When the 2017 Nobel Prize in Medicine was announced, many were surprised—it focused on something that touches all of us: our biological clock.
Three scientists—Jeffrey C. Hall, Michael Rosbash, and Michael W. Young—received the award for discovering how our bodies keep time at the molecular level. In simple terms, they revealed how our “internal clock” works, and why disrupting it can be so damaging to our health.
This clock silently manages almost everything in the body—when we feel sleepy or alert, our body temperature, hormone levels, and even how our cells repair themselves. But when we stay up too late, this delicate system is thrown off balance, and the consequences can be serious.
Their research found that:
Staying up late disrupts the body clock, paving the way for illness.
Lack of sleep can cause the brain to “eat itself”—astrocytes, specialized brain cells, begin devouring synapses.
If circadian-regulating genes fail, the risk of tumors increases.
The clear takeaway from this Nobel Prize-winning research? A familiar piece of advice: Don’t stay up late!
Yes, it’s something our parents, teachers, and elders have reminded us about countless times. But now, there’s a Nobel Prize—and 9 million Swedish kronor —to back it up.
Ancient Wisdom Meets Modern Science
Interestingly, the idea of the “body clock” isn’t new. Thousands of years ago, Traditional Chinese Medicine described how energy, or Qi, flows through the body in cycles. The 24-hour day was divided into twelve two-hour intervals, with each period linked to a specific organ system.
For example:
Between 1 a.m. and 3 a.m., the liver is at peak function, cleansing the blood and preparing the body for renewal.
From 3 a.m. onward, energy shifts to organs that support digestion and daily activity, such as the lungs, large intestine, and stomach.
By mid-afternoon, energy begins to flow inward again to support organs that restore and maintain the system, such as the kidneys and pericardium.
Understanding this Body-Energy Clock can help us better manage our sleep, meals, and mood. Modern science now echoes this ancient wisdom: align with your natural rhythms, and you’ll thrive.
The Role of Melatonin
Science also tells us about melatonin, often called the “sleep hormone.” Melatonin is vital for regulating the sleep-wake cycle. Levels begin to rise soon after darkness falls, peak between 2 a.m. and 4 a.m., and then gradually decline.
This explains why going to bed too late often leads to trouble falling asleep, and why sleep after 4 a.m. tends to be light and restless. For the best rest, it’s ideal to sleep between 11 p.m. and 4 a.m., when melatonin levels are highest and most restorative.
The Benefits of Sleeping Early and Rising Early
Research consistently shows that early sleepers and early risers enjoy powerful health benefits:
Better mental health: Early risers of all ages report more positive emotions and greater self-rated health.
Reduced risk of depression: A U.S. study found that going to bed just one hour earlier lowers depression risk by 23%.
Weight management: Staying up late disrupts hormones, leading to weight gain. Going to bed on time, combined with early rising and regular exercise, helps maintain a healthy weight.
Stronger immunity: Adequate sleep enhances immune function, reducing the risk of infections and chronic diseases such as heart disease, hypertension, diabetes, and stroke.
Sharper thinking: Early sleepers and early risers score 30% higher on word-association tests compared to night owls.
The message from both Nobel Prize-winning research and ancient health wisdom is clear: respect your biological clock.
Going to bed early and waking up early is not just about feeling more refreshed—it protects the brain, strengthens the body, improves mood, and may even add years to your life. So tonight, give yourself the gift of sleep—it’s worth more than 5 million!
Recently, a Western friend asked me why I believe that H.H. Dorje Chang Buddha III is the true Buddha. He told me that when he searched online, he found many negative comments, and even saw that some Rinpoches claimed they did not recognize the Buddha at all. Sadly, certain people with evil intentions have slandered H.H. Dorje Chang Buddha III, falsely accusing Him of conferring the title upon Himself, thereby misleading Buddhist practitioners and causing great harm.
I feel deeply saddened that so much true and authentic information about the Buddha has been buried under falsehoods and misunderstandings. To help clarify, I would like to share selected passages from the publicly available book H.H.Dorje Chang Buddha III (A Treasury of True Buddha-Dharma). In it, many Bodhisattvas, Dharma Kings, Rinpoches, Dharma Teachers, as well as renowned monasteries, issued official certificates and congratulatory letters confirming the identity of H.H. Dorje Chang Buddha III.
The above photo of sixty such dharma kings, rinpoches, and temples, many of whom are shown below. Photos of some of these dharma kings and rinpoches actually signing or stamping their letters are also included. Although this is only a small portion of those who have recognized H.H. Dorje Chang Buddha, the following list does represent the highest present-day dharma kings and regent dharma kings from various temples or famous rinpoches in current times. It is they who recognized or corroborated, or sent congratulations to H.H. Dorje Chang Buddha III.
For more information and more detailed biographies on many of these great holy beings as well as their letters of certification and congratulation see A Treasury of True Buddha-Dharma.That book also explains how many of these holy beings had their identities.
H.H. Dodrupchen Rinpoche (1927- ), a famous great dharma king of the Nyingma sect who is the sole holder of the complete Longchen Nying-thik, said the following in his letter congratulating the publication of A Treasury of True Buddha-Dharma: “I found the book wonderful and amazing and totally inspiring. . . [It is a] truly miraculous and extraordinary expression of truth expressed and unexpressed beyond words in Buddha Dharma.”
An incarnation of Guru Padmasambhava, H. H. Dodrupchen Rinpoche IV, Thupten Thrinle Palzang, is the holiest great dharma king within the Nyingma lineage. His Holiness is the greatest living Dzogchen or Great Perfection master and the main lineage holder of the Longchen Nyingthik lineage, the highest dharma in Tibet for perfecting the rainbow body. The first Dodrupchen, Jigme Thrinle Oser (1745-1821), was the greatest disciple of Jigme Lingpa (1730-1798). The Third Dodrupchen Jikmé Tenpé Nyima (1865-1926), was both a great scholar and a remarkable yogi.
The Dharma King’s main seat is at Chorten Gonpa Monastery, which His Holiness founded in the outskirts of Gangtok, Sikkim. His Holiness is also the spiritual director of the very small isolated Sera Gonpa (Nubri Monastery) in Kylmo Lung (Peaceful Valley), Nepal. It is unique in that the 50 monks and 50 nuns that study there have identical programs. H. H. Dodrupchen Rinpoche IV is represented in the USA by the Mahasiddha Nyingmapa Center, Kunzang Choling Temple, in Hawley, MA.
H.H. Dharma King Penor Rinpoche
H.H. Dharma King Penor (1932-2009), a supreme dharma king of the Nyingma sect, wrote the following in a letter to rinpoches: “H.H. Dorje Chang Buddha III Yangwo Wan Ko Yeshe Norbu. . . has been recognized by numerous greatly virtuous and eminent monastics. . . A Treasury of True Buddha-Dharma. . .will provide the karmic conditions for living beings to . . . attain the ultimate state of Buddhahood.”
An incarnation of Vajrapani Bodhisattva, the eleventh lineage holder of the Nyingma Palyul tradition, Kyabje Drubwang Pema Norbu Rinpoche, was born in December 1932 in the Kham region of eastern Tibet and left this world in March 2009. After H. H. Dilgo Khyentse departed in 1991, H. H. Penor Rinpoche became the Supreme Head of the Nyingma Sect. In 2001 he resigned from that position to devote more time to his extensive global network of monasteries and dharma centers, recommending that H. H. Mindrolling Trichen Rinpoche assume that position. His Holiness Karma Kuchen Rinpoche IV, is the current head of the Palyul subsect.
His Holiness’s Main seat was at Palyul Monastery in Tibet, one of the six main Nyingma monasteries. His Main seat outside of Tibet was at Namdroling (Thegchog Namdrol Shedrub Dargyeling) Monastery, Bylakuppe in Karnataka State, South India, close to the sacred Drekar Pungwa Stupa where Buddha first taught the Kalachakra Tantra. In 1978 the Ngagyur Nyingma Institute for Higher Buddhist Studies was added along with a nunnery and college for women. His Holiness had a number of branch temples in the US and a retreat center in McDonough, New York. During the 2008 Dharma Propagation Tour, Zhaxi Zhuoma Rinpoche and other tour members were able to have an audience with His Holiness and hear His Holiness Penor Rinpoche praise H.H. Dorje Chang Buddha III. The rinpoche said that it was good that such a holy being would incarnate in these dharma-ending days.
H.H. Jamyang Lungdok Gylatsen Rinpoche
H.H. Dharma King Omniscience Jamyang Lungdok Gyaltsen (Lama Achuk 1927-2011),who is the incarnation of Venerable Longsal Nyingpo, stated in his recognition certificate, “. . . H.H. Master Wan Ko Yee . . . is the incarnation of Vimalakirti. . . is Dorje Chang Buddha III. . . .”
H. H. Jamyang Lungdok Gyaltsen or Lama Achuk (Also referred to as Khenpo Achuck Brioche or Achiu Kamabu or Lama A-chos) is an incarnation of the great terton Rigdzin Longsal Nyingpo (1625-1682) of Kathok Monastery. He was the head of the Nyingma Sect in China and the foremost person of great holiness and virtue in all Tibet.
