Owls have always fascinated me with their air of enigma. Creatures of the night, they rest in the shadows by day and emerge only after dusk, rarely granting humans more than a fleeting glimpse. Across cultures, they have inspired legends both wondrous and foreboding. In ancient Greece, the wise and fearless goddess Athena chose the owl as her emblem, making it an enduring symbol of wisdom. So revered was this bird that Greek coins bore Athena’s face on one side and the owl on the other. Yet, in other parts of the world, the owl has been shrouded in darker associations, seen as a harbinger of misfortune or an omen of ill will.
In Chinese culture, the owl’s symbolism is particularly layered—holding both shadows and light. In ancient times, owls were often viewed as inauspicious creatures, linked to misfortune, death, and the old saying, “When the night owl enters a home, it never comes without cause.” And yet, in certain cultural contexts, they also stand for wisdom, keen insight, and even mysterious, almost magical power.
A Chinese ink painting by H.H. Dorje Chang Buddha III
When most people picture an owl, they think of its round, unblinking eyes and penetrating gaze—features that can feel cold, even intimidating. But my perception shifted entirely when I encountered the Chinese ink painting Childlike Delight by H.H. Dorje Chang Buddha III.
This is no ordinary artwork. With the freehand grace of traditional Chinese brushwork infused with a touch of dreamlike realism, it bridges the poetic subtlety of Eastern art and the fresh, luminous clarity of Western modernism.
With just a few effortless strokes, the artist creates a whimsical, pure, and gently humorous world—a dreamscape that seems to invite the viewer into the peaceful slumber of childhood. The small owl, covered with delicate ink spots of varying sizes and shades, appears almost as if glimpsed through a soft morning mist. Look closely, and you might see the tender image of a sleepy child, finger to lips, caught in that sweet moment before surrendering to dreams.
This is not a literal portrayal of nature, but rather nature reflected through the artist’s own heart—capturing not merely the physical form of a creature, but its spirit, vitality, and essence.
Here, the owl is reborn—not as the ominous figure of superstition, but as a symbol of innocence, purity, and quiet wisdom. The artist’s compassionate and unblemished inner world radiates through the painting, gently cleansing the heart of the viewer until it feels as fresh and clear as morning dew.
Childlike Delight reminds us that we can close the sharp, competitive eyes of rivalry and open instead the eyes of kindness, innocence, and warmth—gifts that have the power to heal, to inspire, and to light the world.
If you are willing to look with your heart, you will see starlight in a wolf’s eyes.
On this planet, humanity is not the only protagonist. Every forest, every river, every creature shares the same sky and breath with us. True civilization is not the conquest of nature, but the choice to live in harmony with it.
Li Weiyi, a wildlife animator, has spent years drifting between forests and grasslands, sketching the fleeting emotions in an animal’s eyes and the untamed spirit in its movements. Her brush captures not just form, but soul. Gentle and perceptive, she treats animals as friends and believes, with unshakable conviction: all beings are equal.
The Call of the Grassland
In April 2010, she arrived in the vast Ruoergai grasslands of Sichuan. The wind bent the grass like waves, silver mountains gleamed under the sun, and the openness was almost intoxicating. But behind the beauty was a brutal truth—conflicts between humans and wildlife were pushing many animals toward tragedy.
Then she heard a story that broke her heart. A male wolf, desperate to feed his mate who had just given birth, ventured into a human settlement in search of food. He was caught in a trap, killed by herders, and skinned. His mate waited for days before realizing he was gone. In grief, she ate poisoned bait and followed him in death, leaving six starving pups behind.
Li Weiyi resolved to find them. Days of searching through freezing wind and endless grass finally brought her to the den. Five pups had already died. The last survivor lay weak and trembling, barely breathing. When she whispered, it crawled toward her with eyes full of trust. At that moment, she became its only family.
She named him Green—for the color of the grasslands, for life, hope, and freedom.
Life Between a Woman and a Wolf
In Chengdu, Green grew into a curious, spirited companion. He swam instinctively the first time he fell into water, learned to press the TV remote with his paws, and loved wolf documentaries—howling whenever his kind appeared on screen.
But a wolf will always be a wolf. Green chewed through wires, stole raw meat from neighbors, and refused a leash with stubborn pride. On the streets, he walked with head held high, as if declaring to the world: I am a wolf, not a pet.
A walk with a stray dog ended in tragedy when the dog was hit by a car, sending Green into a panicked dash through traffic. Authorities warned Li Weiyi that Green could no longer live in the city.
Preparing for the Return
She briefly considered a zoo, but one look at an old wolf with dull eyes, torn ears, and walls scarred with escape attempts ended that thought. She sold her home, bought an off-road vehicle and a camera, and returned to the Ruoergai grasslands with Green to begin his rewilding.
