The Sacred Dragon Stone: Manjushri Bodhisattva’s Compassion and the Five Dragon Princess

Mount Wutai, home to over 53 sacred monasteries, stands as one of the Four Sacred Mountains of Chinese Buddhism. Each of these mountains is regarded as the bodhimaṇḍa of one of the four great bodhisattvas, and Wutai is the sacred domain of Manjushri, the Bodhisattva of Wisdom. Revered since ancient times, Mount Wutai holds a profound spiritual significance, attracting countless pilgrims seeking enlightenment and divine blessings.

Mount Wutai was the first of the four great mountains to be identified and is often referred to as the “First Among the Four Great Mountains.” Due to its unique status, it is also known as “Golden Wutai.” The identification of this sacred site can be traced back to the Avataṃsaka Sūtra, which describes the abodes of many bodhisattvas. In this scripture, Manjushri is said to reside on a “clear cold mountain” in the northeast. This passage not only solidified Wutai’s spiritual identity but also inspired its alternative name, “Clear Cool Mountain.” With an annual average temperature of around -4°C and high-moisture air, the mountain’s name perfectly encapsulates its serene and pure atmosphere.

Legends tell of Manjushri’s frequent appearances on Mount Wutai, often taking the form of ordinary pilgrims, monks, or most notably, five-colored clouds. Among the many tales that surround this sacred land, the story of the Xielong Stone and the Dragon Temple remains one of the most awe-inspiring.

In ancient times, the climate of Mount Wutai was harsh—winters were bitterly cold, and powerful spring winds carried dust and sand, making the land inhospitable. At that time, the mountain was simply known as “Five Peaks Mountain.” Determined to transform Wutai into a haven for spiritual cultivation and to bring blessings to sentient beings, Manjushri sought the mystical Xielong Stone, a sacred gem held by the Dragon King of the Eastern Sea. This stone possessed miraculous powers that could regulate the climate, making the land fertile and serene.

Manjushri traveled to the Dragon Palace and humbly requested the Xielong Stone. However, the Dragon King hesitated, explaining, “This stone was left behind by the goddess Nüwa. It is a resting place for our dragon clan, and we cannot part with it.”

With infinite compassion, Manjushri responded, “I seek this stone to benefit all sentient beings. I hope you, great Dragon King, will fulfill this virtuous karmic connection.”

Although moved by Manjushri’s vow, the Dragon King was reluctant to relinquish the treasured stone. He assumed that even with his great dharma powers, Manjushri would be unable to move it, as it weighed tens of thousands of pounds. Feigning generosity, he said, “Great Bodhisattva, if you can take the stone, you may do so.”

To the Dragon King’s astonishment, Manjushri gently approached the stone, recited a divine mantra, and instantly shrank the massive rock to the size of a marble. With a flick of his sleeve, he stowed it away, bowed to the Dragon King, and effortlessly departed.

The Dragon King, realizing his mistake too late, could only watch in stunned regret.

When the five dragon princes returned to the palace and learned what had happened, they were enraged. Determined to reclaim the stone, they pursued Manjushri to Wutai Mountain. As they arrived, Manjushri sat in serene meditation, awaiting them.

Upon seeing him, the Fifth Dragon Prince demanded, “Are you truly the teacher of the Seven Buddhas, the Awakened Mother of the Three Periods, Manjushri Bodhisattva?”

Manjushri calmly replied, “Indeed, I am.”

Scoffing, the young dragon sneered, “It is said that past Buddhas were your disciples, yet you appear to be only fifteen or sixteen years old. How can this be?”

Manjushri then imparted a teaching:

“The Buddha taught that there are four things in the world that must never be underestimated:

  • A young prince—though small, he will one day rule the land and influence countless lives.
  • A young dragon—though young, he will one day command the winds and tides.
  • A small flame—though weak, it can grow into an all-consuming blaze.
  • A young monk—though inexperienced, he may attain supreme wisdom through practice.”

Hearing this, the young dragons began to reflect on the depth of Manjushri’s wisdom. However, the young dragons were still defiant. They demanded, “If you truly have great divine power, why not change the climate of Wutai Mountain directly? Why did you have to take the Xielong Stone?”

With patience, Manjushri explained, “Divine power can temporarily change conditions, but only through the Xielong Stone can Wutai Mountain remain perpetually cool and become a sanctuary for spiritual cultivation.”

Unconvinced, the young dragons retorted angrily, “So you admit that your power is limited! Return the stone at once, or we will show no mercy!”

Furious, the five dragons launched a fierce attack, unleashing their claws, storms, and lightning against Manjushri. Yet, no matter how they struck, they could not harm him in the slightest.

In their frustration, they began to tear at the mountains, hoping to shake the ground beneath Manjushri. Their immense strength clawed away the mountaintops, scattering rocks across the land, creating what is now known as the Dragon-Turned Stones (龙翻石).

