Category: Chinese Culture

Lingyan Temple: A Millennium of Buddhist Grace and Sculptural Treasures in the Heart of Mount Tai

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Located in the northwest of Mount Tai, Lingyan Temple was founded during the Eastern Jin Dynasty and boasts a history of over 1,600 years. It is regarded as one of the most important sacred sites of Chinese Buddhist culture. Since the Tang Dynasty, Lingyan Temple has enjoyed great renown, and together with Qixia Temple in Nanjing, Guoqing Temple on Mount Tiantai in Zhejiang, and Yuquan Temple in Dangyang, Hubei, it has been hailed as one of the “Four Great Temples of China.” The eminent monk Tang Xuanzang once resided here to translate Buddhist scriptures. From Emperor Gaozong of Tang onward, many emperors stopped to worship at this temple on their way to perform imperial rites at Mount Tai, a testament to its revered historical status.

Although I personally prefer the majestic beauty of untouched natural landscapes, I was deeply moved by the profound cultural and religious artistry of Lingyan Temple. Within the temple grounds, ancient trees such as Chinese wingnut, cypress, and banyan rise skyward, creating a tranquil and sacred atmosphere. As an integral part of the World Natural and Cultural Heritage site of Mount Tai, Lingyan Temple is especially renowned for its colored clay sculptures of Arhats, which hold a prominent place in the history of Chinese sculpture.

Stepping into the solemn Thousand Buddha Hall, one is struck by the breathtaking sight of the Arhat statues—40 lifelike clay figures arranged in a semicircle along the inner walls. Among them, 29 represent disciples of Shakyamuni and Indian masters such as Bodhidharma and Kumarajiva. The remaining 11 depict eminent Chinese monks, including Huiyuan, Huike, Huichong, and various abbots of Lingyan Temple. According to inscriptions and scholarly research, the original set consisted of 32 statues, first created in the third year of the Zhiping reign of Emperor Yingzong of the Song Dynasty (1066). Additional painting and sculpting were done in the first year of the Zhiyuan reign (1328) during the Yuan Dynasty. The Thousand Buddha Hall was renovated in the 15th year of the Wanli reign (1587) in the Ming Dynasty, at which time the number of Arhats was increased to 40. The final touch-up was completed in the 13th year of the Tongzhi reign (1874) of the Qing Dynasty.

Each statue stands about 1.6 meters tall and is seated on a waist-high brick pedestal roughly 80 centimeters in height, with the top of each statue rising 105 to 110 centimeters above the seat. The overall sculptural style is remarkably realistic, emphasizing the individuality and inner spirit of each figure: square faces, prominent noses, distinct facial features, and dynamic, textured robe patterns. The ancient artisans broke away from conventional, stylized Buddhist iconography and instead grounded their work in real life, endowing each Arhat with unique expressions and postures—some sit in meditation, others clasp their hands or hold staffs; some appear ragged and emaciated, while others exude noble dignity and elegance. Each figure is infused with spirit and personality, appearing almost alive, as if they might speak or move at any moment.

What’s even more astonishing is the meticulous attention to detail in both facial expressions and bodily movement, as well as the relationship between the robes and the human form. The flowing lines of the garments, the way the folds respond to motion, and the tactile quality of the fabric all reflect a masterful understanding of form and rhythm. One medical expert even remarked that, “Through the Arhats’ robes, one can perceive the ancients’ precise grasp of human anatomy.”

The Arhat sculptures at Lingyan Temple are not only masterpieces of religious art but also represent the pinnacle of ancient Chinese realistic sculpture. The renowned scholar Liang Qichao once visited the site and inscribed a stone tablet calling them “The finest sculptures in the land.” Famed art master Liu Haisu also praised them, writing: “The Arhats of Lingyan—first under heaven—vivid and lifelike, with flesh and spirit.”

Lingyan Temple is more than a place of worship—it is a living chronicle of Buddhist heritage carved from clay and shaped by the hands of genius. Whether you are a devout practitioner, a history enthusiast, or an art lover, a visit to Lingyan Temple will surely leave you moved by its rich cultural legacy and breathtaking artistic beauty.

Link:https://peacelilysite.com/2025/07/31/lingyan-temple-a-millennium-of-buddhist-grace-and-sculptural-treasures-in-the-heart-of-mount-tai/

The True Measure of Wealth: A Life of Kindness and Spiritual Uplift

linda changLeave a comment

In life, wealth is not measured solely by what we own. True richness lies in the harmony between material comfort and inner peace. Across every social and economic class, we meet people who radiate kindness and resilience—and others who, despite outward success, feel spiritually empty.

Let’s explore four types of people through the lens of both outer wealth and inner fulfillment.

1. The Poor Among the Poor

Struggling both financially and spiritually.

Imagine someone living in a rundown apartment, surviving paycheck to paycheck. The hardship of their material life is evident—but the deeper burden lies within. Stress, anxiety, and hopelessness weigh heavily on their heart.

Perhaps their past holds trauma, loss, or abandonment. With little support or healing, bitterness takes root. Trust feels dangerous. Joy seems unreachable. They may withdraw or act out, living not only in material scarcity but also emotional desolation.

This is a soul in need of compassion, connection, and light—a reminder that true poverty is not just economic, but also spiritual.

2. The Spiritually Rich in Modest Circumstances

Materially humble, yet inwardly joyful.

Now envision someone of limited means, yet abundant in heart. Their home may be small, their income meager—but their spirit shines. They greet life with gratitude, take joy in the sunrise, the warmth of a shared meal, the laughter of a friend.

