Category: history

Mindful Speech: How Verbal Karma Shapes Our Lives and Spiritual Growth

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Understanding Verbal Karma through Chinese Traditional Culture and Buddhism

Language is one of the most powerful tools in human communication. It has the capacity to warm hearts, yet it can also deeply wound others. The ancient Chinese saying, “Illness enters through the mouth; misfortune comes out of the mouth,” serves as a profound reminder of the critical importance of our words. Another popular saying states, “A kind word can warm one for three winters, but a harsh word wounds deeply and is hard to forget.” Those who speak thoughtfully build strong relationships, while careless words often lead to unintended enmity or trouble. Indeed, many of life’s great misfortunes arise from verbal mistakes.

The Chinese ancients emphasized the principle of “cautious speech and careful actions,” which is not only a foundational aspect of personal conduct but also key to cultivating one’s character. In modern times, misunderstandings and conflicts often stem from believing rumors and passing on unverified information. This carelessness turns small issues into major problems, causing unnecessary harm. The impact of careless words can extend beyond personal relationships, disrupting families, friendships, and even society, sometimes escalating into widespread societal issues.

Buddhism’s Teachings on Verbal Karma: The Four Types of Harmful Speech

Buddhism profoundly explains the karmic consequences of speech. Among the “three karmas” — body, speech, and mind — verbal karma is especially critical. The Buddha taught that the consequences of verbal karma can be even more destructive than a raging fire because hurtful speech inflicts suffering on others. Buddhism identifies four types of harmful verbal karma:

  • Harsh Speech: Using cruel or aggressive words that directly harm someone’s spirit.
  • Slander: Spreading rumors or sowing discord, leading to broken relationships and disputes.
  • False Speech: Speaking untruthfully or deceiving others.
  • Frivolous Speech: Words that may seem pleasant but mislead or confuse others, distracting them from right mindfulness.

These forms of verbal karma not only harm relationships but also sow seeds of negative karma, inevitably leading to future suffering.

Chinese Buddhist texts record a story from the Song Dynasty: One day, Zen Master Guang XiaoAn observed two monks engaged in a discussion about the Dharma, during which they were surrounded and protected by heavenly beings. However, as soon as their conversation shifted to worldly topics, the deities departed, and evil spirits appeared, mocking the monks with vulgar language. This story serves as a reminder that even monks, when they deviate from righteous speech, will attract negative consequences.

In today’s world, the effects of verbal karma are even more pervasive. Carelessly spreading rumors, posting unverified information online, or making inflammatory remarks can cause lasting damage. Every harsh word is like a sharp blade, hurting not only others but also oneself.

Here is another powerful example that highlights the benefits of controlling one’s speech. At Mount Jiuhua, a sacred Buddhist site renowned for venerating Ksitigarbha Bodhisattva, there once lived a venerable nun. She was widely respected for her virtuous life and profound wisdom, embodying the transformative power of positive speech.

Even at the remarkable age of 136, she remained in good health, continuously reciting the mantra “Amitabha Buddha.” This practice not only reflected her spiritual merit but also her mastery of speech, and self-discipline.

The venerable nun understood the profound impact of verbal karma and strictly adhered to the principle of “cautious speech.” She refrained from gossip and focused her speech on chanting the Buddha’s name. In conversations about spiritual matters, she offered concise and clear guidance, leading people toward the right path. When topics were unrelated to spiritual practice, she chose silence. This self-discipline brought her immense merit, making her a role model for others. She often said, “For women, whether lay or ordained, if one can guard against verbal karma, one is halfway to becoming a Buddha.” Her words highlighted the critical role verbal karma plays in the spiritual path.

The venerable nun’s teachings emphasized the severe consequences of verbal karma. She made it clear that verbal karma is one of the greatest obstacles in spiritual practice and explained its multiple harmful effects:

  • Verbal Karma Obstructs Spiritual Progress: Every instance of harsh speech, slander, or frivolous talk not only harms others but also pollutes one’s mind, hindering spiritual purification.
  • Verbal Karma Leads to Lower Rebirths: Harsh speech is like a wildfire, burning away one’s merit and leading to severe karmic consequences.
  • Verbal Karma Disrupts Harmony: In families, communities, or society, harmful speech creates discord, making it difficult to maintain a peaceful environment for practice.
  • Verbal Karma Weakens Faith: Harsh and false words can cause others to lose faith in their spiritual path, even destroying their potential for future practice.

Her virtuous life and disciplined speech accumulated immeasurable merit. It is said that many patients with difficult illnesses were cured after receiving her blessings, a testament to the power of pure verbal karma.

Guarding Verbal Karma in Modern Life

In today’s world, controlling speech is more essential than ever. Here are some practical steps to guard against verbal karma:

  • Speak Cautiously: Think before you speak. Avoid spreading unverified information and refrain from gossiping or discussing others carelessly.
  • Control Emotions: When emotions are high, it’s easy to say things that cause harm. Cultivate a calm and peaceful mind to avoid saying hurtful things in the heat of the moment.
  • Cultivate Positive Speech: Use kind and uplifting words to resolve conflicts, build trust, and foster harmony in your relationships.

By understanding Buddhism’s teachings on verbal karma, we can become aware of the power of language and use it to bring peace and happiness to ourselves and others. Guarding speech is not only a sign of respect for others but also an essential aspect of personal spiritual practice.

Through mindful and compassionate speech, we can spread kindness, promote harmony, and enhance both the quality of our lives and the happiness of those around us. Let us strive together to use the wisdom of language to create more peace and happiness in our lives and in the lives of others.

Link：https://peacelilysite.com/2024/10/24/mindful-speech-how-verbal-karma-shapes-our-lives-and-spiritual-growth/

100. A Mother’s Wise Advice [Non-violence]

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100. A Mother’s Wise Advice [Non-violence]

Once upon a time, the son of Brahmadatta was ruling righteously in Benares, in northern India. It came to pass that the King of Kosala made war, killed the King of Benares, and made the queen become his own wife.

Meanwhile, the queen’s son escaped by sneaking away through the sewers. In the countryside he eventually raised a large army and surrounded the city. He sent a message to the king, the murderer of his father and the husband of his mother. He told him to surrender the kingdom or fight a battle.

The prince’s mother, the Queen of Benares, heard of this threat from her son. She was a gentle and kind woman who wanted to prevent violence and suffering and killing. So she sent a message to her son — “There is no need for the risks of battle. It would be wiser to close every entrance to the city. Eventually the lack of food, water and firewood will wear down the citizens. Then they will give the city to you without any fighting.”

The prince decided to follow his mother’s wise advice. His army blockaded the city for seven days and nights. Then the citizens captured their unlawful king, cut off his head, and delivered it to the prince. He entered the city triumphantly and became the new King of Benares.

The moral is: Kind advice is wise advice.