There, he sparred with Tibetan mastiffs, relearned the fight for survival, and endured nights of hunger in temperatures as low as –15°C. Li Weiyi stayed by his side through it all, determined to awaken the wolf within him.
Parting and Return
One month later, Green’s howl was answered by a wild pack. He walked toward the mountains, pausing to look back, eyes filled with reluctance. Li Weiyi waved him on, tears blurring her vision, and he vanished into the snow.
He became a ruler of the grassland, fathering pups of his own—but three were killed by humans, a grim reminder that coexistence was still far away.
Two years later, she saw him again from a distance, carrying hares—her favorite food. He stood watching her, not approaching. He belonged to the wild now. His eyes held both sadness and something unspoken.
Li Weiyi began returning to the grassland each year to help wolves like Green survive. And in August 2020, after a decade of intertwined lives, Green ran back into her arms. She held him tightly, tears streaming—warmth, reunion, and harmony made flesh.
Li Weiyi turned her story into the book and film Back to the Wolf Pack. It ends with a haunting question:
“We can rescue a wolf, but can we change the fate of the entire pack?”
This is not only a question for wolves—it is a question for humanity. Every time we expand our territory, every time we place our wants above the needs of other life, we risk silencing the very voices that make this planet alive.
We are not the masters of the Earth. We are one part of a vast, breathing community of life.
In 2020, China’s first wild wolf sanctuary was established—a small but hopeful echo of Li Weiyi’s ten years of dedication. But the work is far from over.
If we truly wish for harmony with nature, it begins with a choice—to see, to care, and to act—before the howls fade forever.
Award recipients from the youngest age group (five- to six-years-old) at the 2025 International Youth Art Contest, pictured with Mr. KC Hsieh, IAMA President.Photo by Johnny Trieu
(Ad) On July 13th, 2025, San Francisco’s International Art Museum of America (IAMA) hosted the awards ceremony for the Second Annual International Youth Art Contest and Exhibition. The museum hosted nearly 400 attendees who were eager to see this year’s exhibition of youth artworks from around the world. Distinguished guests included Mr. Guy Djoken, Executive Director of UNESCO Center for Peace of Washington D.C.; San Francisco District Six Supervisor Matt Dorsey; and Professor Adam Caldwell, Chair of the Jury Committee and faculty member at the Academy of Art University, San Francisco. The ceremony spotlighted the creative achievements of young artists and underscored the museum’s role in fostering cultural exchange and youth artistic expression. Now, in its second year, the International Youth Art Contest and Exhibition continues to expand its reach and impact, advancing IAMA’s mission to champion emerging talent and foster intercultural connection through the arts.
This year, 1,600 youth participants submitted over 3,800 artworks to the Youth Art Contest. Artists from sixty-five countries across five continents competed within four age groups. After a rigorous selection process evaluating creativity, technical skill, and overall presentation, 477 young artists from seventeen countries were selected to exhibit a total of 616 outstanding works in IAMA’s Grand Exhibition Hall. The artistic caliber and thematic richness of the selected pieces left the jury in awe.
Attendees of the 2025 International Youth Art Contest viewing the installation in the Grand Exhibition Hall located at 1025 Market Street in San Francisco.Photo by Johnny Trieu
During his address at the awards ceremony, Mr. Guy Djoken offered high commendation for IAMA and its dedicated team, applauding their ongoing commitment to promoting international artistic exchange and cultivating a space where the public can find joy and renewed hope through art. Reflecting on the global turbulence and widespread uncertainty facing today’s global community, Mr. Djoken declared, “At a time when many live in fear—especially of war—just for us to be here at the museum, smiling and happy, and most importantly hopeful about the future—this is the best thing about this competition.” Mr. Djoken’s heartfelt message set a hopeful tone for the awards ceremony and attendees alike.
Executive Director of the UNESCO Center for Peace, Guy Djoken, was deeply impressed by the exceptional quality of the young artists’ work, finding both joy and hope for the future in their creativity.Photo by Johnny TrieuAward recipients in the eleven – fourteen age group at the 2025 IAMA International Youth Art Contest, joined by Mr. Guy Djoken, Executive Director of the UNESCO Center for Peace in Washington, D.C., who presented the honors during the ceremony.Photo by Johnny Trieu
Matt Dorsey, San Francisco’s District Six Supervisor, also addressed the audience, expressing his appreciation for the International Art Museum of America as a true hidden gem of San Francisco’s art landscape, and pledged his continued support for the museum’s mission and contributions to the community. Supervisor Dorsey offered words of encouragement to all participating youth artists, urging them to pursue their creative passions with perseverance—regardless of the outcome—and to never stop pursuing their artistic dreams.