They live by faith or a strong set of values. They give generously, even when they have little. Their kindness is sincere, their joy resilient. They find meaning in helping others and walk through life with dignity and grace.

Yan Hui, one of Confucius’s most cherished students, is a timeless example. Confucius admired Yan Hui for his ability to remain joyful despite poverty, exclaiming:
“How virtuous Hui is! With just a bowl of rice and a ladle of water in a humble alley, others could not endure such hardship, yet Hui never let go of his joy. How virtuous Hui is!”

His life shows us that true wealth comes from within.

3. The Restless Among the Rich

Surrounded by luxury, yet inwardly unfulfilled.

This person owns much—prestigious homes, expensive cars, elite status. But their heart feels hollow. They may look successful, yet their joy is shallow and fleeting.

They chase more: more titles, more possessions, more recognition—but the emptiness remains. Relationships feel strained. Peace eludes them. Their days are filled with doing, but not being. They struggle to find meaning.

Despite all they have, they feel poor in spirit. What they truly long for is connection, authenticity, and inner peace.

4. The Truly Abundant

Blessed with both material wealth and spiritual fullness.

Finally, imagine someone who has both outer success and a heart full of wisdom and compassion. Their generosity extends beyond money to love, time, and care. Their worth isn’t measured by what they own, but by the good they do.

They uplift others, listen deeply, and lead with humility. They use their resources to heal, not to boast. When they fall, they grow. When others suffer, they respond with empathy.

Their life radiates meaning because it is guided by the heart. They show us what true abundance looks like.

Prince Siddhartha is the ultimate role model. Born into luxury, he had everything—nobility, intelligence, beauty, and unmatched talent in both scholarship and martial arts. Yet, he realized that worldly pleasures are fleeting illusions.

Compelled by compassion, he renounced his royal life to seek a path of liberation for all beings trapped in the cycle of birth and death. Through profound wisdom and practice, he attained complete enlightenment and became the Buddha—a being of perfect wisdom and boundless compassion.

His life teaches us that the richest journey is one that leads to awakening and selfless love.

So, What Is True Wealth?

True wealth is not just what we possess—but who we are.
You can have little and still be truly rich.
You can have much and still feel deeply poor.

In the end, the real measure of success is not our bank account, but how much kindness we carry—and how we uplift others through it.

Let us not chase only riches.
Let us seek a full heart.
Let us build lives that inspire, comfort, and heal.

Are you walking a path of kindness and uplift?

Link: https://peacelilysite.com/2025/07/25/the-true-measure-of-wealth-a-life-of-kindness-and-spiritual-uplift/

Mountain Village with Memories of Mother”: A Painting That Speaks to the Soul

linda changLeave a comment

This is a deeply moving landscape painting by H.H.Dorje Chang Buddha III, marked by smooth, flowing brushwork and a natural rhythm. The undulating crimson cliffs seem to rise freely from the artist’s heart, while the vigorous lines brim with vitality and strength. Ink strokes form the skeletal structure of the mountains and rocks, while delicate willows hang softly across the scene, adding a quiet touch of green serenity. The overall palette is vivid but never garish, exuding a warm and nostalgic atmosphere.

In the painting, two thatched cottages nestle beside the mountains and water. Their deep-set doors and silent windows seem to hold untold, quiet stories. It was under these eaves, by these doors, that a loving mother once stood—sending her children off into the world with silent heartache, and waiting countless times in patient hope for their return. That wordless farewell, those tears of longing, have gently seeped into the fabric of time. Among all human emotions, none is greater than a mother’s love. Our memory of that love stirs an innate sense of gratitude—a sacred emotion that transcends the ordinary.

This work embodies the style known as the “Childlike Native School”, which embraces the beauty of rural life through the innocence of a child’s heart. Though the brushstrokes appear naïve and spontaneous, they conceal great depth and mastery. The painting style is free and unrestrained, exuding both boldness and tenderness. The soft, flowing lines connect seamlessly—like a mother’s love, endlessly enduring, gentle yet firm. Its simple composition holds rich emotional meaning and invites the viewer’s imagination to wander. The scene pulses with a childlike liveliness that fills the heart with joy.

The painting’s pure and innocent imagery evokes a return to the carefree days of childhood. No matter where you are, simply gazing at this piece can bring the scene and its emotions vividly before your eyes, awakening the deepest tenderness and longing in your soul.

In creating Mountain Village with Memories of Mother, the artist approached the work with the pure heart of a child, yet painted with the maturity and finesse of a seasoned master. The brush technique draws from traditional Chinese calligraphy—guided by the wrist, powered by the arm—each stroke flowing naturally with graceful spontaneity. This painting was not created for show or technical display, but as a sincere outpouring of emotion and inspiration. Every application of ink and color arises from genuine feeling.

What is art?
At its essence, art is the ability to immediately evoke inner peace, comfort, joy, or spiritual fulfillment in the viewer. But where does this feeling come from? Is it merely the subject matter or visual beauty of the work? Certainly not. A painting does not become great simply because it looks pleasing.

In the context of Chinese painting, the true heart of art lies in a quality called “spiritual resonance” (shen yun). It is vivid, yet elusive—a mysterious charm and subtle power that cannot be described with words. It is born when the artist’s personal cultivation, emotional depth, and spiritual awareness infuse the work, allowing spirit and technique to merge. The result is an artistic vitality that transcends mere form.

