to benefit society. This can cause a ripple effect of peace and harmony, which will spread far and wide through his teachings and the information he passes along to people around the globe.

Celebrated as a Scholar, an Artist, and a Healer

From a very early age, H.H. Dorje Chang Buddha III has been seen as extremely talented in a number of areas of life. Even as a child, he had wisdom beyond his years and talents that were strong and unexpected. Documentaries were made about his artistic abilities, and people came from far and wide to learn Buddha Dharma from him.

That occurred even before he was officially recognized as he is today. It is the belief of Buddhists that H.H. Dorje Chang Buddha III holds supreme knowledge of the universe.

Others have spent their entire lives seeking the wisdom and understanding H.H. Dorje Chang Buddha III has, but it seems as though he was born with it. His Holiness has taught many Buddhist leaders, holy gurus, Buddhist practitioners, and people from every walk of life who seek out his wisdom.

Whether people have questions about Buddhism, need mental or physical healing, or want a deeper understanding of life, H.H. Dorje Chang Buddha III will not turn them away. As the sutra said that a Buddha is the king of healing, he helped more than 300 people in one day during his time in China.

Born in China, he was quickly recognized there as having abilities well beyond his years. His artwork was exhibited in Taiwan, and he was named to the presidency of The Chinese Painting Research Association in Beijing in 1987. He has met with dignitaries from all over the world, including many in China before he moved to the United States.

When he visited Taiwan in 1995, it was not just dignitaries and important people he met with, but people from all over the area who lined up at his hotel to seek his help and guidance.

All throughout the day and night, the Buddha helped people without resting. H.H. Dorje Chang Buddha III does not turn any of them away from the help they were seeking and the guidance they wanted and needed from the Buddha.

He has remained selfless and compassionate, helping those who are distressed, elderly, poor, or sick and infirm, as well as any injured or stray animals he finds during his travels. No one and nothing are turned away from the Buddha’s help.

Subjected to Defamation and Injustice

Throughout his life, H.H. Dorje Chang Buddha III has been subjected to injustice, and had his name defamed and slandered. Two years after he came to the United States, the Guangdong Shenzhen Public Security Bureau in China made a case against him and charged him with defrauding someone during a property sale.

But even the person who was named in the case came forward and said that it had not happened. The Buddha also had no record of ever owning the property, or of anyone else transferring it to him.

The case lingered for years, even going so far as getting INTERPOL involved and asking that they issue Red Notices for the arrest of H.H. Dorje Chang Buddha III. After an investigation in China, thirteen legal experts came together and stated that the case was incorrect and fabricated, and that it was not accurate at all. INTERPOL’s investigation showed the same conclusion.

Eventually, China requested INTERPOL to withdraw the Red Notices against the Buddha, and in November 2009 INTERPOL wrote to His Holiness the Buddha that the Red Notices against him had been canceled. But all through the years when he was being defamed and investigated, he never said a word about it.

He made no public statement about the case, nor did he try to clear his name in any way. When he was asked to show the INTERPOL letter he received, he also chose not to do that.

The reason that Shenzhen Public Security Bureau made the case against the Buddha, is because Shenzhen Public Security Bureau illegally took more than 700 paintings from the house the Buddha resided in.

These were paintings that were created by him during past decades. But he never said anything. In order to keep these paintings, the public security agents still tried to slander the Buddha through the internet, and continued to make claims that he was guilty.

If they stated his innocence, they would have to acknowledge their own crimes, including the made-up case and the stolen paintings from the Buddha and his disciple.

Finally, in 2019, due to mounting requests from the Buddhist community and its leaders, H.H. Dorje Chang Buddha III agreed to make the INTERPOL letter public. The World Buddhism Association Headquarters made the letter public and issued a statement as well.

That allowed those who were faithful to Buddhism all around the world see the truth of the facts in the case, and put their fears and concerns to rest. During the entire time, H.H. Dorje Chang Buddha III never said anything negative about his accusers.

The Most Dignified Buddha Treats Himself As Humanity’s Servant

Ever since the founding of Buddhism, it has been common practice for Buddhist disciples to make offerings to their teachers and masters. But H.H. Dorje Chang Buddha III has vowed never to accept offerings, and to do everything out of love and compassion, without any requirements for compensation. He serves people only on a voluntary basis and will never take something in return for his services.

His compassion for the people who have helped him, those who have tried to harm him, and the world in general, seems to be unwavering. H.H. Dorje Chang Buddha III is committed to his teachings, and understands that the care and compassion he displays to the world is what matters.