He was born in 1927 in Eastern Tibet and spent 43 years in retreat with his master, Tulku Arik Rinpoche. On July 23, 2011 he entered into paranirvana. His Holiness lived at Yarchen
Vajra body of Lama Achuk
Uddiyana Meditation Monastery, an encampment (gar) of thousands of monks, nuns, and lay practitioners, that he established in an isolated valley near Ganzi (Kandze) in Baiyu (White Jade) County, in Sichuan Province, China. This was the largest concentration of rinpoches and lamas in the entire world. The cremation ceremony of Lama Achuk commenced on August 29, 2011. The body of Lama Achuk shrunk from a height of almost six feet (1.8 meters) to about 1 inch tall, a sign of very high realization. From time of Lama Achuk’s paranirvana to the cremation, many auspicious signs appeared, five colored rainbows were often sighted in the sky and five colored pure lights often appeared in the area surrounding Lama Achuk’s body. More than 100,000 sangha members and lay devotees attended the puja and paid respect to the sacred body of Lama Achuk.
One of his disciples, Khenpo A-chos, achieved the rainbow body earlier in 1998. Father Tiso, a Catholic priest who went to Tibet to investigate the rainbow body phenomena at the suggestion of the Benedictine monk David Steindl-Rast, found evidence that H. H. Lama Achuk himself had already achieved the rainbow body as well.
H.H. Dharma King Jigme Dorje
On behalf of the Jonang sect, H.H. Dharma King
H.H. Dharma King Jigme Dorje stamps his seal onto his congratulatory letter to H.H. Dorje Chang Buddha III that he had already signed.
Jigme Dorje (1944- ), who is the Supreme Dharma King of the Jonang sect, respectfully congratulated H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu with the following words: “Such superlative accomplishments are truly unprecedented in the past few thousand years, outshining the accomplishments of all
Kalachakra Mandala created by Jonang monks at Jamdha Monastery, Golok Region, Amdo, Tibet
others, both ancient and modern. His Holiness is a shining paragon among Buddhas.”
The supreme dharma king of the Jonang sect, H. H. Jigme Dorje is an incarnation of the Shambhala King, Suchandra, who was the first to receive the Kalachakra tantra from Shakyamuni Buddha. His Holiness continues to hold the highest teachings of the Kalachakra dharma. H. H. Jigme Dorge was born in 1944 and is head of the Zangwa (Tsangwa) Dazang Monastery in Eastern Tibet.
H.H. Dharma King Mindrolling Trichen
The chief secretary for H.H. Dharma King Mindrolling Trichen (1031-2008) of the Nyingma sect, Ven. D. G. Khochhen Rinpoche, sent a congratulatory letter on behalf of Dharma King Mindrollling Trichin and the Mindrolling Sangha in which he wrote, “. . . H.H. Wan Ko Yeshe Norbu Dorje Chang brings good fortune and wisdom to all living beings.”
Trichen Jurme Kunzang Wangyal, Mindrolling (Mindling) Trichen Rinpoche XI (1931-2008), was the supreme head of the Nyingma sect. Although the original seat of Mindrolling, one of the six major Nyingma monasteries founded in 1876 by Rigzin Terdak Lingpa on the south side of the Tsangpo River, is near Lhasa, Tibet, a new Mindrolling Monastery has been established at Dehra Dun, in Uttranchal State, India. The Nagyur Nyingma College, Mindrolling’s Institute of Advanced Buddhist Studies. (Five Vidyas University) is also located there. His Holiness’s daughter, H.E. Khandro Rinpoche has a retreat center in the USA and continues the Jetsunma lineage of female masters there and at Samten Tse, her nunnery in India.
H.H. Dharma King Trulshik
The famous H.H. Dharma King Trulshik Rinpoche (1924-2011), who is a master of H.H. the Dalai Lama and the root master of several Tibetan Buddhist dharma kings and lineage holders, wrote the following words respectfully congratulating Buddha Vajradhara Yangwo Wan Ko Yeshe Norbu: . . . “A Treasury of True Buddha- Dharma. . .will become the cause whereby each sentient being who has descended into the abyss of the six realms of reincarnation leaves suffering and attains happiness.”
H. H. Nyingma Dharma King Zhadeu Trulshik (Trulshig) Chenpo Ngawang Chokyi Lodro Rinpoche (1924-2011), who resided in the Everest region of Nepal, was an incarnation of Maitreya Bodhisattva and a lineage holder from the first Dodrupchen, Jigme Thrinle Oser. His Holiness was considered the closest and most accomplished disciple of H. H. Dilgo Khyentse Rinpoche and like Khyentse Rinpoche a leading proponent of the Rime or non-sectarian movement in Tibet. He was entrusted with the responsibility of finding and recognizing the incarnation of Khyentse Rinpoche after he passed on in 1991 as well as Tulku Urgyen Rinpoche after he left this world in 1996. Dharma King Trulshik founded a remote monastery and retreat center in Nepal at Tubten Choling. He was the fifth Supreme Leader of the Nyingma Sect until his death in 2011.
H.H. Taklung Tsetrul Rinpoche
The highest dharma king of the Northern Treasure lineage of the Nyingma sect, H.H. Dharma King Taklung Tsetrul (1926-2015), wrote the following words of congratulations: “His Holiness Dorje Chang Buddha III Wan Ko Yeshe Norbu possesses the true dharma of the Buddhas . . .
H. H. Taklung Kyabgon Tsetrul Thupaten Gyaltsen Rinpoche is the Dharma King of the Drak Dorje (Vajra or Indestructible Rock) Monastery, one of the six main Nyingma Monasteries, founded in 1610 by Rigdzin Ngakgi (Aji) Wangpo (1580-1639). This monastery specialized in the changter or jangter tradition of Rigdzin Godem (1337-1408). Rigdzin Godem was the master of the “northern terma (treasures)” tradition of the Nyingma school. Rigdzin Godem literally means “the vidyadhara with the vulture feather.” He received this name because three vulture feathers grew from his head when he was twelve years old, and five more when he was twenty-four. A reincarnation of Dorje Dudjom of Nanam, one of the nine close Tibetan disciples of Guru Padmasambhava, he is also counted among the five king-like tertons and one of the three nirmanakayas of Guru Padmasambhava. In 2011 he became the Supreme Leader of the Nyingma Sect.
H.H. Dharma King Jigdal Dagchen Sakya
H.H. Dharma King Jigdal Dagchen Sakya (1929- ), the second highest leader of the Sakya order, offered the following congratulations: “Many masters praise H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu and his book about his Dharma activities. The book’s name is A Treasury of True Buddha-Dharma.”
H. H. Jigdal Dagchen Sakya Rinpoche is the head of the Phuntshok Phodrang branch of the Khon dynasty, the main lineage of the Sakya tradition. The leadership of the Sakya sect has rotated between the Phuntshok Phodrang branch and the Dolma Phodrang branch, currently headed by H. H. Sakya Trizin. H. H. Jigdal Dagchen Sakya founded and serves as the main teacher of Sakya Monastery of Tibetan Buddhism in Seattle, WA. He has given teachings and empowerments in other parts of the United States and Canada as well as various European and Asian countries.
H.H. Dharma King Sakya Trizin
H.H. Great Vehicle Dharma King Sakya Trizin (1945- ), who is the supreme leader of the Sakya order and the nirmanakaya of Manjushri Bodhisattva, wrote the following recognition concerning the descent into this world of H.H. Dorje Chang Buddha III: “. . . H.H. Yangwo Wan Ko Yeshe Norbu . . . is . . .Buddha Vajradhara Dorje Chang Buddha III.”
A true nirmanakaya of Manjushri Bodhisattva, The 41st Patriarch of the Khon lineage of the Sakya tradition was born September 7, 1945 in Tsedong near Shigatse, Tibet. While maintaining temples and dharma centers all over the world, His Holiness lives in Rajpur in Northern India with his wife and two sons.
The main seat of H. H. Sakya Trizin, the Sakya Centre at Tsechen Tenpai Gatsal Monastery, and the Sakya College are located north of New Delhi in Rajpur, Dehradun, India. Another major Sakya monastery exists at Sa Magon in Puruwalla, Himachal Pradesh, a state in northwest India, along with the Sakya Institute for Higher Buddhist Studies.
The seat of H. H. Sakya Trizin in the United States is located at Tsechen Kunchab Ling, the Temple of All-Encompassing Great Compassion, in Walden, New York. His older sister, H.E. Sakya Jetsun Chimey Luding (1938-), lives in North America.
H.E. Chogye Trichen Rinpoche
H.E. Dharma King Chogye Trichen, Ngawang Khyenrab Thupten Lekshe Gyatso (1920-2007), who was Dharma King of the Tsharpa branch of Sakya sect and the root master of H.H. the Dalai Lama, offered the following respectful congratulations: “H.H. Buddha Vajradhara (Dorje Chang) Yangwo Wan Ko Yeshe Norbu: A Treasury of True Buddha-Dharma. . . is the guidepost leading to true Buddha- dharma and the gateway of the dharma leading to benefiting and providing happiness to sentient beings.” H.E. Dharma King Chogye Trichen and Ven. Shabdrung Rinpoche are seen here reading the manuscript copy of A Treasury of True Buddha-Dharma, which has now been published as H.H. Dorje Chang Buddha III.
H. E. Chogye Trichen RInpoche, Ngawang Khyenrab Thupten Lekshe Gyatso, was the dharma king and head of the Tsharpa (Tsar) sub-sect of the Sakya Sect and thought to be an incarnation of Mahasiddha Virupa. He was enthroned as the 26th patriarch of Phenpo Nalendra Monastery in North Lhasa, Central Tibet, that was founded in 1425 by the great Sakya master Rongton Sheja Kunrig (1367-1459). The “Whispered-Lineage of Tshar” founded by Tsharchen Losel Gyatso (1502-1566) considered this to be the seat of their lineage. H. E. Chogye Trichen rebuilt the Nalendra Monastery in Nepal, which became the seat of the Tsharpa sub-sect. His Eminence established the Tashi Rabten Ling Monastery in Lumbini, the birthplace of Lord Buddha, as well as the Jamchen Lhakhang Monastery and retreat center in Boudha, Katmandu where he resided until his death in 2007. He also established centers in Hong Kong, Taiwan, Australia, and New Zealand. His Eminence taught in the West and started dharma centers in America as well.