100. A Mother’s Wise Advice [Non-violence]

Link: https://hhdorjechangbuddhaiiiinfo.com/2024/10/22/100-a-mothers-wise-advice-non-violence/

#Buddhisttalesforyoungandold #Buddhiststories #storiesforkids #moralstories #Buddha #Jatakastories #PansiyaPanasJataka

The Extraordinary Life of H.E. Xiazhu Qiuyang Rinpoche: A Master of Boundless Compassion and Wisdom

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The most venerable H.E. Xiazhu Choying Rinpoche, also known as H.E. Xiazhu Qiuyang Rinpoche, is a highly accomplished Buddhist master from Guoluo, renowned for his spiritual achievements and mastery of Vajrayana teachings. Born in the winter of 1945, his birth was marked by extraordinary signs: thunder echoed across the sky, and colorful flowers blossomed spontaneously on the grasslands surrounding his birthplace. Many local herdsmen witnessed these rare and auspicious omens, heralding the arrival of an extraordinary being.

Renowned mantra master Regong, a revered monk, recognized the young child as the reincarnation of the venerable Chagailong Cichengdaji Rinpoche and the great master Naropa. From an early age, Rinpoche dedicated himself to the welfare of all sentient beings, living a life of simplicity and spiritual practice in the mountains. Throughout his life, H.E. Xiazhu Choying Rinpoche devoted himself to intense ascetic practice, receiving direct teachings from the supreme Vajrayogini and attaining profound realization. It is said that he could soar through the sky, using his monk robes as wings, a testament to his deep mastery of esoteric yoga.

At the age of fourteen, Rinpoche was ordained as a monk under the guidance of Xiari Huzuo Qintu Dannima. Over the years, he studied under more than 100 highly accomplished masters from all major Tibetan Buddhist schools, including:

  • H.H. the Tenth Panchen Lama and H.H. the Sixth Dharma King Gongtang Yongzeng from the Gelug sect.
  • H.H. Dodrupchen Rinpoche and Khenpo Mengse from the Nyingma sect.
  • Kanda Chiwa Gadan from the Sakya sect.
  • Lama Wangcai Kazhige from the Kagyu sect.
  • Jiana Bannan from the Jonang sect.

From these masters, H.E. Xiazhu Choying Rinpoche absorbed the essence of both exoteric and esoteric teachings. His spiritual journey led him to receive numerous secret mind-dharma teachings and unique empowerments, passed down without reservation, like water flowing freely from a vessel.

Rinpoche spent much of his life wandering through remote mountains and plains, sleeping in caves, eating cold rice and vegetables gathered from alms, and wearing discarded clothing. He lived humbly, indifferent to worldly praise or criticism, appearing at times like a wandering madman. For 25 years, he did not speak a single word, dedicating himself entirely to the practice of the Dharma, undisturbed by the distractions of the world. His rigorous practice took him to numerous sacred sites across Tibet, Qinghai, and India, where he engaged in solitary retreat, including seven years of intense meditation at a holy site in India.

Through these practices, Rinpoche achieved profound realization in the Dakini Dharma, the Great Perfection (Dzogchen) teachings, Kalachakra Vajra Dharma, and Green Tara Dharma. His deep connection with Vajrayogini from a young age allowed him to access highly secret dakini teachings. Buddhist masters of great virtue have recognized H.E. Xiazhu Choying Rinpoche as the true reincarnation of the great master Naropa, revered as the “venerable leader of 100,000 dakinis.”

In a historic event, the International Buddhism Sangha Association conducted an unprecedented Drawing Lots From a Golden Vase Ceremony, drawing one lot from 120 sealed lots. This ceremony affirmed that H.E. Xiazhu Choying Rinpoche is indeed the reincarnation of Patriarch Naropa, a recognition that had been previously confirmed by H.H. Dorje Chang Buddha III.

H.E. Xiazhu Choying Rinpoche has been praised by numerous revered masters, including H.H. the Tenth Panchen Lama, H.H. Dharma King Yongzeng, and H.H. Dharma King Jigme Phuntsok. Xiaridong Rinpoche, a master of the Yamantaka Dharma, described him as “a truly great master of the Dakini Dharma,” while H.H. Dharma King Jigme Phuntsok hailed him as “an extremely rare master who has perfected the Four Initiations Dharma.”

Despite his vast accomplishments, H.E. Xiazhu Choying Rinpoche remains humble and approachable, freely exercising his supernatural powers without attachment. Known for miraculous feats such as flying, multiplying his body, walking underwater, understanding multiple languages, foreseeing disasters and blessings, and reading people’s minds, Rinpoche is revered as “the unhindered rinpoche.” Clothing and personal items that Rinpoche has worn or used are said to be imbued with miraculous blessings. Many Tibetans have reported turning disasters into blessings, surviving dangerous situations, or recovering from serious illnesses after wearing or ingesting a small piece of his monk’s robe.

H.E. Xiazhu Choying Rinpoche’s legendary life and accomplishments have been widely recorded, including in books such as Holy Cultivation and Its Marvelous Fruits and Biographies of Ten Major Disciples of Dharma Kings. In Tibet, particularly in the Amdo region, almost everyone knows of his miraculous deeds. His life stands as a beacon of inspiration and a model of Dharma practice in this world of five defilements.

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Upon reading A Treasury of True Buddha-Dharma, H.E. Xiazhu Choying Rinpoche immediately recognized H.H. Wan Ko Yeshe Norbu as the primordial Dorje Chang Buddha, the highest Buddha in Buddhism. His realization corroborated the recognition of other great holy dharma kings. H.E. Xiazhu Choying Rinpoche offered his heartfelt congratulations in a respectful letter, further acknowledging the sacred truth.

To the Most Revered and Holiest Wish-Fulfilling Jewel Dharma King:

I have learned that A Treasury of True Buddha-Dharma, is a sacred text about His Holiness, the supreme and most honored H.H. Dorje Chang Buddha III, is soon to be distributed worldwide. This book contains the highest, authentic Dharma that brings immense benefit to all sentient beings.

Master Dodrupchen, who is universally recognized as the second Guru Padmasambhava and the highest holy being within Tibetan esoteric Buddhism, expressed his astonishment in his formal congratulations. He praised the accomplishments of the Holiest Wan Ko Wish-Fulfilling Jewel Dharma King as truly extraordinary—unimaginable and miraculous, transcending the ordinary. These achievements express both the describable and indescribable absolute truth of the Buddha-Dharma.

We shall proclaim and praise the accomplishments of His Holiness throughout the Dharma realm. We express our deepest gratitude to His Holiness, the ancient Buddha, for His boundless and great compassion in coming to this world once again to benefit all sentient beings!

Xiazhu Qiuyang Rinpoche
May 1, 2007

▲那諾巴祖師轉世的夏珠秋楊敬賀第三世多杰羌佛成就之原函（楊宜翻攝自《多杰羌佛第三世》正法寶典）
▲Original congratulatory letter from Xiazhu Choying in Tibetan

#DorjeChangBuddhaIII #HHDorjeChangBuddhaIII  #MasterWanKoYee #Buddha#HuaZangSi#InternationalBuddhismSanghaAssociation#IBSA#WorldBuddhismPublishingLLC#WorldDharmaVoice #XiazhuQiuyangRinpoche #Tibetan #EsotericBuddhism

Link:https://peacelilysite.com/2024/10/16/the-extraordinary-life-of-h-e-xiazhu-qiuyang-rinpoche-a-master-of-boundless-compassion-and-wisdom/

Source: https://www.tpcdct.org/article/1327#detail

The Double Ninth Festival: A Celebration of Longevity, Family, and Filial Piety

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The Double Ninth Festival, also known as Chongyang Festival, falls on the ninth day of the ninth lunar month each year. In 2024, this special day is observed on October 10th. In ancient Chinese philosophy, as referenced in the I Ching, the number “nine” is considered a yang number, symbolizing strength and vitality. The festival’s name, “Double Ninth” or “Chongyang,” refers to the doubling of this powerful number, representing longevity and blessings.