Realizing the young dragons’ arrogance and aggression, Manjushri used his supreme power to subdue them. He sealed them beneath Mimo Rock (秘魔岩), merging two great peaks, leaving only a narrow crevice for them to reflect and temper their hearts. He then instructed the local mountain spirits and earth deities to ensure the dragons were provided with food and offerings, allowing them to cultivate patience and wisdom until their minds were at peace.

Later, the Dragon King of the Eastern Sea personally traveled to Wutai Mountain, pleading with Manjushri to release his sons.

With a compassionate smile, Manjushri assured him, “I have never harmed even an ant, let alone your five sons. They are here only to refine their minds. Once they achieve inner harmony, they will be freed naturally.”

To honor the young dragons and appease their spirits, Manjushri decreed that a Dragon King Temple be built in their name. There, they would receive offerings and incense from devoted followers, increasing their divine merits while they cultivated.

From then on, the Dragon King Temple on Wutai Mountain flourished, becoming a revered site for pilgrims seeking blessings for favorable weather and divine protection. Its existence symbolizes humanity’s reverence for the water deities and our hope for harmony between nature and sentient beings. Amidst the rising incense and prayers, worshippers not only feel the celestial blessings but also gain insight into wisdom and inner peace through spiritual practice.

Today’s Wutai Mountain is surrounded by lush green hills, beneath a sky of pure blue and auspicious clouds. In summer, the weather shifts between sunshine and rain, mist and fog. On clear days, the vast sky is brilliantly blue, filling the heart with joy and serenity; on rainy days, the misty veils create an atmosphere of elegance and tranquility, bringing deep peace to the soul. Strolling through the mountains, one feels naturally at ease and in harmony with the surroundings.

All of this, in truth, is a manifestation of the blessings and protection of Manjushri Bodhisattva. With His innate cool radiance, Manjushri employed the Dragon-Resting Gem to enlighten the beings of the dragon lineage. In doing so, He also established this sacred pure land of Wutai, where both ordinary and holy beings coexist. Here, He watches over this realm, awaiting the return of the countless wayfarers lost in the endless cycles of samsara.

Link:https://peacelilysite.com/2025/03/04/the-sacred-dragon-stone-manjushri-bodhisattvas-compassion-and-the-five-dragon-princess/

The Fusion of Technology and Art: A Stunning 3D Masterpiece

Polar Bear in an Ice Cave

Technology art is a new form of multidimensional creative expression that blends technology and art. By incorporating mechanical instruments, scientific data, and spatial elements such as light sources, temperature, and speed, it presents a unique visual experience. Imagine a three-dimensional painting on a flat sheet of paper, where the depth of space extends beyond the surface, and the imagery seems to leap out of the frame, resembling a real sculpture.

Among these art forms, glass painting is particularly breathtaking. With its transparent dual-sided effect akin to a celestial realm, it creates a mesmerizing and soothing atmosphere when paired with changing lights. Photography, on the other hand, captures emotionally stirring moments through the interplay of light, composition, and color. Whether depicting landscapes, people, or animals, it brings out a unique aesthetic through the lens.

At the convergence of these three artistic expressions, H.H. Dorje Chang Buddha III, skillfully integrates them to create stunning works of technology art. One such masterpiece, the 3D painting Polar Bear in an Ice Cave, vividly portrays the charming image of a polar bear, making viewers feel as if they are inside an icy Arctic cavern. Through the artwork, one can almost see the adorably clumsy bear sleeping soundly in the cold cave. The artist’s extraordinary craftsmanship is awe-inspiring, delivering an unparalleled visual experience.

H.H. Dorje Chang Buddha III composed a poem for this artwork. Translating it into English is incredibly challenging due to its profound meanings. However, here is a simple translation to offer a glimpse into the Buddha’s deep compassion for all beings:

The polar bear loves the cold the most,
Sleeping in ice caves through all seasons.
Do not take food from the water,
Instead, pick up the bones of wandering souls for a meal.

Not everyone understands the mysteries within the profound,
For Zen enlightenment dissolves the barriers of hunger.
The splendid affairs of the crystal palace are beyond full expression,
Within the cave, a guest drunkenly enjoys the company of an immortal.

Link:https://peacelilysite.com/2025/02/27/the-fusion-of-technology-and-art-a-stunning-3d-masterpiece/

Nezha: From Buddhist Origins to a Chinese Cultural Icon

Recently, the animated film Nezha 2 has become incredibly popular, reaching the top spot in global box office earnings for animated movies. While many believe Nezha is a character from Chinese mythology, his origins can actually be traced back to Buddhist scriptures.