H.E. Sharmapa
The Red Jewel Crown Dharma King H.E. Shamarpa Rinpoche (1952-2014) is the nirmanakaya of Kuan Yin Bodhisattva and is the chief of the four regents of the Kagyu sect. He offered his respectful congratulations with the following words: “H.H. Yangwo Wan Ko Yeshe Norbu . . . the third incarnation of Vajradhara . . . all his accomplishments . . . will benefit sentient beings. . .”
H. E. Mipham Chokyi Lodro of the Kagyu Sect, an incarnation of Avalokiteshvara, is the present Shamarpa and the second nirmanakaya of the Karmapa. The second Karmapa, Karma Pakshi (1204 – 1283), predicted that “future Karmapas shall manifest in two nirmanakaya forms.” The Karmapa would continue to incarnate at different times as two beings and one would recognize and teach the other. One would be known as the Black Jewel Crown Karmapa and the other as the Ruby-red Jewel Crown Shamarpa. The Shamarpa, in the absence of the Karmapa, is the lead regent with responsibility over both administrative and Buddha-dharma matters. His Eminence was born in 1952 in Derge, Tibet. The main seat of the Karma Kagyu lineage has been at Tsurphu Monastery in central Tibet where it was established in 1159 by the First Karmapa, Dusum Khyenpa (1110-1193). After leaving Tibet, the 16th Karmapa established the main seat of the Karmapa outside of Tibet at Rumtek Monastery.
His Holiness, the 14th Shamar Rinpoche or Shamarpa has established many dharma centers in the West.
H.E. Goshir Gyaltsab Rinpoche
H.E. Goshir Gyaltsab Rinpoche (1954- )is the incarnation of Patriarch Gampopa. He is the only regent for the Karmapa Great Jewel Dharma King who has the title of “National Master.” He respectfully praised the incomparable Master, H.H. Yangwo Wan Ko, as Vimalakirti and stated: “. . . .I sincerely wish that . . . the multitudinous living beings who have the karmic affinity to read A Treasury of True Buddha-Dharma. . . will attain the supreme fruits of perfect enlightenment, omniscience, and Buddhahood!”
The Vajra Regent and caretaker for the Karmapas, H. E. Goshir, is the current incarnation of the founder of the Kagyu Sect, Master Gampopa (1079-1153). He lives in Sikkim where he oversees Rumtek, the main monastery of the Karma Kagyu as well as his own monastery Ralang, also in Sikkim. He was born in Nyimo, near Lhasa, in 1954. In 1959, the 16th Gwalya Karmapa, Rangung Rigpe Dorje, carried the dharma king on his back as he left Tibet. The Orange Jewel Crown Dharma King along with The Ruby-red Jewel Crown Dharma King Shamarpa, Situpa Rinpoche, and Jamgon Kongtrul Rinpoche are considered the four princes or regents for the Black Crown Karmapa. There are currently two incarnations considered to be the 17th Black Crown Karmapa, Urgyen Trinley Dorje (1985– ), who is recognized by H. E. Goshir Gyaltsab Rinpoche and H. E. Tai Situ Rinpoche, and Trinley Thaye Dorje (1983– ), who is recognized by H. E. Shamarpa Rinpoche. The North American seat of the Karma Kagyu, Karma Triyana Dharmachakra, is located in Woodstock, NY.
Tangtong Gyalpo Bodhisattva
The name Tangtong Gyalpo Bodhisattva has gone down in Buddhist history. In the past, this Bodhisattva was the leader of the four main sects of esoteric Buddhism in India, Bhutan, Sikkim, Mongolia, and eastern Tibet. The people of Tibet call this Bodhisattva the father of medicine, the father of bridges, the father of Tibetan opera, and the father of ferryboats. During a dharma assembly held at Hua Zang Si in San Francisco of the United States in which Buddha-dharma realization was manifested, H.E. the sixteenth Tangtong Gyalpo Bodhisattva saw the realization and virtue of H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu. He was astounded and immediately prostrated before His Holiness, formally acknowledging His Holiness as his Master. In his congratulatory letter to His Holiness, he stated the following: “. . . H.H. Wan Ko Yeshe Norbu is . . . the Master of the Five Buddhas, and has for the first time in the history of Buddhism in the human realm truly manifested complete proficiency in exoteric and esoteric Buddhism and perfect mastery of the Five Vidyas. This is a goal of Buddhism that all other Buddhists have not been able to achieve. This goal has finally been achieved by H.H. Wan Ko Yeshe Norbu.”
H.E. the sixteenth Tangtong Gyalpo Bodhisattva (Thangtrul Rinpoche) took birth in Bhutan. His physical appearance resembles that of Guru Padmasambhava. Even when he sleeps, his eyes remain open. He saw H.H. Wan Ko Yeshe Norbu during a Dharma Assembly that took place in 2005 at Hua Zang Si in San Francisco, U.S.A. In a supernatural state of samadhi, he instantly saw that H.H. Dorje Chang Buddha, the highest ancient Buddha in the dharma realm, had already come to this world again. He at once formally acknowledged H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu as his master. H.H. Dorje Chang Buddha III asked him, “Did you follow and learn dharma under Guru Padmasambhava? Why have you come here?” H.E. Tangtong Gyalpo answered that he had received teachings directly from Guru Padmasambhava and from H.H. Sakya Trizin. He also said that he had come to request the highest dharma in order to save living beings. H.H. Dorje Chang Buddha III immediately snapped His fingers, and a dharma bowl manifested awesome power. H.H. Dorje Chang Buddha III then accepted H.E. Tangtong Gyalpo as one of his disciples who is on the level of a great venerable one and performed an initiation for him. H.E. Tangtong Gyalpo took that dharma bowl back to his home country.
He later learned that the book A Treasury of True Buddha-Dharma about the H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata was about to be published. He thereupon organized many rinpoches to practice the Kuan Yin Dharma one billion times as an offering to His Holiness Dorje Chang Buddha III.
H.E. Xiazhu Quiyang Rinpoche
H.E. Xiazhu Qiuyang Rinpoche, who is the incarnation of Venerable Naropa, respectfully congratulated the highest and holiest Wish Fulfilling Jewel Dharma King Wan Ko as follows: “. . .the book A Treasury of True Buddha-Dharma. . . is the highest authentic dharma that is of benefit to living beings.”
H.E. Dharma King Xiazhu Qiuyang has just stamped his fingerprint onto the congratulatory letter he wrote to H.H. Dorje Chang Buddha III.
H. E. Xiazhu Qiuyang Rinpoche of the Geluk Sect is a current incarnation of the great Mahasiddha Naropa (1016-1100), the venerable leader of 100,000 dakinis. Naropa, a former abbot at the famous Nalanda University in north-east India, was Master Marpa’s guru and the disciple of Tilopa. Master Tilopa received the dharma directly from Dorje Chang Buddha as did Naropa’s sister, Lady Niguma. H. E. Xiazhu Qiuyang was born in 1945, and has become greatly accomplished in Dakini Dharma, having received guidance and empowerment from Vajrayogini herself.
H.E. Renzeng Nima Rinpoche
H.E. Dharma King Renzeng Nima is holding the congratulatory letter he wrote to H.H. Dorje Chang Buddha III.
H.E. Mighty Lion Dharma King Renzeng Nima previously vowed to stay in a mountain valley engaged in solitary meditation for the rest of his life. He possesses supernatural powers, inspires awe throughout Tibet, and is the reincarnation of King Gesar. He wrote the following words of recognition: “. . . H.H. Master Wan Ko Yee . . . is the true incarnation of Dorje Chang Buddha.”
H.E. Dharma King Renzeng Nima of the Nyingma Sect is a great terton and the current nirmanakaya of King Tuiba Gawa Gesar, the hero of Tibet’s great epic saga.
H.E. Ngagwang Pedma Namgyal Palzangpo
His Eminence Ngagwang Pedma Namgyal Palzangpo stamps his seal onto his congratulatory letter to H.H. Dorje Chang Buddha III that he had already signed.
H.E. Dharma King Ngagwang Pedma Namgyal Palzangpo, who is a dharma king of the Jonang sect, respectfully congratulated H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu with the following words: “The body and lifespan of the Buddha Vajradhara of the dharma realm never comes to an end. His Holiness manifests Mahayana states and has the most wondrous powers of great compassion.”
The Jonang Dharma King, H. E. Ngagwang Pedma Namgyal Palzangpo (Penam Rinpoche), was born in 1925 near Amnhymachen, the holy Mountain of the protector Machen Pomra, in Amdo, Tibet. He has been recognized as an incarnation of Duqin Langwa, an incarnation of a close disciple of Guru Padmasambhava, Gelong Namuke Niangbo. His Eminence taught the Kalachakra Dharma in the United States and established Dorje Ling Dharma Centers in New York City and Atlanta, Georgia.
H.E. Mindrolling Khenchen Rinpoche
H.E. Mindrolling Khenchen Rinpoche of the Mindrolling Monastery wrote the following congratulations: “His Holiness Buddha Vajradhara III Yangwo Wan Ko Yeshe Norbu[’s] . . . A Treasury of True Buddha-Dharma. . . will restore dharma that had faded and will cause the growth of dharma that has not yet faded.”