The pronunciation of “九九” (jiǔ jiǔ) sounds similar to “久久,” which means “long-lasting.” On this day, as autumn unfolds with its vivid hues, people gather to hike, enjoy the red cornelian cherries in bloom, eat Chongyang cakes, and drink Chongyang wine, all while offering prayers for well-being and longevity. The number nine, being the highest single-digit odd number, is symbolic of long life, carrying with it the wishes of good health and longevity for the elderly. As time passes and human lives inevitably age, nature remains timeless, and we all must face the farewells that are a part of life.

Chongyang Festival is one of China’s most significant traditional holidays, and over the centuries, its customs have continued to thrive. People climb to high places to seek blessings, enjoy autumn scenery, appreciate chrysanthemums, and wear cornelian cherry (茱萸) as part of the ancient traditions. The festival has also become China’s officially designated Senior Citizens’ Day, a reflection of the nation’s cultural emphasis on honoring the elderly, with filial piety at the heart of the celebrations. The deep respect for elders, a core Chinese value, is encapsulated in the tradition of 孝 (xiào), which has remained unchanged through the ages.

Historical records of Chongyang customs date back to Lüshi Chunqiu, and by the Han dynasty, it became common for people to wear cornelian cherries and drink chrysanthemum wine during the festival in hopes of promoting longevity. The chrysanthemum, admired for its elegance and resilience to frost, has long symbolized the virtuous gentleman in Chinese culture. During Chongyang, chrysanthemums bloom in abundance, and the festival would be incomplete without them. As the saying goes, “Without chrysanthemums, there is no Chongyang.” Ancient people lit chrysanthemum lanterns, decorated the streets with flower displays, and gathered to admire the blossoms in the evening, adding a special charm to the festival.

Tao Yuanming, one of China’s most beloved poets, wrote in the preface to Leisure at the Ninth Day: “In my leisure, I cherish the name of the Double Ninth Festival. With the garden full of chrysanthemums, I long for the wine but find none; so I simply sip the nine flowers in their essence.”

This imagery beautifully captures the festival spirit of sipping wine infused with chrysanthemum petals, a practice believed to preserve health and vitality. Wine has always been a key part of festive celebrations, and during Chongyang, chrysanthemum wine is essential. This traditional drink is believed to ward off misfortune and bring longevity.

The festival’s atmosphere is enhanced by the vibrant scenery of autumn. As the hills are covered in yellow flowers, one can imagine the joy of gathering with friends, sharing a drink, and admiring the beauty of chrysanthemums. This sense of togetherness is echoed in the works of Tang dynasty poet Meng Haoran, who described the simple pleasures of sitting with old friends by the window, drinking wine, and chatting while watching the lush vegetable garden outside. Such moments, rich in warmth and simplicity, remind us of the importance of human connection and the passage of time.

A key custom during Chongyang is wearing cornelian cherry. This tradition was especially popular during the Tang dynasty, as people believed that wearing these fruits could protect them from misfortune.

Cornelian cherries were worn on the head, the arm, or carried in sachets, serving as symbols of protection and unity among family and friends. The poet Wang Wei famously captured this sentiment in his poem Thinking of My Brothers on the Double Ninth:

“Alone, a stranger in a foreign land,
I long for my kin on every holiday.
I know my brothers are climbing high with cornelian cherries,
But there is one less person among them.”

His words reflect the deep homesickness and yearning for family, feelings that resonate with many who are far from home during important festivals.

Flower Cakes

Another significant tradition is eating flower cakes during Chongyang. The word “糕” (cake) sounds like “高” (high), and eating these cakes symbolizes the desire for life to “rise to new heights.” On the morning of Chongyang, mothers place small cakes on their children’s foreheads while whispering prayers for their health and safety, a heartwarming expression of parental love.

As autumn progresses and the white dew turns to frost, people celebrate the Double Ninth Festival by eating flower cakes, climbing to high places, and admiring the red leaves that blanket the hills. These simple yet profound traditions deepen the connection to nature and soften the heart’s longing for home.

The Chongyang Festival is not just a time to honor the elderly but also a celebration of the timeless values of family, respect, and filial piety. As families gather to enjoy the view from high hills and savor these precious moments together, they strengthen the bonds of kinship, appreciating the blessings of health, longevity, and the beauty of life’s passing seasons.

Link: https://peacelilysite.com/2024/10/11/the-double-ninth-festival-a-celebration-of-longevity-family-and-filial-piety/

Photos From: https://news.qq.com/rain/a/20241011A03NUI00

Exploring the Timeless Charm of Pingyao Ancient City

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Pingyao Ancient City – The Best-preserved Ancient City in China

Pingyao Ancient City, with over 2,700 years of history, remains one of China’s best-preserved ancient cities. Its authentic layout features long, ancient city walls, elegant residences, courtyards, and a maze of streets and alleys that evoke the bustling county life of the Ming and Qing Dynasties. Designated a UNESCO World Cultural Heritage Site in 1997 alongside Shuanglin and Zhenguo Temples, Pingyao is one of the Four Most-Preserved Ancient Cities in China, making it a must-visit for those keen on history and culture.

A Journey Through Time

Pingyao was founded during the Western Zhou Dynasty in the 8th century BC, and it grew significantly during the Ming and Qing Dynasties. Unlike many ancient cities, it has survived wars and modernization, making it even older and more intact than famous counterparts like Lijiang Old Town, Huizhou Ancient City, and Langzhong Ancient City.

As the seat of county government since the Qin Dynasty (221 BC), Pingyao’s prominence only increased when its city walls were rebuilt and expanded in 1370. With over 400 ancient residential houses, government offices, shops, banks, and temples still standing, the city offers visitors a glimpse into traditional Chinese life, commerce, and religion.

Pingyao’s Unique Architecture

The architecture of Pingyao is one of its greatest treasures. Beyond its famous city walls and financial institutions, the city’s homes and structures reveal traditional design principles of the Ming and Qing Dynasties. Constructed using ancient techniques and materials, Pingyao’s buildings retain exquisite details in layout, decorations, and craftsmanship. When viewed from above, the city’s layout resembles a turtle, with the Southern Gate as its head, the Northern Gate as its tail, and the east and west gates representing its limbs.

Must-See Highlights in Pingyao

Ancient City Wall
Built in 1370, Pingyao’s city walls stretch over 6,163 meters and are considered among the best-preserved in China. The walls stand 12 meters high, and at the top, you can explore 72 watchtowers, said to symbolize the 72 disciples of Confucius. Walking along the walls offers breathtaking views of the city below, the surrounding countryside, and the ancient military equipment once used to defend this historic town.