Vaisravana

Nezha’s name first appeared in Vajrayana Buddhist texts, where he is associated with the role of a Dharma protector. He is described as the third son of Vaisravana, one of the Four Heavenly Kings. According to The Ritual of Vaisravana, “The Heavenly King’s third son, Prince Nezha, holds a pagoda and always follows the King.” His duty is to assist his father in safeguarding the Dharma, driving away evil forces, and protecting humanity. In The Mantra of the Dharma Protector Following the Northern Vaisravana Heavenly King, translated by the eminent Tang Dynasty monk Amoghavajra, Nezha is again referred to as Vaisravana’s third son. Other Buddhist texts from the Tang Dynasty, such as The Awakening of Faith in the Mahayana and The Lotus Sutra, also mention Nezha.

In Buddhism, Dharma protectors and yaksha deities often have fierce appearances, symbolizing their hatred of evil and fearless bravery. As a result, Nezha is typically depicted with a wrathful and intimidating image. As Buddhism spread to China, many Buddhist stories and figures gradually merged with local Chinese culture, giving rise to new belief systems. Over time, Nezha became integrated into Taoism and Chinese folk beliefs, forming a unique cultural phenomenon.

The story of Nezha is filled with many well-known and beloved episodes, such as his birth from a ball of flesh, cutting his flesh and bones to repay his parents, and being reborn from a lotus flower. Although this scene cannot be found in modern Buddhist scriptures, it became a popular topic among monks after the Song Dynasty. For example, Volume 1 of The Comprehensive Collection of Zen Verses on Ancient Cases mentions: “Prince Nezha offered his flesh to his mother and his bones to his father, then manifested his true form and used his divine power to preach to his parents.” This suggests that the story of Nezha sacrificing his flesh and bones likely originated from Buddhist texts. Although the exact cause and details are unclear, this story undoubtedly provided a prototype for later adaptations in folk literature.

As Buddhism spread throughout China, the assimilation of foreign religions by local culture and the evolution of folk beliefs gradually transformed Nezha’s image, steering it away from its original Buddhist context and toward a more Chinese identity. After the Tang Dynasty, the worship of Vaisravana (known as Bishamonten in Japan) reached its peak in China, gaining widespread recognition from both the imperial court and the common people. He was honored in official rituals and revered by many folk believers. Simultaneously, Li Jing, a prominent Tang Dynasty military general, became a popular figure of worship as a god of war. Renowned for his military campaigns against the Turks and Tuyuhun in the northwest, Li Jing was deified as early as the Tang Dynasty, with dedicated temples built in his honor during the Song Dynasty.

Li Jing’s temple wall statue

The broader and deeper the spread of a belief, the greater the possibility of its transformation and integration with other cultural elements. Over time, through public imagination and interpretation, the belief in Vaisravana merged with the worship of Li Jing, forming a new deity known as “Pagoda-Wielding Heavenly King Li” (Tuota Li Tianwang) by the Song Dynasty at the latest. From then on, Vaisravana took on the surname Li and became more secularized and localized within Chinese culture. Since Li Jing became identified with Vaisravana, it was only natural within folk beliefs to regard Nezha as Li Jing’s son. This marked Nezha’s departure from the cultural context of foreign religions and his integration into the Chinese pantheon.

This transformation made Nezha a more relatable and accessible figure, understood through the lens of native cultural concepts. As a result, Nezha’s story gained broader appeal, providing ample room for reinterpretation and adaptation in later generations.

Nezha holds an important place in ancient Chinese mythology. Under the influence of Taoism, he was endowed with more mythological attributes, portrayed as a young hero with powerful magical abilities who frequently battles demons and protects the people. His story further developed in classic literary works such as Journey to the West and Investiture of the Gods, where Nezha became a symbol of justice and courage.

Nezha Temple in HeNan China

Folk worship activities for Nezha

Link:https://peacelilysite.com/2025/02/21/nezha-from-buddhist-origins-to-a-chinese-cultural-icon/

Crossing a Mountain, the Small Boat Enters the Canyon

Crossing a Mountain, the Small Boat Enters the Canyon is an awe-inspiring masterpiece of Yun sculpture. How did H.H. Dorje Chang Buddha III capture the shimmering reflections on the lake’s surface? And how was it possible to create such a vivid and lifelike scene using ordinary plastic steel materials? The majestic mountains, the gentle ripples of the lake, and the lifelike figures aboard the small boat—all elements that seem beyond the reach of ordinary people—were brought to life through the unparalleled artistry of H.H. Dorje Chang Buddha III.

This sculpture is not merely a visual creation—it possesses a soul. Every detail, from the rugged mountains and tranquil lake to the humble fishermen, seems to pulse with vitality. The artwork evokes a sense of harmony with nature, conveying a profound feeling of peace and joy that resonates deeply with viewers.