The ninth Mindrolling Khenchen Rinpoche, Venerable Jigmey Namgyal, was born in 1970. His lineage began with the great translation master Lochen Dharmashri (1654-1717), the younger brother of Rigzin Terdak Lingpa, the founder of the original Mindrolling Monastery, located south of Lhasa in the Drachi Valley of central Tibet.
Since 1992, His Holiness has been the president of Nagyur Nyingma College, Mindrolling’s Institute of Advanced Buddhist Studies. (Five Vidyas University) at Dehra Dun, in Uttranchal State, India. The college was founded in conjunction with the new Mindrolling Monastery also located at that location.
H.E. Khandro Rinpoche
H.E. Jetsun Khandro Rinpoche of the Mindrolling lineage within the Nyingma sect is the incarnation of Yeshe Tsogyal. She sent a congratulatory letter expressing her deep gratitude toward H.H. Wan Ko Yeshe Norbu Dorje Chang Buddha for the book A Treasury of True Buddha-Dharma.
As an incarnation of Yeshe Tsogyal, the advanced disciple of Guru Padmasambhava, Her Eminence is part of the Jetsunma lineage of female masters at Mindrolling Monastery, which was founded in 1676 by Rigzin Terdak Lingpa. Her father, H. H. Trichen Jurme Kunzang Wangyal, the XI Mindrolling Trichen Rinpoche, was the head of the Nyingma sect.
Khandro Rinpoche has a North American retreat center in the Northern Shenandoah Valley adjoining the Blue Ridge Mountains in Virginia as well as Samten Tse, a nunnery in India.
H.E. Dzogchen Ganor Rinpoche
The famous H.E. Dzogchen Ganor Rinpoche offered the following congratulations: “. . . A Treasury of True Buddha-Dharma is the wish-fulfilling true dharma that the Buddha expounded.”
H. E. Ganor Rinpoche (1942- ) is the 14th reincarnation of Terton Ratag Pelsang (Karma Lekshe Drayang). He was born near the town of Palpung in the Derge District in eastern Tibet. Because of his level of realization and practices, he was able to perform many supernatural feats like leaving his footprint in rocks and tying swords into knots as if they were rope. He was also able to communicate with non-humans like nagas and devas. He was a great terton who revealed many hidden treasures.
H.E. Urgyen Xirao
H.E. Urgyen Xirao Woxiu, who is a great terton revered by all four types of monastic and lay Buddhists in the land of the Han- Chinese and the land of the Tibetans, wrote in his recognition certificate the following: “. . . Buddha Vajradhara assisted Sakyamuni Buddha in teaching the five hundred monks and other holy ones. . . . H.H. Master Wan Ko Yee, Yangwo Wan Ko Yeshe Norbu, is the incarnation of Buddha Vajradhara.”
Ven. Ugyen Xirao Woxiu of the Nyingma Sect is an incarnation of Ugyen Pema Lingpa (1450-1521), the fourth and most controversial of the Five Terton Kings. Guru Padmasambhava prophesied that Pema Lingpa would recover 108 sacred texts as termas, but due to inauspicious circumstances he only recovered 32. He was known for his spectacular and daring methods in recovering these texts. Once he dived into a lake in Bhutan holding a lighted butter lamp. He told onlookers that the lamp would go out if he were a false spirit. After he disappeared in the dark pool and all thought that he had drowned, he returned to the surface with his butter lamp still brightly burning and with a new terma. He is considered the greatest spiritual master of Bhutan and the immediate incarnation of Master Longchenpa (1308-1364).
H.E. Dorje Rinzin Rinpoche
H.E. Dorje Rinzin Rinpoche, master of the seventh Dzogchen Dharma King in China, stamps his fingerprint onto the congratulatory letter he wrote to H.H. Dorje Chang Buddha III.
H.E. Dorje Rinzin Rinpoche is the incarnation of Rigzin Terdak Lingpa Unchanging Vajra, who was the founder the Mindrolling monastery. H.E. Dorje Rinzin Rinpoche, a holy being of great enlightenment, is now the master of many great rinpoches. He said the following in his congratulatory letter: “. . . the accomplishments contained in A Treasury of True Buddha-Dharma. . . are those of Dorje Chang Buddha Wan Ko Yeshe Norbu, the Master of the Five Buddhas.”An incarnation of Rigzin Terdak Lingpa Unchanging Vajra Being (1646-1714) who was the great terton and founder of the Mindrolling monastery and lineage, H. E. Dharma King Dorje Rinzin Rinpoche of the Nyingma Sect was a model for eminent monastics to follow and emulate.
H.E. Dharma King Rabjam
H.E. Shechen Rabjam Rinpoche, the dharma king of the Shechen monasteries of the Nyingma sect, offered the following words of congratulations: “. . . H.H. Dorje Chang Buddha III Yangwo Wan Ko Yeshe Norbu, the Wish-Fulfilling Jewel Holy One, has taken action that spreads and makes grander the true Buddha- dharma. How wonderful!”H. E. Shechen Rabjam Rinpoche VII (1966- ) is the grandson of H. H. Dilgo Khyentse Rinpoche. The second Rabjam Rinpoche founded Shechen Monastery, one of the six main Nyingma Monasteries in Tibet, in 1695 in Kham. H. E. Shechen Rinpoche VII is the abbot and dharma king of Shechen Tennyi Dargyeling Monastery in Nepal, one of the largest and most beautiful monasteries outside of Tibet. It is located near the Great Stupa of Boudhanath, a suburb of Kathmandu and is noted for its ceremonies and sacred dances.
H.E. Renqing Rongbo Barongbo Rinpoche
H.E. Renqing Rongbo Barongbo Rinpoche, an eastern Tibetan Dharma King of the Nyingma sect, respectfully praised H.H. Wan Ko Yeshe Norbu with the following words: “The Master is the magnificent sambhogakaya Buddha who has descended into the human world again. . . . His Holiness’s accomplishments are unprecedented in this world and reflect the pinnacle of wisdom. May H.H. Dorje Chang Buddha boundlessly save living beings. . .”
H.E. Dharma King Renqing Rongbo Barongbo Rinpoche (1969- ) of the Nyingma Sect is a current incarnation of Venerable Ananda.
H.E. Green Jewel Crown Karmapa Dharma King Jiezhong
The Green Jewel Crown Karmapa, H.E. Great Jewel Dharma King Jiezhong, prostrated to H.H. Yangwo Wan Ko Yeshe Norbu, the Buddha Vajradhara, and wrote the following words: “A Treasury of True Buddha-Dharma about the Buddha Vajradhara is a concrete expression of the highest Buddha-dharma wisdom and abilities.”
The sixth Karmapa Green Jewel Crown Dharma King was born in 1967 in Tibet amidst wonderful auspicious signs. The 16th Karmapa, H. H. Great Jewel Dharma King Rangjiong Rigpe Dorje in India, recognized him as a previous incarnation of the Green Jewel Crown Dharma King Jiezhong Rinpoche.
H.E. Jigme Losel Wangpo
H.E. Jigme Losel Wangpo, the seventh Dzogchen Dharma King who resides in India, wrote the following words of congratulations: “. . . A Treasury of True Buddha-Dharma brings benefit to all sentient beings. . . .”
There are two incarnations recognized as the seventh Dzogchen Rinpoche of the Nyingma Sect: H. E. Jigme Losel Wangpo, born in 1964 in Gangtok, Sikkim, and H. E. Tenzin Longdock Nyima, born in Qinghai Province in the Bare Region of lower Amdo in 1974.
The original Dzogchen Monastery in Tibet, one of the six main Nyingma monasteries, was established in 1684 by Pema Rigdzin. More than 60,000 people have attained the rainbow body and become Buddhas in that lifetime while practicing at that monastery. H. E. Dharma King Tenzin Longdock Nyima Dzogchen Rinpoche VII is the current throne holder of Dzogchen Monastery in Tibet.
The official seat of H. E. Dharma King Jigme Losel Wangpo Dzogchen Rinpoche VII is at the new Dzogchen Monastery in Dhondenling, South India.
H.E. Tenzing Longdock Nyima
H.E. Tenzin Longdock (Lungdok) Nyima, the seventh Dzogchen Dharma King who resides in China, respectfully congratulated the ancient Buddha who saves all sentient beings in the three spheres, H.H. Yangwo Wan Ko Yeshe Norbu, as follows: “. . . A Treasury of True Buddha-Dharma. . . is like the. . . Wish-Fulfilling Jewel in that it outshines all ancient or modern, Chinese or non-Chinese books. . . . The book also opens up and develops the spiritual wisdom of people.”
Ven. Junmai Baima Dorje Rinpoche
Ven. Junmai Baima Dorje Rinpoche of the Shechen Temple is a nirmanakaya of Vajravarahi. He wrote a letter expressing his respect for the Three Bodies and Four Wisdoms of H.H. Yangwo Wan Ko Yeshe Norbu, the Dharma King of the Three Spheres. In that letter, he stated, “H.H. Great Dharma King is the first holy being who used true realization to display fully in the dharma realm the teachings of the Buddha! H.H. Great Dharma King is the true Buddha Vajradhara, the teacher of both humans and celestial beings!”
Ven. Junmai Baima Dorje Rinpoche VI of the Shechen Monastery in Tibet is a nirmanakaya of Vajravarahi. The first Junmai Baima Dorje was a famous terton and the second achieved the rainbow body. As a small child, the rinpoche could transform a thick knife into a knot. That knife is currently at Hua Zang Si in San Francisco as one of the many holy objects that they hold for public display and veneration.