Award recipients in the fifteen–eighteen age group of the contest were presented with their honors by San Francisco District Six Supervisor Matt Dorsey during the awards ceremony.Photo by Johnny Trieu
Professor Caldwell praised the range of themes and talent amongst all submissions and ages, which made selecting the winners of each age group challenging for the judges. Professor Caldwell noted the importance of international art exchange, stating “It’s a great way to bridge gaps between countries. The artistic community has always crossed political, social, and ethnic borders. Art and music are among the most universal forms of expression. They allow us to feel what others felt… Art brings people together across divides.” Professor Caldwell’s wise words perfectly captured the mission and outcome of the International Youth Art Contest.
Award recipients from the seven – eleven age group honored by Prof. Adam Caldwell—Chair of the Jury Committee, and faculty member at the Academy of Art University, San Francisco.Photo by Johnny Trieu
In this year’s contest, a newly introduced category for the youngest age group—participants ages five to six—garnered enthusiastic engagement from a remarkable number of budding artists. Through their sincere brushwork and vibrant imagination, these children demonstrated an extraordinary innate talent that captivated both audiences and judges alike.
Dr. Amy Hughes, Jury Committee Member and Director of Student Services at the New York Academy of Art, recognized the courageous creativity of the youth artists reflecting, “I was struck by the fearless creativity on display — the young artists did not shy away from complex themes, experimenting with materials, and expressing deeply personal narratives. Each piece felt authentic and fresh, demonstrating both technical skill, and emotional depth. The entries explored themes ranging from family, community, and environmental justice to dreams, culture, and identity—powerfully reflecting the younger generation’s keen insights and profound emotional connection to the world around them.
Charlotte Wu, third place award recipient in the five- to six-year-old age group, looks up at her winning painting, The Garden Where She Waits.Photo by Johnny Trieu
Lucas Shao, the first place winner of the five- to six-year-old age group, depicted himself joyfully swinging through the air in his painting, Wonderland. When asked about his hopes for his art, Lucas enthusiastically declared “I hope my art makes people happy, warm, big smiles just like me!”
Five-year-old Lucas Shao, winner of first place in the five- to six-year-old age group, stood proudly beside his painting Wonderland, depicting his happiness while swinging on the playground.Photo by Tong Shao
Third place winner of the five- to six-year-old age group, Kedarnath Kalidindi depicted a goldfish in a small fishtank in his painting, Freedom in Captivity, inspired by “finding inner freedom during incarceration.” The addition of this age group was an exciting component of this year’s event, and underscored the value of shining a spotlight on youth artwork, and garnering the wisdom of today’s youth.
Five-year-old Kedarnath Kalidindi, third-place winner in the five- to six-year-old age group, introduced his painting, Freedom in Captivity, to the audience.Photo by Johnny Trieu
Ten-year-old Irina Elena Dobrota from Romania was honored with third place in the seven- to ten-year-old age group for her painting, Flight of Dreams, which was selected for the final exhibition at IAMA. Celebrated for its gentle spirit and imaginative vision, the piece radiates themes of kindness, freedom, and hope. Irina’s achievement brought pride and joy to her local community, and she hopes her work will inspire others to believe that every heartfelt wish can take flight—if we have the courage to let it soar.
Third place winner of the seven- to ten-year-old age group, Irina Elena Dobrota’s painting, Flight of Dreams.Photo by IAMA
Ashley Hein, second place winner of the fifteen-to-eighteen-year-old age group, impressed the jury with her painting, Animal Instinct, distinguished by its mature composition and outstanding execution. Professor Caldwell commented that he had shown several of the entries to his university art students, who were deeply moved and inspired by the technical skill and creativity on display.
Ashley Hein’s artwork, Animal Instinct, won second place in the fifteen- to eighteen-year-old age group.Photo by IAMA
Seventeen-year-old Kate Fieldhouse from South Africa received an honorable mention for her painting Between Worlds, which depicts a striking worldscape through an intense and creative exploration of breaking the canvas.
Seventeen-year-old Kate Fieldhouse from South Africa received an Honorable Mention for her painting Between Worlds.Photo by Johnny Trieu
Sixteen-year-old Polina Larina received an Honorable Mention Award for her painting Moscow Buns Evening. During her interview, Polina shared how she views her art as an opportunity to introduce people to Russian culture, and how the Youth Art Contest inspired her to continue to pursue her art dreams, “It was my first time participating in the IAMA competition. Participation in this competition helped me to feel recognized as an artist, and inspired to keep making art and put more effort into it.” Polina’s painting, inspired by a memorable walk with her grandparents, serves as a reminder to escape into nostalgia and childhood memories in trying times.