The Unique Art of Yun Sculpture:
Yun sculpture is a groundbreaking art form created by H.H. Dorje Chang Buddha III, with no precedent in history. Since the emergence of Yun sculpture, humanity has witnessed the birth of an art form that is truly non-reproducible. This genre is distinguished by several remarkable features:

  1. Multidimensional Spatiality: Yun sculptures possess an extraordinary sense of multidimensional space. Their intricate and delicate forms exhibit endless variations, captivating viewers from every angle.
  2. Vibrant, Dreamlike Colors: The colors of Yun sculptures are rich, radiant, and dreamlike—depicting scenes beyond the realm of this world. Their hues seem to emanate a light of their own, enchanting all who behold them.
  3. Sacred and Incomparable Depth: Many Yun sculptures possess a profound and sacred quality. For instance, Color Rhythm, displayed in the Holy Relics Room of H.H. Dorje Chang Buddha III Cultural Art Museum, measures only two to three feet in size. Yet, when viewed through its openings, one can perceive a vast inner depth that seems to extend far beyond the sculpture itself, leaving viewers awestruck by its unfathomable dimensionality.

Countless individuals who have had the privilege of witnessing H.H. Dorje Chang Buddha III’s Yun sculptures have expressed their wonder and reverence: “This is a treasure sent from the divine to humanity,” “A sacred gift from the Buddha,” and “So breathtakingly beautiful that it touches the soul.” Others have compared these masterpieces to the finest jade jewelry and the most magnificent stone sculptures, only to find that even the most exquisite human creations pale in comparison—like dim stars surrounding the brilliance of the moon.

Indeed, the advent of Yun sculpture has elevated the realm of art to an entirely new level, offering the world creations that are not only visually stunning but also spiritually profound, filling the hearts of all who witness them with a sense of wonder and inspiration.

Master Wan Ko Yee (H.H. Dorje Chang Buddha III) Has Made A Great Contribution To Art

Link: https://peacelilysite.com/2025/02/19/crossing-a-mountain-the-small-boat-enters-the-canyon/

Celebrating the Chinese Lunar Lantern Festival: A Journey Through Tradition and Light

The Chinese Lunar Lantern Festival, also known as the Yuan Xiao Festival, is a vibrant celebration that marks the end of the Chinese New Year festivities. This enchanting festival, rich in history and culture, is an opportunity for families to come together, enjoy delicious food, and marvel at the stunning displays of lanterns that illuminate the night sky.

The Origin of the Lantern Festival

The Lantern Festival is a traditional Chinese holiday that dates back over 2,000 years to the Western Han Dynasty. The custom of enjoying lanterns began during the Ming Dynasty under Emperor Ming, who promoted Buddhism. It is said that on the 15th day of the first lunar month, monks would observe Buddhist relics and light lamps in reverence. In response, the emperor ordered that lamps be lit in the palace and temples on this night, encouraging both nobles and commoners to hang lanterns. Over time, this Buddhist ceremonial festival gradually evolved into a grand folk celebration. The festival has transitioned from the imperial court to the general public and expanded from the Central Plains to the entire country. As the tradition evolved, lanterns became a central feature of the celebrations, symbolizing hope, prosperity, and good fortune.

How the Chinese Celebrate the Festival

The Lantern Festival is celebrated with various customs and activities that bring communities together. Here are some of the most cherished traditions:

Eating Tangyuan: A key highlight of the festival is the consumption of tangyuan, sweet glutinous rice balls filled with various fillings such as sesame paste, red bean paste, or peanut butter. These round dumplings symbolize family unity and togetherness.

Fireworks: In many regions, fireworks are set off to celebrate the occasion, adding to the festive atmosphere and marking the end of the New Year celebrations.

Lion Dances and Dragon Dances: Traditional lion and dragon dances are performed to ward off evil spirits and bring good luck. The rhythmic drumming and vibrant costumes add to the festive spirit.

Lantern Displays: People of all ages create and display colorful lanterns, often in intricate shapes and designs. These lanterns can be found in parks, streets, and temples, creating a magical atmosphere.

Solving Lantern Riddles: A fun and engaging activity during the festival is solving riddles written on lanterns. Families and friends gather to test their wits and enjoy the playful competition.