Ven. Angwang Khyentse Rinpoche
Venerable Angwang Khyentse Rinpoche was the closest disciple of H.H. Dzongsar Khyentse Chokyi Lodro. He is the head of the Gensa Temple of the Sakya sect and has been in retreat for a long period of time. He possesses supernatural powers and is praised throughout the snowy plateaus of Tibet for his cultivation. In his congratulatory letter, he stated, “Greatest leader of Buddhism, H.H. Wan Ko Yeshe Norbu: . . . .Only the wisdom of the ancient Buddha, Dorje Chang Buddha, could produce such a textbook [as A Treasury of True Buddha-Dharma] . . . !”
Ven. Angwang Khyentse (Qinzhe) Rinpoche is the Head of the Sakya Gensa Temple in Tibet. He has been in retreat for many years. He is a successor to the dharma lineage of the second Jamyang Khyentse, Dzongsar Chokyi Lodro, the former abbot of the Dzongsar Monastery in Tibet and later the guru of the royal family of Sikkim. Dzongsar Khyentse was one of the incarnations of Jamyang Khyentse Wangpo (1820-1892), the great nonsectarian(rime) master and terton of the nineteenth century.
Ven. Yundeng Jiangcuo Rinpoche
The eighty-year-old Ven. Yundeng Jiangcuo Rinpoche, who is the incarnation of Patriarch Milarepa, respectfully offered the following congratulations on the publication of A Treasury of True Buddha-Dharma about Buddha Vajradhara: “This book manifests great Buddha-dharma based wisdom and contains accomplishments that no other person in history has achieved. Only H.H. Wan Ko Yeshe Norbu has attained such accomplishments.”
Ven. Abbot Kalsang Gyaltsen
Ven. Kalsang Gyaltsen, who represents H.H. the Dalai Lama and is fully authorized to exercise control over the Geluk sect in Nepal, stated in his congratulatory letter the following: “I am sure the works of Venerable Vajradhara Master Wan Ko will inspire all the sentient beings to a better understanding of both the theoretical and practical aspects of the Buddhist philosophy.”
Ven. Zangxia Rinpoche
The famous Zangxia Rinpoche prostrated to the ancient Buddha and greatest leader of Buddhism, H.H. Dorje Chang Buddha III, and stated, “. . . led us to find Dorje Chang Buddha, our supreme ancient Buddha, and thereby enabled all living beings to have the ultimate refuge in this Dharma-Ending Age!”
Ven. Bamba Tuben Geleg Gyatso Rinpoche
The famous Respected Bamda Tubten Geleg Gyatso Rinpoche stated: “. . . [I] beseech the magnificent and holy Dorje Chang Buddha III to bless all sentient beings in the six realms of reincarnation so that they may realize enlightenment soon, hear of and read A Treasury of True Buddha-Dharma, . . . and attain the perfect, supreme, and complete enlightenment of a Buddha.”
Ven. Baima Rongzhu Rinpoche
Ven. Baima Rongzhu Rinpoche is widely respected in India and is revered by the people who live along the banks of the Jinsha River. Having prostrated to H.H. Wan Ko Yeshe Norbu, he wrote, “Having read A Treasury of True Buddha-Dharma, I learned that the ancient Buddha, Dorje Chang Buddha, has descended to the human world again. This is truly our greatest blessing!”
Respected Eba Rinpoche
Respected Eba Rinpoche Danba Wangxu, the fifth dharma king of his temple, used the following words to express on behalf of other rinpoches deep gratitude to the most venerable H.H. Wan Ko Yeshe Norbu: “The supreme Dorje Chang Buddha has brought to us A Treasury of True Buddha-Dharma!”
Respected Khenpo Chucheng Qupei
Respected Khenpo Chucheng Qupei, whose status as khenpo was conferred upon him by H.H. Dharma King Sakya Trizin, respectfully praised H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu, as follows: “His Holiness is the supreme holder of the 84,000 Buddha-dharmas, the one who is in charge of all dharma methods of Buddhism. His Holiness was the first sambhogakaya Buddha in the dharmadhatu.”
Respected Wangzhi Tudeng Jigmei Rinpoche
Respected Wangzhi Tudeng Jigmei Rinpoche, the famous abbot of the Tsangtsang Temple, expressed his gratitude to the most venerable ancient Buddha, H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu, as follows: “The most honorable ancient Buddha has perfectly and flawlessly brought to this world the Buddha-dharma of Tibet’s four main sects as well as the exoteric Buddha-dharma.”
Respected Bishop Seicho Asahi
Respected Bishop Seicho Asahi is the supreme leader of the headquarters of the Koyasan Shingon-shu North American Mission. He praised H.H. Dharma King Wan Ko Yeshe Norbu, the Buddha Vajradhara, with the following words: “. . . Your Holiness’s great accomplishments on Buddhism . . . have never been seen before in the world. Your Holiness is truly the primordial Buddha who incarnated to this world to save living beings and to transmit the authentic Buddha-dharma of Tathagata.”
Bishop Seicho Asahi is the supreme leader of the of the Koyasan Shingon-shu North American Mission which has its headquarters in Los Angeles, CA. He was born in Hiroshima, Japan and came to California as a Buddhist minister in 1981. He has been active in community work, the Buddhist Peace Fellowship, interfaith activity, and developing a prison sangha at maximum security Folsom Prison near Sacramento, where he served as Buddhist chaplain prior to becoming Bishop.
The main headquarters of this sect of Esoteric Buddhism, Kongobu-ji (Vajra Peak Temple), is located at Koyasan (Mount Koya) in Wakayama perfecture, Japan. It has been designated as a World Heritage site by UNESCO. The temple was constructed in 1593 and rebuilt in 1863.
Gele Sanbu Rinpoche
Gele Sanbu Rinpoche prostrated to the supreme H.H. Yangwo Wan Ko Yeshe Norbu and stated, “H.H. Great Dharma King thoroughly understands the true causes and effects concerning all things in the universe. His Holiness is the first great holy being in the history of Buddhism to truly manifest in the human realm complete proficiency in exoteric and esoteric Buddhism and perfect mastery of the Five Vidyas!”
Luozhu Jiangcuo Rinpoche
Luozhu Jiangcuo Rinpoche prostrated to H.H. Wan Ko Yeshe Norbu and wrote, “I was fortunate to have respectfully read A Treasury of True Buddha-Dharma about the greatest leader of Buddhism, H.H. Yangwo Wan Ko Yeshe Norbu. . . . we see that a true Buddha has again descended into this world!”
Lama Renzhen Rinpoche
Lama Renzhen Rinpoche of the Five Vidyas Buddhist Institute prostrated to H.H. Wan Ko Yeshe Norbu and praised the accomplishments of the Vajra Dharma King of Great Holiness with the following words: “We have respectfully read A Treasury of True Buddha-Dharma about H.H. Buddha Vajradhara Great Dharma King and were truly astounded! . . . H.H. Great Dharma King represents the Buddha-dharma!”
Shanxi is often called the cradle of Chinese civilization, a province with one of the richest collections of cultural and historical relics. Guangsheng Temple is part of that story. First built during the Eastern Han Dynasty (25–220 CE), it is one of the earliest Buddhist temples in China. Over the centuries, it has endured wars, fires, and devastating earthquakes, yet it still stands, its beauty renewed through reconstructions in the Yuan (1271–1368) and Ming (1368–1644) dynasties.
The temple complex is composed of three main parts:
The Upper Monastery — home to its most famous landmark, the glazed pagoda.
The Lower Monastery — housing grand halls and statues.
The Water God Temple — known for its remarkable Yuan Dynasty murals.
Rising in the upper monastery is the Flying Rainbow Pagoda (Feihongta), an octagonal, 13-story glazed brick tower reaching 47.31 meters high. Built in 1527 during the Ming Dynasty, it’s an explosion of color in the sunlight. The walls and roofs are covered in multi-colored glazed tiles — deep emerald, golden yellow, sapphire blue, and rich purples — that glisten like jewels, casting rainbow-like reflections on sunny days.
Every tier of the pagoda is adorned with intricate glazed reliefs — Buddhas in serene meditation, fierce guardian kings, bodhisattvas in flowing robes, mythical beasts, and dragons coiled in eternal motion. Inside, the foundation hall houses a five-meter-tall bronze statue of Sakyamuni Buddha, radiating quiet majesty.
This pagoda is not only beautiful — it’s a survivor. It withstood the catastrophic 1556 Shaanxi earthquake and the 1695 Pingyang earthquake, both exceeding magnitude 8.0. Its resilience is as awe-inspiring as its artistry. In 2018, it was recognized by the London-based World Record Certification as the tallest multicolored glazed pagoda in the world.
Murals of the Yuan Dynasty — Life Painted in Color
The temple’s murals are a vivid window into the Yuan Dynasty. In the Water God Temple, nearly 200 square meters of wall space is alive with color: scenes of divine processions, farmers at work, musicians playing, and children at play. One remarkable panel shows “Cuíwán” (捶丸) — a sport similar to golf — offering a glimpse into pastimes of the Yuan era.
The mural on the gable wall of the Great Hall of Sakyamuni Buddha in the lower monastery is equally stunning, painted with an expressive style that blends religious devotion with snapshots of daily life. Researchers prize these works for their artistry and for the wealth of cultural detail they reveal — clothing, architecture, social customs — all preserved in pigment for more than 700 years.