From the art he creates to the people who come to him for healing, everything and everyone is treated with care. This is the way it has been done for more than 2,500 years, and H.H. Dorje Chang Buddha III carries on the tradition.

By focusing on the situations of other people, instead of his own, the Buddha is able to show that he values the world and everyone in it, and that other people should do the same. It is only through serving others and having compassion for them that people can truly reach an enlightened state of joy and happiness.

While not necessarily easy to do in modern society, H.H. Dorje Chang Buddha III has been focused on the value of this accomplishment since he came to this world, and remains committed to it today.

During his life in China, and now that he lives in the United States, he has frequently been offered millions and even tens of millions of dollars in offerings.

He has never taken even a dollar of it, and has always turned it away. Some disciples have written about how they have wanted to give offerings, but that the Buddha would not accept them. Although he is always modest and says that he is humanity’s servant, we know that he is the most dignified Buddha in the world.

Link:https://peacelilysite.com/2025/10/24/h-h-dorje-chang-buddha-iii-teaching-people-to-attain-wisdom-through-compassion-especially-in-these-uncertain-times/

source: https://vocal.media/journal/h-h-dorje-chang-buddha-iii-teaching-people-to-attain-wisdom-through-compassion-especially-in-these-uncertain-times

The Blessings of Faith: A Daughter’s Journey Through Her Mother’s Illness

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My name is Li Xueping, and this is a story about love, faith, and the incredible blessings that come from practicing true Buddhism. It is a story that centers around my mother, Yang Yanshu, a gentle and kind-hearted woman who is now over ninety years old. Despite her age, she continues to inspire us with her warmth, frugality, and deep devotion to her family.

My mother has been a Buddhist for many years. Though she is illiterate, she memorized and recites the Heart Sutra daily with great sincerity. In our home, we’ve always honored Namo Guanshiyin Bodhisattva, and her faith has been a quiet but powerful force in our lives.

In October 2003, my sister and I accompanied our mother to listen to the Dharma discourses of Namo Dorje Chang Buddha III for fourteen consecutive days. During that time, my mother experienced a profound transformation—both physically and mentally. She was radiant with Dharma joy and gained deep faith in the supreme teachings. From then on, she diligently listened to discourses, practiced Buddhism daily, and her health remained remarkably stable. It was clear to us: the blessings of true Dharma had uplifted her life.

In June 2017, our lives were shaken when my mother was diagnosed with cervical cancer at a reputable hospital. She was in her eighties at the time, and the news was devastating. We decided against surgery and opted for conservative treatment with traditional Chinese medicine to minimize her suffering.

My siblings and I turned entirely to Buddhist practice. We recited The Supreme and Unsurpassable Mahamudra of Liberation, performed lamp offerings, and conducted life-releasing ceremonies. My mother, too, chanted Buddha’s names with devotion and repented for past wrongdoings. She often reflected with remorse: “I regret killing so many chickens in the past just for food. I committed great wrongs by taking lives.”

We knew from the Buddha’s teachings that killing brings severe karmic consequences, and while our efforts could not undo the past, we hoped to ease her suffering through sincere repentance and practice.

Wanting to seek deeper help, I applied for a U.S. visa and, in September 2017, traveled to the United States to personally report my mother’s situation to the great Namo Dorje Chang Buddha III. The Buddha responded with immense compassion: “I will perform a Dharma practice to bless her.”

I will never forget that moment. The Buddha, who treats all beings with equal kindness regardless of wealth or status, blessed my mother. Monastic disciples also provided her with precious Black Treasure Pills. Miraculously, her pain vanished, her complexion became rosy, and she regained peace and strength. The power of true Dharma had once again revealed itself.

An Unexpected Crisis and a Miraculous Return

In June 2018, while I was visiting my daughter in Belgium, I received an urgent call—my mother was critically ill. We feared I might not see her again. I flew back as quickly as possible, praying for blessings throughout the journey.
When I arrived home, I was astonished—my mother had survived.

My sister later told me that just before losing consciousness, my mother cried out:

“Namo Guanshiyin Bodhisattva, save me!”

Soon after, the ambulance arrived and took her to the hospital. After seven days of treatment, she was miraculously revived.

Shortly after, I faced a difficult decision. I had already planned to attend the Dharma Assembly Honoring the Holy Birthday of Namo Dorje Chang Buddha III in the United States. With my mother still recovering, and family responsibilities weighing on me, I hesitated. My husband even called me “unfilial” for wanting to leave.

But deep in my heart, I knew: this was the most important aspiration of my life. I prayed silently, asking for the Buddha’s blessings to keep my mother safe during my absence.