Rishengchang Former Bank
As China’s first modern bank, established in 1823, Rishengchang revolutionized financial operations in the Qing Dynasty. The museum here offers a fascinating look at China’s banking history, with exhibits on ancient financial tools, account books, and original working scenes.

North China First Escort Agency
Known for its armed escorts protecting valuables, this agency thrived during the Qing Dynasty. Today, it’s a museum that tells the history of these brave escorts, showcasing the tools and techniques they used to safeguard goods during China’s bustling commercial era.

Pingyao Ancient Government Office
Dating back over 600 years, this grand office complex served as the seat of government in feudal China. Visitors can tour its judicial halls, ancient jails, and living quarters, and even watch performances of ancient court proceedings.

Temple of the City God
One of the most well-preserved City God temples in China, this Ming Dynasty complex is located in the eastern part of the city. With stunning wooden architecture, colored glazes, and vibrant frescoes, it’s a peaceful spot to take in the spiritual atmosphere while admiring the craftsmanship of centuries past.

Exploring Beyond the City

Pingyao Ancient City is part of a UNESCO-listed trio that includes the nearby Shuanglin and Zhenguo Temples, each rich with history and cultural significance.

  • Zhenguo Temple
    Although less known, Zhenguo Temple is a hidden gem, offering an impressive array of ancient painted sculptures from the Five Dynasties period. The Ten Thousand Buddha Hall houses statues with a powerful presence, showcasing techniques that date back to the Tang Dynasty.

  • Shuanglin Temple
    Located just 6 kilometers from Pingyao, Shuanglin Temple is a masterpiece of Chinese painted sculpture, with over 2,000 Ming Dynasty statues that appear lifelike, capturing human emotions and worldly charm.

The Thousand-hand Avalokitesvara

A Culinary Adventure in Pingyao

Pingyao boasts 108 types of local snacks and dishes, with noodles being the star. The city’s famous Pingyao Beef is a must-try, thinly sliced and bursting with flavor. Another local favorite is Pingyao Wantuo, a buckwheat dish with a chewy texture that’s perfect for summer, known for its cooling and detoxifying properties.

The environment is also a quaint restaurant

Tips for a Budget-Friendly Trip

Many tourist traps in Pingyao are located near the city’s outer entrances. Avoid being lured in by promotions outside and head straight into the ancient city for an authentic experience. Once inside, you can explore freely, with many areas open to the public.

  • Ancient City Pass: The ¥125 pass includes access to 22 attractions, such as the city walls, government offices, and temples. If you’re just looking to wander the streets and grab a bite, entry to the ancient city itself is free. The pass is valid for three days and can be purchased via the official “Pingyao Ancient City Scenic Area” mini-program. Discounts are available for students, military personnel, and seniors.

Where to Stay: Accommodations in Pingyao

Staying inside the ancient city is the best way to fully immerse yourself in Pingyao’s charm. Not only is it convenient for sightseeing, but it also allows you to enjoy the beautiful night views and avoid the peak tourist times. Homestays within the city are affordable, ranging from ¥100-200+ per night, with some offering traditional heated beds that add a touch of historical authenticity to your stay.

However, be sure to check the reviews and photos before booking, as the quality of accommodations can vary. Some rooms may be small or lack private bathrooms, so it’s essential to do a little research beforehand.

Pingyao Ancient City is vast, so if your time is limited, focus on exploring the main attractions around South Street and East Street. For those staying longer, take the time to wander the quieter alleys to experience local life and discover hidden gems beyond the tourist hotspots.

Pingyao Ancient City offers a unique window into China’s rich history and cultural heritage. With its well-preserved architecture, vibrant temples, and fascinating museums, it’s a destination that promises to transport you back in time, offering unforgettable experiences at every turn.

Link:https://peacelilysite.com/2024/09/20/exploring-the-timeless-charm-of-pingyao-ancient-city/

Source: https://www.chinadiscovery.com/shanxi/pingyao/pingyao-ancient-city.html, https://new.qq.com/rain/a/20210825A00UZJ00

A Sacred Bodhi Leaf

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The Spiritual Journey of Chiang Wei-Kuo

Chiang Wei-Kuo(蔣偉國）, the son of the former Kuomintang Chairman Chiang Kai-Shek (蒋介石), is often remembered as a prominent political figure. However, many may not know that he was also a deeply devout Buddhist, with a profound understanding of Buddhist teachings. His dedication to Buddhism led him to engage in meaningful discussions and exchanges with Western religious figures, leaving a lasting impact. In fact, the president of a league of eighty-three American universities once said that Chiang Wei-Kuo was his godfather. But beyond his public life, Chiang Wei-Kuo’s spiritual journey was one of deep significance.

In his early years, Chiang Wei-Kuo made a special pilgrimage to India, seeking to connect with the sacred sites of the Buddha and attain enlightenment.

While standing beneath the Bodhi Tree, where Shakyamuni Buddha himself attained supreme enlightenment, Chiang Wei-Kuo made a solemn vow to benefit all living beings. At that very moment, a large leaf suddenly fell from the tree. This leaf, unusually large compared to the others, seemed to be a sign. Deeply moved, Chiang Wei-Kuo took the leaf back home and showed it to his father, Chiang Kai-Shek. Touched by the story, Chiang Kai-Shek instructed his son to enshrine the leaf in the family’s ancestral hall. Since that day, the Bodhi leaf became a revered object of worship in the Chiang family’s ancestral hall.

Years later, in May 1995, Master Yi Yungao (H.H. Dorje Chang Buddha III) led a delegation of eight individuals to visit Taiwan. During this visit, Chiang Wei-Kuo, with deep reverence and devotion, requested to become a disciple of Master Yi Yungao. As part of his request, he presented the sacred Bodhi leaf as an offering. In a heartfelt gesture, Chiang Wei-Kuo personally inscribed the story of how he obtained the leaf in Bodhgaya, its significance to his family, and the profound spiritual connection it held. This offering symbolized his deep respect for the Buddha and his unwavering commitment to his spiritual path.

On November 13, 2008, the U.S. Congress hosted a special art exhibition featuring the works of Buddha Mother (Professor Yuhua Shou Zhiwang) at the Capitol Building in Washington, D.C. To ensure the safe transport of these precious artworks, a decision was made to rent an RV (Recreational Vehicle) and form a convoy with trucks carrying the pieces. Namo H.H. Dorje Chang Buddha III, along with Buddha Mother and their disciples, stayed in the RV throughout the journey, embarking on a spiritual pilgrimage across America.

The convoy, led by Namo H.H. Dorje Chang Buddha III and accompanied by several dozen disciples, departed from Los Angeles on October 25, 2008. Over the course of 33 days, they journeyed across more than 20 states, traveling from the west coast to the east coast. Despite the busy preparations for an exhibition in Washington, D.C., Namo H.H. Dorje Chang Buddha III delivered teachings to his disciples almost every evening. These teachings were later compiled into a 19-volume collection titled Teachings from the Eastward Journey.