The Zhaocheng Buddhist Canon — A Literary Treasure
In 1930, during restoration work, the temple revealed another extraordinary surprise—a cache of ancient relics now preserved in the Shanxi Museum. These included Buddhist scriptures, statues, and ritual objects, some dating back hundreds of years earlier. Printed during the Yuan Dynasty, this monumental project took 24 years and the collaboration of countless monks and artisans to engrave the wooden printing blocks. The texts preserve Buddhist thought, philosophy, and art from centuries ago, making them one of China’s most precious Buddhist literary relics.
The discovery deepened Guangsheng Temple’s reputation as one of the great guardians of China’s Buddhist heritage.
Today, whether you approach as a pilgrim, an art lover, or simply a traveler drawn by curiosity, the moment you first see the rainbow-like shimmer of the Glazed Pagoda through the mountain mist is unforgettable. It is not merely a structure—it is a bridge between centuries, a beacon of faith, and a reminder that beauty, once created with devotion, can endure against time itself.
Owls have always fascinated me with their air of enigma. Creatures of the night, they rest in the shadows by day and emerge only after dusk, rarely granting humans more than a fleeting glimpse. Across cultures, they have inspired legends both wondrous and foreboding. In ancient Greece, the wise and fearless goddess Athena chose the owl as her emblem, making it an enduring symbol of wisdom. So revered was this bird that Greek coins bore Athena’s face on one side and the owl on the other. Yet, in other parts of the world, the owl has been shrouded in darker associations, seen as a harbinger of misfortune or an omen of ill will.
In Chinese culture, the owl’s symbolism is particularly layered—holding both shadows and light. In ancient times, owls were often viewed as inauspicious creatures, linked to misfortune, death, and the old saying, “When the night owl enters a home, it never comes without cause.” And yet, in certain cultural contexts, they also stand for wisdom, keen insight, and even mysterious, almost magical power.
A Chinese ink painting by H.H. Dorje Chang Buddha III
When most people picture an owl, they think of its round, unblinking eyes and penetrating gaze—features that can feel cold, even intimidating. But my perception shifted entirely when I encountered the Chinese ink painting Childlike Delight by H.H. Dorje Chang Buddha III.
This is no ordinary artwork. With the freehand grace of traditional Chinese brushwork infused with a touch of dreamlike realism, it bridges the poetic subtlety of Eastern art and the fresh, luminous clarity of Western modernism.
With just a few effortless strokes, the artist creates a whimsical, pure, and gently humorous world—a dreamscape that seems to invite the viewer into the peaceful slumber of childhood. The small owl, covered with delicate ink spots of varying sizes and shades, appears almost as if glimpsed through a soft morning mist. Look closely, and you might see the tender image of a sleepy child, finger to lips, caught in that sweet moment before surrendering to dreams.
This is not a literal portrayal of nature, but rather nature reflected through the artist’s own heart—capturing not merely the physical form of a creature, but its spirit, vitality, and essence.
Here, the owl is reborn—not as the ominous figure of superstition, but as a symbol of innocence, purity, and quiet wisdom. The artist’s compassionate and unblemished inner world radiates through the painting, gently cleansing the heart of the viewer until it feels as fresh and clear as morning dew.
Childlike Delight reminds us that we can close the sharp, competitive eyes of rivalry and open instead the eyes of kindness, innocence, and warmth—gifts that have the power to heal, to inspire, and to light the world.
The air is warm and scented with pine smoke. In the distance, a line of golden lights winds its way down the mountainside, swaying and flickering like a living dragon. Drums beat in a steady rhythm, mingling with laughter and song. Children dash through the night clutching small torches, their faces glowing in the firelight. Elderly women hum old tunes, while young men and women steal glances beneath the shelter of bright yellow oil-paper umbrellas. This is not just a night—it is a living river of fire. You’ve just stepped into the Yi Torch Festival.
Every summer, when the moon of the sixth lunar month reaches its 24th day, the mountains and valleys of Yunnan, Guizhou, and Sichuan come alive with a sea of flickering light. This is the Yi Torch Festival, the grandest celebration of the Yi people and one of the most dazzling ethnic festivals in China.
The Yi, along with the Bai, Naxi, Jinuo, Lahu, and other ethnic groups, have celebrated this fiery tradition for centuries. For the Yi, fire is not just a source of warmth—it is a symbol of light, strength, and hope. The Torch Festival is their way of honoring fire, driving away evil, and praying for peace and abundant harvests.
On this special day, towering torches rise high in the center of each village, while every household lights their own smaller torches. As night falls, villagers carry these flames into the fields, circling the crops to symbolically chase away pests and misfortune, leaving behind protection and blessings.
The Torch Festival lasts three magical days and nights, each with its own unique charm.
Day One – Fire Worship Morning preparations are lively, feasts are prepared, and wine and meat are offered to ancestors. At dusk, villagers gather at a site chosen by the elders. There, a sacred fire is lit using the ancient method of striking stones, and the flame is blessed by a bimo (Yi priest) chanting sacred verses. Then, torches made from mugwort are passed to each household. Children and elders alike carry them to the edges of fields, reenacting the old legend of Ashimo, the heroine who once used fire to drive away destructive insects.
Day Two – Playing with Fire If Day One is solemn, Day Two is pure joy. Under the glow of the sacred flame, villagers gather for horse races, wrestling matches, bullfights, and singing contests. Young men compete like the legendary hero Atilaba, known for his courage and strength. Young women, dressed in vibrant handmade dresses and carrying delicate butter umbrellas, dance the graceful “Duoluohe” and Dati dances, just as Ashimo once did. The highlight? A traditional beauty contest where elders select the most handsome man and the most beautiful woman of the year—chosen not only for looks, but also for kindness, bravery, and skill. As the night deepens, couples stroll by the streams and through the mountains, plucking moon lutes and jaw harps, their music and whispers floating into the starry sky.
Day Three – Sending Off the Fire The final night is the festival’s grand finale. Villagers rush through the darkness carrying blazing torches, eventually gathering them into massive bonfires. Around these roaring flames, they sing, dance, and laugh until the stars fade and dawn arrives.
Beyond the rituals and dances, the Torch Festival is also a season of romance. Young men and women meet, flirt, and sometimes begin lifelong partnerships. According to tradition, a man may “steal” a token—such as a scarf or ornament—from the woman he loves as a sign of affection. For the rest of the night, they sing and dance together, expressing their feelings until sunrise.
In the end, the Torch Festival is more than just a cultural event—it is a living expression of the Yi people’s spirit: their love of life, reverence for nature, devotion to tradition, and unquenchable hope for the future. And as the last embers fade in the early morning light, the warmth of the flames lingers—both in the fields and in the hearts of the people.
If you’ve ever dreamed of seeing thousands of torches glowing like fire dragons weaving through the dark mountains, this is the place to be. The Yi Torch Festival is not only a feast for the eyes but also a journey into the beating heart of a culture that celebrates life in the glow of fire.
If you are willing to look with your heart, you will see starlight in a wolf’s eyes.
On this planet, humanity is not the only protagonist. Every forest, every river, every creature shares the same sky and breath with us. True civilization is not the conquest of nature, but the choice to live in harmony with it.
Li Weiyi, a wildlife animator, has spent years drifting between forests and grasslands, sketching the fleeting emotions in an animal’s eyes and the untamed spirit in its movements. Her brush captures not just form, but soul. Gentle and perceptive, she treats animals as friends and believes, with unshakable conviction: all beings are equal.
The Call of the Grassland
In April 2010, she arrived in the vast Ruoergai grasslands of Sichuan. The wind bent the grass like waves, silver mountains gleamed under the sun, and the openness was almost intoxicating. But behind the beauty was a brutal truth—conflicts between humans and wildlife were pushing many animals toward tragedy.
Then she heard a story that broke her heart. A male wolf, desperate to feed his mate who had just given birth, ventured into a human settlement in search of food. He was caught in a trap, killed by herders, and skinned. His mate waited for days before realizing he was gone. In grief, she ate poisoned bait and followed him in death, leaving six starving pups behind.
Li Weiyi resolved to find them. Days of searching through freezing wind and endless grass finally brought her to the den. Five pups had already died. The last survivor lay weak and trembling, barely breathing. When she whispered, it crawled toward her with eyes full of trust. At that moment, she became its only family.
She named him Green—for the color of the grasslands, for life, hope, and freedom.
Life Between a Woman and a Wolf
In Chengdu, Green grew into a curious, spirited companion. He swam instinctively the first time he fell into water, learned to press the TV remote with his paws, and loved wolf documentaries—howling whenever his kind appeared on screen.
But a wolf will always be a wolf. Green chewed through wires, stole raw meat from neighbors, and refused a leash with stubborn pride. On the streets, he walked with head held high, as if declaring to the world: I am a wolf, not a pet.
A walk with a stray dog ended in tragedy when the dog was hit by a car, sending Green into a panicked dash through traffic. Authorities warned Li Weiyi that Green could no longer live in the city.
Preparing for the Return
She briefly considered a zoo, but one look at an old wolf with dull eyes, torn ears, and walls scarred with escape attempts ended that thought. She sold her home, bought an off-road vehicle and a camera, and returned to the Ruoergai grasslands with Green to begin his rewilding.
There, he sparred with Tibetan mastiffs, relearned the fight for survival, and endured nights of hunger in temperatures as low as –15°C. Li Weiyi stayed by his side through it all, determined to awaken the wolf within him.
Parting and Return
One month later, Green’s howl was answered by a wild pack. He walked toward the mountains, pausing to look back, eyes filled with reluctance. Li Weiyi waved him on, tears blurring her vision, and he vanished into the snow.