The Most Beautiful Places to See Lanterns

If you’re looking to experience the beauty of the Lantern Festival, several locations across China are renowned for their stunning lantern displays:

  1. Beijing: The city’s parks, such as the Yuanmingyuan Park and the Temple of Earth Park, host impressive lantern displays, attracting thousands of visitors each year.
  2. Shanghai: The Yuyuan Garden in Shanghai is transformed into a lantern wonderland, featuring elaborate designs and a lively atmosphere, making it a must-visit during the festival.
  3. Hangzhou: Known for its picturesque West Lake, Hangzhou hosts beautiful lantern displays that reflect off the water, creating a breathtaking sight.
  4. Chaozhou: This city in Guangdong Province is famous for its traditional lantern-making techniques, and visitors can witness the craftsmanship and creativity of local artisans.
Beijing

Beijing

Beijing

HangZhou

Shanghai

Shanghai Yuyuan Lanter Festival
ChaoZhou

Chaozhou

Chaozhou

Chaozhou

Kunming Da Guan Lou

Kunming Da Guan Lou

The Chinese Lunar Lantern Festival is a captivating celebration that brings together tradition, culture, and community. As families gather to enjoy delicious food, admire beautiful lanterns, and participate in lively activities, the festival serves as a reminder of the importance of unity and hope. Whether you’re in China or celebrating from afar, the Lantern Festival is a time to reflect on the past year and look forward to the future, illuminated by the light of countless lanterns.

Link:https://peacelilysite.com/2025/02/13/celebrating-the-chinese-lunar-lantern-festival-a-journey-through-tradition-and-light/

Unlocking the Secrets of Fasting: How Autophagy Can Slow Aging and Promote Cell Renewal

In recent years, the scientific community has made significant strides in understanding the intricate processes that govern our health and longevity. One such breakthrough is the discovery of autophagy, a natural cellular process that plays a crucial role in maintaining our body’s health and vitality. This fascinating mechanism was brought to light by Japanese cell biologist Yoshinori Ohsumi, who was awarded the Nobel Prize in Medicine in 2016 for his groundbreaking research on how cells recycle and renew their contents.

What is Autophagy?

Autophagy, which literally means “self-eating,” is a process by which cells break down and remove damaged components, thereby promoting cell renewal and overall health. This self-cleansing mechanism allows cells to adapt to stress, eliminate dysfunctional proteins, and recycle cellular components for energy and repair. In essence, autophagy is vital for maintaining cellular homeostasis and preventing diseases, including cancer, neurodegenerative disorders, and metabolic conditions.

The Connection Between Fasting and Autophagy

One of the most effective ways to stimulate autophagy is through fasting. When we abstain from food for a certain period, our body shifts its focus from digestion to repair and regeneration. During fasting, the levels of insulin drop, and the body begins to utilize stored fat for energy, leading to a state of ketosis. This metabolic shift not only promotes fat loss but also triggers autophagy, allowing cells to clean out damaged components and rejuvenate themselves.

Research suggests that intermittent fasting or time-restricted eating can enhance the autophagic process, leading to improved cellular function and longevity. By engaging in these fasting practices, we can harness the power of autophagy to slow down the aging process and support overall health.

The Wisdom of Traditional Chinese Medicine

Interestingly, the principles of fasting and moderation in eating are not new concepts. Traditional Chinese Medicine (TCM) has long emphasized the importance of mindful eating and maintaining balance in our diets. One common guideline in TCM is to eat until we are about 70% full, rather than 100%. This practice encourages moderation and helps prevent overeating, which can lead to a host of health issues, including obesity, diabetes, and cardiovascular diseases.

The scientific foundation behind this advice is becoming increasingly clear. Overeating can lead to chronic inflammation, insulin resistance, and metabolic dysfunction, all of which can undermine our health and accelerate the aging process. By adopting a more mindful approach to eating, we can support our body’s natural processes, including autophagy, and promote better health outcomes.

As we continue to uncover the complexities of human biology, the relationship between fasting, autophagy, and aging becomes increasingly evident. The research by Yoshinori Ohsumi has opened new avenues for understanding how our cells function and how we can optimize our health through dietary practices. By embracing the wisdom of traditional teachings and incorporating fasting into our lives, we can take proactive steps toward enhancing our well-being and longevity.

In a world where the temptation to overindulge is ever-present, let us remember the power of moderation. Eating mindfully and allowing our bodies the time to repair and regenerate can lead to a healthier, more vibrant life. So, the next time you sit down for a meal, consider the age-old advice of eating until you’re 70% full, and give your body the chance to thrive.

Link:https://peacelilysite.com/2025/02/11/unlocking-the-secrets-of-fasting-how-autophagy-can-slow-aging-and-promote-cell-renewal/

Discover the Enchanting Ice and Snow World of Harbin, China

As winter blankets the northern regions of China, the city of Harbin transforms into a breathtaking wonderland, captivating visitors with its stunning ice and snow sculptures. Known as the “Ice City,” Harbin hosts the annual Harbin International Ice and Snow Festival, one of the largest and most spectacular winter festivals in the world.

Every year, from early January to late February, Harbin comes alive with vibrant ice and snow displays that showcase the incredible artistry and creativity of sculptors from around the globe. The festival features massive ice castles, intricate sculptures, and dazzling light displays that create a fairy-tale atmosphere. The main venue, the Harbin Ice and Snow World, spans over 600,000 square meters and is filled with stunning structures made entirely of ice blocks harvested from the nearby Songhua River.