Throughout the journey, numerous sacred signs appeared wherever Namo H.H. Dorje Chang Buddha III visited. One such miraculous event occurred when the Buddha and his disciples were resting under a Western Bodhi tree. As the Buddha was speaking to Venerable Tsemang and other disciples about Chiang Wei-Kuo’s offering of a Bodhi leaf years ago, a rustling sound suddenly came from above. With a distinct “thud,” a Western Bodhi leaf fell from the tree, astonishing everyone present.

Western Bodhi leaves typically have white veins with light pinkish veins on the back. However, this particular leaf was different. While it shared the same shape as other Bodhi leaves, its veins were strikingly red on both sides, without any trace of white veins.

Moreover, it was extraordinarily large, much larger than any other leaf on the tree. The timing of this event was miraculous, coinciding precisely with the Buddha’s recounting of how Chiang Wei-Kuo had obtained a large Bodhi leaf in India. This unique leaf falling from the Western Bodhi tree signified that wherever the true Dharma of the Tathagatas is spoken, profound responses occur.

Additionally, after the Eastward Journey ended and they returned to Los Angeles, Namo H.H. Dorje Chang Buddha III manifested amrita (nectar) at the Vajra Mandala in Pasadena. This further confirmed that the “Teachings from the Eastward Journey” are the pure and supreme authentic Dharma of the Buddha, a testament to the spiritual power and significance of the journey.

Link:https://peacelilysite.com/2024/08/22/the-sacred-bodhi-leaf/

The Potala Palace: Jewel of the Roof of the World

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Located in the Tibet Autonomous Region of China, the Potala Palace is known as the “Jewel of the Roof of the World.” It stands as a symbol of China, Lhasa, and the Qinghai-Tibet Plateau. This palace, the highest and most majestic in the world, houses an incredibly rich collection of cultural relics and artifacts, preserving the unique heritage of the Snowy Plateau. The palace is renowned for its architectural layout, civil engineering, metal smelting, painting, and carving, showcasing the extraordinary skills of Tibetan artisans and the architectural achievements of the Tibetan people, as well as contributions from Han, Mongolian, and Manchu craftsmen. In December 1994, the Potala Palace was inscribed on the World Heritage List.

The magnificent Potala Palace stands at an altitude of 3,700 meters, covering a total area of 360,000 square meters, with a total building area of 130,000 square meters. The main building is 117 meters high, appearing to have 13 floors from the outside, while actually containing 9 levels internally. The complex includes palaces, stupas, Buddhist halls, scripture halls, monks’ quarters, and courtyards.

The Potala Palace’s main structure is divided into the White Palace and the Red Palace. Built into the mountainside, the complex features overlapping buildings, imposing halls, and a grand, sturdy granite structure. The white balustrades made of smooth bema grass, the resplendent golden roofs, and the large gilded bottles, stupas, and red banners create a striking decorative effect. The vivid contrast of red, white, and yellow, along with the intricate interlocking architecture, highlights the enchanting characteristics of ancient Tibetan buildings.

Historical records indicate that the Potala Palace was first constructed in the 7th century during the reign of Songtsen Gampo of the Tubo Kingdom, making it 1,300 years old. In the early 7th century, after moving the capital to Lhasa, Songtsen Gampo built three nine-story buildings with a total of one thousand rooms on Red Hill to welcome Princess Wencheng of the Tang Dynasty. The palace was named Potala Palace. The three walls surrounding Red Hill and a silver and copper bridge connecting the palaces of Songtsen Gampo and Princess Wencheng were part of the original structure. Outside the east gate of the Potala Palace was Songtsen Gampo’s horse-racing track.

When Princess Wencheng traveled to Tibet, she brought with her a large collection of books and documents, greatly promoting the development of Tibetan culture. It is said that there were more than 300 types of books on astronomy and calendrical calculations alone. The Tibetan calendar, still in use today, was created by absorbing and learning from the Han calendar, combined with the characteristics of Tibetan-inhabited areas and the experiences of the Tibetan people’s production labor. Classic works representing the excellent traditional culture of China, such as “Liezi,” “Shangshu,” “Strategies of the Warring States,” and “The Book of Questions Between Confucius and Xiang Tuo,” were also introduced to Tibet.

Ingenious Design and Construction

The design and construction of the Potala Palace take into account the patterns of sunlight in the plateau region. The foundation walls are broad and sturdy, featuring a network of tunnels and ventilation openings beneath them. Inside, the palace employs pillars, brackets, wooden struts, beams, and rafters to form its framework. The floors and roofs are made from a hard soil called “Arga.” Skylights are installed in the ceilings of each main hall and bedroom to facilitate lighting and air circulation. The pillars and beams inside the palace are adorned with various carvings, and the colorful murals on the walls cover an area of more than 2,500 square meters.

The Red Palace’s Enchanting Halls

The Red Palace, situated in the central position of the Potala Palace, is distinguished by its red outer walls and mandala layout. The Hall of the Dharma King (Qujiejiebu) and the Hall of the Sage (Pabalakang) within the Red Palace are said to be structures remaining from the Tubo period. The Hall of the Dharma King is located in the middle of the Potala Palace, directly above the peak of Marpori Mountain. It is believed that this hall was once the meditation retreat of Songtsen Gampo and now houses statues of Songtsen Gampo, Princess Chizun, Princess Wencheng, and other ministers. The Hall of the Sage enshrines Songtsen Gampo’s principal deity, a naturally formed sandalwood statue of Avalokiteshvara. The rooftop platform of the Red Palace is adorned with the golden roofs of various stupa halls, all single-eaved hip-and-gable structures supported by wooden brackets and covered with gilded copper tiles.

Songtsen Gampo and Princess Wencheng (Image source: Potala Palace official website)
White Palace

A Masterpiece of Tibetan Architecture

The Potala Palace is a masterpiece of ancient Chinese architecture and an outstanding representative of Tibetan architecture. Its architectural artistry is the most remarkable example among the thousands of Tibetan Buddhist temples and palaces, unmatched anywhere in the world. At the pinnacle of the palace stand three gilded pagodas, one large and two small, shining brightly and dazzling the eyes. The parapet around the rooftop is constructed from a deep purple-red shrub, decorated with various gold ornaments. The roof is adorned with large gilded finials and red prayer flags, reflecting a strong Tibetan style.

A Fusion of Artistic Traditions

The sculptural art within the Potala Palace combines techniques from Han, Indian, and Nepalese Buddhist art. The palace houses a vast collection of treasures, including heavy-colored clay sculptures, wood carvings, stone carvings, and a significant number of metal statues made from gold, silver, copper, and iron. These works of art range in size from over ten meters tall to just a few centimeters.

Thangka Paintings and Cultural Treasures

“Thangka,” a Tibetan transliteration, refers to scroll paintings mounted on colorful silk brocade, depicting religious figures, historical events, and doctrines, as well as subjects like Tibetan astronomy, calendrical calculations, and traditional medicine. The Potala Palace preserves nearly ten thousand thangkas, some of which are several tens of meters long.

The palace also houses numerous religious and artistically significant artifacts, including Tibetan carpets, prayer cushions, prayer flags, canopies, and embroidered satin hangings.