He became a ruler of the grassland, fathering pups of his own—but three were killed by humans, a grim reminder that coexistence was still far away.
Two years later, she saw him again from a distance, carrying hares—her favorite food. He stood watching her, not approaching. He belonged to the wild now. His eyes held both sadness and something unspoken.
Li Weiyi began returning to the grassland each year to help wolves like Green survive. And in August 2020, after a decade of intertwined lives, Green ran back into her arms. She held him tightly, tears streaming—warmth, reunion, and harmony made flesh.
Li Weiyi turned her story into the book and film Back to the Wolf Pack. It ends with a haunting question:
“We can rescue a wolf, but can we change the fate of the entire pack?”
This is not only a question for wolves—it is a question for humanity. Every time we expand our territory, every time we place our wants above the needs of other life, we risk silencing the very voices that make this planet alive.
We are not the masters of the Earth. We are one part of a vast, breathing community of life.
In 2020, China’s first wild wolf sanctuary was established—a small but hopeful echo of Li Weiyi’s ten years of dedication. But the work is far from over.
If we truly wish for harmony with nature, it begins with a choice—to see, to care, and to act—before the howls fade forever.
Located in the northwest of Mount Tai, Lingyan Temple was founded during the Eastern Jin Dynasty and boasts a history of over 1,600 years. It is regarded as one of the most important sacred sites of Chinese Buddhist culture. Since the Tang Dynasty, Lingyan Temple has enjoyed great renown, and together with Qixia Temple in Nanjing, Guoqing Temple on Mount Tiantai in Zhejiang, and Yuquan Temple in Dangyang, Hubei, it has been hailed as one of the “Four Great Temples of China.” The eminent monk Tang Xuanzang once resided here to translate Buddhist scriptures. From Emperor Gaozong of Tang onward, many emperors stopped to worship at this temple on their way to perform imperial rites at Mount Tai, a testament to its revered historical status.
Although I personally prefer the majestic beauty of untouched natural landscapes, I was deeply moved by the profound cultural and religious artistry of Lingyan Temple. Within the temple grounds, ancient trees such as Chinese wingnut, cypress, and banyan rise skyward, creating a tranquil and sacred atmosphere. As an integral part of the World Natural and Cultural Heritage site of Mount Tai, Lingyan Temple is especially renowned for its colored clay sculptures of Arhats, which hold a prominent place in the history of Chinese sculpture.
Stepping into the solemn Thousand Buddha Hall, one is struck by the breathtaking sight of the Arhat statues—40 lifelike clay figures arranged in a semicircle along the inner walls. Among them, 29 represent disciples of Shakyamuni and Indian masters such as Bodhidharma and Kumarajiva. The remaining 11 depict eminent Chinese monks, including Huiyuan, Huike, Huichong, and various abbots of Lingyan Temple. According to inscriptions and scholarly research, the original set consisted of 32 statues, first created in the third year of the Zhiping reign of Emperor Yingzong of the Song Dynasty (1066). Additional painting and sculpting were done in the first year of the Zhiyuan reign (1328) during the Yuan Dynasty. The Thousand Buddha Hall was renovated in the 15th year of the Wanli reign (1587) in the Ming Dynasty, at which time the number of Arhats was increased to 40. The final touch-up was completed in the 13th year of the Tongzhi reign (1874) of the Qing Dynasty.
Each statue stands about 1.6 meters tall and is seated on a waist-high brick pedestal roughly 80 centimeters in height, with the top of each statue rising 105 to 110 centimeters above the seat. The overall sculptural style is remarkably realistic, emphasizing the individuality and inner spirit of each figure: square faces, prominent noses, distinct facial features, and dynamic, textured robe patterns. The ancient artisans broke away from conventional, stylized Buddhist iconography and instead grounded their work in real life, endowing each Arhat with unique expressions and postures—some sit in meditation, others clasp their hands or hold staffs; some appear ragged and emaciated, while others exude noble dignity and elegance. Each figure is infused with spirit and personality, appearing almost alive, as if they might speak or move at any moment.
What’s even more astonishing is the meticulous attention to detail in both facial expressions and bodily movement, as well as the relationship between the robes and the human form. The flowing lines of the garments, the way the folds respond to motion, and the tactile quality of the fabric all reflect a masterful understanding of form and rhythm. One medical expert even remarked that, “Through the Arhats’ robes, one can perceive the ancients’ precise grasp of human anatomy.”
The Arhat sculptures at Lingyan Temple are not only masterpieces of religious art but also represent the pinnacle of ancient Chinese realistic sculpture. The renowned scholar Liang Qichao once visited the site and inscribed a stone tablet calling them “The finest sculptures in the land.” Famed art master Liu Haisu also praised them, writing: “The Arhats of Lingyan—first under heaven—vivid and lifelike, with flesh and spirit.”
Lingyan Temple is more than a place of worship—it is a living chronicle of Buddhist heritage carved from clay and shaped by the hands of genius. Whether you are a devout practitioner, a history enthusiast, or an art lover, a visit to Lingyan Temple will surely leave you moved by its rich cultural legacy and breathtaking artistic beauty.
In life, wealth is not measured solely by what we own. True richness lies in the harmony between material comfort and inner peace. Across every social and economic class, we meet people who radiate kindness and resilience—and others who, despite outward success, feel spiritually empty.
Let’s explore four types of people through the lens of both outer wealth and inner fulfillment.
1. The Poor Among the Poor
Struggling both financially and spiritually.
Imagine someone living in a rundown apartment, surviving paycheck to paycheck. The hardship of their material life is evident—but the deeper burden lies within. Stress, anxiety, and hopelessness weigh heavily on their heart.
Perhaps their past holds trauma, loss, or abandonment. With little support or healing, bitterness takes root. Trust feels dangerous. Joy seems unreachable. They may withdraw or act out, living not only in material scarcity but also emotional desolation.
This is a soul in need of compassion, connection, and light—a reminder that true poverty is not just economic, but also spiritual.
2. The Spiritually Rich in Modest Circumstances
Materially humble, yet inwardly joyful.
Now envision someone of limited means, yet abundant in heart. Their home may be small, their income meager—but their spirit shines. They greet life with gratitude, take joy in the sunrise, the warmth of a shared meal, the laughter of a friend.
They live by faith or a strong set of values. They give generously, even when they have little. Their kindness is sincere, their joy resilient. They find meaning in helping others and walk through life with dignity and grace.
Yan Hui, one of Confucius’s most cherished students, is a timeless example. Confucius admired Yan Hui for his ability to remain joyful despite poverty, exclaiming: “How virtuous Hui is! With just a bowl of rice and a ladle of water in a humble alley, others could not endure such hardship, yet Hui never let go of his joy. How virtuous Hui is!”
His life shows us that true wealth comes from within.
3. The Restless Among the Rich
Surrounded by luxury, yet inwardly unfulfilled.
This person owns much—prestigious homes, expensive cars, elite status. But their heart feels hollow. They may look successful, yet their joy is shallow and fleeting.
They chase more: more titles, more possessions, more recognition—but the emptiness remains. Relationships feel strained. Peace eludes them. Their days are filled with doing, but not being. They struggle to find meaning.
Despite all they have, they feel poor in spirit. What they truly long for is connection, authenticity, and inner peace.
4. The Truly Abundant
Blessed with both material wealth and spiritual fullness.
Finally, imagine someone who has both outer success and a heart full of wisdom and compassion. Their generosity extends beyond money to love, time, and care. Their worth isn’t measured by what they own, but by the good they do.
They uplift others, listen deeply, and lead with humility. They use their resources to heal, not to boast. When they fall, they grow. When others suffer, they respond with empathy.
Their life radiates meaning because it is guided by the heart. They show us what true abundance looks like.
Prince Siddhartha is the ultimate role model. Born into luxury, he had everything—nobility, intelligence, beauty, and unmatched talent in both scholarship and martial arts. Yet, he realized that worldly pleasures are fleeting illusions.
Compelled by compassion, he renounced his royal life to seek a path of liberation for all beings trapped in the cycle of birth and death. Through profound wisdom and practice, he attained complete enlightenment and became the Buddha—a being of perfect wisdom and boundless compassion.
His life teaches us that the richest journey is one that leads to awakening and selfless love.
So, What Is True Wealth?
True wealth is not just what we possess—but who we are. You can have little and still be truly rich. You can have much and still feel deeply poor.
In the end, the real measure of success is not our bank account, but how much kindness we carry—and how we uplift others through it.
Let us not chase only riches. Let us seek a full heart. Let us build lives that inspire, comfort, and heal.
This is a deeply moving landscape painting by H.H.Dorje Chang Buddha III, marked by smooth, flowing brushwork and a natural rhythm. The undulating crimson cliffs seem to rise freely from the artist’s heart, while the vigorous lines brim with vitality and strength. Ink strokes form the skeletal structure of the mountains and rocks, while delicate willows hang softly across the scene, adding a quiet touch of green serenity. The overall palette is vivid but never garish, exuding a warm and nostalgic atmosphere.
In the painting, two thatched cottages nestle beside the mountains and water. Their deep-set doors and silent windows seem to hold untold, quiet stories. It was under these eaves, by these doors, that a loving mother once stood—sending her children off into the world with silent heartache, and waiting countless times in patient hope for their return. That wordless farewell, those tears of longing, have gently seeped into the fabric of time. Among all human emotions, none is greater than a mother’s love. Our memory of that love stirs an innate sense of gratitude—a sacred emotion that transcends the ordinary.