I attended the Great Life-Releasing Dharma Assembly at the H.H. Dorje Chang Buddha III Culture and Art Museum on June 21, 2018, and the next day, the rare and magnificent Holy Heavenly Lake Dharma Assembly. Surrounded by thousands of disciples from around the world, we chanted the holy name of the Buddha in unison. It was a moment of unimaginable spiritual joy.

On June 25, I had the honor of meeting Namo Dorje Chang Buddha III once again. I tearfully reported my mother’s condition, and the Buddha, in His great compassion, smiled and said, “Haha, good!”
That moment filled me with peace and hope.

When I returned home, I found my mother in excellent condition. Despite her diagnosis, she had never experienced unbearable pain, never lost her spirit, and continued her daily Buddhist recitations as usual. During Chinese New Year, even our relatives remarked in amazement: “She doesn’t look like someone with cancer at all!”

Her strength, peace, and recovery were nothing short of miraculous. We owe everything to the compassionate blessings of Namo Dorje Chang Buddha III, the Buddhas and Bodhisattvas of the ten directions, and the authentic Tathagata Dharma.

Through this journey, I have come to understand the impermanence of life, the inescapability of karma, and the painful cycle of birth, aging, sickness, and death. No one can escape their karmic debts. But through true Buddhist practice—guided by the teachings of Namo Dorje Chang Buddha III—we can walk a path toward healing, liberation, and lasting peace.

May all beings awaken to the true Dharma, cherish the opportunity to learn from a living Buddha, and attain the freedom of body and mind through genuine practice.

Link:https://peacelilysite.com/2025/07/15/the-blessings-of-faith-a-daughters-journey-through-her-mothers-illness/

Source: https://dharma-hhdorjechangbuddhaiii.org/a-mother-in-her-nineties-overcomes-the-pain-of-cancer-through-the-blessings-of-the-h-h-dorje-chang-buddha-iii/

#DorjeChangBuddhaIII #HHDorjeChangBuddhaIII #Buddha #Dharma

The Fusion of Technology and Art: A Stunning 3D Masterpiece

linda changLeave a comment
Polar Bear in an Ice Cave

Technology art is a new form of multidimensional creative expression that blends technology and art. By incorporating mechanical instruments, scientific data, and spatial elements such as light sources, temperature, and speed, it presents a unique visual experience. Imagine a three-dimensional painting on a flat sheet of paper, where the depth of space extends beyond the surface, and the imagery seems to leap out of the frame, resembling a real sculpture.

Among these art forms, glass painting is particularly breathtaking. With its transparent dual-sided effect akin to a celestial realm, it creates a mesmerizing and soothing atmosphere when paired with changing lights. Photography, on the other hand, captures emotionally stirring moments through the interplay of light, composition, and color. Whether depicting landscapes, people, or animals, it brings out a unique aesthetic through the lens.

At the convergence of these three artistic expressions, H.H. Dorje Chang Buddha III, skillfully integrates them to create stunning works of technology art. One such masterpiece, the 3D painting Polar Bear in an Ice Cave, vividly portrays the charming image of a polar bear, making viewers feel as if they are inside an icy Arctic cavern. Through the artwork, one can almost see the adorably clumsy bear sleeping soundly in the cold cave. The artist’s extraordinary craftsmanship is awe-inspiring, delivering an unparalleled visual experience.

H.H. Dorje Chang Buddha III composed a poem for this artwork. Translating it into English is incredibly challenging due to its profound meanings. However, here is a simple translation to offer a glimpse into the Buddha’s deep compassion for all beings:

The polar bear loves the cold the most,
Sleeping in ice caves through all seasons.
Do not take food from the water,
Instead, pick up the bones of wandering souls for a meal.

Not everyone understands the mysteries within the profound,
For Zen enlightenment dissolves the barriers of hunger.
The splendid affairs of the crystal palace are beyond full expression,
Within the cave, a guest drunkenly enjoys the company of an immortal.

Link:https://peacelilysite.com/2025/02/27/the-fusion-of-technology-and-art-a-stunning-3d-masterpiece/

Crossing a Mountain, the Small Boat Enters the Canyon

linda changLeave a comment

Crossing a Mountain, the Small Boat Enters the Canyon is an awe-inspiring masterpiece of Yun sculpture. How did H.H. Dorje Chang Buddha III capture the shimmering reflections on the lake’s surface? And how was it possible to create such a vivid and lifelike scene using ordinary plastic steel materials? The majestic mountains, the gentle ripples of the lake, and the lifelike figures aboard the small boat—all elements that seem beyond the reach of ordinary people—were brought to life through the unparalleled artistry of H.H. Dorje Chang Buddha III.