Thangka of a stupa inscribed with the calligraphy of Emperor Qianlong. (Image source: Potala Palace official website)

Gilded bronze openwork incense burner with handle from the Potala Palace. (Image source: Potala Palace official website)

A National Treasure and World Heritage Site

The Potala Palace preserves a vast number of statues, murals, scriptures, and other cultural relics, making it a treasure trove of national art and culture. It is listed as a national cultural relic protection unit and a UNESCO World Heritage Site, reflecting its immense cultural and historical significance.

Explore the Potala Palace and immerse yourself in the rich tapestry of Tibetan history, art, and culture. Its breathtaking architecture and priceless artifacts offer a unique glimpse into the soul of Tibet, making it a must-visit destination for anyone seeking to understand the heritage of the Roof of the World.

Link:https://peacelilysite.com/2024/08/01/the-potala-palace-jewel-of-the-roof-of-the-world/

Source: https://www.brxuefo.com/2862.html,

The Green Tara Perfect Practice Ritual and Thangka: A Marvel of Compassion and Artistry

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The Revered Practice of Green Tara: A Journey Through Time

Avalokiteshvara Bodhisattva, from beginningless eons, has been tirelessly saving countless sentient beings with his immense compassionate power. Despite his boundless efforts, he felt a sense of inadequacy. Thus, from the power of samadhi born of great compassion, he formed an immense compassionate force. This force, combined with the great compassionate power of Buddhas from the ten directions, resulted in a drop of green tear flowing from his eye, transforming into the infinitely majestic green female Bodhisattva, known as Green Tara. Due to this origin, Tara’s power to save is boundless and infinite.

Green Tara is revered as the Great Compassionate One and the Holy Savior Mother Buddha. The practice of the Green Tara ritual has a rich history that originated in India and later spread to China, Tibet, Japan, and beyond. The sacred roots of this practice trace back to Green Tara herself, who was initially the ancient Buddha Pravartaka and an incarnation of Avalokiteshvara Bodhisattva.

Chanting the Green Tara mantra even once, with focused contemplation of Tara’s sacred image, brings immense merit. Such merit is equivalent to chanting the names of seventy-two billion Buddhas and Bodhisattvas as numerous as the sands of the Ganges. Both the exoteric and esoteric traditions have extensive practices based on this ritual, and many practitioners have achieved great success and benefit from it.

Over time, the original texts and mandalas related to this profound practice have suffered from omissions and distortions in their transmission. For the past two hundred years, these deviations have increasingly moved away from the authentic regulations. In recent decades, the practice has nearly completely lost its true essence. Furthermore, the representations of Green Tara have deteriorated in form, lacking the dignity of the authentic appearance. This includes discrepancies in hand mudras, attire, and overall sacred depiction, resulting in a significant loss for the Buddhist community.

The Green Tara Perfect Practice Ritual and Thangka by H.H. Dorje Chang Buddha III

In response to these issues, H.H. Dorje Chang Buddha III transmitted the “Green Tara Perfect Practice Ritual” and personally supervised the creation of the Green Tara mandala thangka.

This three-dimensional thangka is not only lightweight and portable, making it easy to carry, but also presents the mandala clearly and vividly, ensuring that it remains etched in memory. Additionally, it possesses several extraordinary merits:

  1. Authenticity and Compliance: The Green Tara mandala presented in the thangka fully complies with the regulations of the “Green Tara Perfect Practice Ritual.” This ensures that the practice remains true to its original form.
  2. Historical and Miraculous Significance: Tara had already attained Buddhahood countless eons ago, her divine power is illustrious, and her sacred deeds are well-documented. Today, in the “Tara Hall” in Nethang, Tibet, the sacred statue of Tara once spoke to Atisha, instructing him, further propagating her holy name and Dharma power across China and Tibet. During the creation of this three-dimensional thangka, many miraculous occurrences were witnessed. For example, the sacred image of Tara, originally looking straight ahead, appeared differently in subsequent photographs taken from the same angle: one showed her looking up at the sky, while the other depicted her looking down at sentient beings. This clearly demonstrates Avalokiteshvara Bodhisattva’s extraordinary vow power: above, he shares the same compassionate force with all Buddhas and Bodhisattvas; below, he joins in compassionate aspiration with all sentient beings in the six realms. Additionally, when viewed from different angles, the main deity of Green Tara always faces the observer, and the seed syllables in the sky behind her follow her movement, appearing above her head. Furthermore, the colorful clouds, initially close to the sun and moon, seem to remain stationary while the sun and moon move vividly between the clouds from different perspectives.
  3. Majestic and Unmatched Representation: The sacred image of Green Tara in the thangka is exceptionally majestic and perfect, unrivaled in both China and Tibet throughout history. The twenty Taras, each with different postures, exhibit supreme Dharma power, arranged behind the main deity, appearing and disappearing miraculously. Notably, standing in different positions reveals the Great Brahma Deva, the primary protector, initially as one, then suddenly as two, and then back to one again, a phenomenon unprecedented in history! Meanwhile, the Four Great Heavenly Kings and the Eight Dragon Kings remain unchanged. Additionally, Indra, the Four Great Heavenly Kings, and the retinue of the Eight Dragon Kings, wielding their divine weapons and instruments, surround and protect Tara with unmatched divine transformation. Visualizing this thangka makes the practice highly effective and rapidly fruitful.

Validation and Praise

Upon the completion of the “Green Tara Perfect Mandala Thangka,” Buddha Master specifically instructed disciples to bring all existing Green Tara statues of various materials from around the world to the Vajra Dharma Circle for public verification. They were to determine which one is the most orthodox and perfect thangka. The Vajra marbles immediately entered the mandala thangka, confirming that the Buddhas and Dharma protectors of the ten directions unanimously endorsed it.

Many of the seven classes of Buddhist disciples, upon practicing with this three-dimensional thangka, experienced unprecedented and unique realms. High monks, living Buddhas, and even Dharma Kings from around the world have all respectfully praised and recommended this rare and precious sacred image. In truth, among all the existing Green Tara images, none can compare to the perfection and majesty of this mandala thangka. Its blessing power is extraordinarily miraculous; a single glance imprints it deeply in the mind, leaving a lasting impression.

The Green Tara Perfect Practice Ritual and its accompanying thangka, as transmitted and supervised by H.H. Dorje Chang Buddha III, represent a revival of the authentic practice of Green Tara. This thangka not only restores the true essence of the practice but also enhances the spiritual experience for practitioners worldwide, offering unparalleled blessings and merits.

Link:https://peacelilysite.com/2024/08/01/the-green-tara-perfect-practice-ritual-and-thangka-a-marvel-of-compassion-and-artistry/

Source: https://www.brxuefo.com/5970.html , https://www.brxuefo.com/6849.html

Discover the Beauty of Qinghai This Summer

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Entering summer, the northwest is like a fairyland, and as the gateway to this paradise, Qinghai is so breathtaking that one forgets the passage of time. Snow-capped mountains, lakes, grasslands, deserts, Yadan landforms, temples, prayer flags…

Countless unique landscapes make Qinghai a place worth exploring in depth. Here, you can easily encounter breathtaking scenery: lakes, flower fields, deserts, and starry skies, along with six vibrant colors: blue skies, green lakes, white mountains, golden deserts, green grasslands, and yellow rapeseed flowers. Walking on this vast land, the vitality and colors continually surprise you. Qinghai is a place you’ll fall in love with and never want to leave. In July, Qinghai Lake is romantic and poetic, with vast fields of rapeseed flowers along the lakeshore, blue water blending with the sky, and smoke rising from small wooden houses by the shore, resembling a pastoral landscape painting.