Sixteen-year-old Polina Larina (second from right, standing beside her mother) who received an Honorable Mention for her painting Moscow Buns Evening, in the Grand Exhibition Hall, joined by her parents and twin sister.Photo by Johnny Trieu
Following the ceremony, Professor Caldwell gave a masterclass for all participants, offering thoughtful insights on artistic growth, and encouraging continued exploration and confidence in their creative journeys. His masterclass focused on four elements: visual storytelling and composition, techniques and materials, the role of art in communication and expression, and advice for young artists. This is the second year Professor Caldwell has judged the artwork for the contest and delivered a masterclass for attendees of the contest.
Professor Caldwell delivered a knowledgeable and enlightening masterclass to attendees and participants. Photo by Johnny Trieu
About IAMA
Located in the heart of San Francisco, IAMA was voted the “Best Art Gallery” and was a finalist as the “Best Museum” in SFGate’s Best of Bay Area 2024. IAMA is dedicated to making world-class art accessible to all through exhibitions, education, and international contests. With a mission to foster peace and happiness through art—especially by nurturing the next generation—IAMA brings together works from around the globe, bridging East and West, classical and contemporary.
At 92 years old, Tasha Tudor lived a life that seemed lifted from the pages of a fairy tale. A beloved American picture book author and illustrator, her world was filled with charm, creativity, and a profound connection to nature. Her quiet, pastoral lifestyle captured the imagination of many, and a documentary about her life gained widespread acclaim in both the United States and Japan—earning her the title of one of the most admired women of her time.
Tasha was born into a prominent family, surrounded by great minds and cultural icons—her home once welcomed the likes of Albert Einstein and Mark Twain. Growing up in such an environment may have nurtured her early independence and vivid imagination. While others her age dreamed of parties and popularity, Tasha longed for a simpler dream: to own a cow and live close to nature.
At just 15, she left formal schooling to follow her passion for art and farming. This bold decision marked the beginning of a remarkable artistic journey. Over her lifetime, Tasha created more than 80 beautifully illustrated children’s books, winning the prestigious Caldecott Medal and receiving the Queen’s Lifetime Achievement Award. Her delicate, nostalgic illustrations shaped the childhoods of generations.
At 23, she married and raised four children. But when her unconventional lifestyle became too difficult for her husband to accept, they separated. Tasha pressed on, supporting herself through her art and craftsmanship.
When she was 57, and her children had grown, Tasha embraced the life she had always dreamed of. She moved to the hills of Vermont and built a cottage modeled after an 18th-century farmhouse. There, she lived without electricity, running water, or modern conveniences—choosing instead to return to the rhythms of a bygone era.
Her days were filled with meaningful simplicity: raising chickens and sheep, growing vegetables, preparing meals by hand. She wove and sewed her own clothes—elegant dresses and colorful scarves—always taking pride in her appearance, even in solitude.
Tasha found deep joy in the natural world. She built a lush, secret garden where flowers bloomed in every season, and she tended it with love. Whether watering plants or walking through her fields, she embraced each moment with a grateful heart.
Though she lived alone, she was never lonely. Her cats and dogs kept her company, and her grandchildren visited often. Her home radiated warmth, creativity, and quiet joy.
“Letting go is a kind of strength,” she once said.
In an age obsessed with material gain, Tasha Tudor’s life reminds us that true richness lies in simplicity. She let go of the noise and temptations of modern life, choosing instead a path of peace, beauty, and authenticity.
Tasha Tudor didn’t just illustrate magical worlds—she lived in one. And through her life and work, she continues to inspire us to slow down, appreciate the everyday, and create beauty from the inside out.
In a world increasingly dominated by artificial intelligence and digital innovation, Dr. Jeff Walker, a retired neurosurgeon turned philanthropist, is on a mission to “keep the humans in the humanities.” His Walker’s Rising Stars Scholarship Program, launched in 2003 in partnership with the Pinellas Education Foundation in Florida, has awarded over $970,000 to high school students excelling in Dance, Instrumental, Theater, Visual Arts, and Vocal Performance.
Now, with a bold vision to expand the program nationally, Walker is poised to reshape arts education across the United States: “I want this to expand to cover the whole country and change arts education in high school and college,” says Walker, who has made it his mission to provide free education for all.
Walker’s inspiration—rooted in personal tragedy, a love for the arts, and a deep commitment to education—drives a movement that empowers young artists to pursue their dreams without the crushing weight of student debt.
His path to philanthropy was anything but conventional. A Duke-trained neurosurgeon who performed over 10,000 operations and established a major trauma center in Florida, Walker’s career was defined by precision and impact.