Only when viewers are moved by this spiritual resonance do they begin to explore the painting’s formal elements—its composition, color palette, brush technique, balance between painting and calligraphy, and the portrayal of the subject in both spirit and form. While these aspects matter, they ultimately serve a deeper, more profound experience.

In Chinese art, the true value of a painting—its ability to soothe the soul—does not depend on technical skill alone. It lies in whether the work can touch the heart and stir the spirit. Mountain Village with Memories of Mother beautifully embodies this artistic spirit. Every brushstroke gently stirs the viewer’s emotions, evoking tender memories and inviting the soul to linger in its serene beauty.

This exceptional work is housed in the permanent collection of the International Art Museum of America, located in San Francisco—a fitting home for a piece that speaks a universal language of love, nostalgia, and spiritual beauty.

Link:https://peacelilysite.com/2025/07/11/mountain-village-with-memories-of-mother-a-painting-that-speaks-to-the-soul/

Discover Longxing Temple: A Timeless Treasure of Chinese Buddhism

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Longxing Temple, also known as the Great Buddha Temple, is one of China’s oldest, largest, and best-preserved Buddhist temples. This extraordinary complex is not only a sacred site but also a magnificent testament to the architectural genius and spiritual devotion of ancient China.

Located at No. 109 Zhongshan East Road in Zhengding County, Shijiazhuang, Hebei Province, Longxing Temple sprawls across an impressive 82,500 square meters.

Originally established in 586 CE during the Sui Dynasty under the name Longcang Temple, it was later renamed Longxing Temple during the Tang Dynasty. In 971 CE, Emperor Taizu of the Northern Song Dynasty issued an edict to cast an enormous bronze Thousand-Armed Avalokiteshvara Bodhisattva and build the splendid Hall of Great Compassion to house it.

This marked the beginning of large-scale expansion, culminating in a grand Song Dynasty architectural complex centered on the hall. Through the Jin, Yuan, and Ming Dynasties, the temple saw continued renovation and growth. In the Qing Dynasty, both Kangxi and Qianlong Emperors decreed extensive rebuilding, shaping the temple’s current layout:

  • The eastern section served as monks’ quarters
  • The central axis hosted Buddhist ceremonies
  • The western area functioned as the imperial palace quarters

In 1710, Emperor Kangxi personally inscribed the name “Longxing Temple,” an honor that reflects its enduring importance.

Today, visitors can trace a north–south axis that passes through a series of majestic structures: the Hall of Heavenly Kings, Mani Hall, the Ordination Altar, the Revolving Sutra Library, and more than a dozen other halls and pavilions. The complex is celebrated as a textbook example of ancient Chinese Buddhist temple design.

Recognized among China’s ten most famous temples, Longxing Temple was declared a Major National Historical and Cultural Site in 1961 and later designated a National AAAA Tourist Attraction.

Highlights Not to Miss

Hall of Heavenly Kings

First built in the Northern Song Dynasty, this is the oldest surviving structure of its kind within the temple. Even after a major renovation in 1780, its main timber frame remains original.

Above the entrance, plaques bearing the calligraphy of the Kangxi Emperor read:

“Imperially Established Longxing Temple”
“Hall of Heavenly Kings”

Inside stands the famous Big-Bellied Maitreya Buddha, a Jin Dynasty wood carving over 800 years old. Thoroughly localized in Chinese style, this smiling figure derives from the legendary monk Qici, known for his benevolence and laughter.

On either side stand the Four Great Heavenly Kings, each symbolizing auspicious natural forces:

  • Wind (Southern King, with a sword)
  • Harmony (Eastern King, with a lute)
  • Rain (Northern King, with a precious umbrella)
  • Compliance (Western King, with a coiled snake)

Together, they express the blessing of abundant harvests and national peace.

Mani Hall

Built in 1052, Mani Hall has an unusual cross-shaped floor plan created by four gabled annexes extending from its square central chamber.

Inside, five golden clay Buddha statues preside over the altar, with Shakyamuni Buddha at the center.

The hall’s north wall showcases a breathtaking polychrome relief nearly 16 meters long, depicting swirling clouds, celestial beings, and Avalokiteshvara stepping onto a lotus—symbolizing the entrance to the Western Pure Land.

At the heart of this scene sits the Backward-Facing Avalokiteshvara, so named because she faces north instead of south. Far from a supernatural image, this Avalokiteshvara appears as a serene, youthful woman with an expression so vivid and gentle it moves all who gaze upon her.

Visitors often remark:

“How beautiful—how extraordinary! She sits so naturally, one leg casually crossed, her eyes meeting yours wherever you stand. Her smile is as enigmatic as the Mona Lisa—truly ‘The Most Beautiful Avalokiteshvara.’”

Ordination Altar

Reserved for the most important temples, the Ordination Altar was where monks received their vows.

Inside the altar stands a unique double-sided bronze Buddha statue. Facing south is Amitabha Buddha, and facing north is Medicine Buddha. The two figures share a single body, seated back to back in lotus posture.

The statues are depicted in full lotus position, wearing five-leaf crowns, with round, gentle faces. Their necks are adorned with necklaces and their arms with bangles, while flowing sashes drape gracefully from their shoulders. Amitabha’s hands form the meditation mudra, while Medicine Buddha’s hands display the gesture of compassion.

Their expressions are serene and tranquil, exuding a quiet dignity and solemn beauty in their elegant simplicity.

Longteng Garden

To the northeast lies Longteng Garden, a Ming and Qing–style garden combining cultural heritage and tranquil scenery.