Qinghai Lake or Ch’inghai Lake, also known as Lake Koko Nor, is the largest lake in China (the size of Rhode Island or three Greater Londons). Located in the northeast of the Tibetan Plateau, this huge alkaline salt lake is usually No. 1 on “Most Beautiful Lakes in China” lists.

Spectacular Sunrise of Qinghai Lake

Erlangjian Scenic Area

Fairy Bay Area – The Sea of Flowers

Fairy Bay Area is a wet land located in the northern coast of Qinghai Lake. There are two legends about how Fairy Bay Area got its name. In one old legend, the queen of the west area fell in love with the King of Central Plains. The queen always served a feast for the king in Qinghai Lake with pretty fairies singing and dancing for them. Another ancient poem showed that the Queen of the west had been waiting for the king of Central Plains in Qinghai Lake for thousands of years but he never kept his appointment. The sad queen left for Heaven, but she ordered the fairies to guard Qinghai Lake. Later, these fairies masqueraded as swans living in Fairy Bay Happily. Might be attracted by these beautiful swans, a dozen of other birds also prefer Fairy Bay as a habitat.

Apart from various birds, different kind of flowers blooms here from every June to October. Just like a carpet waved by fairies, Fairy Bay presents on white, yellow, orange, pink, red etc., really deserving its name of Flowers’ Ocean. Because of the magic legends and amazing landscape, local people regard it as sacred ground and several solemn rituals are held here. So, you can feel a strong cultural fragrance.

Sand island in the lake

Great Scenery in the Biking Trip

There’s a Tibetan folk custom that Buddhists should walk around the lake in the Year of Goat, circle the mountains in the Year of Horse, and circle the forest in the Year of Monkey. Some believe it’s a decree left by Buddha. Qinghai Lake is a sacred lake for Buddhist pilgrimages. Especially in Horse years of the 12-year cycle, many Buddhists will take a kora around the Qinghai Lake which is believed to be helpful to lead a safe and happy life. By traveling to Qinghai Lake you can get close to the devoted Tibetans and appreciate Tibetan culture. When the weather is warm in the summer months, there are ethnic festivals of the Tibetans and Muslims. Nowadays, there are still lots of minority tribes and herdsman families living beside the Lake. You can feel the strong nomadic ethnic culture there.

Buddhist Pilgrims Worshiping Qinghai Lake

Besides Qinghai Lake, there are many lakes in Qinghai, such as Chaka Salt lake, ChaErHan Salt lake, etc.

Qinghai has many mountains, 3,600 mountain peaks, clustered together, resemble giant petals in full bloom, tracing graceful arcs across the sky. Up close, they resemble ancient castles, pyramids, animal shapes, and cylindrical pillars. Being there feels like entering a maze, making it difficult to distinguish directions.

In July and August, large fields of rapeseed flowers bloom beneath Zhuo’er Mountain. Standing at the top of the mountain, the view is incredibly expansive and unobstructed. As far as the eye can see, the earth is covered with a golden-yellow carpet.

This summer, embark on a pilgrimage to Qinghai.

On this vibrant land, there exists a power, ancient and resolute, with the solemn sound of bells echoing in all directions, suppressing all disturbances. The 400-year-old Kumbum（or Ta’er Monastery ) is one of the most important temples of the Gelug sect of Tibetan Buddhism. Entering the incense-filled Ta’er Monastery, one begins to feel detached from the mundane world. Devout followers, serene temples, and vivid Buddha statues all convey the weight of faith. The monastery’s buildings are grand, blending Han palace and Tibetan flat-top styles. With over 4,500 rooms, it forms a unique architectural complex that integrates Han and Tibetan craftsmanship.

The most captivating event is the annual “Shai Da Fo” or “Shai Da Thangka,” also known as the “Buddha Exhibition Festival.” This involves displaying a large Buddha image outdoors to prevent mold and insect damage, and more importantly, as a special way for monks and followers to pay homage to the Buddha. The image is actually a special type of large Thangka, a rare treasure among scroll paintings. The best time to unfold the Buddha image is at dawn when the first rays of sunlight hit the earth, hence the name “Shai Fo,” which means “Sun Buddha.”

Held twice a year during the lunar fourth and sixth months, the festival commemorates the birth, enlightenment, and nirvana of Shakyamuni, the emergence of Maitreya, and the birth and nirvana of Tsongkhapa. By displaying the Buddha image, followers can gaze upon it, receive its blessings, and protect it from damage. Ta’er Monastery has four large embroidered Buddha images: “Lion’s Roar,” “Shakyamuni,” “Tsongkhapa,” and “Vajrasattva,” with only one displayed each time on the monastery’s hillside. The ceremony is grand, attracting many spectators and creating a spectacular scene.

Link:https://peacelilysite.com/2024/07/15/discover-the-beauty-of-qinghai-this-summer/

Source: https://www.chinahighlights.com/xining/attraction/qinghai-lake.htm, https://www.chinadiscovery.com/qinghai/xining/qinghai-lake.html, photos from https://fashion.sina.cn/l/ds/2022-07-06/detail-imizmscv0155077.d.html

“An Amazing, Wondrous Moment”: Tibetan-born Musician and Artist Dechen Shak-Dagsay’s emaho

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By Raymond Lam January 19, 2022

Dechen Shak-Dagsay is a Swiss-Tibetan musician and author. Over the past few decades, she has built a career in music by combining the Tibetan mantra transmissions passed down by her father, Ven. Dagsay Rinpoche, with innovative melodies and contemporary instrumental productions. She has also engaged in collaborative projects with other spirituality-inspired musicians. Having lived in Switzerland for most of her life, Dechen is one of the most prominent contemporary Tibetan singers in Europe today, and has also become globally recognized through various music awards, and for having performed songs from her albums Jewel and Day Tomorrow at Carnegie Hall in New York. Dechen is also the founder of the Dewa Che charity organization, which engages in social projects in Tibet.

Dechen’s newest album, emaho – The Story of Arya Tara, released in October 2021, is about the enlightened activity of the Vajrayana goddess Tara and contains a musical rendition of the “21 Praises of Tara.” BDG recently had a chance to speak with Dechen about her latest project.

BDG: You’ve sung about Tara on various albums before, but this new album is devoted specifically to her story. What do you find inspiring about this female buddha?

Dechen Shak-Dagsay: I have had a wish for many years now to share the extraordinary story of Goddess Arya Tara, the gentle-yet-indomitable princess who became a female buddha. The mythic story goes back many eons in ancient India, where she was called Princess Jhana-Chandra, which means Wisdom-Moon. In Tibetan, her name is Yischi Dawa, and it touches me profoundly that, out of a deep sense of compassion, she would not even eat breakfast before she had liberated hundreds of thousands of beings from samsara each day. She was a faithful disciple of her teacher Buddha Dundubhisvara, and her entire community admired her.