Yet his drive to give back stems from a deeply personal experience at age five. “I had a tragic event, a near-drowning incident,” he recalls. His best friend didn’t know how to swim. Influenced by childhood media and misunderstanding the risks, he pushed him into the water. The outcome was devastating: his friend drowned, and Walker nearly did too. “I felt so guilty, blocked it out for 15 years,” he says. “I think I tried to overcompensate by helping people. It was something that took an incredibly long time for me to forgive myself for.”
This tragedy instilled a lifelong mission to serve others—first through medicine and later through philanthropy. His medical journey began under the influence of his father, a dentist and university chairman, and his mother. “I scrubbed in on over 200 open-heart operations,” he says. But it was in medical school that he discovered neurosurgery, drawn to the brain as “what you are.” He completed his residency at Duke by 1985, laying the foundation for a career that blended science with service.
Walker’s love for the arts, though not as a performer, also shaped his vision: “I played the piano when I was younger, very methodical, classical music,” he shares. A humbling moment came at 15 when a friend played a Beatles song effortlessly, revealing Walker’s limitations. “I couldn’t do that at all,” he admits.
Yet, this experience underscored his belief in the arts as a universal force: “Every culture has their own dance, songs, music, symphonies, operas—the arts are a unifying factor,” he says. “There’s so much diversity in America today, and this brings everyone together.”
In 2003, Walker channeled his passion for education and the arts into the Walker’s Rising Stars Scholarship Program, partnering with the Pinellas Education Foundation to support local high school students. The program, which awards scholarships for arts education, is a vibrant celebration of talent, culminating in an annual event at the Mahaffey Theater.
“The kids get there at noon, we have lunch, they audition during the day, and then put on a show at night—three-minute acts, five categories, with the county jazz band. Families are cheering, it’s super fun,” he says.
The program’s impact transcends financial support. After the show, students gather backstage, hugging and celebrating. “They’re all aspiring artists, and you can feel the love,” Walker says.
As a father of four and grandfather of eight, Walker connects deeply with the pride parents feel at these events. “You’ve taken these kids to music, art, dance lessons for years, and to see them on stage as young adults—the pride and love bounce off the walls.”
The scholarships address the broader student loan crisis, which Walker views as a significant burden on young people. “Every dollar is $1 the family doesn’t have to spend on education,” he says.
Beyond financial relief, the program instills confidence and recognition. “It’s not easy to get on that stage, knowing hundreds of kids are vying for that spot,” Walker says. “The confidence they get is key.”
He recalls a student letter that captures the program’s transformative power: “She wrote, ‘I was going to go to St. Pete College, but after winning this, I’m going to Manhattan School of Art.’ It’s a life-changing event.”
Walker estimates that the program changes “about half the kids’ lives,” with alumni achieving remarkable success. “They’re making a living in the arts,” he says proudly.
Walker’s inspiration for Rising Stars is grounded in his belief in education as a pathway to opportunity: “As a Duke-trained neurosurgeon, I went to school a long time, and I owe everything I have to my education,” he states. “In the end, when you look back on your life, it’s not what you get, it’s what you give.”
This philosophy fuels his commitment to expanding arts education, particularly in public schools. “Education is the way out,” he says. “Through hard work and education, I still believe in the American Dream—you can be anything.”
Walker also recognizes the challenges the arts face in an increasingly digital age. He trademarked the phrase “keep the humans in the humanities” to emphasize the need for genuine human creativity. “How do you combat that? You create a generation of talented singers, dancers, actors,” he explains. The program reinforces human expression and creativity during a time when automation is on the rise.
Now, Walker has announced the national expansion of Rising Stars, choosing the prestigious Sundance Film Festival to unveil his plan. His goal: establish 1,000 program sites, each supported by a $4 million endowment that yields 5% annually to fund 25,000 students each year. “After four years, that’s 100,000 Rising Stars in college—enough to transform arts programs,” he calculates.
The national rollout will replicate the local model, with auditions and performances administered through public school districts and education foundations. “Everything goes through the school district, the teachers,” Walker says, highlighting a grassroots approach. Local events will feed into regional, state, and national competitions—potentially televised to amplify awareness and participation.
“This will bring every community together to support their young people,” he says, envisioning the program as a unifying force during divisive times.
Walker also sees the initiative as a response to the underfunding of arts education. “In high school, the arts are underfunded,” he notes. “Everybody’s talking STEM these days, but an education in the arts is very difficult.”
The program aims to uplift students pursuing creative careers, helping them gain recognition, validation, and the resources they need to thrive. “This program tells them, ‘You’re a great singer, artist, you’ve got talent,’” Walker says. “It gives them the confidence to pursue their dreams.”
Scaling Rising Stars nationwide presents challenges, but Walker remains focused: “As a Duke-trained neurosurgeon, I didn’t get here by luck. We have a plan.”