Here you’ll find:

  • Northern Dynasties stone statues
  • A Jin Dynasty scripture pillar
  • A Yuan Dynasty mural tomb
  • The Ming Dynasty Longquan Well Pavilion
  • The “Three Generations of Vice Ministers” stone archway

Meandering through its pavilions, terraces, and lush paths feels like stepping into a living scroll of history.

Cultural Traditions

Imperial Buddhist Ceremony Performance

Zhengding’s Longxing Temple is an imperial temple that was visited and funded for repairs by emperors over many dynasties. According to The Chronicles of Longxing Temple, in the 49th year of Emperor Kangxi’s reign (1710 CE), the emperor ordered funds to be allocated from the national treasury to restore Longxing Temple. After the renovations were completed, Emperor Kangxi personally came to pay homage and bestowed 19 inscribed plaques, including one reading “Longxing Temple Constructed by Imperial Decree,” all handwritten by himself.

At the end of 2011, drawing on historical records, the Cultural Heritage Office re-created the Grand Imperial Buddhist Ceremony, reenacting the scene of Emperor Kangxi’s arrival at Longxing Temple, the local officials welcoming the imperial entourage, and the emperor bestowing plaques, offering incense, and performing rituals to honor the Buddha.

Thousand-Armed Avalokiteshvara Performance

Inside the Great Compassion Pavilion of Zhengding’s Longxing Temple stands a bronze statue of the Thousand-Armed, Thousand-Eyed Avalokiteshvara, measuring 21.3 meters in height. Cast in the 4th year of the Kaibao era of the Northern Song Dynasty (971 CE), this towering bronze figure is remarkable both for its immense size and its exquisite craftsmanship.

It is the tallest and oldest ancient bronze Buddha statue of its kind in the world. It is not only a symbol of Longxing Temple but also an emblem of the ancient city of Zhengding.

The Thousand-Armed Avalokiteshvara Performance features graceful melodies and captivating dance that vividly convey the divine presence and compassion of the bodhisattva.

Longxing Temple is more than a historical monument—it is a living symbol of Chinese Buddhist art, architecture, and spirituality. Whether you come for quiet reflection, cultural discovery, or simply to stand before centuries of devotion, this magnificent temple will leave a lasting impression on your heart.

Link:https://peacelilysite.com/2025/07/04/discover-longxing-temple-a-timeless-treasure-of-chinese-buddhism/

Buddhism, Multidimensional Space, and the Science of Consciousness

linda chang1 Comment

Modern scientists suggest there may be multidimensional spacetime. The world we perceive in our daily lives consists of three dimensions of space—length, width, and height—plus one dimension of time, forming what we call four-dimensional spacetime.

For most people, it is nearly impossible to imagine what multidimensional space could be like. Even scientists struggle to describe how such realms might appear.

Yet once, while I was reading a Buddhist sutra, I felt as though I glimpsed something of this mysterious idea.

In the Vimalakirti Sutra, it is recorded that Manjushri Bodhisattva led 8,000 bodhisattvas, five hundred arhats, and countless heavenly beings to visit the ailing lay master Vimalakirti.

Vimalakirti lived in a small chamber. He invited everyone to enter. Miraculously, they all went inside, but the room did not grow any larger. No one felt crowded or obstructed, and everyone saw Vimalakirti sitting directly before them.

Manjushri and Vimalakirti engaged in profound dialogue about the Dharma. Later, Vimalakirti displayed astonishing spiritual powers, bringing seats, exquisite foods, and treasures from distant worlds into that same room.

It was absolutely astonishing—like witnessing the seamless merging of multiple dimensions.

Throughout Buddhist history, many great masters have demonstrated abilities that seem to transcend space and time.

For example, there is the story of Milarepa, Tibet’s most renowned yogi. When he was welcoming his disciple Rechungpa back from India—where Rechungpa had traveled to collect scriptures—an incredible event took place.

Rechungpa carried the scriptures on his back as he crossed the vast grasslands. When he saw Milarepa waiting for him, he was overjoyed. Eagerly, he described how he had met the great master Tilopa. With visible pride, he declared:

“In the past, Tilopa did not transmit this Dharma to Master Marpa, but now he has passed it on to me!”

His words brimmed with arrogance.

As they walked together, Milarepa noticed a broken yak horn on the ground and asked Rechungpa to pick it up. Rechungpa couldn’t see the point and made excuses not to touch it. Silently, Milarepa bent down, picked it up himself, and carried it along.

Suddenly, the sky darkened. Thunder boomed, lightning flashed, and hailstones the size of eggs pounded them mercilessly. Rechungpa was battered and bruised.

When the storm finally ended, he looked around—Milarepa had vanished. Alarmed, he began calling out.

Then, Milarepa’s calm voice rose from the little yak horn at his feet:

“Why are you so flustered? Come in here and take shelter.”

Rechungpa stared in disbelief. The opening of the horn was barely larger than a fist. How could he possibly fit inside?

He bent down to look, and to his amazement, he saw an endless green meadow within—stretching as far as the eye could see. Milarepa sat serenely in meditation.

But no matter what he tried, Rechungpa could not enter.

In that instant, all his pride dissolved. Humility and awe took its place.

Milarepa finally emerged and said with a gentle smile, “Did you see? My little yak horn turned out to be quite useful after all.”

Even in our time, extraordinary manifestations still occur.

H.H. Dorje Chang Buddha III has demonstrated countless inconceivable displays of supreme Buddha Dharma.