Marvel at the Sculptures

Walking through the festival is like stepping into a dream. You’ll find life-sized replicas of famous landmarks, such as the Eiffel Tower and St. Basil’s Cathedral, all crafted from glistening ice. The attention to detail is astounding, with artists using colored lights to enhance the beauty of their creations. Each year, the sculptures reflect a different theme, ensuring that no two festivals are alike.

Engage in Winter Activities

Beyond the awe-inspiring sculptures, Harbin offers a plethora of winter activities to keep visitors entertained. Ice skating, snow tubing, and even ice swimming are just a few of the thrilling experiences you can enjoy. For those seeking a more leisurely pace, horse-drawn sleigh rides through the snow-covered landscape provide a charming way to soak in the winter scenery.

Cultural Experiences

Harbin is not just about ice and snow; it’s also a city rich in history and culture. The influence of Russian architecture is evident throughout the city, particularly in the stunning St. Sophia Cathedral. Take the time to explore the local cuisine as well, with hearty dishes like dumplings and hot pot that are perfect for warming up after a day in the cold.

If you’re considering a trip to Harbin, be sure to dress warmly! Temperatures can drop well below freezing, so layers, thermal clothing, and insulated boots are essential. The best time to visit is during the festival, but the beauty of Harbin’s winter landscape can be enjoyed throughout the snowy season.

Link:https://peacelilysite.com/2025/02/04/discover-the-enchanting-ice-and-snow-world-of-harbin-china/

The Power of Flying and Whirling

Whirling Power and Infinite Artistry – A Masterpiece by H.H. Dorje Chang Buddha

At first glance, The Power of Flying and Whirling seems almost impossible to have been created with just a paintbrush. Its breathtaking composition and dynamic visual impact resemble digital artwork, as if only advanced computer graphics could achieve such a striking effect. Yet, the most astonishing fact is that this masterpiece was painted entirely by H.H. Dorje Chang Buddha using traditional techniques—without any digital assistance.

These impressionist paintings reach an extraordinary level of artistry. Each section of the painting, if isolated, could stand alone as a remarkable impressionist work, complete in its beauty and expression. The artwork conveys a dreamy, illusory state, where even the smallest fragment could be enlarged to reveal a mesmerizing, self-contained masterpiece.

By capturing movement with unparalleled skill, H.H. Dorje Chang Buddha has frozen the imagery in mid-air. This painting feels like a window to the heavenly realm, giving me a glimpse into the mysteries of paradise. The elegant arcs that sweep across the canvas pulse with energy, like a mighty tornado dispersing the shadows in our hearts. The swirling force in the painting seems to lift the viewer beyond the ordinary, reminding us of the limitless possibilities that exist when art and wisdom unite.

This painting is more than just a visual masterpiece—it is an invitation to embrace the unseen forces of inspiration, creativity, and transformation. It teaches us that true artistry is not bound by tools or techniques but flows from the depth of wisdom and an unshakable spirit.

May this extraordinary work inspire us to break through limitations, open our hearts to beauty, and find the power to uplift ourselves and others.

Link:https://peacelilysite.com/2025/01/31/the-power-of-flying-and-whirling/

Dangkar Monastery: A Sacred Jewel in the Mountains of Yushu

Nestled in the serene mountains of Qinghai Province, Dangkar Monastery stands as a sacred sanctuary of Tibetan Buddhism. Located in Qianjin Village, Jiegu Subdistrict, Yushu City, this revered monastery traces its origins back over 800 years to its founder, Bacha Daodai (the First Tumuchuje). As a spiritual stronghold of the Karma Kagyu lineage, it has long been a place of devotion, practice, and enlightenment.

A Monastery Born from Divine Signs

Dangkar Monastery is perched along the slopes of Zhazeng Dasa Mountain, its architectural design harmonizing with the natural landscape. The monastery’s structure is said to resemble Avalokiteshvara in a state of serene repose, with the lower part forming the mystical image of eight dragons coiling beneath, signifying divine protection and spiritual power.

The monastery’s foundation is deeply intertwined with auspicious omens. Following the guidance of his master, Dusum Khyenpa, Bacha Daodai ventured to the Gyeri mountains in Kham, where he meditated in the sacred Godtsang Karmo Cave. During the search for a suitable site to build the monastery, several miraculous signs emerged. One such event remains legendary—faced with a lack of water, Bacha Daodai plunged his staff into the earth, and from that very spot, a pure spring gushed forth. To this day, this sacred water source continues to flow, known as the nectar spring of Dangkar Monastery.