He’s connecting with artists’ unions and entertainment professionals to grow the network of supporters. To aid in funding, Walker has even developed a travel toothbrush—with proceeds directed toward scholarships—and is exploring other creative avenues to generate resources. “This is a generational project,” he says. “If you can’t get the generation behind it, it’s not going to happen.”
Walker’s long-term goal is free college education for students in the arts—including room and board. “I envision a future where Rising Stars have their own dorms, live and perform together, support each other,” he says. “If a student’s parent gets sick and they can’t afford school, let’s have a concert to raise money so they don’t drop out.”
For Walker, the legacy is not about awards but impact: “In 2035, if every Oscar, Emmy, or Tony category has a Rising Star, that’d make me happy,” he says.
What brings him joy is the personal fulfillment: “At first, I thought it was about sitting in the front row, hearing nice things,” he reflects. “But it makes me happy inside. I’m a good person, and this brings fulfillment, self-satisfaction, and love for myself.”
As Walker’s Rising Stars prepares to take the national stage, it stands as a powerful testament to one man’s belief in the power of art, education, and human connection to change lives and strengthen communities.
This is a deeply moving landscape painting by H.H.Dorje Chang Buddha III, marked by smooth, flowing brushwork and a natural rhythm. The undulating crimson cliffs seem to rise freely from the artist’s heart, while the vigorous lines brim with vitality and strength. Ink strokes form the skeletal structure of the mountains and rocks, while delicate willows hang softly across the scene, adding a quiet touch of green serenity. The overall palette is vivid but never garish, exuding a warm and nostalgic atmosphere.
In the painting, two thatched cottages nestle beside the mountains and water. Their deep-set doors and silent windows seem to hold untold, quiet stories. It was under these eaves, by these doors, that a loving mother once stood—sending her children off into the world with silent heartache, and waiting countless times in patient hope for their return. That wordless farewell, those tears of longing, have gently seeped into the fabric of time. Among all human emotions, none is greater than a mother’s love. Our memory of that love stirs an innate sense of gratitude—a sacred emotion that transcends the ordinary.
This work embodies the style known as the “Childlike Native School”, which embraces the beauty of rural life through the innocence of a child’s heart. Though the brushstrokes appear naïve and spontaneous, they conceal great depth and mastery. The painting style is free and unrestrained, exuding both boldness and tenderness. The soft, flowing lines connect seamlessly—like a mother’s love, endlessly enduring, gentle yet firm. Its simple composition holds rich emotional meaning and invites the viewer’s imagination to wander. The scene pulses with a childlike liveliness that fills the heart with joy.
The painting’s pure and innocent imagery evokes a return to the carefree days of childhood. No matter where you are, simply gazing at this piece can bring the scene and its emotions vividly before your eyes, awakening the deepest tenderness and longing in your soul.
In creating Mountain Village with Memories of Mother, the artist approached the work with the pure heart of a child, yet painted with the maturity and finesse of a seasoned master. The brush technique draws from traditional Chinese calligraphy—guided by the wrist, powered by the arm—each stroke flowing naturally with graceful spontaneity. This painting was not created for show or technical display, but as a sincere outpouring of emotion and inspiration. Every application of ink and color arises from genuine feeling.
What is art? At its essence, art is the ability to immediately evoke inner peace, comfort, joy, or spiritual fulfillment in the viewer. But where does this feeling come from? Is it merely the subject matter or visual beauty of the work? Certainly not. A painting does not become great simply because it looks pleasing.
In the context of Chinese painting, the true heart of art lies in a quality called “spiritual resonance” (shen yun). It is vivid, yet elusive—a mysterious charm and subtle power that cannot be described with words. It is born when the artist’s personal cultivation, emotional depth, and spiritual awareness infuse the work, allowing spirit and technique to merge. The result is an artistic vitality that transcends mere form.
Only when viewers are moved by this spiritual resonance do they begin to explore the painting’s formal elements—its composition, color palette, brush technique, balance between painting and calligraphy, and the portrayal of the subject in both spirit and form. While these aspects matter, they ultimately serve a deeper, more profound experience.
In Chinese art, the true value of a painting—its ability to soothe the soul—does not depend on technical skill alone. It lies in whether the work can touch the heart and stir the spirit. Mountain Village with Memories of Mother beautifully embodies this artistic spirit. Every brushstroke gently stirs the viewer’s emotions, evoking tender memories and inviting the soul to linger in its serene beauty.
This exceptional work is housed in the permanent collection of the International Art Museum of America, located in San Francisco—a fitting home for a piece that speaks a universal language of love, nostalgia, and spiritual beauty.
This exquisite painting, rendered in the unique “Banqi” style, captures a touching scene of children from mountain villages on their way to school. Unlike city children, these young students must trek across rugged terrain—climbing mountains, crossing ravines—day after day to pursue their education. Their journey is filled with challenges, yet their unwavering determination and thirst for knowledge shine through. This artwork serves as a tribute to their resilience, reminding us all of the value of education and the perseverance required to achieve greatness.