This work embodies the style known as the “Childlike Native School”, which embraces the beauty of rural life through the innocence of a child’s heart. Though the brushstrokes appear naïve and spontaneous, they conceal great depth and mastery. The painting style is free and unrestrained, exuding both boldness and tenderness. The soft, flowing lines connect seamlessly—like a mother’s love, endlessly enduring, gentle yet firm. Its simple composition holds rich emotional meaning and invites the viewer’s imagination to wander. The scene pulses with a childlike liveliness that fills the heart with joy.
The painting’s pure and innocent imagery evokes a return to the carefree days of childhood. No matter where you are, simply gazing at this piece can bring the scene and its emotions vividly before your eyes, awakening the deepest tenderness and longing in your soul.
In creating Mountain Village with Memories of Mother, the artist approached the work with the pure heart of a child, yet painted with the maturity and finesse of a seasoned master. The brush technique draws from traditional Chinese calligraphy—guided by the wrist, powered by the arm—each stroke flowing naturally with graceful spontaneity. This painting was not created for show or technical display, but as a sincere outpouring of emotion and inspiration. Every application of ink and color arises from genuine feeling.
What is art? At its essence, art is the ability to immediately evoke inner peace, comfort, joy, or spiritual fulfillment in the viewer. But where does this feeling come from? Is it merely the subject matter or visual beauty of the work? Certainly not. A painting does not become great simply because it looks pleasing.
In the context of Chinese painting, the true heart of art lies in a quality called “spiritual resonance” (shen yun). It is vivid, yet elusive—a mysterious charm and subtle power that cannot be described with words. It is born when the artist’s personal cultivation, emotional depth, and spiritual awareness infuse the work, allowing spirit and technique to merge. The result is an artistic vitality that transcends mere form.
Only when viewers are moved by this spiritual resonance do they begin to explore the painting’s formal elements—its composition, color palette, brush technique, balance between painting and calligraphy, and the portrayal of the subject in both spirit and form. While these aspects matter, they ultimately serve a deeper, more profound experience.
In Chinese art, the true value of a painting—its ability to soothe the soul—does not depend on technical skill alone. It lies in whether the work can touch the heart and stir the spirit. Mountain Village with Memories of Mother beautifully embodies this artistic spirit. Every brushstroke gently stirs the viewer’s emotions, evoking tender memories and inviting the soul to linger in its serene beauty.
This exceptional work is housed in the permanent collection of the International Art Museum of America, located in San Francisco—a fitting home for a piece that speaks a universal language of love, nostalgia, and spiritual beauty.
Longxing Temple, also known as the Great Buddha Temple, is one of China’s oldest, largest, and best-preserved Buddhist temples. This extraordinary complex is not only a sacred site but also a magnificent testament to the architectural genius and spiritual devotion of ancient China.
Located at No. 109 Zhongshan East Road in Zhengding County, Shijiazhuang, Hebei Province, Longxing Temple sprawls across an impressive 82,500 square meters.
Originally established in 586 CE during the Sui Dynasty under the name Longcang Temple, it was later renamed Longxing Temple during the Tang Dynasty. In 971 CE, Emperor Taizu of the Northern Song Dynasty issued an edict to cast an enormous bronze Thousand-Armed Avalokiteshvara Bodhisattva and build the splendid Hall of Great Compassion to house it.
This marked the beginning of large-scale expansion, culminating in a grand Song Dynasty architectural complex centered on the hall. Through the Jin, Yuan, and Ming Dynasties, the temple saw continued renovation and growth. In the Qing Dynasty, both Kangxi and Qianlong Emperors decreed extensive rebuilding, shaping the temple’s current layout:
The eastern section served as monks’ quarters
The central axis hosted Buddhist ceremonies
The western area functioned as the imperial palace quarters
In 1710, Emperor Kangxi personally inscribed the name “Longxing Temple,” an honor that reflects its enduring importance.
Today, visitors can trace a north–south axis that passes through a series of majestic structures: the Hall of Heavenly Kings, Mani Hall, the Ordination Altar, the Revolving Sutra Library, and more than a dozen other halls and pavilions. The complex is celebrated as a textbook example of ancient Chinese Buddhist temple design.
Recognized among China’s ten most famous temples, Longxing Temple was declared a Major National Historical and Cultural Site in 1961 and later designated a National AAAA Tourist Attraction.
Highlights Not to Miss
Hall of Heavenly Kings
First built in the Northern Song Dynasty, this is the oldest surviving structure of its kind within the temple. Even after a major renovation in 1780, its main timber frame remains original.
Above the entrance, plaques bearing the calligraphy of the Kangxi Emperor read:
“Imperially Established Longxing Temple” “Hall of Heavenly Kings”
Inside stands the famous Big-Bellied Maitreya Buddha, a Jin Dynasty wood carving over 800 years old. Thoroughly localized in Chinese style, this smiling figure derives from the legendary monk Qici, known for his benevolence and laughter.
On either side stand the Four Great Heavenly Kings, each symbolizing auspicious natural forces:
Wind (Southern King, with a sword)
Harmony (Eastern King, with a lute)
Rain (Northern King, with a precious umbrella)
Compliance (Western King, with a coiled snake)
Together, they express the blessing of abundant harvests and national peace.
Mani Hall
Built in 1052, Mani Hall has an unusual cross-shaped floor plan created by four gabled annexes extending from its square central chamber.
Inside, five golden clay Buddha statues preside over the altar, with Shakyamuni Buddha at the center.
The hall’s north wall showcases a breathtaking polychrome relief nearly 16 meters long, depicting swirling clouds, celestial beings, and Avalokiteshvara stepping onto a lotus—symbolizing the entrance to the Western Pure Land.
At the heart of this scene sits the Backward-Facing Avalokiteshvara, so named because she faces north instead of south. Far from a supernatural image, this Avalokiteshvara appears as a serene, youthful woman with an expression so vivid and gentle it moves all who gaze upon her.
Visitors often remark:
“How beautiful—how extraordinary! She sits so naturally, one leg casually crossed, her eyes meeting yours wherever you stand. Her smile is as enigmatic as the Mona Lisa—truly ‘The Most Beautiful Avalokiteshvara.’”
Ordination Altar
Reserved for the most important temples, the Ordination Altar was where monks received their vows.
Inside the altar stands a unique double-sided bronze Buddha statue. Facing south is Amitabha Buddha, and facing north is Medicine Buddha. The two figures share a single body, seated back to back in lotus posture.
The statues are depicted in full lotus position, wearing five-leaf crowns, with round, gentle faces. Their necks are adorned with necklaces and their arms with bangles, while flowing sashes drape gracefully from their shoulders. Amitabha’s hands form the meditation mudra, while Medicine Buddha’s hands display the gesture of compassion.
Their expressions are serene and tranquil, exuding a quiet dignity and solemn beauty in their elegant simplicity.
Longteng Garden
To the northeast lies Longteng Garden, a Ming and Qing–style garden combining cultural heritage and tranquil scenery.
Here you’ll find:
Northern Dynasties stone statues
A Jin Dynasty scripture pillar
A Yuan Dynasty mural tomb
The Ming Dynasty Longquan Well Pavilion
The “Three Generations of Vice Ministers” stone archway
Meandering through its pavilions, terraces, and lush paths feels like stepping into a living scroll of history.
Cultural Traditions
Imperial Buddhist Ceremony Performance
Zhengding’s Longxing Temple is an imperial temple that was visited and funded for repairs by emperors over many dynasties. According to The Chronicles of Longxing Temple, in the 49th year of Emperor Kangxi’s reign (1710 CE), the emperor ordered funds to be allocated from the national treasury to restore Longxing Temple. After the renovations were completed, Emperor Kangxi personally came to pay homage and bestowed 19 inscribed plaques, including one reading “Longxing Temple Constructed by Imperial Decree,” all handwritten by himself.
At the end of 2011, drawing on historical records, the Cultural Heritage Office re-created the Grand Imperial Buddhist Ceremony, reenacting the scene of Emperor Kangxi’s arrival at Longxing Temple, the local officials welcoming the imperial entourage, and the emperor bestowing plaques, offering incense, and performing rituals to honor the Buddha.
Thousand-Armed Avalokiteshvara Performance
Inside the Great Compassion Pavilion of Zhengding’s Longxing Temple stands a bronze statue of the Thousand-Armed, Thousand-Eyed Avalokiteshvara, measuring 21.3 meters in height. Cast in the 4th year of the Kaibao era of the Northern Song Dynasty (971 CE), this towering bronze figure is remarkable both for its immense size and its exquisite craftsmanship.
It is the tallest and oldest ancient bronze Buddha statue of its kind in the world. It is not only a symbol of Longxing Temple but also an emblem of the ancient city of Zhengding.
The Thousand-Armed Avalokiteshvara Performance features graceful melodies and captivating dance that vividly convey the divine presence and compassion of the bodhisattva.
Longxing Temple is more than a historical monument—it is a living symbol of Chinese Buddhist art, architecture, and spirituality. Whether you come for quiet reflection, cultural discovery, or simply to stand before centuries of devotion, this magnificent temple will leave a lasting impression on your heart.
Respected Khenpo Chucheng Qupei, whose status as khenpo was conferred upon him by H.H. Dharma King Sakya Trizin, respectfully praised H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu, as follows: “His Holiness is the supreme holder of the 84,000 Buddha-dharmas, the one who is in charge of all dharma methods of Buddhism. His Holiness was the first sambhogakaya Buddha in the dharmadhatu.”
Peace LiLy 