This sculpture is not merely a visual creation—it possesses a soul. Every detail, from the rugged mountains and tranquil lake to the humble fishermen, seems to pulse with vitality. The artwork evokes a sense of harmony with nature, conveying a profound feeling of peace and joy that resonates deeply with viewers.

The Unique Art of Yun Sculpture:
Yun sculpture is a groundbreaking art form created by H.H. Dorje Chang Buddha III, with no precedent in history. Since the emergence of Yun sculpture, humanity has witnessed the birth of an art form that is truly non-reproducible. This genre is distinguished by several remarkable features:

  1. Multidimensional Spatiality: Yun sculptures possess an extraordinary sense of multidimensional space. Their intricate and delicate forms exhibit endless variations, captivating viewers from every angle.
  2. Vibrant, Dreamlike Colors: The colors of Yun sculptures are rich, radiant, and dreamlike—depicting scenes beyond the realm of this world. Their hues seem to emanate a light of their own, enchanting all who behold them.
  3. Sacred and Incomparable Depth: Many Yun sculptures possess a profound and sacred quality. For instance, Color Rhythm, displayed in the Holy Relics Room of H.H. Dorje Chang Buddha III Cultural Art Museum, measures only two to three feet in size. Yet, when viewed through its openings, one can perceive a vast inner depth that seems to extend far beyond the sculpture itself, leaving viewers awestruck by its unfathomable dimensionality.

Countless individuals who have had the privilege of witnessing H.H. Dorje Chang Buddha III’s Yun sculptures have expressed their wonder and reverence: “This is a treasure sent from the divine to humanity,” “A sacred gift from the Buddha,” and “So breathtakingly beautiful that it touches the soul.” Others have compared these masterpieces to the finest jade jewelry and the most magnificent stone sculptures, only to find that even the most exquisite human creations pale in comparison—like dim stars surrounding the brilliance of the moon.

Indeed, the advent of Yun sculpture has elevated the realm of art to an entirely new level, offering the world creations that are not only visually stunning but also spiritually profound, filling the hearts of all who witness them with a sense of wonder and inspiration.

Master Wan Ko Yee (H.H. Dorje Chang Buddha III) Has Made A Great Contribution To Art

Link: https://peacelilysite.com/2025/02/19/crossing-a-mountain-the-small-boat-enters-the-canyon/

The Meaning and Merits of “Life Release”

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Embracing Compassion: The Day of Releasing Lives and the Teachings of H.H. Dorje Chang Buddha III

The practice of life release originates from Mahayana Buddhist scriptures and has been widely practiced in mainland China, Tibet, and also spread to Japan, Korea, Vietnam, and neighboring regions. The act of life release is rooted in the compassionate principle of equality among all beings and the karmic understanding of the cycle of birth and death. As the saying goes, “If you take half a pound from others, you will have to repay eight ounces.” Abstaining from killing while also practicing life release brings even greater merit, and there are countless historical accounts of miraculous responses and blessings resulting from such acts.

In Volume 4 of the Miscellaneous Treasures Sutra, there is a story about a novice monk and his teacher. The teacher foresaw that the novice monk would pass away within seven days and advised him to return to his family home, asking him to come back after seven days, without explaining why.

On his way home, the novice monk came across a broken pond, where water was flooding an anthill.

The ants were frantically trying to escape, but their speed was no match for the rushing water. Seeing that countless ants were about to drown, the novice monk used his robe to carry soil and blocked the breach in the pond, saving all the ants.

After seven days, the novice monk returned to his teacher. The teacher, upon seeing him alive, was astonished and asked what had happened during those days. Mistakenly thinking he was being accused of wrongdoing, the novice monk fearfully replied that he had done nothing. The teacher, being an Arhat, used his divine vision and discovered that the novice monk had performed a small yet significant act of kindness by saving the ants from drowning.

This single compassionate act altered the novice monk’s karmic fate, extending his lifespan and allowing him to live a long life until his natural passing.