A Revolutionary Artistic Technique
What makes this painting extraordinary is its unconventional brushwork, which blends the bold energy of ink-wash painting with the refined precision of engraving. Every stroke, whether light or dark, delicate or bold, exudes an artistic charm that is both fluid and structured. The layering of ink and color creates depth, while the intricate texture gives the illusion of an engraved plate print, despite being entirely painted by hand. The brushwork is dynamic—lines seem to break and reconnect, mimicking the traditional elegance of carved stone seals. This interplay between spontaneity and meticulous control infuses the painting with life, movement, and a profound sense of authenticity.
What Is the “Banqi” Style?
The “Banqi” style is a rare and fascinating artistic approach that combines the visual impact of printmaking with the expressive freedom of brush painting. While these works resemble engravings at first glance, they are, in fact, purely ink-wash paintings—imbued with an effortless yet profound beauty that is both natural and lively. Beneath their structured appearance lies a deep, inexhaustible charm, where each stroke carries an essence of tradition, innovation, and artistic mastery.
Through this masterpiece, we witness not only a compelling story of perseverance but also a groundbreaking artistic vision—one that harmonizes the precision of engraving with the fluid grace of brush painting. It is a celebration of both form and spirit, a true testament to the boundless possibilities of art.
H.H. Dorje Chang Buddha III‘s Abstract Color Paintings create a perfect world shaped entirely by color. Free from concrete worldly forms, this realm exists purely through the interplay of hues—defining, expressing, and embodying itself in vibrant harmony. Here, color is both form and essence, radiating a mesmerizing aura.
Under the masterful hand of H.H. Dorje Chang Buddha III, these colors seamlessly merge into a breathtakingly enchanting spectrum. The atmosphere is dynamic, with scenes that bloom like flowers and surge with the power of the roaring sea. Yet, upon closer reflection, they reveal delicate nuances, refined in their intricate details.
Flower of Life
This painting depicts a unique flower, with delicate white petals gently unfolding and a striking red pistil at its center. Growing irregularly against a dark background, it seems to challenge its surroundings. Though unusual in appearance, this flower carries a profound meaning of life, symbolizing resilience and beauty in adversity. It is not only a miracle of nature but also a representation of vitality, showcasing the brilliance and diversity of life. Each petal tells a story, drawing the viewer into the emotions and strength conveyed by the artwork.
Flower of Life (2)
In this painting, intricate patterns and clear details intertwine, portraying the harmonious growth of various living beings. Each element seems to narrate the origins of life, allowing viewers to deeply sense the evolutionary process of all things.
This artwork is not merely a depiction of nature but also a contemplation of the essence of life. It serves as a reminder that life is in a constant state of growth and transformation, just like our own journeys. Every challenge and breakthrough we experience is an essential part of our personal development.
Through this piece, we are invited to reflect on our own lives and feel a profound connection with nature.
You can discover a selection of the exceptionally charming paintings in the permanent exhibition at The International Art Museum of America, situated in downtown San Francisco.
“People photography has a rich, captivating history, evolving alongside the development of the medium itself,” the organizers explain. “From capturing iconic figures to telling the stories of everyday individuals, it continues to fuel our profound curiosity about the human experience.”
This award sought to celebrate the most powerful and compelling images of people today, highlighting the diverse and meaningful narratives that shape our shared world.”
Crossing borders, spanning cultures and traversing the world’s most remote corners, the People Photography Award celebrates the diverse beauty of humanity.
The People Photography awards were judged by prizewinning photographer Steve McCurry, one of the most celebrated voices in contemporary photography and author of a unique collection of work featuring some of the most famous images of our time — not least his iconic portrait of an Afghan Girl with piercing green eyes.
“Shades of white,” 3rd Prize, Yamal peninsula, Siberia, Northern Russia Nicola Ducati – People Photography Awards, The Independent Photographer
The photo above, winner of the third prize and $400, is one of the series “Shades of white” and was taken in the Yamal peninsula, Siberia, Northern Russia, where the air is thin and the polar day is very short.
For 4 1/2 hours, the light becomes magical and the colors of everything are perfect pastel against the artic sky, with delicate and unreal shades.
This land is inhabited by the Nenets people, nomadic reindeer herders who, guided by the seasonal cycles and the needs of their animals, migrate incessantly in an infinite circle of movements between ice, frozen rivers and incessant winds in search of new pastures in the most remote tundra. The hostile environment didn’t stop their innate adaptability and gave them prosperity for millennia.