Ruzun Ruo Hui, the abbess of Hua Zang Si (in San Francisco) shared one remarkable example in Interviews with Buddhist Disciples (Episode 78).

Around 1995, about a dozen people were gathered together in a room, respectfully listening to the recorded Dharma discourse Expounding the Absolute Truth through the Heart Sutra.

Halfway through, the entire house vanished. All the walls and structures simply disappeared, and everyone found themselves sitting under the open sky.

Above them, Avalokiteshvara Bodhisattva appeared, standing in the air, radiating boundless light while auspicious clouds billowed around.

For nearly an hour, Avalokiteshvara remained visible, bestowing blessings. No sounds of the street—no passing cars or footsteps—could be heard. The only sound was the voice of H.H. Dorje Chang Buddha III expounding the Dharma.

It was clear that everyone present had entered another dimension altogether.

Moments like these show us that the universe is far more profound than what our senses can grasp.

I believe Buddhism is deeply scientific—not superstition. Just because today’s scientists cannot yet explain these phenomena does not mean they are unscientific.

On the contrary, Buddhist wisdom offers an entirely different lens through which to explore reality. It can inspire modern science to uncover new methods and fresh insights to understand the universe’s deepest mysteries.

If we open our hearts and minds, perhaps Buddhist teachings will one day help humanity discover shortcuts to truths that today seem unimaginable.

Link:https://peacelilysite.com/2025/07/03/buddhism-multidimensional-space-and-the-science-of-consciousness/

The Power of a Good Mindset in Times of Conflict

linda changLeave a comment

My friend Wendy used to be very emotional and overly cautious. But in recent years, she has undergone an astonishing transformation.

One day, when we met up, she shared a story that showed me just how much she has changed.

At the end of last year, Wendy finally decided to buy her daughter-in-law the new car she had dreamed of for so long. The whole family welcomed the New Year with excitement and joy.

That day, her daughter-in-law drove the car out to register it, while Wendy stayed home reading stories to her granddaughter.

Not long after, the phone rang. On the other end, her daughter-in-law’s voice trembled with panic:

“While turning, I got hit by a truck going straight. The entire front bumper is smashed. It’s all our fault. Mom, I’m too scared to come home—your son is going to be furious.”

Wendy replied calmly, “As long as you’re okay, that’s what matters. Just come home.”

A while later, her son returned from work. Before he could react, Wendy sent her granddaughter over to ask him to tell her a story about a carpenter.

He couldn’t resist her pleading eyes and began reading in an animated voice:

“There was a kind-hearted carpenter who, though already old, still had no house and couldn’t find a wife. His elderly mother was terribly worried. Finally, a young woman agreed to marry him—but only if he could provide a home.

So the carpenter worked tirelessly, chopping and hammering for two months until he built a beautiful wooden house. One day, while he was out, a fire broke out next door and burned his house to the ground.

People thought he would collapse in despair, but instead, he searched through the charred remains. Everyone was puzzled—what could he possibly be looking for? At last, he found an unburned axe and exclaimed with relief, ‘I finally found you!’

People thought he must be crazy—his house was gone, and he was happy just to find an axe? The carpenter said, ‘As long as I’m here and I have my axe, why would I worry about not having a house?’”

Just then, the daughter-in-law slipped quietly back into the house, looking like a child who had done something wrong.

When her son learned what had happened, he exploded:

“You’re such a spendthrift! No brains at all! So careless—on the very first day, you wrecked a car worth hundreds of thousands!”

Wendy looked at her son calmly and asked:

“Are you done yet? The car is already damaged—will shouting fix it?

Just a minute ago, you were telling your daughter that as long as you have an axe, you can build another house. Now you’ve turned into a chameleon—how will you teach her in the future?

What’s more important: people or cars? A damaged car can be repaired or replaced. But if something had happened to your wife, this family would be over.

It’s the New Year. What matters most is that we are safe, healthy, and together. Everything else is just material. You should be grateful she came home without a scratch. So many people are facing life-and-death partings right now. Be content.”

Her son made a face and joked, “Mom, ever since you started practicing Buddhism, you’ve changed. You’re always siding with your daughter-in-law—have you forgotten you have a son? I feel like I’m adopted!”

Wendy rolled her eyes at him, and the whole family burst into laughter as they sat down to dinner.

Later, Wendy told me that after studying Buddhism, she finally understood how to let go of the suffering that comes from clinging to the self and how to transform afflictions into wisdom.

I watched in amazement as what could have been a chaotic family argument dissolved effortlessly in her hands. In the end, everyone was able to celebrate the New Year in peace and joy.

Life will always bring troubles and joys. A grateful and content mindset makes happiness bloom everywhere, while a lack of appreciation can turn even good fortune into heartache.

Hearing Wendy’s story reminded me how powerful a positive mindset can be in times of conflict. I hope more families can draw on the wisdom of the Dharma to transform challenges into understanding, live long lives free from illness, and enjoy peace, prosperity, and lasting happiness.

Link:https://peacelilysite.com/2025/07/01/the-power-of-a-good-mindset-in-times-of-conflict/

The Choice Between Giving and Receiving

linda changLeave a comment

When I was a child, I heard a folk story that has stayed with me ever since.

One day, King Yama summoned two little spirits and said to them:

“I will let you be reborn as humans. One of you will be someone who always has things to give to others. The other will be someone who often receives things from others. It’s up to you—choose the kind of person you wish to become.”

As soon as Ghost A heard this, he dropped to his knees, clasped his hands, and pleaded earnestly:

“Your Majesty Yama! I beg you—please let me be the one who can receive things from others!”