The Profound Teachings Behind Life Release

The practice of releasing lives is deeply rooted in Buddhist scriptures:

  • The Chapter on the Practices and Vows of Samantabhadra states:
    “Living beings cherish their lives above all, and Buddhas cherish living beings above all. To save the lives of living beings is to fulfill the heartfelt wishes of the Buddhas.”
  • The Brahma Net Sutra on the Bodhisattva Precepts states: “If a disciple of the Buddha practices life release out of compassion, they should regard all men as their fathers and all women as their mothers, for in every life, they are born through them. Therefore, all beings in the six realms are like one’s own parents. To kill and eat them is akin to killing one’s parents or oneself. When witnessing the slaughter of animals, one should strive to protect and relieve them from their suffering. Furthermore, one should teach and explain the Bodhisattva Precepts, guiding and saving all sentient beings.”
  • The Sutra on Distinguishing the Origin of Good and Evil reveals:
    “The Buddha said: In this world, if one possesses a compassionate heart and refrains from killing, they will gain five blessings: longevity, physical well-being, freedom from harm, rebirth in the heavens, and a long life when returning to the human world. Those who live to a hundred years today owe it to their abstention from killing in past lives.”

These teachings emphasize that compassion is both a passive and active virtue. While refraining from killing is essential, taking proactive steps to save lives embodies the true spirit of Buddhist teachings.

October 29 marks the Day of Releasing Lives, a profound observance dedicated to the protection and liberation of living beings. This day calls for the nurturing of compassion, the accumulation of virtue, and the cultivation of good karma. Initiated in 2009 by H.H. Dorje Chang Buddha III, this practice symbolizes an enduring commitment to compassion and liberation. Following a major Buddhist event, H.H. Dorje Chang Buddha III designated this day as a global occasion for the compassionate release of captive lives, inspiring a tradition now embraced worldwide.

The 2024 Life Release Event: A Global Act of Compassion

This year, the H.H. Dorje Chang Buddha III Culture and Art Museum, in collaboration with the World Buddhism Association Headquarters, hosted a commemorative Dharma Assembly in Marina Del Rey, California. The event brought together esteemed holy gurus, eminent monks, and devout Buddhists from around the world.

Photo Courtesy: Joyce Lee | Vice President of World Buddhism Association Headquarters, Jiaozun Zhengda, presided over the Dharma Assembly on the Buddha-Stipulated Day of Releasing Lives.

The gathering featured the release of thousands of fish back into the ocean, accompanied by the recitation of the Heart Sutra. Jiaozun Zhengda, Vice President of the World Buddhism Association Headquarters, led the prayers and delivered an inspiring address on the significance of the occasion. She emphasized the need for ongoing acts of compassion and the responsibility to protect living beings wherever and whenever they face suffering.

Jiaozun Zhengda explained that the practice of releasing lives arises naturally from the precept of refraining from killing. While refraining from harm is virtuous, actively saving lives elevates compassion to its highest form. This principle is at the heart of the teachings of Namo H.H. Dorje Chang Buddha III and Namo Shakyamuni Buddha.

Photo Courtesy: Joyce Lee | Hundreds of Buddhists from all over the world attended the Dharma Assembly of Releasing Lives.

Photo Courtesy: Joyce Lee | Participants released captive fish into the ocean

Participants shared profound reflections on the event. Watching the fish swim freely into the ocean became a moving symbol of resilience, freedom, and the boundless compassion of Buddhas and Bodhisattvas. For many, this practice reaffirmed their vows to live with kindness, respect all life, and emulate the selflessness of the Buddhas.

The Day of Releasing Lives is more than a symbolic gesture. It is a reminder that compassion knows no boundaries of time or space. Through the release of captive lives, Buddhists actively demonstrate their commitment to fostering a world of harmony and peace.

A Global Call for Compassion

As we observe the Day of Releasing Lives, let us remember that every act of compassion matters. By choosing to release lives, we contribute to a legacy of kindness that transforms our world. May this day inspire all of us to nurture compassion, protect life, and cultivate peace for the benefit of all beings.

For more information about the H.H. Dorje Chang Buddha III Culture and Art Museum and their compassionate initiatives, please visit https://www.wbahq.org/.

Link: https://peacelilysite.com/2024/11/07/the-meaning-and-merits-of-life-release/

Source: https://www.wbahq.org/reports-by-news-media/rm20241105/

#DorjeChangBuddhaIII #HHDorjeChangBuddhaIII  #Buddha Dipankara#FishRelease #Buddhism #HolyGurus#Rinpoches#Bodhisattva Avalokiteshvara#HolyMiraclesTemple#DvineTransformations #DharmaAssembly#ShakyamuniBuddha #H.H.DorjeChangBuddhaIIICultureandArtMuseum

“Dragon Carp Frolicking in the Lotus Pond”: A Masterpiece Beyond Time

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Art has the power to transcend boundaries, evoke emotions, and stir the soul. One such masterpiece is “Dragon Carp Frolicking in the Lotus Pond”, created by H.H. Dorje Chang Buddha III. This extraordinary painting, executed with ink and color on paper, seamlessly blends freehand brushwork with meticulous detail. It has been rightfully hailed as a world-class “treasure of unparalleled excellence” and a “divine masterpiece.” Experts agree that this work surpasses conventional artistic techniques, reaching a level of spiritual depth that few can replicate.