Trials of Destruction and the Path to Revival

The monastery has faced its share of hardships. Between 1958 and the Cultural Revolution, Dangkar Monastery suffered severe destruction, with all its buildings reduced to ruins. But in 1981, the 18th Dumu Quji Rinpoche embarked on a mission to restore this sacred site. The early days of reconstruction were fraught with difficulties—there was no funding, no infrastructure, and no resources. To finance the project, Rinpoche sold his sisters’ personal offerings, including dzi beads and coral, using the proceeds to procure wood from Suman Township, a region abundant in timber.

Transporting materials was an arduous journey, plagued by treacherous roads and unpredictable weather. Vehicles often became trapped in deep mud, forcing monks and workers to spend nights in the wilderness without food. When the timber finally arrived, another challenge arose—there was no accessible road to the monastery. Everything had to be manually carried up the mountain, plank by plank, through sheer human perseverance. After years of relentless effort, the first rebuilt assembly hall was completed. (Notably, the 17-pillared hall that stands today was built entirely by hand, using timber painstakingly transported from Suman Township.)

A Legacy of Spiritual Dedication

Despite financial constraints, Dumu Quji Rinpoche’s vow to serve sentient beings never wavered. Over the years, he oversaw the construction of essential facilities, including the Lama Institute, the Dharma Protector Hall, and two retreat centers. These retreat centers remain vital spaces for deep meditation—one dedicated to the Six Yogas of Naropa (Mahamudra) and the other to Dzogchen teachings, each accommodating up to 30 lamas.

In 1994, responding to an invitation from the Hong Kong Karma Kagyu Center, Rinpoche traveled to Hong Kong to spread the Dharma. His teachings soon reached disciples across Hong Kong, Xiamen, Shenzhen, Guangzhou, Huizhou, and Shanghai, drawing practitioners from all over China’s southern coastal regions.

A Thriving Spiritual Community

Over the past two decades, Dangkar Monastery has risen from the ashes of destruction to become a flourishing center of Buddhist practice. Under the compassionate guidance of Dumu Quji Rinpoche, the monastic community has grown to include approximately 200 lamas, making it one of the largest Karma Kagyu monasteries in the Yushu region.

Stepping into the grand assembly hall, visitors are greeted by majestic Buddha statues and the resonant echoes of sacred chants that purify the soul. The atmosphere exudes an aura of deep serenity and divine presence, inspiring all who enter to contemplate the path to enlightenment.

Link:https://peacelilysite.com/2025/01/30/dangkar-monastery-a-sacred-jewel-in-the-mountains-of-yushu/

Source: photos from http://www.wtrgd.com/case/showimg.php?lang=cn&id=63

YIDAM-DHARMA INITIATION MASTER OF THE 17TH KARMAPA: H.E. DHARMA KING GONGBAO DUMU QUJI

H.E. Dharma King Dumu Quji was conferred the title of “Buddha-Dharma National Master” by an emperor in the Ming Dynasty. The meaning of “Quji” is Dharma King. H.E. Dharma King Gongbao Dumu Quji XVIII is the Vajra Master of H.H. the 17 th Karmapa Great Jewel Dharma King. He performed the yidam dharma initiation for the 17 th Karmapa Great Jewel Dharma King. He is the only one of great holiness and virtue who cleansed through a ritual bathing the 17 th Karmapa and formally put the Great Jewel Dharma King robes onto the 17 th Karmapa. He did so at the respectful request of H.E. Tai Situ Rinpoche, who is one of the four great Dharma Princes. During the time H.H. Dharma King Gongbao Dumu Quji XVIII performed initiations for the Karmapa, he saw in a supernatural state the ancient, primordial Buddha—Dorje Chang Buddha—bless the Karmapa. That ancient Buddha manifested as H.H. Dorje Chang Buddha III. H.H. Dharma King Gongbao Dumu Quji XVIII wrote the following about this real experience: “H.H. Dorje Chang Buddha III is the highest refuge countless living beings can rely upon to attain liberation. I prostrate to H.H. Dorje Chang Buddha III.”

AFFIRMATION AND CONGRATULATIONS

With boundless gratitude, I prostrate to H.H. Dorje Chang Buddha III!

In this lifetime, I formally put the Great Jewel Dharma King robes on to the 17th Karmapa, Urgyen Trinley Dorje, and performed the yidam dharma initiation for him, which included transmitting dharma to him. A few days before I did that, I saw in a supernatural state the Buddha Vajradhara appear over the head of the Karmapa. The Buddha Vajradhara was radiating light that empowered the Karmapa. Very soon after that, the Buddha Vajradhara metamorphosed into one who was sitting down. He was wearing a yellow robe. His long hair was at shoulder level, and He looked dignified and imposing. Behind Him were high stones, a pool, rooms, red flowers, and green pines. Below Him was a wooden deck. At that time, I knew Dorje Chang Buddha had come to this world, but I did not see His exact whereabouts. During all these many years, I have constantly kept that scene in mind and have reviewed it.