Ghost B stood quietly for a moment, thinking it over. Finally, he said:

“Since my companion wishes to be the one who receives, I will choose to be the one who gives to others.”

King Yama struck his desk with a resounding clap and pronounced his judgment:

“I decree that Ghost A will be reborn as a beggar, so he may always ask others for help. Ghost B will be reborn into a wealthy family, so he may frequently give and support those in need.”

The two little spirits were stunned into silence.

This story reveals a truth many people overlook: in our world, most would rather take from others, believing that giving is a kind of loss. Yet the modern Buddhist master, Master Hongyi, once said:

“I don’t know exactly what makes a noble person, but I believe someone who is willing to suffer a loss in all things surely is one. I don’t know exactly what makes a petty person, but someone who always seeks an advantage must be one.”

In reality, a person with a grateful heart who is willing to share joy with others will discover even greater joy—because they can find happiness in the happiness of others.

The spirit of Buddhism elevates the practice of giving and receiving to its highest form. H.H. Dorje Chang Buddha III made this profound vow:

“All karmic offenses and sins created by sentient beings, I will bear.
All the virtuous deeds and merits I have cultivated, I will give entirely to you.”

H.H. Dorje Chang Buddha III wishes to give all good things to sentient beings and to take upon Himself all their suffering and negativity.

Everything He thinks in His mind, speaks with His mouth, and does with His body is dedicated to one purpose: eradicating selfish attachment, relieving the suffering of all beings, bringing them happiness, and increasing their blessings and wisdom.

May our world be filled with kindness and peace. May all beings everywhere be safe, auspicious, and free from suffering.

Link:https://peacelilysite.com/2025/06/27/the-choice-between-giving-and-receiving/

Turpan’s Hidden Lifelines: The Ingenious Karez Irrigation System of Xinjiang

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Nestled in the heart of Xinjiang, the Turpan Basin holds several extraordinary records: it’s the lowest geographical point in China, and during summer, it’s the hottest place in the country. With scorching sunlight, relentless winds, and almost no rainfall, Turpan earns its title as the “Land of Fire.”

In the peak of summer, the surface temperature in the surrounding Gobi Desert can soar to 82.3°C (180.1°F), while the air temperature often exceeds 49°C (120°F). Rain is almost nonexistent—Turpan receives an average of just 16.4 mm of rainfall annually, and in some years, as little as 4.3 mm. Yet, amidst this harsh, parched environment, an ancient miracle has quietly sustained life for over two thousand years: the Karez irrigation system.

A Miracle Beneath the Earth

While nature was unforgiving above ground, it hid a gift below. Meltwater from the distant Tianshan Mountains seeps underground through coarse gravel and sand, eventually blocked by the Flaming Mountains and surfacing as springs. Ingenious local people found a way to capture and guide this underground treasure—thus, the Karez was born.

The Karez system channels water from mountain sources through a network of underground tunnels and vertical shafts, delivering it to the arid land without evaporation loss. Remarkably, this ancient system operates entirely without pumps, relying solely on gravity and terrain.

A complete Karez includes:

  • Vertical shafts for ventilation and maintenance
  • Underground tunnels to carry water
  • Open canals to distribute it
  • Storage ponds to hold it

Across Turpan’s landscape, you can still see long rows of small mounds—each one marking a shaft, a glimpse into the remarkable infrastructure below.

A Testament to Ingenuity and Endurance

The origins of the Karez can be traced back to the Han Dynasty, over 2,000 years ago. Most of the surviving systems were built during the Qing Dynasty, including during historical moments like Lin Zexu’s fourth inspection of Turpan, when over 300 new Karez channels were added, and Zuo Zongtang’s campaigns, which saw nearly 200 more constructed.

At its peak in the 1950s, there were about 1,700 Karez systems in Turpan, stretching over 3,000 kilometers. Today, about 725 remain, a number slowly dwindling due to modernization, drought, and human impact.

The construction of each Karez was no small feat. Generations of laborers worked in dark, narrow tunnels, often barefoot in icy water, chiseling stone with simple tools and oil lamps. They carried earth and rock out by hand, surviving on dry flatbread and enduring brutal conditions.

A Culture of Water, Wisdom, and Survival

More than just a hydraulic system, the Karez represents a culture—a story of human resilience, harmony with nature, and intergenerational wisdom. In this water-scarce land, the Karez has nurtured lush vineyards, fertile fields, and diverse communities, offering life where none should thrive.

Today, many of these systems are dry or abandoned, relics of a past shaped by necessity and brilliance. But for those who walk among them, they are still very much alive—whispers from the earth, reminding us of what is possible when people respect and work with nature.

If you ever find yourself in Turpan, do not miss the chance to explore the Karez wells. They are more than ancient engineering marvels—they are monuments of perseverance, and living echoes of a civilization that made the desert bloom.

Link:https://peacelilysite.com/2025/06/18/turpans-hidden-lifelines-the-ingenious-karez-irrigation-system-of-xinjiang/

Dharma Master Yongding: A Life of Compassion, Realization, and True Cultivation

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Dharma Master Yongding was a direct disciple of H.H. Dorje Chang Buddha III, personally taught by His Holiness. A monk of true cultivation and realization, Dharma Master Yongding lived a life of noble deeds and profound spiritual accomplishments. He embodied the virtues of the ancient enlightened monks—pure in conduct, boundless in compassion, and unwavering in his commitment to benefiting all sentient beings.