At first glance, the painting’s lotus leaves and carp, rendered with freehand techniques, captivate the viewer with their delicate yet vibrant forms. The wide, majestic leaves appear to breathe, their veins subtly flowing and shifting in unpredictable ways. Bold strokes define the water grasses, infusing the scene with a palpable sense of movement. This is a world that feels “drawn from life, yet elevated above it.”

The lotus pods are painted with a playful, almost fantastical touch, while the decaying lotus stems evoke a vivid realism. The carp glide effortlessly through varying depths of water, with natural ripples enhancing the impression of life in motion.

What makes “Dragon Carp Frolicking in the Lotus Pond” so compelling is the swirling energy that permeates the entire composition. Fish, water, lotus leaves, flowers, ripples, mist, and lotus roots all come together as one. Every element is in harmony, creating a profound sense of vitality. The interplay between stillness and motion is masterfully orchestrated, with tension and fluidity imbuing the painting with a life of its own. The spiritual resonance of the ink and brushstrokes is so powerful that it touches the soul, offering a rare glimpse into the artist’s mastery.

H.H. Dorje Chang Buddha III’s ability to manipulate ink and water produces endless visual effects, creating an atmosphere where life itself seems to flow through the brush. The dragon carp, swimming through the water with ease, symbolize the very essence of vitality.

Compared to past masters, who captured the beauty of carp but failed to unite the fish with the water, H.H. Dorje Chang Buddha III elevates his work to a higher realm. His brushwork achieves perfect harmony between the fish and water, with the two becoming one in a symbiotic relationship that enhances both their liveliness and texture.

Traditional Chinese ink painting often uses blank spaces to represent water’s stillness, while lines suggest movement. “Dragon Carp Frolicking in the Lotus Pond” takes this concept even further, incorporating the refraction of light through the water’s surface and depths.

The dynamic light waves, combined with the seamless interaction of the carp and the ever-changing water, create a breathtaking depiction of the concept “fish finding their element.”

The true brilliance of this work lies in its extraordinary attention to detail and the artist’s mastery of brush techniques. From the texture of the carp’s scales to the intricate interplay between fish and water, every detail contributes to the painting’s vibrant spirit. This level of craftsmanship goes beyond what other media, such as oil painting, can achieve, making “Dragon Carp Frolicking in the Lotus Pond” a unique artistic treasure. Its spiritual resonance and profound beauty leave a lasting impression.

This painting is not just a visual masterpiece; it is a profound experience that speaks to the heart, a testament to the transformative power of art.

In 2016, there was already an offer of 60 million USD to purchase this painting. However, H.H. Dorje Chang Buddha III declined the sale, considering that once it was owned by a private collector, the public would have little opportunity to appreciate it. Currently, “Dragon Carp Frolicking in the Lotus Pond” is permanently displayed in the Master Artist Fish Hall at the  H.H. Dorje Chang Buddha III Cultural And Art Museum in Covina, California.

Link:https://peacelilysite.com/2024/10/10/dragon-carp-frolicking-in-the-lotus-pond-a-masterpiece-beyond-time/

#DorjeChangBuddhaIII # HHDorjeChangBuddhaIII#DorjeChangBuddha#Art# Artist #H.H.DorjeChangBuddhaIIICulturalAndArtMuseum#YunSculpture #Craftsmanship
#Dragon #Carp #Lotus

Western Paintings From H.H. Dorje Chang Buddha III

linda changLeave a comment

H.H. Dorje Chang Buddha III employs his ‘supernatural abstract colors’ to introduce us once more to a new world of art that is beautiful, mysterious, and soul-inspiring.

Hearing this, some may be puzzled: Western oil paintings are abstract paintings are found everywhere, yet which one among them ever fits the description “soul-inspiring”? But this truly is not just some fancy talk. As soon as you set your eyes onH.H. Dorje Chang Buddha III’s “supernatural abstract colors,” you will find the bright and dazzling red, yellow, blue, white and black colors leaping and dancing, vigorous like billows sluicing over thousands of miles, yet stored up into wonders at the fine tip of a brush. Gentle yet resolute, they freely transcend worldliness. Various colors are mixed ingeniously and beautifully, distilling beauty from their mutual nourishment. One could say they present a state of superb craftsmanship excelling nature, and of form becoming flexible and elusive. Words cannot describe such harmonious, refined, and soothing artistic enjoyment.