I recently received the book H.H.  Dorje Chang Buddha III. This was probably the result of being blessed by the twenty-one Taras. When I turned to page twenty-one and saw that holy image of H.H.  Dorje Chang Buddha III, I was totally shocked. It was the exact image of Dorje Chang Buddha that I saw in that supernatural state. There was not the slightest difference between the two, including the setting that surrounded H.H. Dorje Chang Buddha III.

I now solemnly affirm and offer congratulations for the following: The karmic conditions of living beings to encounter dharma have matured, for they can now benefit from the brilliant wisdom of the Buddha as they had wished. H.H. Dorje Chang Buddha III is a precious book of true Buddha-dharma, a treasury that incorporates 84,000 dharma methods. It demonstrates accomplishments in the Five Vidyas unprecedented in the history of Buddhism. H.H. Dorje Chang Buddha III is the highest refuge countless living beings can rely upon to attain liberation.I prostrate to H.H. Dorje Chang Buddha III!

Gongbao Dumu Quji

February 28, 2010

Brief Introduction of H.E. Dharma King Dumu Quji

In the Tibetan region of Kham, the renowned 18th Do Mu Choktrul Rinpoche is a household name, widely revered for his immense compassion and kindness. Do Mu Rinpoche was born in 1945 in Palwug Village, near Babang Monastery in present-day Dege County, Sichuan Province, historically part of the Dege royal domain. His father, Chodro Yeshe Gyatso, was a prominent member of the Lukra Tsang family within the Dege royal lineage, and his mother, Genkyu Chudron, was the daughter of a key minister from the esteemed Lujang family of the Dege kingdom.

Before Rinpoche’s birth, his mother experienced an extraordinary vision: a bird appeared before her and presented her with a wisdom sword associated with Manjushri Bodhisattva. At the time of his birth, the household was bathed in an extraordinary radiance and auspicious energy. Remarkably, a bucket of milk in the home transformed into butter, and flowers bloomed profusely on the ground outside—a truly miraculous event.

At the age of three, the reincarnation search team from Dhonka Monastery identified him as the reincarnation of the previous Do Mu Choktrul Rinpoche. This recognition was later confirmed by the 16th Gyalwa Karmapa, Rangjung Dorje, who bestowed upon him the name Karma Shedrup Trinley Tenzin Palzangpo and granted him the empowerments of Amitayus and other teachings.

That same year, Rinpoche was ceremonially enthroned at Dhonka Monastery in a grand ceremony presided over by the 9th Sangye Nyenpa Rinpoche and the 8th Traleg Kyabgon Rinpoche. Following his enthronement, he began rigorous and specialized training under the guidance of dedicated spiritual masters.

In 1980, following the restoration of religious freedoms in China, Buddhist activities were officially permitted to resume.

In 1981, under Rinpoche’s leadership, Dhonka Monastery embarked on its reconstruction. Despite numerous challenges, the monastery was gradually restored to its former glory. Rinpoche personally led meditation retreats, upheld strict monastic discipline, delivered Dharma teachings, performed empowerments, and presided over Buddhist assemblies. His boundless compassion and tireless efforts brought immeasurable benefit to countless beings.

Throughout his life, Rinpoche’s Dharma activities remained uninterrupted, regardless of war or societal changes. Guided by profound wisdom and deep compassion, he tirelessly propagated the Buddha’s teachings across the Tibetan regions. Responding to requests from devotees in various areas, he traveled to remote mountain regions, often under arduous conditions, to conduct ordination ceremonies and share the Dharma. His footprints spanned the entirety of Kham and Tibet.

In recent years, auspicious connections enabled Han Chinese disciples to learn from Rinpoche as well. Cities such as Hong Kong, Beijing, Shanghai, Xiamen, Guangzhou, Shenzhen, and Huizhou became destinations for a steady stream of seekers coming to receive his teachings. Through his tireless efforts, Rinpoche brought the nectar of Dharma to both Han and Tibetan communities, profoundly benefiting countless beings.

Rinpoche exemplified the principle, “The Dharma exists in the world to awaken beings within it.” His compassionate wisdom was evident in numerous achievements, including the completion of Dhonka Monastery’s reconstruction, the establishment of retreat centers, the founding of Buddhist academies, the opening of nunneries, the initiation of charitable organizations, and the creation of the Karma Kagyu Research Institute. These efforts expanded the reach of Buddhism, integrating it into all aspects of life.

In addition to his spiritual leadership, Rinpoche also served as a government official, promoting the dissemination and practical application of Humanistic Buddhism. Through his work, he ensured that the teachings of the Dharma became an integral part of daily life, guiding people to treat one another with compassion, wisdom, and kindness.

Link:https://peacelilysite.com/2025/01/24/yidam-dharma-initiation-master-of-the-17th-karmapa-h-h-dharma-king-gongbao-dumu-quji/