One day, the monks urged her to make an aspiration (vyakarana) to be reborn as a man in her next life in order to attain full enlightenment. The princess laughed at this sexist exhortation and replied: “There is no male, there is no female. To discriminate between male and female is the mind of a small being. There are neither men nor women, nor a self, nor beings.” She vowed to return again and again in a female form in order to help all beings from suffering and to reach enlightenment in female form. Therefore, her teacher, Dundubhisvara, gave her the name Tara, which means “Swift Liberator.”

Tara’s story reminds us every day that we are all equally beautiful beings blessed with great inner qualities, such as love, compassion, kindness, and clarity. These qualities are just waiting to be rediscovered and nurtured.

BDG: Your album emaho captures a profound thought: “What an amazing, wondrous moment when the mind awakens.” How does the music create a mood and ambience in which the listener can realize this moment for themselves?

DSD: Emaho is indeed not an ordinary word. It is found in ancient Tibetan spiritual texts and is an exclamation of joy and amazement when the obscured mind awakens and experiences the pure, clear, and bright shining light of the true nature of our mind.

Personally, I find that each of the eight pieces hold beautiful emaho moments for the listeners. As with all my previous albums, I received the texts for this exalted goddess from my dear father, Ven. Dagsay Rinpoche. It is a great blessing that Rinpoche gave me the transmissions for these beautiful “21 Praises of Tara,” which are practiced in all Tibetan traditions. I also had the privilege of working with Swiss producer Helge van Dyk, who also composed and produced the music of my two previous albums, Jewel and Day Tomorrow.

I said to Helge that I wished to represent the four enlightening activities of Tara in four musical pieces. I cannot thank Helge enough for creating the most sublime music to present the four skillful enlightening activities of Tara: the pacifying, enriching, magnetizing, and wrathful aspects.

When you listen to emaho – The Story of Arya Tara, my hope is that you will enter the wonderful, unique space and landscape of Tara’s buddha-field, and perceive her different fields of activities through the following musical compositions.

“emaho – an Amazing One” – “The Wisdom of Tara” – Tara’s
magnetizing activities. Audio courtesy of VANDYKMUSIC
“emaho – an Amazing One” –
Tara’s enriching activities. Audio courtesy of VANDYKMUSIC
“emaho – an Amazing One” – “Magic Pulse” (of Prayer
Drumming) – Tara’s wrathful activities. Audio courtesy of VANDYKMUSIC

BDG: How do you think the spirit of emaho can help heal our fractured and hurting world, which is now immersed in COVID-19 and a range of other immense crises?

DSD: We generally believe in the great healing power of the Buddha’s teachings, especially when the world is going through a difficult time. We are still in a worldwide pandemic, and we constantly face threats of natural calamities and other crises.

The whole world has faced unprecedented challenges over the last two years, and we are still trying to find solutions for how to handle them. From a worldly point of view, these problems are simply devastating and are creating immense suffering for everyone. But from a Buddhist view, such challenges are exactly what we call “precious moments” for our minds to awaken and to encourage a total reset in our interior world and inner being. We call these moments precious because they allow us to open our hearts to the Buddha’s teachings, such as the Three Marks of Existence. Recalling them always has an instant healing effect on me:

• Impermanence (Skt: anitya): Nothing stays the same, everything is constantly changing.

• Whatever we experience is marked with some kind of suffering. As long as we identify ourselves with a sense of solid self, we will always suffer (dukkha).

• Everything around us and even our own person is empty of a self (anatman).

Dechen Shak-Dagsay. Image courtesy of VANDYKMUSIC

Together with Helge and other musicians, we created emaho in the hope that it will be a small contribution to helping us all through these troubled times together.

We hope to be able to bring calm and peace into people’s hearts. We will not be able to get rid of COVID-19, or the economic, social, and political fallout it has caused, but the music that carries the blessings of Arya Tara, the Swift Liberator, will help us all to overcome our fears, sadness, frustration, and pain to create some space in our hearts and to rebalance our minds. It is within this calm space that we will be able to tap into our innate beauty and strength. We all need this to transform our pain and negative thoughts, and to calmly face and embrace the difficult times ahead of us; to fully become aware of our own inner qualities.

The release of the new double album was followed by the release of my new book, Mantras, Musik & Magic Moments, in December 2021, in which I write about the healing aspects of the old Tibetan mantras, and why I chose music as a tool to reach people’s hearts. I also talk about how Tibetan healing symbols have carried sacred power for centuries. I began making mantra music about two decades ago, and I hope followers will enjoy this new perspective I am offering through my work.

BDG: Your music has been received very well worldwide and your profile has also been rising in Asia. Do you present your music as non-denominational and embracing of all Buddhist traditions, even while it expresses your Tibetan heritage?

DSD: Although I am very rooted in Tibetan or Vajrayana Buddhism, I embrace all Buddhist traditions. My dear father Dagsay Rinpoche, who lives in Chengdu, always reminded us that the essence of the Buddha’s teachings is non-violence and cultivating love and compassion for all beings. All Buddhist traditions, including the Tibetan heritage, are following this beautiful path. It is my wish to one day come to Asia to meet all my Asian friends and to perform my music in Asia together with the Jewel Ensemble.

In my third piece on disc two, called “Peace of Mind,” I sing a “Praise to the 21 Taras” in Chinese and in Tibetan. It is my deep wish to create a wonderful space of peace, respect, and reconciliation.

BDG: You’ve come together with various artists to create a fusion of music. These artists also tend to have a spiritual flavor to their work. How do you decide to work with an artist? How do you identify a potential collaboration?

DSD: Thank you for sensing what I see as a very special energy to our music. I am very thankful to Helge, who has a distinct talent in finding the right artists for a special collaboration that requires not only technical musical skills, but also an open heart that is fully inspired to play soulful music with us. He has carefully selected outstanding musicians to form the Jewel Ensemble, with whom we have played many concerts all around the world. I feel very privileged to have the following members of the Jewel Ensemble, as well as an extended ensemble that we shared the stage with when playing the Call for Peace concerts with the renowned Zurich Chamber Orchestra (ZKO).

I would like to take this opportunity to thank my Jewel Ensemble musicians and guest musicians from around the world for their beautiful contributions on emaho. It has been such an honor to work with all these outstanding artists, who committed their heartful work to this album.* I would like to thank BDG for opening the door to the story of Arya Tara. I would be very happy if this music finds its way across Asia, and I would like to thank all my musicians, my producer Helge, and my dear father Dagsay Rinpoche for letting me create such precious music. I hope it will help to remind people all around the world of their own inner strength and beauty.

Link:https://peacelilysite.com/2024/06/09/an-amazing-wondrous-moment-tibetan-born-musician-and-artist-dechen-shak-dagsays-emaho/

Source: https://www.buddhistdoor.net/features/an-amazing-wondrous-moment-tibetan-born-musician-and-artist-dechen-shak-dagsays-emaho/