Vigorous Colors and Spirit Trees
Beautiful Nugget of Few Colors

Everlasting Wondrous Appeal

“Supernatural abstract color” is a perfect world composed of colors. It does not have any concrete worldly form but uses only colors to form shapes and express feelings. Color is its shape and theme, and it blends into touching charm. These colors, under the Buddha’s hand, suddenly converge into unparalleled, marvelous and bright magic, expressing the vivid spirit of a flowery scene or the vigor of the roaring sea. Yet, they can be ever so exact when their meaning is revealed through the tip of a brush. Their fine details are often revealed among rough strokes, and their charm is naturally displayed.

Autumn Fragrance Floating Like Colored Gauze

Link:https://peacelilysite.com/2024/09/13/western-paintings-from-h-h-dorje-chang-buddha-iii/

#DorjeChangBuddhaIII #HHDorjeChangBuddhaIII#DorjeChangBuddha#IAMA#InternationalArtMuseumofAmerica #WesternPainting #Supernaturalabstractcolor#OilandAcrylicPaintings

Can One Possess All-Encompassing Wisdom?

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It is hard to believe that anyone could possess all-encompassing wisdom. For us humans, dedicating a lifetime to mastering even one discipline is remarkable. How could someone be a philosopher, scientist, painter, sculptor, writer, doctor, and inventor all at once, mastering each within a few decades? This seems impossible by human standards. However, the Buddha’s vast and profound wisdom is genuinely real. Over 2,500 years ago, Siddhartha Gautama, the Buddha, invited anyone to ask him any question, promising a detailed answer. This is illustrated in the story of the Buddha teaching a cowherd, as recorded in the “Sutra of the Cowherd Parable.”

King Bimbisara of Magadha once invited the Buddha and 500 disciples to preach in his kingdom for three months. To provide them with fresh dairy products daily, the king arranged for cowherds to stay nearby. As the end of the three months approached, the king suggested the cowherds meet the Buddha. The cowherds, having heard of the Buddha’s wisdom, decided to test him with questions about cowherding. They reasoned that if he could answer these, he truly possessed all-encompassing wisdom.

Upon arriving at the Bamboo Grove, they were struck by the Buddha’s radiant presence. They saw him sitting under a tree, glowing like a golden mountain, radiating light like melted gold. Overwhelmed with joy, the cowherds discussed among themselves, “Regardless of whether the Shakyamuni possesses all-encompassing wisdom, anyone who sees him feels joy. His light is unparalleled, his appearance noble, and his presence exudes majesty. His radiance is clear and bright, his demeanor commanding respect, and his body adorned with the aura of virtue, making anyone who sees him feel immense joy.

If he indeed possesses all-encompassing wisdom, it must be due to his immeasurable merits. No worldly treasure can compare to the Buddha’s sublime and dignified presence, which brings great joy and pure faith to all who see him. It is clear that the Buddha must indeed possess all-encompassing wisdom.”

The shepherd thought about this and sat down to pay respects to the Buddha. They asked the Buddha, “What are the various methods a shepherd can use to ensure that the cattle thrive and reproduce well? And what conditions might prevent the cattle from growing properly and living peacefully?” The Buddha answered: There are eleven methods by which a shepherd can ensure the cattle’s well-being and reproduction. What are these eleven methods?

Understanding the Caretaker: Having a strong and capable caretaker who can protect and nourish the cattle, keeping them healthy and well-maintained. Similarly, a monk should be a respected and virtuous leader who can uphold the Dharma and guide beings toward good deeds.

Understanding Color: Knowing the colors of the cattle, such as black, white, or mixed. Similarly, a monk should understand that all phenomena in the world are composed of the four elements: earth, water, fire, and wind.

Understanding Appearance: Recognizing whether the cattle’s appearance is auspicious and whether they will be harmonious. A monk should similarly be able to discern whether someone’s actions indicate wisdom or ignorance.

Understanding Scraping: If insects bite the cattle and their blood is consumed, sores will develop. Scraping can remove these pests and promote the cattle’s well-being. Likewise, a monk should remove harmful views and misconceptions that corrupt their spiritual practice.

Understanding Wound Treatment: Applying medicine to prevent mosquito and fly bites and other injuries. Similarly, a monk should use correct Dharma teachings to protect themselves from delusions and negative emotions.