“The soft polar light accentuates frosted textures and the child’s rosy cheeks, underscore both the harshness of the environment and the resilience of those who call it home,” the editors wrote. “It tells a powerful story of a people who have forged a life in one of the planet’s most unforgiving regions — but a people whose future remains uncertain.”
“Puzzled,” 2nd Prize, Western Mongolia Alessandra Manzotti – People Photography Awards, The Independent Photographer
A curious Kazakh nomad from Western Mongolia stops his truck to find out what a group of Westerners are doing walking in this remote and desolate stretch of land in the middle of a bitterly cold winter.
“This image captures the spirit of curiosity and resilience that defines life in remote Mongolia,” says McCurry. “The composition is powerful, with the truck and its vibrant blue color creating a striking contrast against the muted tones of the barren landscape. The candid expressions of both the nomad and the dog evoke a sense of warmth and connection, even in a harsh and unforgiving environment. The attention to detail, like the weathered texture of the truck and the distant herd in the background, adds depth to the story. It’s a beautiful balance of humanity and environment, which makes it a memorable piece.”
Contemplation, 1st Prize, Ganges River, Varanasi, India Mohammad Kamal – People Photography Awards, The Independent Photographer
A lone Sadhu stands pensively at the edge of a platform in the Ganges River in Varanasi, India. The image “Contemplation” , taken by photographer Mo Kamal in Varanasi, India, won first prize and $1,000.
“This image embodies a profound sense of stillness and spirituality, which perfectly captures the essence of Varanasi and the sacred Ganges,” said McCurry.“The man’s serene pose, framed against the soft morning light, evokes a sense of timelessness and introspection. The photograph is a poetic depiction of solitude and faith.”
“Andean Motherhood,” Finalist, Peruvian Andes Jimmy Strouse – People Photography Awards, The Independent Photographer
In the Peruvian Andes, a mother carries her baby in a traditional bag. “The backdrop of rugged mountains just added to the beauty, giving a glimpse into the rich traditions of indigenous life,” Jimmy Strouse explains. “After showing her the photo on my camera, she nearly started crying, and it hit me: She probably doesn’t see many photos of herself, if ever.”
“The Art of Fish Traps,” Finalist, Thu Sy, Vietnam Vincenzo Avallone – People Photography Awards, The Independent Photographer
“During my journey, I had the opportunity to visit Thu Sy, a village in Vietnam known for its artisanal production of fish traps,” Vincenzo Avallone explains. “In this photo, I captured a local elderly man transporting an incredible number of fish traps on his bicycle.
“Villamar,” Finalist, Villamar, Bolivia Michael Murray – People Photography Awards, The Independent Photographer
In a small settlement outside Villamar, Bolivia, a clothes maker pauses for a portrait.
“Shore Bound,” Finalist, Ladakh region, India Wasim Malik – People Photography Awards, The Independent Photographer
This is Lamo, a nomadic woman from the serene Changthang region in Ladakh, India, where the vast highlands meet a life of simplicity and resilience.
Technology art is a new form of multidimensional creative expression that blends technology and art. By incorporating mechanical instruments, scientific data, and spatial elements such as light sources, temperature, and speed, it presents a unique visual experience. Imagine a three-dimensional painting on a flat sheet of paper, where the depth of space extends beyond the surface, and the imagery seems to leap out of the frame, resembling a real sculpture.
Among these art forms, glass painting is particularly breathtaking. With its transparent dual-sided effect akin to a celestial realm, it creates a mesmerizing and soothing atmosphere when paired with changing lights. Photography, on the other hand, captures emotionally stirring moments through the interplay of light, composition, and color. Whether depicting landscapes, people, or animals, it brings out a unique aesthetic through the lens.
At the convergence of these three artistic expressions, H.H. Dorje Chang Buddha III, skillfully integrates them to create stunning works of technology art. One such masterpiece, the 3D painting Polar Bear in an Ice Cave, vividly portrays the charming image of a polar bear, making viewers feel as if they are inside an icy Arctic cavern. Through the artwork, one can almost see the adorably clumsy bear sleeping soundly in the cold cave. The artist’s extraordinary craftsmanship is awe-inspiring, delivering an unparalleled visual experience.
H.H. Dorje Chang Buddha III composed a poem for this artwork. Translating it into English is incredibly challenging due to its profound meanings. However, here is a simple translation to offer a glimpse into the Buddha’s deep compassion for all beings:
The polar bear loves the cold the most, Sleeping in ice caves through all seasons. Do not take food from the water, Instead, pick up the bones of wandering souls for a meal.
Not everyone understands the mysteries within the profound, For Zen enlightenment dissolves the barriers of hunger. The splendid affairs of the crystal palace are beyond full expression, Within the cave, a guest drunkenly enjoys the company of an immortal.
Peace LiLy 