Before becoming a monk, Dharma Master Yongding was known as Li Xiangchen, a kind-hearted and widely respected man from Dayi County in Sichuan Province. His compassion and moral character were already legendary even in his youth.

During a catastrophic drought, in Li Xiangchen‘s hometown, one the region hadn’t seen in a hundred years—Buddhist and Daoist masters prayed for rain for months, but to no avail. Not a single drop of water could be found.

Then, one night, two villagers had the same dream. A divine being told them that only with the signature of a man named Li Xiangchen could rain be summoned. The two searched everywhere and eventually found him. After they delivered his signed name to the altar and burned the paper, a torrential rain fell instantly, ending the long drought. The event left villagers in awe and firmly established Li Xiangchen’s reputation as a man of virtue and divine affinity.

During China’s devastating three-year famine in the 1960s, emergency food rations were being distributed. When officials asked Li how much his household needed, he replied that his family still had food and didn’t need any. His wife, stunned by this answer, brought the official to their home. There, they found only two catties (a little over two pounds) of rice left.

When asked why he had lied, Li quietly responded,

“So many people are starving. I just can’t bring myself to eat while others go hungry. I only feel at peace if everyone can survive this together.” His selflessness deeply moved everyone who heard his words.

In another act of compassion, while working at the Jin Dongzi Reservoir where laborers received rice rations, Li Xiangchen gave all his rice to his struggling friend Pei Yinchang, who was raising two young children. When Pei noticed that Li was growing increasingly frail, he begged him to keep some rice for himself. Li refused.

Pei later visited the reservoir to learn how Li was surviving. The workers there told him, “Mr. Li survives by digging wild roots and vegetables to make porridge. No one knows what happened to his rice.” Pei was stunned and moved to tears.

Later on, Li Xiangchen began studying Buddhism under a master. He observed the precepts with great discipline and practiced with a heart of sincerity and humility. His compassion became so palpable that even animals responded to it.

One day, while walking down a mountain, a vicious dog leapt at him. Calmly, he said:“Go ahead and bite me. This is a matter of karmic cause and effect.” As the dog neared, just two or three feet away, it suddenly stopped, yelped, tucked its tail, and ran away.

After becoming a Buddhist, Li Xiangchen adopted a vegetarian lifestyle. On one occasion, his master encouraged him to eat a little meat because he appeared thin and weak. But Li simply smiled and ate only plain rice.

When asked later why he didn’t follow his master’s advice, he replied:

“Please tell my master:
First, I deeply respect Him, but I carry heavy karmic debts and dare not eat meat.
Second, if gaining the Dharma and achieving liberation requires me to disregard the lives of sentient beings, then I would rather not attain liberation—I’d rather fall into hell.
Third, I cannot harm others just to benefit myself. If I did, I would no longer be a true practitioner.”

His integrity and compassion deeply touched his master, who later transmitted to him the sacred practice of the Four-Armed Avalokiteshvara (Chenrezig). Through dedicated practice, he reached a level of spiritual realization said to rival the great Milarepa himself.

In 1990, when his karmic conditions ripened, Li Xiangchen became a disciple of Namo Dorje Chang Buddha III. His Holiness personally expounded to him the profound meaning of Prajna (transcendent wisdom). As a result, he awakened great wisdom and thoroughly realized the state of Prajna.

His attainments became unfathomably profound. He could connect with Buddhas and Bodhisattvas and had deep spiritual communion with heavenly realms.

When the Dayi County government began construction of the Master Yi Yungao (H.H. Dorje Chang Buddha III) Museum in 1994, Dharma Master Yongding consulted with the Heavenly Emperor about the upcoming three months of weather. Every day, he wrote forecasts in the worksite dining hall—and for three full months, not a single forecast was wrong.

On another occasion, with a mere wave of his hand, he split a tree trunk a kilometer away. The tree was so thick it would take two people to encircle it. Witnesses were astounded.

Dharma Master Yongding lived by the principle that the Dharma must be obtained through a pure and selfless heart, without the slightest trace of falsehood. He placed the interests of all living beings before his own and upheld the precepts with unwavering resolve.

He was a true practitioner of great compassion, an exemplar of moral discipline, and a living model for all Buddhist disciples. His life reminds us that genuine realization comes not from words, but from the way we live, love, and serve others.

Link:https://peacelilysite.com/2025/06/12/dharma-master-yongding-a-life-of-compassion-realization-and-true-cultivation/

Dragon Boat Festival and Duanwu Jie

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The Dragon Boat Festival, also known as Duanwu Jie, is one of the four major traditional Chinese festivals, alongside the Spring Festival, Tomb-Sweeping Day, and Mid-Autumn Festival. It is celebrated on the fifth day of the fifth month of the Chinese lunar calendar, which is why it is also called the “Double Fifth Festival” (Chongwu Jie, 重五节). On the Gregorian calendar, it usually falls in late May or early June.

In addition to Chinese mainland, many other Asian countries and regions also celebrate this festival. In Malaysia, Indonesia, Singapore, and Taiwan, China, it is known as Bak Chang Festival (‘Dumpling Festival’). Learn more facts about the Dragon Boat Festival

Why Is Dragon Boat Festival So Important?

Many believe that the Dragon Boat Festival is celebrated to commemorate the death of Qu Yuan, a renowned Chinese poet and minister known for his patriotism and profound contributions to classical poetry. He ultimately became a national hero.