Understanding Smoke: Using smoke to drive away insects so the cattle can stay in a comfortable, insect-free shelter. Similarly, a monk should use the teaching of Dharma to lead beings to the state of emptiness and liberation.

Understanding Good Ways: Knowing the behavior and preferences of the cattle and how to keep them healthy. A monk should understand how to practice the Noble Eightfold Path to achieve Nirvana and avoid falling into the extreme paths of annihilation or eternalism.

Understanding the Right Place: Knowing how to provide a place where the cattle can live healthily and with minimal sickness. Similarly, a monk should practice and teach the Dharma to cultivate purity and increase good roots.

Understanding Good Routes: Knowing which paths are safe and which places are good for crossing rivers, avoiding places with waves and pests. Similarly, a monk should learn from knowledgeable teachers and adapt their teachings to the capacities of sentient beings.

Understanding Safe Places: Ensuring the cattle live in places free from predators and harmful creatures. Similarly, a monk should maintain mindfulness to avoid the harmful effects of negative emotions.

Understanding Milk Preservation: Ensuring that the mother cow’s milk is not consumed completely by the calf so that both the mother and the owner can benefit from it daily. Similarly, laypeople should use offerings such as clothing and food economically to benefit both the givers and receivers.

The cowherds, after hearing the Buddha’s teachings, thought, “We cowherds know only three or four methods, and our predecessors knew only five or six. Hearing the Buddha today is truly astonishing and unprecedented! The Buddha indeed possesses complete wisdom beyond doubt.”

This is described in the “Sutra of the Parable of the Cowherds.” From this, we understand that there are individuals with complete wisdom.

Today, due to the supreme and exceptional causes and conditions, the original primordial Buddha, Vajradhara has once again descended into the Saha World to manifest all-encompassing wisdom. H.H. Dorje Chang Buddha III once said: Within five years (from 1995 to 1999), if any sentient being asks ME any question, the answer should be given immediately without any hesitation. If there is any need to think about it, or if there is slight hesitation or any fabrication, or if the answer is not comprehensive, I will immediately step down from the Dharma throne and no longer be qualified to teach the Dharma.”

In the more than two thousand Dharma discourses spoken by the Buddha, He provided direct and comprehensive answers to various questions on practice and methods for His disciples. Sometimes, even before the disciples spoke, He would say, ‘I know what you want to ask. You don’t need to say anything; I will answer you directly.’ The disciples would nod in agreement. There was also Zeng Ruzhang, who studied stealth aircraft and asked why they can be invisible. Lobsang Zhenzhu Rinpoche once proposed to see Green Tara, and shortly after, a divine manifestation appeared, H.H. Dorje Chang Buddha III fulfilled his wish…

Step into the International Art Museum of America in San Francisco or the  H.H. Dorje Chang Buddha III Culture and Art Museum in West Covina, and you will be able to appreciate world-class masterpieces of art. H.H. Dorje Chang Buddha III has created Chinese paintings, oil paintings, and various styles of calligraphy. In addition to mastering styles from existing schools of painting, such as Realism, Abstract, Line, and Impressionism, H.H. Dorje Chang Buddha III has independently developed sixteen unique schools of painting.

At the fourth session of the World Poets and Culture Conference held in Hungary in 1994, more than 5,600 experts and scholars representing 48 countries and regions unanimously approved conferring upon H.H.  Dorje Chang Buddha III the title “Distinguished International Master,” which has an honorific status comparable to a head of state. 

H.H. Dorje Chang Buddha III possesses extraordinary and saintly wisdom, perceiving the true essence of the universe and life. Whether it be within the various sects of Buddhism or in all worldly fields such as art, science, medicine, and philosophy, His accomplishments reach the highest level in every aspect, with unparalleled expertise and a unique status beyond any saint.”

The treasure book, “H.H. Dorje Chang Buddha III,” stands as a testament to this statement. However, this book contains only a drop of water from the vast ocean of Buddha’s teachings and wisdom.

The video below showcases the boundless compassion and highlights the extraordinary accomplishments of H.H. Dorje Chang Buddha III. It was published by China Educational Channels TV and features interviews with Buddhist disciples from around the globe.

Link:https://peacelilysite.com/2024/07/26/can-one-possess-all-encompassing-wisdom/

#MasterWanKoYee #DorjeChangBuddhaIII #HHDorjeChangBuddhaIII ##H.H.DorjeChangBuddha IIICulturalAndArtMuseum#YunSculpture#Art#IrreplicableArt#FiveVidyas#Buddhism#Buddha