However, historical evidence shows that the origins of the Dragon Boat Festival actually predate Qu Yuan’s death. The festival’s earliest roots are tied to the fifth lunar month, which the ancients considered the “month of poison.” As summer began, people were more prone to illness, and epidemics often spread. This made the month seem ominous, prompting ancient communities to adopt various practices to ward off disease and evil spirits.

Thus, the Dragon Boat Festival was originally observed as a traditional health and wellness festival. It was a time for people to carry out rituals and customs aimed at protecting themselves from illness and repelling harmful forces.

Dragon Boat Festival

Dragon Boat Festival Customs

The customs of the Dragon Boat Festival can generally be divided into two main categories. One centers on honoring dragons and historical heroes—most notably Qu Yuan—while the other focuses on warding off evil spirits and promoting health and well-being.

1. Honoring Heroes and Dragons

a. Eating Sticky Rice Dumplings

dragon boat festival celebration, eating sticky rice dumplings

Zongzi (粽子, zòngzi) are the most iconic food of the Dragon Boat Festival. According to legend, after the patriotic poet Qu Yuan drowned himself in the river, local people threw lumps of rice into the water to prevent fish from eating his body. This evolved into the custom of making zongzi.

Traditionally, families would prepare and share homemade zongzi. Today, while some older generations still hand-make them, most people buy them from restaurants or bakeries.

Zongzi are made with glutinous rice and often filled with meats, beans, or other ingredients. They are wrapped in bamboo or reed leaves into triangular or rectangular shapes and tied with soaked stalks or colorful silk cords. Flavors and fillings vary widely across different regions of China.

b. Participating or Watching Dragon Boat Races

dragon boat festival celebration, dragon boat race

Dragon boat racing is the most exciting and prominent activity during the festival. The sport is said to have originated from people paddling out in boats to search for Qu Yuan’s body after his tragic death in 278 BCE.

Another theory suggests that the races originated more than 2,000 years ago as a ritual to worship the Dragon God or Water God.

The boats are traditionally carved and painted to resemble dragons. Depending on the region, each boat can carry 30 to 60 paddlers. Teams row in unison to the rhythm of pounding drums, creating a thrilling and energetic spectacle. Winning is believed to bring good luck and happiness for the year ahead.

Some of the most famous races take place in Hong Kong, Guangzhou, and Hangzhou.

2. Warding Off Evil and Promoting Health

a. Hanging Chinese Mugwort and Calamus

dragon boat festival celebration

The festival coincides with the early summer season, a time when illnesses were historically more common. Mugwort and calamus are medicinal herbs used to prevent disease and repel pests. Their strong fragrances are believed to drive away flies, mosquitoes, and negative energies.

On the fifth day of the fifth lunar month, people clean their homes and hang these herbs on their doors to protect against illness and bring good luck.

b. Drinking Realgar Wine

dragon boat festival celebration,

A traditional saying goes: “Drinking realgar wine drives away disease and evil spirits.” Realgar wine is made from fermented grains and realgar, a red mineral (arsenic sulfide) once believed to be an all-purpose antidote.

Historically, people drank realgar wine to kill insects, detoxify the body, and protect against spiritual harm.

c. Wearing Perfume Pouches

dragon boat festival celebration,

Before the festival, parents prepare small, colorful silk pouches filled with fragrant herbs or perfume for their children. These are either worn around the neck or pinned to clothing as ornaments.

Perfume pouches are believed to offer protection from evil spirits and disease, and are a cherished custom that blends health with artistry.

The Origins of the Dragon Boat Festival

There are many legends about the origin of the Dragon Boat Festival. The most popular ones are as follows:

Why Dragon Boat Festival Celebrated

The Death of Qu Yuan

The most widely accepted origin of the Dragon Boat Festival is its commemoration of Qu Yuan (340–278 BCE), a patriotic poet and loyal official of the Chu State during the Warring States Period. When his beloved state fell to the Qin, Qu Yuan, devastated by the loss, drowned himself in the Miluo River on the fifth day of the fifth lunar month.

Local people, deeply moved by his patriotism, raced out in boats to rescue him or retrieve his body, but their efforts were in vain. To keep fish and evil spirits from disturbing his remains, they beat drums and threw rice dumplings into the river. These traditions evolved into the dragon boat races and the custom of eating zongzi that continue today.

The Unlucky Fifth Month

Another explanation for the origins of the Dragon Boat Festival relates to the traditional Chinese calendar and seasonal beliefs. Since ancient times, the fifth lunar month was considered an unlucky time and was even referred to as the “Month of Poison” (毒月). This was when the “Five Poisonous Creatures” (五毒 wǔ dú)—centipedes, scorpions, snakes, toads, and spiders—began to appear in greater numbers due to the warming weather. Disease, pestilence, and natural disasters were also more prevalent during this period.

The fifth day of the fifth month, or the “Double Fifth,” was seen as especially ominous. To protect themselves, people hung wormwood and calamus on their doorways and wore sachets of fragrant mugwort (xiāng bāo, 香包). The sword-like shape and pungent aroma of calamus were believed to repel both pests and evil spirits. For this reason, the Dragon Boat Festival is also sometimes referred to as the “Calamus Festival” (菖蒲节 Chāngpú Jié).

These rich and varied customs reflect the Dragon Boat Festival’s deep cultural significance, blending ancient health practices with heartfelt traditions of honor, protection, and community celebration.

Link:https://peacelilysite.com/2025/06/05/dragon-boat-festival-and-duanwu-jie/

Source: https://www.chinahighlights.com/festivals/dragon-boat-festival.htm